John Holloway: We are the Crisis of Abstract Labour

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John Holloway: We are the Crisis of Abstract Labour

Transcript of a talk given in Rome, 2006

“Voices of resistance: alternative voices”. What are our voices? Our voices are the voices of the crisis of abstract labour. We

are the crisis of abstract labour. We are the power of creative doing.

We are crisis. We are not in the first place a positive force, but a

negative one. What brings us here today is not something positive

that we have in common, but the No that we all share. No to

capitalism, no to a world of violence and exploitation, no to a form of

social organisation that is quite literally destroying humanity, in

every sense of the word. No to a world in which what we do is

determined by forces we do not control. ¡Ya basta! But this ¡ya

basta!, this refusal, does not stand outside capital, it goes to the very

heart of capital, simply because capital depends on our yes, on our

acceptance, on our agreement to labour and create value, on our

reproduction of the obscenity that surrounds us. Our NO is a no with

force, simply because the existence of capital depends upon our

saying yes. Our NO is the endemic crisis of capital.

We are NO, we are negativity, we are the crisis of capital. But we are

more than that. We are the crisis of that which produces capital, the

crisis of abstract, alienated labour. Abstract labour produces capital.

Indeed, capital is the abstraction of labour, the process by which the

immense richness of human creativity is controlled, contained,

harnessed in the service of the expansion of value. The abstraction

of labour reduces the intense colour of creative doing to the greyness

of value production, to the emptiness of money-making. In

capitalism, creative doing (what Marx called concrete or useful

labour) is subjected to abstract labour, it exists in the form of

abstract labour, but this form conceals a constant tension, a constant

antagonism between content and form, between creative doing and

abstract labour. Creative doing is subjected, but not eliminated by

abstract labour: it exists in constant rebellion against abstract labour,

it exists as the latent crisis of abstract labour.

Here then is the core of class struggle: it is the struggle between

creative doing and abstract labour. In the past it has been common to

think of class struggle as the struggle between capital and labour,

understanding labour as wage labour, abstract labour, and the

working class has often been defined as the class of wage labourers.

But this is quite wrong. Wage labour and capital complement each

other, wage labour is a moment of capital. There is indeed a conflict

between wage labour and capital, but it is a relatively superficial

conflict. It is a conflict over the level of wages, the length of the

working day, the conditions of labour: all of these are important, but

they presuppose the existence of capital. The real threat to capital

comes not from abstract labour but from useful labour or creative

doing, for it is creative doing that stands in radical opposition to

capital, that is, to its own abstraction. It is creative doing that says

“no, we shall not do what capital commands, we shall do what

we consider necessary or desirable”.

We are the crisis of abstract labour, we are the crisis of the labour

movement, the movement built upon the struggle of abstract labour.

Since the early days of capitalism, abstract labour has organised its

struggle against capital, its struggle for better conditions for wage

labour. At the core of this movement is the trade union movement

with its struggle for higher wages and better conditions. In the

classic literature of orthodox Marxism, this is seen as the economic

struggle, which must be complemented by political struggle. The

political struggle is organised in parties, which have the winning of

state power as their focus - either by parliamentary means or by

armed struggle. The classic revolutionary party aims, of course, to

go beyond the perspective of the trade unions and to lead a

revolution that will abolish abstract, wage labour, but in reality it is

(or was) trapped within the world of abstract labour. The world of

abstract labour is a world of fetishism, a world in which social

relations exist as things. It is a world populated by money, capital,

the state, the parties, institutions, a world filled by false stabilities, a

world of identities. It is a world of separation, in which the political is

separated from the economic, the public from the private, the future

from the present, the subject from the object, a world in which the

revolutionary subject is a they (the working class, the peasantry), not

a we. Fetishism is the world of the movement built upon the struggle

of wage labour, abstract labour, and from this fetishism there is no

escape: it is a world that is oppressive and frustrating and terribly,

terribly boring. It is also a world in which class struggle is

symmetrical. The complementarity of abstract labour and capital is

reflected in a basic symmetry between the struggle of abstract labour

and the struggle of capital. Both revolve around the state and the

struggle for power-over others; both are hierarchical; both seek

legitimacy in acting on behalf of others.

We are the crisis of abstract labour and its labour movement. That

has always been true, but what is new is that we are no longer just

its latent crisis, but its open, manifest crisis. Abstract labour has

always been the key to capitalist domination, that is to say, the

conversion of creative doing into abstract labour and, with it, the

transformation of human creators into wage labourers. Employment,

in other words, has always been the core of capitalist control. The

so-called full-employment economies of the post-war period,

combined with the massive and intense abstraction of labour in the

Fordist era were perhaps the high point of the rule of abstract labour

and its institutions - of which the classic labour movement was a

central part. This mode of domination has been in open crisis for the

last thirty years, and we are that crisis, our NO, our refusal to accept

the conversion of our creativity into meaningless abstract labour, the

conversion of ourselves into machines.

But what of neo-liberalism, what of war, what of empire and

biopower and the new forms of social control? Have they not

overcome the crisis and created a new basis for capitalism? No, I do

not think so, and we should be very careful in our theorisations not

to turn crisis into a new paradigm, a new era of domination, a new

empire, simply because the positivities of paradigmatic thought

incarcerate our negativity, close our perspectives. It is capital’s

task to create a new paradigm, not ours. Our task, both theoretical

and practical, is to create instability, not stability. Marxism is a

theory of crisis, not of forms of domination: not of the strength of

domination, but of its fragility. And there are many, many

indications of the fundamental fragility of capital at this moment:

both its growing violence and its continued dependence on the

constant expansion of debt. Certainly, there is a constant expansion

and intensification of the abstraction of labour: we in the universities,

for example, are very aware of the way in which our work is being

subjected more and more directly to the demands of the market. But

at the same time, there is an increasing failure of abstract labour to

contain the thrust of creative doing within the bounds of value

production, within the bounds of the market.

That is the crisis of abstract labour: the inability of abstract labour to

contain the force of creative doing. Employment has always been,

and continues to be (despite the extension of discipline to the whole

of the “social factory”), the principal disciplinary force of

capitalism, the principal means of containing and reducing our

humanity, our refusal-and-creation. The crisis of employment

everywhere both intensifies this discipline (as people compete for

jobs) and weakens it, as it fails to fill people’s lives: the

precariousness of employment is also the precariousness of the

abstraction of labour. Increasingly, the struggles of protest against

capitalism go beyond the bounds of the movement based on abstract

labour. It is not that the old labour movement ceases to exist, or that

it ceases to be important for the improvement of living conditions,

but increasingly the struggles against capitalism overflow from the

structures and conceptions of this movement. Whether or not the

category of class is used explicitly, this is not an abandonment of

class struggle, but an intensification of class struggle, a different

level of struggle. This is a struggle that breaks the symmetry that

characterised the struggle of abstract labour, a struggle that is

fundamentally asymmetrical to the struggle of capital and rejoices in

that asymmetry: to do things in a different way, to create different

social relations, is a guiding principal.

In this new reconfiguration of class struggle, we are the

revolutionary subject. We? Who are we? We are a question, an

experiment, a scream, a challenge. We need no definition, we reject

all definition, because we are the anti-identitarian power of creative

doing and defy all definition. Call us the multitude if you like, or,

better, call us the working class, but any attempt at definition makes

sense only in so far as we break the definition. We are

heterogeneous, we are dissonant, we are the affirmation of

ourselves, the refusal of alien determination of our lives. We are,

therefore, the critique of representation, the critique of verticality and

of any form of organisation that takes responsibility for our lives

away from us. Listen to the voices of the Zapatistas, of the

piqueteros of Argentina, of the indigenous in Bolivia, of the people of

the social centres of Italy: the subject they use all the time to speak

of their struggle is “we”, and it is a category that carries real

force.

We are feminine, nosotras not nosotros, because the crisis of

abstract labour is the crisis of a male-dominated activity and form of

struggle and because the new class struggle does not have the same

gender composition as the old.

We are the breaking of time, the shooting of clocks. The movement

of abstract labour projects revolution into the future, but our

revolution can only be here and now, because we are alive here and

now and in the future we shall be dead (or immortal). We are the

intensity of the moment, the search (Faust’s search, Bloch’s

search) for the moment of absolute fulfilment. We are the poetry of

the working class, the working class as poetry.

Our revolution, then, cannot be understood as building for the great

event in the future, but only as the creation here and now of cracks

or fissures or ruptures in the texture of domination, spaces or

moments in which we say clearly “no, we will not accept that

capital should shape our lives, we shall do what we consider

necessary or desirable”. Look around and we can see that these

spaces or moments of refusal-and-creation exist everywhere, from

the Selva Lacandona to the momentary refusal-and-creation of an

event like this. Revolution, our revolution, can be understood only as

the expansion and multiplication of these cracks, these

lightning-flashes of refusal-and-creation, these volcanic eruptions of

doing against labour.

Asking we walk. Preguntando caminamos.

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I don't get it. confused

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it would have been better if they'd used the word abstract a bit more in it

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I read the first five sentences and decided "I'm not fuckin' readin this".

circle A red n black star

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He's done some alright stuff as well - London Edinburgh Weekend Return Group was good for example.

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Is this a test? If people can swallow this much shite then they might think you're clever.

Writing well is writing so that it is easily understood, not writing confused ramblings and hoping people mistake them for complex thoughts simply because they don't make sense.

Or is this a fantastic post-modern experiment?

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It might be a re-translation from Italian back to English again?

I'd like to make it clear that Holloway has written some good stuff in the past and this is uncharacteristically unclear, although I've not read loads and mainly his earlyish stuff.

rkn
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Yeah i was thinking if it was translated out of Italian that wouldnt help...

http://libcom.org/library/john-holloway - more of his stuff.

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it seems to be a condensed version of 'change the world without taking power'. All pretty straight forward.

Has to be noted this was a talk, hence the fragrant language, & not a written text.

We are the poetry of the working class, the working class as poetry. The test is i think whether you can smile after reading that.

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coffeemachine wrote:
We are the poetry of the working class, the working class as poetry. [/i] The test is i think whether you can smile after reading that.

No, but I can puke pretty easily......

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Hi

Quote:
I can puke pretty easily......

A crisis of abstract labour if ever I saw one.

Love

LR

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Oh come on, you's can't have read much Holloway if you don't get it - he uses all his familiar catchphrases...

John Holloway wrote:
Here then is the core of class struggle:

it is the struggle between creative doing and abstract labour.

*

Quote:
We are a question,

an experiment, a scream, a challenge. We need no definition, we reject all definition, because we are the anti-identitarian power of creative doing and defy all definition. Call us the multitude if you like, or, better, call us the working class, but any attempt at definition makes sense only in so far as we break the definition. We are

heterogeneous, we are dissonant, we are the affirmation of

ourselves, the refusal of alien determination of our lives. We are, therefore, the critique of representation, the critique of verticality and of any form of organisation that takes responsibility for our lives away from us.

8)

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oisleep wrote:
it would have been better if they'd used the word abstract a bit more in it

grin grin

42 times!

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i quite like some of Holloways stuff, but you get the feeling he's a dull Anglo trying to hard to be as sexy and poetic in his prose as Negri and hardt, it just doesn't work.

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I think it rules! every one else must be munted

cheers

Dave violet black star

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The problems as I see it with Holloway’s piece are that

a) It is a rehash of the same old thing. This was somewhat novel when “Change the World without Taking Power” came out, but now it is repeated as it in itself it is meaningful.

b) There is a kind of romanticism to John’s material and to a lot of the Open Marxism stuff once the question of how we get from capitalism to communism. It is frankly posed merely in terms of a kind of withdrawal, and in this way at least is very similar to Marcel from riff-raff’s document, “Communism of Attack, Communism of Withdrawal.” However, Ken Knabb’s comment on CrimethInc seems to apply with equal force here:

“Nor, conversely, do I consider that I am accomplishing anything very notable if I avoid some such compromise, as if radical struggle were a matter of more and more people gradually becoming less and less implicated in the prevailing system.” [italics mine – CDW]

c) The notion of the escape from capital assumes simply a kind of non-compliance, of building parallel, alternative practices. While this certainly needs to take place, it is hard to see how this can be done as simply a withdrawal, as if capital is not fully prepared to use the highest levels of violence to enforce its world and crush alternatives.

d) In this sense, despite their largely correct understanding of the state as itself a form, a mode of existence, of the capital-labor relation, they underestimate the material/institutional aspect of the state, its presence as an armed body of “men”. Their attitude towards the dictatorship of the proletariat is particularly obtuse, in so far as the dictatorship of the proletariat is nothing more than the proletariat engaging in the organized, systematic, ruthless suppression of value, wage-labor, exchange, commodities, the state, etc.

e) In this light, the Kosmas Psychopedis article in the new book “Human Dignity” is particularly eye-opening for its near-pacifism. So also is Laibman’s article on the “muck of ages”, which completely mistakes the muck of ages for merely capital’s muck and which also loses sight of the necessity of revolutionary violence in the elimination of aspects of the old society, not merely from a practical point of view, but itself from an ethical point of view, for the ethical and moral cleaning out of the Augean stables.

f) None of this implies a state, at least not in the sense understood by Marx nor by Holloway, Bonefeld, et al.

g) Leaving aside the state, this notion of withdrawal also ignores the fact that a lot of the existing means of production must not merely be abandoned, but expropriated and their use transformed. A large range of manufacturing, transportation and communications come into mind here and to me it betrays an ignorance of the scale, complexity and dependencies associated with providing certain basic services. It always feels a bit primitivist to me.

Again, Ken Knabb’s comments on CrimethInc seem a propos to me

“If you take May 68, for example, the outcome hinged almost entirely on whether or not the workers occupying their factories would take that one additional step of restarting up necessary production and distribution under their own control. In such a context, whether this or that worker had previously been "implicated" in the system can be seen as largely irrelevant. (It is true, of course, that the workers' previous habits of working, consuming, TV watching, etc., undoubtedly contributed to their hesitancy to take that final step. But that's not at all the same thing as saying that the way to overcome capitalism is for people to withdraw from it as much as possible.)”

h) Expropriation however automatically also involves confrontation with the materiality of the state. It is a violation, the worst violation, of the law and the law is only real insofar as it is enacted by the violence of the state, by punishment.

i) I think that John’s way of treating ‘being’ versus ‘becoming’, ‘done’ versus ‘doing’ is deeply mistaken. There is not some good ‘doing’ that is subject to the bad ‘done’. This mistake is particularly unusual in light of Holloway’s form analysis expounded by himself, Werner Bonefeld, and Richard Gunn almost two decades ago. After all, this move separates ‘doing’ into itself good and ignores that ‘doing’ is as much always in a certain mode of existence as ‘done’. While it is certainly true that objects rule subjects in this society, such that people exist as subjects only in the mode of being denied and objects appear as the true subjects, whether as ‘structures’ or ‘objective social relations’ or as ‘commodities’ or ‘value’, ‘doing’ also takes on a specific social form. The worst example of this split is the completely false treatment of use-values versus exchange-values in Capital. Marx’s complaint is not that exchange-value is at the expense of use-value, but that both use-value and exchange-value form moments of the Value form. Use-value is a product that already exists as a commodity. There will be no ‘use-values’ after the destruction of capital, merely products of our activity that we make use of. Their objective properties will not stand out over and above the use to which we put these things. They will not have an objectivity, beyond the most bare ontological ‘thingness’, a very naïve and not very useful category after one gets past the 4th grade level of philosophy anyway. Dialectical Materialism and most “ontological” materialism is always stuck at this point and believes that this constitutes a critique of Hegel or idealism, when in fact it is nothing more than a predicate to a discussion, one which Marx does not even bother with because it is so clearly obvious. This is a larger discussion, but Holloway’s distinction is untenable, IMO.

j) Holloway’s general language is a bit flowery, but I am less certain this is an affectation than living in Mexico for so long now and his long acquaintance with the Zapatistas. Anyway, it is hardly the worst thing to have a little poetry and love in one’s theory. We fight for bread, but we fight for roses too.

k) The abstractness of this is especially poignant to me. How would Holloway’s approach be able to develop out the situations that developed in New Orleans with the hurricane, or the uprisings in the French suburbs or the anti-CPE demonstrations? If this cannot be concretized in terms of actual events, in ways that show an ability to cope with details, then it seems somewhat scholastic to me.

Chris

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although i'm sure there are indeed plenty of criticisms of this speech, it is 7am and i have been already awake for an hour so i don't really fancy fully engaging but i think it was a rather nice little speech.

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Sorry to riff-raff, I should have specified that while the withdrawal was similar to Marcel's text, his notion is not quite the same as Holloway's. I was not clear about that, noting as I did merely what was similar. I was not, as such, ascribing any tendency towards primitivism to Marcel's "Communism of Attack, Communism of Withdrawal".

Chris