The Conspiracy of Good Taste (1993) Stefan Szczelkun
The Conspiracy of Good Taste (1993) Stefan Szczelkun
Tom Maguire: “An Under-Paid Agitator”
Tom Maguire: “An Under-Paid Agitator”
in the Late-Victorian Socialist Press
Elizabeth Carolyn Miller
The why I ams: Why I am a communist - William Morris; why I am an expropriationist - L.S. Bevington.
The Why I Ams: Why I Am a Communist by William Morris; Why I Am an Expropriationist by L.S. Bevington. Published 1894. Copy from Victorian Women Writers Project.
William Morris and the Early Days of the Socialist Movement (1921)
Part of the series of biographies of William Morris.
Reminiscences of Morris' work as a propagandist, and observations on his character and genius, with some account of the persons and circumstances of the early socialist agitation, together with a series of letters addressed by Morris to the author. With a pref. by May Morris
The Factory Hell: Eleanor Marx
Pamphlet describing working conditions in 19th century mills and factories in Britain and the futility of reforms to deal with these abuses.
The Working-Class Movement in America: Eleanor Marx
A book detailing the working conditions and the young labour movement of the USA in the 19th Century, based primarily on the daughter of Karl Marx's fifteen week agitation tour.
The Historical Place of the SPGB
Transcript of the opening remarks of a talk by Steve Coleman (for the Socialist Party of Great Britain) taking place on 1 June 1980 in London. Full audio recording also available online.
Angiolillo's vengeance
Submitted by Juan Conatz on Aug 2 2014 05:03
The story of Michele Angiolillo, an Italian anarchist who assassinated the repressive Spanish Prime Minister Antonio Cánovas in 1897
The Walsall anarchists - David Nicoll
Submitted by wojtek on Oct 8 2013 23:03
David Nicoll's pamphlet on the Walsall bomb plot. Published in 1892.
Flowers for Homestead at Dulwich Picture Gallery - Practical History
Submitted by Spassmaschine on Jul 27 2009 00:47
Leaflets distributed at a talk on Henry Frick's art collection, reflecting on the 1892 Homestead strike, and the origins of the wealth of the industrialists whose collections founded many of Britain's major art galleries.
