In this concise1953 programmatic text presented at the Genoa Meeting of the International Communist Party, Amadeo Bordiga sets forth a series of theses outlining the perspectives for revolution in the post-war world, and emphasizes that it will have to take place in the West, because of its more advanced capitalism, rather than in the less developed capitalism of Russia, based on Marx’s theory of the increasing productivity of labor and the falling rate of profit, and refers to the absence of a “communist party in the U.S. [with] an integral revolutionary program”, despite the maturity of the objective conditions there, as a “major historical problem”.
In these 26 theses presented at the Milan Meeting of the International Communist Party in 1952, Amadeo Bordiga sets forth his conception of the “invariance” of Marxism, utilizing colorful examples from the histories of religion, mythology, ideology and science as well as the class struggle, denouncing “modernizers” (he says they are worse than Stalinists) “weasel assumptions”, “foolish clichés”, “bourgeois prejudices”, “aberrations”, and “nonsense”, and everything that stands opposed to the “common doctrine of the party, uniform, monolithic, and invariable, to which we are all subordinated and bound, putting an end to all chattering and know-it-all discussions”.
A critique of Roi Ferreiro’s critique of Andrés Devesa’s essay on the Spanish civil war and revolution, in which Guillamon derides Ferreiro for idealism and the use of elitist jargon, and for his failure to “perceive that the battle for revolutionary history is not just a bookish, theoretical and abstract question, but another battlefield in the class war between the bourgeoisie and the proletariat”.
First published in 1859, the book is mainly an analysis of capitalism, achieved by critiquing the writings of the leading theoretical exponents of capitalism at that time: these were the political economists, nowadays often referred to as the classical economists; Adam Smith (1723–90) and David Ricardo (1772–1823) are the foremost representatives of the genre. Much of the Critique was later incorporated by Marx into his magnum opus, Capital (Volume I), published in 1867.
Good article from 1987 explaining that the use of the term "dictatorship of the proletariat" in German by Marx and Engels is not the same as the English word "dictatorship" and does not conflict with democracy.