I'm not sure quite where to start my rant on this public art project in Times Square by Steve Lambert (http://gothamist.com/2013/09/12/talk_about_capitalism_in_the_heart.php), given that it perturbs me on so many levels. The artist might respond, "That's the point!" And certainly I'd like to respond, "You're right!" Instead, my first disgruntlement with this piece it that it only appears to perturb, and so cleverly.
A short summary of the history of the Situationist International, with brief discussions of its artistic origins, its significance as the “the most political artistic vanguard and the most artistic political vanguard” of its time, the role of the critique of everyday life in the development of its project, and the recuperation of many situationist themes by capitalism since May ’68, whose achievements with regard to individual freedom "were nothing but the pale reflection of the freedom of the market”.
In Madrid I happened upon a unique collection in the annals of Spanish Civil War. Robert Capa considered a pioneer of photojournalism provided the iconic Falling Soldier image. Negatives of his, David Chim and Gerda Taro were thought lost when Capa fled Paris in 1940. The collection formed a heavily circulated body of work sympathetic to the Republic. The collection of 4,500 fortunately resurfaced in 2007 in Mexico and until September 2012, part of the La Maleta Mexicana collection - Círculo de Bellas Artes. Unfortunately, my camera is limited, but hopefully it gives a flavour of the collection.