Belying his miserabilist reputation, Mike Leigh’s new film Happy-Go-Lucky celebrates incorrigible optimism – but with the usual twists, finds Tom Jennings
A rash of TV documentaries explain away tense British resident-immigrant relations with typical middle-class prejudice in reproducing forty years of media and state-managed mystifications of the ravages of capitalism, according to Tom Jennings.
Tom Jennings is relieved that Ben Affleck’s first film as director, the thought-provoking Gone, Baby, Gone, avoids the ham sentimentality of much of his acting
A comparison of UK near-future nightmares, including Taking Liberties, Faceless, Children Of Men, The Last Enemy, Exodus and Polly II: A Plan For Revolution in Docklands.
Juggling simplistic stereotypes, Channel 4’s Britz illuminates neither the attitudes of UK Muslims nor the motivations of homegrown jihadists, concludes Tom Jennings.