Tom Jennings

Ill Manors, directed by Ben Drew, and The Angels' Share, directed by Ken Loach

Official 'truth' being more dishonest as well as stranger than fiction, Tom Jennings looks instead at feral youth fairytales screened since last August's riots.

We Found Hope in a Loveless Place. Film review – Tom Jennings

Reacting to Reality Television, by Beverley Skeggs & Helen Wood

A welcome and invaluable critical analysis of some of the effects of the genre on its viewers.

Morality Plays. Book review – Tom Jennings

UK screen representations of youth in austerity

Two decades-worth of British poverty porn reveals more than might be thought.

The Poverty of Imagination. Film and television review – Tom Jennings

The War on Terra, by Verbal Terrorists

“Rhyming for a reason, we ain’t here for the hell of it: Fuck ya deficit!” (Efeks, ‘Mass Production’)

Deterritorial Attack Group. Music review – Tom Jennings

Wuthering Heights, directed by Andrea Arnold

Never mind the prissy costume drama bollocks. This raw punk historicism is a landmark, in several senses, of British cinema.

Othering Depths. Film review – Tom Jennings

Top Boy, by Ronan Bennett, Channel 4

Yet another teenage gang tall story glimpses beyond the moral panics and tired miserabilism of most poverty porn.

Hackney(ed) Crossroads Reloaded. Television review – Tom Jennings

Attack the Block, directed by Joe Cornish

An apparently refreshing take on underclass alienation soon sours into the same old rancid reaction

Alienz ’n the ’Hood. Film review – Tom Jennings

Street Summer season, Channel 4

A naff cultural-historical hip-hop gospel packaged according to MTV aesthetics ...

Spectacular Coincidences. Television review – Tom Jennings

Route Irish, directed by Ken Loach

A disappointingly missed opporunity to explore recent developments in the military-industrial complex.

Privatised on Parade. Film review – Tom Jennings

Nurse Jackie, BBC2

A rare example of television fiction doing some outrageous justice to the modern work/life (im)balance

Angel of Ambivalent Mercy. Television review – Tom Jennings