Eric J. Hobsbawm
Socialism and the Avant-Garde, 1880-1914 - Eric Hobsbawm
Marxist historian Eric Hobsbawm's account of the relationship between the prewar artistic avant-garde and the workers' movement of that period. Both converged in the late nineteenth century, diverged quite sharply in the first phase of radical 'modernism', but found each other again - at least for a few passionate years - under the impact of the Great War and the October Revolution.
Both socialism as a mass movement and the cultural and artistic avant-garde as a widely recognized, self-conscious and sometimes separately organized representative of 'modernity' and 'progress’ within the arts are, as European phenomena, children of the last. decades of the nineteenth century. In this paper I propose to consider their relationship.
The Machine Breakers - Eric Hobsbawm
The purpose of this essay is clearly stated: to defend British labour movements against what E. P. Thompson was later to call 'the enormous condescension of posterity'; and, one might add, against ideologists of our own times. It was first published in 1952 in the first issue of a historical journal that had been recently founded by the author and a group of friends, and is still published, Past & Present
It is perhaps time to reconsider the problem of machine-wrecking in the early industrial history of Britain and other countries. About this form of early working-class struggle misconceptions are still widely held, even by specialist historians.




