The Situationist Times was an international, English-language periodical created and edited by Jacqueline de Jong, of which six issues were published between 1962 and 1967. A radical compendium using such Situationist tactics as détournement and a printed form of dérive, the journal included essays, artwork, found images, and quotations concerned with such issues as topology, politics, and spectacle culture.
An at times playful conversation with Henri Lefebvre conducted by Kristin Ross. Lefebvre, then in his eighties, discussed his memories of Guy Debord and the Situationist International as well as his attempts to provoke mischievous students around Nanterre University in 1968, where the May uprisings began. Originally published in October 79 (1997).
A short account of the second Italian Section of the Situationist International (members: Gianfranco Sanguinetti, Paolo Salvadori, Claudio Pavan and Eduardo Rothe) from its origins in the youth culture protests of the mid-1960s to its collapse during the state terror campaign of the 1970s, including discussions of the precursor journal, S, the influence of the French situationists and May ‘68, the role played by the “organizational question”, the various publications of the Italian Section, its isolation from the other radical currents in Italy and the sordid personality conflicts that plagued the Section and finally led to its dissolution in 1971.
A critique of the Situationist International, emphasizing the divergent trajectories of Guy Debord and Raoul Vaneigem, focusing on the role of the concept of alchemy in the SI’s theory of the revolution, with discussions of, among other topics, revolution as “transmutation”, the alchemical proto-dialectic and its relation to the Hegelian-Marxist dialectic of “supersession”, Vaneigem’s alleged debt to Schopenhauer (the “will to live”), André Breton and the “alchemy of the word”, the meaning and origin of the metaphor of the quest for the “evil Grail”, the enigmatic Hamburg Theses, and the “contradictions” of the SI’s favorable attitude towards automation and technology.
A short summary of the history of the Situationist International, with brief discussions of its artistic origins, its significance as the “the most political artistic vanguard and the most artistic political vanguard” of its time, the role of the critique of everyday life in the development of its project, and the recuperation of many situationist themes by capitalism since May ’68, whose achievements with regard to individual freedom "were nothing but the pale reflection of the freedom of the market”.