Wu Ming

Reviews: Wu Ming express values, desires for a better world

Nate Hawthorne reviews Wu Ming's book, Altai.

Workers & peasants demand a kingdom of heaven on Earth: a review of 'Q'

A review by John O'Reily of Q by Luther Blissett.

Manituana - Wu Ming

Thayendanegea or Joseph Brant

Fantastically researched historical fiction about the Iroquois, a group of native American tribes who side with the British during the American war in independence.

54 - Wu Ming

1954. Hollywood actors, cold warriors, mobsters, drug dealers and homing pigeons. What will Yugoslavian president Tito do, now that Joe Stalin is dead? What is the hidden link between Lucky Luciano in his Italian exile, Cary Grant in schizophrenic combat with himself and a stolen TV set which turns out to be self-conscious and sensitive to boot? So far, the most ambitious Wu Ming collective novel.

Q - Luther Blissett

Set in the time of tremendous religious and political upheaval caused by the Reformation in Europe, Q begins with Luther nailing his 95 theses on the door of the Wittenberg cathedral -- a historical flash point which would completely disrupt European society. The novel traces the adventures and conflicts of two central characters as they travel across Germany, Italy and the Netherlands. One is an Anabaptist, a member of the most radical Protestant sect. These are the anarchists of the Reformation who revolted against Catholicism and the emerging Reformation church. The other is a Catholic spy and informer.

A book bloc's genealogy

A potted history of the book bloc - often students demonstrating against cuts to education using shields decorated as giant books.

A class apart: A hundred years of Cary Grant

An article by Wu Ming on Cary Grant, masculinity and style as a martial art. Translated by Bianca Colantoni, it first appeared in the Italian daily paper L'Unità on January 18th, 2004.

Fetishism of digital commodities and hidden exploitation: the cases of Amazon and Apple

An essay written by the Wu Ming Foundation around the time of Steve Jobs' death which lays out the facade of the corporate 'miracle' and argues against net-fetishism.