A situationist critique of Harvard’s 1969 Left politics.
“Whereas this project was undertaken by individuals at different points in their growth to consciousness, i.e to revolutionary coherence (unity, totality) as persons, and
Whereas there was more or less lack of engagement in the practical task of carrying out the project – due partly to unavoidable difficulties of spatio-temporal coordination, and
Whereas the struggle against bourgeois mystification, i.e. domination of consciousness, is a permanent process of dialectical praxis or it is nothing,
Then it is minimally for these reasons that this cartoon critique was partial only, and to that extent incoherent.”
Radical Archives Notes:
Special thanks to the Kate Sharpley Library for providing us with a copy of this publication. Gregoire, Ziegellaub and Supak all later worked with Fredy and Lorraine Perlman. Supak worked on the first translation of Society of the Spectacle. Gregoire co-authored Worker-Student Action Committees with Fredy Perlman, but later went on to denounce Black & Red in 1971.
According to Ken Knabb at the Bureau of Public Secrets, Gregoire and Linda Lanphear had moved to Paris in 1969, and (with Gerard Lambert) formed a group which issued a few pamphlets and leaflets during the early 1970s. In the following years they were also part of an informal grouping around Jean-Pierre Voyer.
Retrieved from radicalarchives.org on 17th May 2012.
|I accuse Harvard.pdf||27.06 MB|