Black Circle Records: Reflections on the consequences of conflict in light of the ongoing Israeli offensive in Gaza
A 2012 interview with the Italian philosopher, who expresses his views on the economic crisis, capitalism as a religion (Benjamin), the role of history in European cultural identity, “bio-politics”, the “state of exception”, and the fate of contemporary art (“trapped between the Scylla of the museum and the Charybdis of commodification”).
I'm not sure quite where to start my rant on this public art project in Times Square by Steve Lambert (http://gothamist.com/2013/09/12/talk_about_capitalism_in_the_heart.php), given that it perturbs me on so many levels. The artist might respond, "That's the point!" And certainly I'd like to respond, "You're right!" Instead, my first disgruntlement with this piece it that it only appears to perturb, and so cleverly.
A short summary of the history of the Situationist International, with brief discussions of its artistic origins, its significance as the “the most political artistic vanguard and the most artistic political vanguard” of its time, the role of the critique of everyday life in the development of its project, and the recuperation of many situationist themes by capitalism since May ’68, whose achievements with regard to individual freedom "were nothing but the pale reflection of the freedom of the market”.