A 2012 interview with the Italian philosopher, who expresses his views on the economic crisis, capitalism as a religion (Benjamin), the role of history in European cultural identity, “bio-politics”, the “state of exception”, and the fate of contemporary art (“trapped between the Scylla of the museum and the Charybdis of commodification”).
“God didn’t die, he was transformed into money” - An Interview with Giorgio Agamben – Peppe Savà
A blogpost about various 'zines, underground comics and alternative publications I was exposed to during the late 1980s and 1990s.
If you've been on the radical left for any amount of time, you've probably heard of ‘zines’. A shortening of the word ‘magazine, zines are described by Wikipedia as “most commonly a small circulation self-published work of original or appropriated texts and images usually reproduced via photocopier”. Usually they are the size of what were once, and are now more frequently called, pamphlets.
E-book of the most comprehensive collection of writings of the Situationist International in English translated and compiled by Ken Knabb.
In 1957 a few European avant-garde groups came together to form the Situationist International. Picking up where the dadaists and surrealists had left off, the situationists challenged people's passive conditioning with carefully calculated scandals and the playful tactic of detournement.
I'm not sure quite where to start my rant on this public art project in Times Square by Steve Lambert (http://gothamist.com/2013/09/12/talk_about_capitalism_in_the_heart.php), given that it perturbs me on so many levels. The artist might respond, "That's the point!" And certainly I'd like to respond, "You're right!" Instead, my first disgruntlement with this piece it that it only appears to perturb, and so cleverly.
Like capitalism, and its "creative capitol" version in city's such as, say, New York City, it lures us with an aesthetically pleasing, humorous, fun thing, asks for and probably receives our voluntary participation (free labor, not even wage labor!), and thus, convinces us to "buy into" a social relation that's hidden by the thing itself.
A short summary of the history of the Situationist International, with brief discussions of its artistic origins, its significance as the “the most political artistic vanguard and the most artistic political vanguard” of its time, the role of the critique of everyday life in the development of its project, and the recuperation of many situationist themes by capitalism since May ’68, whose achievements with regard to individual freedom "were nothing but the pale reflection of the freedom of the market”.
Notes on “The Situationist International: The Art of Historical Intervention” – Miguel Amorós
People's art & change the community mural movement (Cockcroft, James D. Cockcroft, Eva S.)
Recent Raza murals in the U.S. (Drescher, Tim Garcia, Rupert)
The wonderful white paper (Domino, Ruth)
The clerking sisterhood wonderful white paper rationalization and the work culture of saleswomen (Benson, Susan Porter)
How the left got trapped inside their own heads and how fairies can open the door to the future - Adam Curtis
Adam Curtis on the pessimism that the May 68 generation used as a defence against recuperation but struggled to shake off.
The protest movement that began with Occupy Wall Street is very clear about what it is against - an international capitalism that is cruel, unfair and untenable. But the movement refuses to say what it is for.
Janet Steer on the reality of a career in the arts not being as glamorous as it's made out to be.
I was looking out at the mountains, thinking: Trees are so lucky, they don’t have to have jobs. Of course, as any elementary schoolteacher will tell you, trees do have an important job, which is to expel nice fresh oxygen into the air so we can all breathe, to provide a habitat for lots of necessary creatures, and so on.