Moral Data Inc.

fiction by steve billias

Robert Hullot-Kentor in Conversation with Fabio Akcelrud Durão

One recent afternoon, Fabio Akcelrud Durão, a Brazilian literary theorist, paid a visit to the home of Robert Hullot-Kentor in Manhattan. The following is the result of their discussion of Adorno’s theory of a “web of unknowing,” psychoanalysis and politics, apocalypse, what words not to use, the gratuitous plural, and what art is.

Cuba: libertarians warn of impending "wave of repression"

Dudes and girls partying at the Festival de Poesía Sin Fin

Libertarians and Independent activists in the cultural sphere in Cuba are bracing themselves for state repression following an attack on an independent arts festival in Havana.

Dada: a short history

A short account of the Dada movement that developed during the First World War in radical revulsion to the society that had let it come about.

King Mob poster and image gallery

Posters, stickers and images produced by Situationist-influenced group King Mob.

Taken from

Useful work versus useless toil - William Morris

'The Months' tile panel - Morris, Marshall, Falkner Co. Painted by Faulkner 1863

An article on the nature of work by the nineteenth century libertarian socialist craftsman/artist and designer.

Flowers for Homestead at Dulwich Picture Gallery - Practical History

Leaflets distributed at a talk on Henry Frick's art collection, reflecting on the 1892 Homestead strike, and the origins of the wealth of the industrialists whose collections founded many of Britain's major art galleries.

William Blake takes on GlaxoSmithKline - Practical History

Report of a 2001 action at the Tate Britain Gallery in London, against a William Blake exhibition sponsored by the pharmaceutical giant GlaxoSmithKline.

Surrealism in the Arab world

Cover of "libertarian desire"

Article printed in the journal Arsenal: Surrealist Subversion no.3, 1976, including The Manifesto of the Arab Surrealist Movement, 1975.

Art as Form of Reality - Herbert Marcuse

Marcuse discusses the traditional conservative role of art in society, artistic challenges to traditional art forms in the 1970s - and what role art might still play in a liberated society.