This drama film is one of the first pictures to advance the feminist social and political point of view. Its plot centres on a long and difficult strike, based on the 1951 strike against the Empire Zinc Company in Grant County, New Mexico. In the film, the company is identified as "Delaware Zinc," and the setting is "Zinctown, New Mexico." The film shows how the miners, the company, and the police react during the strike. In neorealist style, the producers and director used actual miners and their families as actors in the film.
The film was called subversive and blacklisted because the International Union of Mine, Mill and Smelter Workers sponsored it and many blacklisted Hollywood professionals helped produce it. The union had been expelled from the CIO in 1950 for its alleged communist-dominated leadership.
Silvia Federici looks at why the concept of ‘the commons’ has been gaining popularity among the radical left, internationally and in the U.S., appearing as a basis for convergence.
Our perspective is that of the planet’s commoners: human beings with bodies, needs, desires, whose most essential tradition is of cooperation in the making and maintenance of life; and yet have had to do so under conditions of suffering and separation from one another, from nature and from the common wealth we have created through generations.
This article is an attempt to investigate certain problems of the left via the lens of micropolitics and macropolitics, terms first introduced by Gilles Deleuze and Felix Guattari (D&G).
Faced with the challenging nature of texts from post-structuralist thinkers like D&G or Foucault, many people make the assumption that they are really motivated by an elitist desire to confuse, intimidate and befuddle the masses and divert theory into useless abstractions, far removed from the concerns of ordinary people for social transformation and liberation from oppression and exploitation.
Come one, come all! Feminist and social justice blogging as performance and bloodshed - Flavia Dzodan
A thoughtful essay on "call-out culture" and the performative aspects of contemporary feminist and social justice media, by Flavia Dzodan.
Master of puppets I’m pulling your strings
Twisting your mind and smashing your dreams
Blinded by me, you can’t see a thing
Just call my name, ’cause I’ll hear you scream
- Metallica, Master of Puppets
Review by Arab feminist Magida Salman of Nawal el-Saadawi's 'The Hidden Face of Eve', criticising its tendency to minimise women's oppression in the Arab world as part of her reaction to the deficiencies of Western feminist analysis on Thirld World women.
Nawal Saadawi, The Hidden Face of Eve; Women in the Arab World, Zed Press, London, 1980.
Article by Jewish socialist-feminist Debbie Lerman on the lack of co-operation between Israeli-Jewish and Palestinian-Arab feminists, and some proposals on how to promote a common struggle.
THIS ARTICLE is an attempt to analyse, from an individual point of view, the lack of progress, difficulties and failures that have caused many women to discourage and abandon the perspective of a common struggle between Palestinian and Israeli women, in the context of the peace and anti-Zionist movement in Israel.
Article by an Egyptian feminist looking at the role played by women in Egyptian radical politics during the years 1939-52, with contributions and accounts from some of the women who were involved.
THIS ESSAY WILL DISCUSS the role played by women in radical Egyptian politics during the 1940s and early 1950s. The 1940s was a period rich in political ferment, when women's political militancy was made possible by the very structure of state power itself. The state apparatus's weakness and ineffectiveness allowed women to engage in activity in opposition to that of mainstream society.
Endnotes on Marxist feminism against the background of the crisis.
Within marxist feminism we encounter several sets of binary terms to analyse gendered forms of domination under capitalism.1 These include: productive and reproductive, paid and unpaid, public and private, sex and gender. When considering the gender question, we found these categories imprecise, theoretically deficient and sometimes even misleading.