This first issue includes a front cover image of a menacing masked man (from Louis Feuillade’s film “Fantomas”) above a Karl Marx quotation (from “The Eighteenth Brumaire of Louis Napoleon”).

Contents include: “The Return of the Repressed” by radical psychoanalysis scholar Norman O. Brown; “Desolation Row”, an excerpt “free translated from Raoul Vaneigem’s Traite de Savoir Vitre a l’Usages des Jeunes Generations” (1967); “Urban Gorilla Comes East”, the magazine’s only original King Mob statement, co-written by Phil Cohen (also known for his involvement with the London Street Commune and the 144 Piccadilly squat) and Donald Nicholson Smith.

This second issue, entitled “King Mob: Two Letters on Student Power”, contains the group’s response to and critique of the student revolts and the anti-university movement, with the central text by Christopher Gray (formerly of the Situationist International). Also included is a brief article by Richard Huelsenbeck on the same topic, which mentions Trocchi.

This third issue features a striking front cover with a picture of a werewolf. It reprints content from Ben Morea’s Black Mask journal and advertizes Black Mask / Up Against the Wall Motherfucker’s actions in the United States (“The first year Black Mask seized every possible opportunity of fucking up culture”). It includes the famous action to close the Museum of Modern Art in New York.