film

The Hidden Injuries of Theory - Tom Jennings

Tom Jennings talks about the real contradictions in Class War and questions whether revolutionary theorising doesn't disguise more particular interests behind its all-embracing eloquence.

The Dead Don't Die: who makes the zombies?

Submitted by Comrade Motopu on Jun 17 2019 03:27

A review of Jim Jarmusch's anti-zombie film. This review contains many spoilers so you may want to see the movie before reading this.

Amussu: An Experiment for a Cinema from Below

The villagers of Imider marching against Africa's biggest silver mine.

An indigenous filmmaker's theoretical and practical reflections on the decolonisation of North African cinema, collective filmic narratives, direct action and community-run film production through the upcoming documentary, "Amussu." The film trailer can be viewed here.

Pier Paolo Pasolini interviewed by Louis Valentin (1970)

Maria Callas and Pier Paolo Pasolini on the set of Medea

A 1970 interview with Pier Paolo Pasolini, on the youth revolt of the sixties, culture, love, his film “Oedipus Rex”, the heterosexual couple, homosexuality, and more.

An introduction to my blog, and notes on an anarchist approach to industrial art

Submitted by sherbu-kteer on Aug 11 2018 21:02

Still from the Spanish-made anarchist film, Nuestro culpable

A short post detailing the ethos behind my blog, and an example of me attempting to apply this ethos to a practical problem: that of collective creative art.

The Anarchism of Jean Vigo

Aléssi dell’Umbria’s Istmeño—The Winds of Revolt: a documentary film about resistance against dispossession – Argelaga

A review of the 2015 documentary film about the resistance struggle against the construction of gigantic arrays of industrial wind turbines to generate “clean” energy in Oaxaca (southern Mexico), discussing the resistance movement’s historical background in Mexico’s precipitous descent into the nightmare of the accelerated expropriation of the agrarian population by the economic impact of NAFTA since 1994 and the “police-military narco-state violence” that has been used as a convenient screen for repression and elimination of dissidents, as the country is integrated into the world market and its resources are further opened to foreign exploitation.