We slag off an attempt by the cultural studies industry to grasp the continuity in such developments as the free festivals, anarcho-punk, and anti-roads movements.

Last year's social upheaval in France was one of the most significant moments in European class struggle for decades. This Editorial Introduction provides the international and historical background to our Intakes documents from the French events. We begin with the context of drives towards European integration, and then analyse the changing forms of class struggle in France in the last 50 years, including the 1986…

In Aufheben 3 (Summer 1994), we reviewed Midnight Oil: Work, Energy, War, 1973-92, a collection of articles from the American autonomist journals Zerowork (1974-9) and Midnight Notes (1979-). We welcomed the book and the tradition which it expresses; in asserting the primacy of the class struggle, the Midnight Notes collective present a vital alternative to objectivist Leninist theories of imperialism in…

Aufheben's review of James Carr's autobiography. Carr was a gang-member and jail-bird in 1960's California, became deeply politicized while…

Aufheben critically review Fredy Perlman's Against His-story, against Leviathan, and critique the ideology of primitivism it has influenced.

From capital's point of view, the motor industry is both a vital element in a modern transport infrastructure, necessary for the expanded reproduction of a variety of sectors of the economy, and a locus of expansion in its own right. From the proletariat's perspective, the freedom offered by the car is merely a formal freedom; the consumer-citizen's freedom of movement has as its premise and its result the…

The notion that capitalism must inevitably decline and, by implication, that history is on our side, has been a dominant idea that has shaped much marxist and revolutionary thought, particularly that of Trotskyists and left communists. In the wake of the collapse of the Eastern Bloc it has become more important than ever to challenge such notions of capitalist decline and decadence. In the first part of our critique…