The social factory / falling wall review #5 - Cleveland Modern Times Group
Falling Wall Review #5, UK, 1976. Rare pamphlet from Falling Wall Press, publisher of Marxist feminists such as Selma James and Silvia Federici. Issue includes The Social Factory statement from Cleveland Modern Times Group and writing from Silvia Federici among others.
Lucio Urtubia Jiménez, a legendary life
Submitted by Kate Sharpley on Jul 22 2020 15:18
The life of Lucio Urtubia Jiménez (1931-2020), an anarchist from Navarre in northern Spain, is the stuff of legend.
“בעגריסונג צום „קלאַסען קאַמף
“אַ בריוו פֿון מ. קאַטץ וואָס אײַנפֿירן דער „קלאַסען קאַמף
Welcome to the "Class Struggle"
Letter from M. Kattz to introduce the Class Struggle newspaper.
London Workers Group Bulletin #5 1978
An issue of the London Workers Group Bulletin from late 1978. Articles on the Times Newspaper lockout of workers, part two of an article about Workers Councils, postal workers, a report from a hotel gardener, what is a worker, detailed report on Direct Action anarcho-syndicalist conference.
The Freelance Journalists Union Goes Public
Submitted by Reddebrek on Apr 17 2019 18:14
The Industrial Workers of the World has just launched a new organisation for workers in the Journalism sector.
A Victim of Power (Corp) and Police: The La Presse Conflict and the Tear Gas Suffocation of Michele Gauthier
Submitted by greensyndic on Mar 7 2018 04:37
A report on the 1971 conflict at La Presse and the police killing of socialist feminist Michele Gauthier. The broader struggle against Power Corp., the impact of the police killing, and the development of the Common Front and subsequent general strikes.
Andrea Salsedo of Pantelleria
Submitted by Steven. on May 26 2017 16:03
A short account of the life of Italian anarchist Andrea Salsedo, who was killed in 1920 by a "fall" from a police station window in New York.
London's radical printmaking workshops of the 1960s and 70s - Jess Baines
Submitted by Steven. on Mar 31 2015 09:12
Jess Baines looks back at London's printmaking workshops of the 1960s and 70s, DIY sites of political and community activism that rejected the role of the artist to participate in a network of campaign groups, radical publishers and distributors.
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