Skip to main content
Home
libcom.org

Main navigation

  • Recent
  • Donate
  • Collections
  • Introductions
  • Organise
  • About
User account menu
  • Log in / Register

Primary tabs

  • Recent content
  • Comments
  • Discussions

France: workers' blockades attacked by police

Fourteen, mostly female, striking workers required treatment after police charged their blockades.

Küba, by Kutlug Ataman, Waygood Gallery, Newcastle, July-August 2006. Art review

Küba’s multitude of screens give a fascinating but flawed portrayal of community.

Dock unions urge for strike after workplace deaths near Venice

Three of Italy's main unions called for a nationwide ports strike to start on Friday after two…
Fred Dunn (second from left, Sis Wilkinson to his left) Harlech anarchist camp

Dunn, Fred 1884-1925

A short biography of English anarchist Fred Dunn, active opponent of the First World War.

Bangladeshi garment workers keep up the pressure - more clashes

Bangladeshi workers continue the protests and strikes that have been escalating in recent weeks.

The Power of Nightmares - review

BBC2’s fascinating ‘The Power of Nightmares’ (Adam Curtis, 2004) documentaries offer nothing new, argues Tom Jennings

Hot House Cold Storage, by Sally Madge, Isis Gallery, Melmerby, Cumbria, 2004. Art review – Tom Jennings

Tom Jennings’ review of a ground-breaking site-specific installation.

Natural Born Killers: cultural studies and left politics.

Tom Jennings’ discussion of Oliver Stone’s 1994 blockbuster in terms of contemporary trends in media…

In The Cut - review

Tom Jennings’ review of Jane Campion's 2003 postfeminist erotic thriller

Fahrenheit 9/11, dir. Michael Moore (2004). Film review – Tom Jennings

Tom Jennings’ complementary excavations of Michael Moore’s anti-Iraq War blockbuster.

Dream On (Amber Films, 1992), Class War, and ultra-left critique. Film review – Tom Jennings

Tom Jennings’ essay on the theoretical and propaganda use and abuse of concepts of socio-economic class.

Dogville, dir. Lars Von Trier (2003). Film review

In some ways a marvellous film, Dogville is at root a con trick – which neither its director nor the critics acknowledge, argues Tom Jennings
  • Load More

Footer menu

  • Home
  • Donate
  • Help out
  • Other languages
  • Site notes