Anarchist integralism: art, politics and the apres-garde - Stewart Home

It also veers between classical anarchist thinkers and modern primitivism at the expense of most of the history of anarchism as a social movement. By Luther Blissett, aka Stewart Home. Originally published by Sabotage Editions, London, 1997.

Those involved in recent debates about Martin Heidegger and Paul De Man no longer think it strange to talk about fascist modernism.1 It is less fashionable to speak of anarchist integralism, despite the fact that this is no more of an oxymoron than fascist modernism. While the majority of modernists and anarchists have never adhered to full blown mystical fascism, certain strands of anarchism embrace far-Right individualism, while yet others promote ideologies of integral nationalism. It is thus not surprising that a good number of self-styled 'national revolutionaries' - i.e. fascists - have been attracted to anarchism in recent years. Such a convergence of the 'left' and right was also a feature of earlier epochs such as Russia in the 1860s or France and Italy in the 1910s. Then, as now, this 'convergence' took place on the far-Right's terms.

Within anarchism and fascism the state is fetishised from both negative and positive perspectives. This polarisation takes place within rather than between these creeds. If the Italian fascist movement was able to arrive at the altar of state worship through a combination of Mussolini's widely praised translations of Kropotkin and an engagement with anarcho-syndicalism, certain strands of the Nazi movement were able to oppose the interests of the state with those of the nation. One of the principle errors in the seemingly antagonistic positions defended by anarchists and fascists is the idea that the state is the source of all social power. During the middle ages, feudal modes of class exploitation were maintained despite weak or non-existent states. Likewise, today, capitalist social relations are anchored in economic institutions which can and do function independently of the state. Capital reproduces itself not only within nation states but across nation states.

In the article 'Anarchism And Nationalism In East Asia' included in Anarchist Studies Volume 4 # 1 2 John Crump states:

'Most anarchists were shocked by Kropotkin's rallying to the war effort in 1914 precisely because for years prior to the First World War they had ignored signs of incipient nationalism in his ideas... Similarly, most anarchists outside Korea would find no less shocking the long-standing flirtation of many Korean anarchists with nationalism and conventional politics.'3

Crump's claims would be more convincing if he hadn't prefaced them by playing down the collusion between the Chinese anarchist movement and the Guomindang before stating:

'The contrast between the Korean anarchist movement, on the one hand and the Japanese and Chinese movements, on the other, is thus quite clear with regard to practice.' 4

Contra Crump, Arif Dirlik rather shamefully admits in Anarchism In The Chinese Revolution:

'It may be no coincidence that the meeting in Shanghai at which anarchists drew up their plans for activity within the Guomindang followed shortly on the heels of Chiang Kai-shek's suppression of communism, followed by a massacre not only of Communists but of Shanghai laborers as well.'5

In other words, in 1927 some of the leading figures of the Chinese anarchist movement entered into an alliance with the nationalists at the very moment Chiang Kai-shek's forces were slaughtering ordinary workers!

The apostolic attitude prevalent among anarchists often results in the so called 'libertarian left' covering up flaws in the theory and practice of those who've brandished the 'black flag' of anarchism. Given that anarchist beliefs cover the entire left/right political spectrum this state of affairs is extremely dangerous since it allows all sorts of reactionary ideas to take root within the anarchist milieu. Reviewing a recent academic edition of Max Stirner's The Ego And Its Own edited by David Leopold6 for Anarchist Studies Volume 5 #1, Robert Graham reports Leopold as having written:

'Proudhon played an anti-democratic and counter-revolutionary role in the 1848 French Revolution, accepted slavery in the American South, supported violent strike-breaking, made detailed plans to suppress dissent among his supporters and was a vicious anti-semite.'7

Immediately after this quote, Graham complains: 'No other attempt is made to summarise Proudhon's views, nor does Leopold offer any evidence in support of his claims.' Graham's words are tantamount to a cover-up since Proudhon's anti-semitism has been cause for considerable comment. Even if one is prepared to believe that Graham is genuinely in the dark about Proudhon's racism and other reactionary views, it strains credulity to suggest the editors of a refereed academic journal devoted to anarchism do not know the score on this point. Proudhon is, after all, one of the major 'theorists' of anarchism.

With regard to Prouhdon, Zeev Sternhell notes in The Birth Of Fascist Ideology that:

'The Action Française... from its inception regarded the author of La Philosophie de la misère as one of its masters. He was given a place of honor in the weekly section of the journal of the movement entitled, precisely, "Our Masters." Proudhon owed this place in L'Action française to what the Maurrassians saw as his antirepublicanism, his anti-Semitism, his loathing of Rousseau, his disdain for the French Revolution, democracy, and parliamentarianism: and his championship of the nation, the family, tradition, and the monarchy.'8

Stewart Edwards, the editor of the Selected Writings Of Pierre-Joseph Proudhon remarks:

'Proudhon's diaries (Garnets, ed. P. Haubtmann, Marcel Rivière, Paris 1960 to date) reveal that he had almost paranoid feelings of hatred against the Jews. In 1847 he considered publishing... an article against the Jewish race, which he said he "hated." The proposed article would have "Called for the expulsion of the Jews from France.. The Jew is the enemy of the human race. This race must be sent back to Asia, or exterminated. H. Heine, A. Weil, and others are simply secret spies. Rothschild, Crémieux, Marx, Fould, evil choleric, envious, bitter men etc, etc, who hate us" (Garnets, vol. 2, p. 337: No VI, 178).' 9

Graham's disavowal of Proudhon's anti-semitism is particularly sickening given the way it chimes with the proto-Nazi conspiracy theories of Michael Bakunin - the founding father of 'revolutionary' anarchism - and other articles in the same issue of Anarchist Studies. Bakunin's notorious calumnies are well illustrated by a short quote from his Rapports personnels avec Marx:

'This whole Jewish world, comprising a single exploiting sect, a kind of blood sucking people, a kind of organic destructive collective parasite, going beyond not only the frontiers of states, but of political opinion, this world is now, at least for the most part, at the disposal of Marx on the one hand, and of Rothschild on the other... This may seem strange. What can there be in common between socialism and a leading bank? The point is that authoritarian socialism, Marxist communism, demands a strong centralisation of the state. And where there is centralisation of the state, there must necessarily be a central bank, and where such a bank exists, the parasitic Jewish nation, speculating with the Labour of the people, will be found.'10

While the academics running Anarchist Studies remain coy about the reactionary opinions of Proudhon and Bakunin, there is an overtly racist current within the contemporary anarchist movement which is becoming abusively outspoken on such matters. Bob Black in Anarchy After Leftism, a diatribe against Murray Bookchin - who is referred to as 'the Dean' in the text - deals with the suggestion that modern anarchism has a fascistic strand by quoting his publisher John Zerzan, then citing one of Bakunin's notorious anti-semitic outbursts from Statism And Anarchy and redirecting these slurs against Bookchin:

'As John Zerzan remarked in a book the Dean claims to have read: "Behind the rhetoric of National Socialism, unfortunately, was only an acceleration of technique, even into the sphere of genocide as a problem of industrial production. For the Nazis and the gullible, it was, again a question of how technology is understood ideally, not as it really is. In 1940 the General Inspector for the German Road System put it this way: 'Concrete and stone are material things. Man gives them form and spirit. National Socialist technology possesses in all material achievement ideal content' ". ' 11

Immediately after this quote from Zerzan, Black - who has written for the neo-Nazi Journal Of Historical Review - opines:

'I'm not one of those who cries out in horror at the slightest whiff of anti-Semitism. But the Dean sees fit to insinuate that even the promiscuously pluralistic Hakim Bey is ideologically akin to Hitler, and that the primitivist quest to recover authenticity "has its roots in reactionary romanticism, most recently in the philosophy of Martin Heidegger, whose völkisch 'spiritualism,' latent in Being and Time, later emerged in his explicitly fascist works." So let's consider whether Bookchin-vetted classical anarchists are ideologically kosher. Proudhon was notoriously anti-Semitic but since Bookchin dismisses him, however implausibly, as too much the individualist, let's set Proudhon aside. Bakunin, the Russian aristocrat who "emphatically prioritized the social over the individual" had a notion what was wrong with his authoritarian rival, Karl Marx. Bakunin considered Marx "the German scholar, in his threefold capacity as an Hegelian, a Jew, and a German," to be a "hopeless statist". A Hegelian, a Jew, a sort-of scholar, a Marxist, a hopeless (city-) statist - does this sound like anybody familiar?'12

On the basis of this, and his other writing, it is clear that Black is a racist.

Returning to Anarchist Studies Volume 5 #1, alongside an article on 'The Revolutionary Underclass Of Bakunin and Marcuse', there is an equally bizarre piece credited to Derek Gatherer and entitled 'Feyerabend, Dawkins And The Politics Of Cultural Diversity'. In this, Gatherer mobilises the New Right ideas of geneticist Richard Dawkins in a manner that parallels the contemporary version of fascist modernism being peddled by rags like Radical Shift, where coded forms of discourse are utilised to propagate a 'cultural' racism based on 'ecological' 'arguments' about biological 'diversity'. Gatherer writes:

'A memetic diversity project is a pressing necessity, both because the European meme pool is in crisis as we struggle to find the answers to the questions that technological development has thrown up, and because it may soon be too late to save many indigenous meme pools. These meme pools may appear 'primitive', 'superstitious' or 'tribal', but their alternative, and highly unEuropean way of viewing the world, makes them a precious resource. Just as our own European past has been a source of continued renewal in the sciences, so non-European memes may contain the germs of ideas that could save our culture from extinction...' 13

The buzz words favoured by anarcho-integralists may shift over time and geographical location, but Gatherer's ideas are really not very far removed from the obnoxious clap-trap of Proudhon, who wrote in a letter to Pierre Leroux dated December 7, 1849:

'My only faith, love and hope lie in Liberty and my Country. That is why I am systematically opposed to anything that is hostile to Liberty or foreign to this sacred land of Gaul. I want to see my country return to its original nature, liberated once and for all from foreign beliefs and alien institutions. Our race for too long has been subject to the influence of Greeks, Romans, Barbarians, Jews and Englishmen. They have left us their religion, their laws, their feudal system and their government... Those of you who accuse me of not being a republican do not truly belong to your land. You have not heard from childhood, as I have, the oak trees of our druidic forests weep for their ancient country. You do not feel your bones, molded with the pure limestone of the Jura, thrill at the memory of our Celtic heroes; Vercingetroix, dragged in the dust of Caesar's triumph, Orgetorix, Ariovistus, and old Galgacus who was vanquished by Agricola. You have not seen liberty appear to you at the brink of our Alpine torrents in the guise of Velleda the Gaul... You are not children of Brennus. You understand nothing about restoring our nationality. This goes far beyond economic reform and the transformation of a debased society, and appears as the highest aim of the February Revolution. You are on the side of the foreigner. This is why you find liberty, which for our ancestors was the source of all things, so odious.'14

When various renegade French syndicalists abandoned proletarian internationalism in favour of fascism, the forum in which they began mingling with the outer-wing of Action Française was infamously named the Cercle Proudhon. Looking back on the period immediately prior to the First World War in 1936, the fascist ideologue Drieu La Rochelle recalled:

'one sees that certain elements of a fascist atmosphere came together in France around 1913, before they did elsewhere. There were young people from various classes of society who were filled with a love of heroism and violence, and who dreamed of fighting what they called the evil on two fronts: capitalism and parliamentary socialism, and who were similarly disposed toward both. There were, I think, people in Lyons who called themselves socialist-royalists or something of that nature. A marriage of nationalism and socialism was already being envisaged. Yes, in France, in the groups surrounding Action Française and Péguy, there was already a nebulous form of fascism.' 15

The same wretched mixture of moralism and the glorification of violence that characterised the words and deeds of those French and Italian syndicalists who became fascists, can be found in the contemporary publications of the Green Anarchist Network. For example, an article entitled 'The Irrationalists' appeared in Anarchist Lancaster Bomber #17, inviting readers to contemplate what proportion of the population needs to be exterminated before the 'system' can be overthrown:

'How can anybody inside the fuhrerbunker be innocent? Under a narrow interpretation of this (the 5% solution), the Circle of Guilt (CoG) for what is happening is confined to the top echelons of the state and system: the level of politicians, cabinet ministers, senior civil servants, military and police staff officers, boardroom executives and such. This position is unrealistic in that the oppression requires the co-operation of many more components. Ordinary factory workers, maybe even your next door neighbour, make the CS gas and electric torture prods, apply the telephone taps, operate the CCTV cameras and feed information into the blacklist system. Under a wide interpretation of the Circle of Guilt (the 95% solution), the fuhrerbunker extends virtually everywhere, the oppression is found in every layer of society and so the majority of people are implicated. Most people pay tax of some sort, 13 million people voted Tory in 1992, etc. etc. etc. Activists adopting the 95% solution would have no difficulty over a subway sarin attack, city wide water supply contamination or a biological warfare attack on a fast food restaurant. Such activists see subway commuters or fast food customers as of no value and no loss to the moral universe... Now just one person, perhaps, can send out razor blade letters (the Justice Department), or one person can send lethal parcel bombs to scientists (the Unabomber), or financial institutions (Mardi Gra). Perhaps we might have a few people driving a fertilizer explosive truck to a government office block (Oklahoma). Perhaps we will have a crazy cult putting sarin down the subway (The Aum Cult). Each of these actions, though imperfect, has the capacity to inspire better ones. Each effective strategy can be copied and improved on.' 16

The preceding quote from the Anarchist Lancaster Bomber might sound like the deranged fantasies of a lone fascist psychopath, but as a part of Green Anarchist, the anonymous editor of this rag collaborates with other 'libertarian' groups such as the Primitivist Network, run by John Moore and someone using the name 'Leigh Starcross'. When not attacking welfare claimants in leaflets such as JSA: So What?, 17 or penning articles for the eco-fascist Green Anarchist newspaper, Moore sits on the editorial board of Anarchist Studies alongside the likes of Noam Chomsky, Janet Biehl, Murray Bookchin and - equally bizarrely - L. Susan Brown. 18 Reviewing the anonymously edited Prolegomena To A Study Of The Return Of The Repressed In History in the most recent issue of Anarchist Studies, Moore makes the following dubious comment:

'this text sits proudly alongside other anthologies of ultra writing, such as Black and Parfrey's Rants And Incendiary Tracts: Voices of Desperate Illumination 1558-Present and Green's Black Letters: 300 Years of 'Enthused' German Writing.' 19

One only has to flip open Bob Black and Adam Parfrey's Rants20 to discover it is a collection of extracts from such 'libertarian' 'classics' as Louis-Ferdinand Céline's obscene anti-semitic fantasy Bagatelles Pour Un Massacre, Ezra Pound's war time propaganda broadcasts from fascist Italy and the ravings of American white supremacist Kurt Saxon!

It will surprise no one who is familiar with the machinations of 'libertarian' politics that Green Anarchist was accepted as a full participant in the recent Anti-Election Alliance alongside the Anarchist Communist Federation (ACF) and London Class War.21 Likewise, Anarchist Studies, Anarchist Lancaster Bomber and Green Anarchist are all on sale at the Freedom Bookshop in Angel Alley, Whitechapel, E1.22 While it has long been a cliché that if the anarchists will tolerate each other, they will tolerate anyone and anything, such aphorisms do little to illuminate the roots of anarchist integralism. To unravel this ideological trope it is necessary to recall that the emergence of the modernist conception of 'Europe' took place at a time when virtually the only type of negation imaginable to those conjuring up this abstraction was the denial of God.

Malcolm Bull suggests in The Ecstasy Of Philistinism 23 that once atheism won acceptance as a viable intellectual position, new negations become possible. This said, these negations, including those proposed by nascent anarchism, are more than simply negations, they are simultaneously bound up with positive assertions about the world. Terry Eagleton observes in The Ideology Of The Aesthetic that:

'The ultimate binding force of the bourgeois social order, in contrast to the coercive apparatus of absolutism, will be habits, pieties, sentiments and affections. And this is equivalent to saying that power in such an order has become aestheticized. It is at one with the body's spontaneous impulses, entwined with sensibility and the affections, lived out in unreflective custom. Power is now inscribed in the minutiae of subjective experience, and the fissure between abstract duty and pleasurable inclination is accordingly healed. To dissolve the law to custom, to sheer unthinking habit, is to identify it with the human subject's own pleasurable well-being, so that to transgress that law would signify a deep self-violation. The new subject, which bestows on itself self-referrentially, a law at one with its immediate experience, finding its freedom in its necessity, is modelled on the aesthetic artefact.' 24

What the aesthetic is, then, is a form of internalised legislation, and if (wo)man is ruled by this kind of 'inner harmony', then the very forces that conjure up the nation state bring with them the possibility of the anarchist negation. It has been claimed by Walter Benjamin and others, that fascism as an aestheticisation of politics can be combated by the politicisation of aesthetics. This is mistaken, the aestheticisation of the political, as well as everyday life, can be traced back at least as far as the emergence of anarchism, which in its turn is inextricably linked to nationalism. Nations and nationalism are cultural creations, like anarchism they are inescapably bound up with modernist notions of the aesthetic. This holds good not only for liberal states but also totalitarian dictatorships. The Nazi regime may have suppressed particular types of art but it was, nevertheless, heavily reliant on culture as an ideological glue capable of holding the 'German' nation/empire together. 25

Inevitably, anarchism is intimately bound up with numerous forms and practices that played a crucial role in the consolidation of the nation state. The fact that many major figures of the anarchist movement - including Proudhon, Bakunin and Kropotkin - were also freemasons, is further evidence of a congenital weakness within the anarchist creed.26 As M. Mann has observed:

'Whether they serve the interests of the state managers by protecting ruling-class concerns or serving as foci of opposition to state rule, secret societies employ the same power strategies as the state to neutralise opposition, guard against repression or destruction and to maintain internal discipline. State power strategies are merely centralised versions of power found in secret society organisation or other social structures.' 27

For all their empty invective 'against' authority, the freemasonic shenanigans of the three major 'theorists' of ideological anarchism demonstrate that while some anarchists have yet to grasp how power actually functions, others - most notably Bakunin - simply resorted to demagoguery to cynically manipulate their followers.28

Given the origins of the anarchist 'negation' in the aesthetic, it is not surprising that most anarchists simply accept art as a given that is either to be praised, ignored or much less commonly, denounced. To do anything else would mean unravelling the ways in which both nationalism and anarchy are produced and mediated by each other. Taking one of the more monumental anarchist texts from the first half of the twentieth century, Nationalism And Culture by the syndicalist Rudolf Rocker 29 and comparing it with the nineteenth-century outpourings of both Matthew Arnold in Culture And Anarchy 30 and Mikhail Bakunin in Statism And Anarchy, 31 one discovers that the similarities between the views of Arnold and the two anarchists are as striking, sometimes more striking, than the differences.

While Rocker uses 'anarchy' as a synonym for 'order' and Arnold employs the same term to mean 'chaos', both men ground their social criticism on an opposition between culture and philistinism. In Nationalism And Culture Rocker opines:

'The citizenry of the Netherlands, which once carried on a desperate fight for the liberation of the country from the yoke of Spanish despotism, came out victorious in that struggle. A new spirit entered into every class of the population and brought the little country to an undreamed of height... But this unbridled spirit was rather quickly curbed; the desire for orderly conditions became more and more noticeable among the citizens, and with the rising development of business and of mercantile capital these assumed more and more stable form. Thus there developed gradually that comfortable Philistinism that lived only for its material interests... To Rembrandt this bourgeois-national orderliness became the curse of his life. So long as he tried, as he did at first, to satisfy the taste of his unimaginative public, he got along after a fashion. Until the artist in him was aroused!... The artist became a rebel against his time and drew with keen clarity the boundary between his art and the national Philistinism of his land.' 32

Thus in Nationalism And Culture, Rocker reiterates the identification of philistinism and wealth previously made by Arnold in Culture And Anarchy:

'Never did people believe anything more firmly than nine Englishmen out of ten at the present day believe that our greatness and welfare are proved by our being so very rich. Now, the use of culture is that it helps us, by means of its spiritual standard of perfection, to regard wealth as but machinery, and not only to say as a matter of words that we regard wealth as but machinery, but really to perceive and feel that this is so. If it were not for this purging effect wrought upon our minds by culture, the whole world, the future as well as the present, would inevitably belong to the Philistines. The people who believe most that our greatness and welfare are proved by our being very rich, and who must give their lives and thoughts to becoming rich, are just the very people who we call Philistines.' 33

While Arnold sees the cultural and ethical development of the institutions of the state as the principal bulwark against philistinism, and Rocker views the state as the source of all philistinism, Mikhail Bakunin's Statism And Anarchy can be read as reproducing either of these two positions. However, when it comes to the identification of wealth with philistinism, Bakunin's views seem to contradict those of both the 'anarchist' Rocker and the 'statist' Arnold:

'We said that Lassalle was not a man of the people because he was too much of a dandy to mingle with the proletariat outside of meetings, where he usually mesmerized his audience with his clever and brilliant speeches; he was too spoilt by wealth and its attendant habits of elegance and refinement to find satisfaction in the popular milieu, he was too much of a Jew to feel comfortable among the people; and he was too aware of his intellectual superiority not to feel a certain disdain for the uneducated crowd, to which he related more as a doctor to patient than as brother to brother.' 34

Written in 1873, just four years after Culture And Anarchy was first published in book form, Statism And Anarchy presents the same difficulties of interpretation as Bakunin's entire corpus of writing. Isaiah Berlin simultaneously grasps and fails to grasp the thrust of Bakunin's prose when he asserts in his Russian Thinkers that:

'All that clearly emerges is that Bakunin is opposed to the imposition of any restraints upon anyone at any time under any conditions... The search for something more solid in Bakunin's utterances is unrewarding. He used words principally not for descriptive but for inflammatory purposes... he is not a serious thinker... There are no coherent ideas to be extracted from his writings of any period, only fire and imagination, violence and poetry, and an ungovernable desire for strong sensations, for life at a high tension, for the disintegration of all that is peaceful, secluded, tidy, orderly, small scale, philistine, established, moderate... He wanted to set on fire as much as possible as swiftly as possible; the thought of any kind of chaos, violence, upheaval, he found boundlessly exhilarating.' 35

Contra Berlin, Robert M. Cutler states in his introduction to The Basic Bakunin that: 'Bakunin's social milieu influenced the manner in which he expressed his ideas, because he tried always to tailor them to those to whom he spoke, promoting so far as possible the revolutionary consciousness and socialist instincts of his audience...' 36 Cutler may not agree, but the real key to Bakunin is his activism. Bakunin constantly adjusted his positions in order to influence those listening to him. Thus despite his active participation in Freemasonry, Bakunin would denounce this movement as reactionary when addressing supporters of the International. 37 Therefore when Bakunin uses the term anarchy, one cannot assume that this use is synonymous with order. Against Rocker, Bakunin often sides with Arnold in the identification of anarchy with chaos. In doing this, Bakunin reverses Arnold's perspective. Rather than abhorring chaos, Bakunin is enthrawled by it. Likewise, Bakunin's position on philistinism shifts during the course of Statism And Anarchy, but while the state is linked to both philistinism and culture, the 'herd-like' 38 Russian peasants are more consistently depicted as being less cultured than those they must overthrow. Thus as Statism And Anarchy reaches its climax, Bakunin declaims: 'The people are neither doctrinaires nor philosophers. They are not in the habit of concerning themselves with a number of questions simultaneously, nor do they have the leisure to do so. When absorbed in one question, they forget all others.' 39

Bakunin is every bit as keen to denigrate 'Germany' as attack the State, both of which are identified with culture, even if this identification isn't adhered to with complete consistency: 'In the history of the development of human thought, Hegel's philosophy was in fact a significant phenomenon. It was the last and definitive word of the pantheistic and abstractly humanistic movement of the German spirit which began with the works of Lessing and achieved comprehensive development in the works of Goethe. This movement created a world that was infinitely broad, rich, lofty, and ostensibly perfectly rational... the fervent adherents of Lessing, Schiller, Goethe, Kant, Fichte, and Hegel could, and still can, serve as obedient and even willing agents of the inhumane and illiberal measures prescribed by their governments. It can even be said that in general the more elevated a German's ideal world, the uglier and more vulgar his life and actions in the real world.' 40 Bearing in mind Bakunin's almost religious atheism, rather than transvaluing Anrold's values, Statism And Anarchy reverses the perspective of Culture And Anarchy while reproducing its critique: 'Thus, in our eyes, the very framework and exterior order of the State, whoever may administer the State, is sacred; and culture is the most resolute enemy of anarchy, because of the great hopes and designs for the State which culture teaches us to nourish.' 41

In the book Apostles Of Revolution, 42 Max Nomad demonstrates that Bakunin's organisational methods and innovations made him a key player in the tradition of Russian Jacobinism that ultimately led to the tragedy of Bolshevism.43 Arnold has no time for Jacobinism but nevertheless quietly echoes Bakunin's militant anti-semitism when he attacks Jacobin tendencies in Culture And Anarchy:

'Jacobinism loves a Rabbi, it does not want to pass on from its Rabbi in pursuit of a future and still unreached perfection, it wants its Rabbi and his ideas to stand for perfection, that they may with the more authority recast the world; and for Jacobinism, therefore, culture - eternally passing onwards and seeking - is an impertinence and an offence... He who works for machinery, he who works for hatred, works only for confusion. Culture looks beyond machinery, culture hates hatred; culture has one great passion, the passion for sweetness and light... This is the social idea, and the men of culture are the true apostles of equality. The great men of culture are those who have had a passion for diffusing, for making prevail, for carrying from one end of society to the other, the best knowledge, the best ideas of their time; who have laboured to divest knowledge of all that was harsh, uncouth, difficult, abstract, professional, exclusive; to humanise it, to make it efficient outside the clique of the cultivated and learned, yet still remaining the best knowledge and thought of the time...' 44

Although Rocker scatters his 'anti-Jacobin' shots widely - even citing Sorel's remark that: 'Robespierre took his part seriously, but his part was an artificial one' 45 - his most immediate targets are Hegel and Marx, as was also the case with his mentor Bakunin. This contrasts sharply with the focus of Arnold's 'anti-Jacobin' rhetoric, which is deployed principally against liberal 'system builders' such as Mill and Bentham. Mirroring his differences with Arnold over the status of the term 'anarchy', Rocker adopts a pro-liberal but anti-democratic position, claiming in Nationalism And Culture: 'socialism vitalized by liberalism logically leads to the ideas of Godwin, Proudhon, Bakunin and their successors. The idea of reducing the state's sphere of activity to a minimum, itself contains the germ of a much more far-reaching thought, namely, to overthrow the state entirely and to eliminate the will to power from human society.' 46

Rocker draws a stark contrast between liberalism and democracy, and vehemently rejects the latter:

'With the spread of democratic ideas in Europe begins the rise of nationalism in the various countries... In the pre-democratic period such a belief could take root only in the narrow circle of the privileged classes, remaining entirely alien to the great mass of the population... democracy differs essentially from liberalism, whose field of view embraces mankind as a whole, or at least that part of mankind belonging to the European-American circle of culture... Democracy not only endowed the "national spirit" with new life, it also defined the concept of the national state more sharply than would ever have been possible under the reign of absolutism.. With the beginning of the democratic period all dynastic assumptions disappear and the nation as such becomes the focal point of political events...' 47

Despite Rocker's invocation of Bakunin in Nationalism And Culture, in echoing the Pan-Slavist's opinions on various matters, the syndicalist never degenerates into reproducing the wretched anti-semitic declarations of his mentor:

'But vigorous, intelligent, truly powerful reaction from now on will be concentrated in Berlin and disseminated to all the countries of Europe from the new German Empire... This reaction is nothing other than the ultimate realisation of the anti-popular idea of the modern state... It signifies the triumphant reign of the Yids, of a bankocracy under the powerful protection of a fiscal, bureaucratic, and police regime which relies mainly on military force and is therefore in essence despotic, but cloaks itself in the parliamentary game of pseudo-constitutionalism. To achieve their fullest development, modern capitalist production and bank speculation require enormous centralised states... They get along very nicely, though, with so-called representative democracy. This latest form of the state, based on the pseudo-sovereignty of a sham popular will, supposedly expressed by pseudo-representatives of the people in sham popular assemblies, combines the two main conditions necessary for their success: state centralization, and the actual subordination of the sovereign people to the intellectual minority that governs them, supposedly representing them but invariably exploiting them... The modern state is analogous to capitalist production and bank speculation (which ultimately swallows up even capitalist production). For fear of bankruptcy, the latter must constantly broaden their scope at the expense of the small-scale production and speculation which they swallow up...' 48

While differing sharply in their estimations of liberalism, and thereby the value of the state, Arnold, Rocker - and even Bakunin - all ground their antagonistic positions in a desire for human community. Thus Arnold writes in Culture And Anarchy:

'And because men are all members of one great whole, and the sympathy which is in human nature will not allow one member to be indifferent to the rest or to have a perfect welfare independent of the rest, the expansion of our humanity, to suit the ideas of perfection which culture forms, must be a general expansion. Perfection, as culture conceives it, is not possible while the individual remains isolated. The individual is required, under pain of being stunted, and enfeebled in his own development if he disobeys, to carry others along with him in his march towards perfection, to be continually doing all he can to enlarge and increase the volume of the human stream sweeping thitherward...' 49

Rocker's appeal for human community takes on a more obviously negative turn when he launches an attack on Kant:

'Kant, whose quiet Philistine existence never diverged from the prescribed paths of state guardianship, was not of a social nature, and could only with difficulty surmount his inborn aversion for any form of communion. But since he could not deny the necessity of associations, he accepted them as one accepts any necessary evil. Consequently, society appeared to him as a forced union held together solely by duty towards the state. Kant really hated every voluntary union, just as every good deed done for its own sake was repugnant to him... One with such tendencies was hardly the proper man to formulate the fundamentals of a great social ethics, which is inherently the product of communal social life, finding its expression in every individual, and continually vitalized anew and confirmed by the community. Just as little was Kant capable of revealing to mankind great theoretical social insight. Everything he produced in this field had been surpassed by the great enlightenment in France and England long before it saw the light of day in Germany.' 50

Since Bakunin's real mania is for destruction, it is perhaps predictable that his conception of 'human community' is considerably more chilling than that of his naive disciple Rudolf Rocker. Echoing The Catechism Of The Revolutionary, which he seems to have composed with Sergei Nechaev, Bakunin concludes Statism And Anarchy with the command that revolutionaries 'should regard themselves as precious capital belonging exclusively to the cause of the people's liberation...' 51 Bakunin and Arnold's self-confident nineteenth century assertions contrast sharply with Rocker's nostalgia for a vanished age. Writing about the period which encompasses both feudalism and early capitalism, the syndicalist primly states:

'the victorious communities won their "charters" and created their city constitutions in which the new legal status found expression. But even where the communities were not strong enough to achieve full independence they forced the ruling power to far-reaching concessions. Thus evolved from the tenth to fifteenth century that great epoch of the free cities and of federalism where European culture was preserved from total submersion and the political influence of the arising royalty was for a long time confined to the non-urban country. ' 52

Despite Rocker's heartfelt attacks on biological racism, which number among the best passages in Nationalism And Culture, his passion for preserving European culture was more than a passing fad. In the Epilogue To The Second American Edition of his major work, Rocker announces:

'The power politics of the national states, and particularly of the dominant powers, with their secret diplomacy, their political and military alliance, their colonial policy and their methods of economic pressure, which in the past so often hampered, if not totally thwarted the social development of smaller nations, added to the perpetual intrigues of high finance and the international armament cartels, has continuously subjected the political and economic life of the peoples to increasingly intolerable periodical convulsions, establishing war danger as a permanent condition. No one who learned his lesson from two world cataclysms can deny that this problem must be solved if we wish to create a new relationship among the peoples... Only a real federation of European peoples is today still able to bridge the hostile rivalries between European national groups, fostered and encouraged by a narrow-minded nationalism, detrimental to all civilisation. A European federation is the first condition and the only basis for a future world federation, which can never be attained without an organic union of the European peoples.' 53

Arnold and Rocker's works are products of the same intellectual heritage, which Bakunin's ravings reproduce in an inverted form. The ideology of the aesthetic shaped both the modern nation state and the possibility of its anarchist negation. A key feature of both Culture And Anarchy and Nationalism And Culture is their attack on philistinism. Rather than operating from antithetical positions, these two books illustrate the complex ways in which nationalism and anarchism are produced and mediated by each other. Likewise, Statism And Anarchy comes no-where close to being a negation of Arnold's positions, in reversing the perspective of Culture And Anarchy, Bakunin unconsciously reproduces its assumptions.

The contemporary anarchist movement is every bit as prone to unreflexively reproducing the social dogmas of its day as was its historical counterpart. Among the more sophisticated tendencies, this can occur in inverted form. Thus John Zerzan, one of the father figures of 'anarcho-primitivism', replicates Bakunin's identification of culture and civilisation. 54 While Zerzan's rhetorical primitivism might be treated as a joke, 55 the effects of other pieces such as Rank-And-File Radicalism Within The Ku Klux Klan Of The 1920s 56 are more serious due to their author's unwillingness to deal frankly with how reactionary movements function. Zerzan writes:

'A survey of Literary Digest (conservative) and The Nation (liberal) for 1922-3 reveals several reported instances in which the Klan was blamed for violence it did not perpetrate and unfairly deprived of its rights. Its enemies frequently included local or state establishments, and were generally far from being meek and powerless victims... just what was the nature of this strange force which grew to such power so rapidly and spontaneously... The orthodox 'nativist' answer asserts it was just another of the periodic, unthinking and reactionary efforts of the ignorant to turn back the clock... But a very strong pattern about the Klan introduces doubts about this outlook, namely, that militantly progressive or radical activities have often closely proceeded, coincided with, or closely followed strong KKK efforts, and have involved the same participants...' 57

Here, Zerzan fails to deal with the fact that the function of hate groups such as the KKK is to create a climate of fear in which racial attacks may take place. Initially at least, creating an atmosphere of terror tends to take precedence over actual attacks formally organised by the group with the active participation of its own members. Since the KKK in the 1920s was a secret society with something approaching a mass base, whose members masked up in order to retain their anonymity, one would not expect it to have played a prominent role as an identifiable organisation in local lynchings, which are public spectacles of murder. It should go without saying that KKK members as individuals, outside their ritual participation in this odious secret organisation, were nevertheless eager participants in beastial acts of racially motivated murder. 58 Zerzan fudges the issue and in this way plays into the hands of right-wing popularists who wish to pretend that fascism and/or racism are somehow 'radical'. Zerzan is probably aware that he is doing this since his article carries an ineffectual disclaimer stating that:

'In no way should this essay be interpreted as an endorsement of any aspect of this version of the Klan or any other parts of Klan activity. Nonetheless, the loathsome nature of the KKK of today should not blind us to what took place within the Klan 70 years ago, in various places against the wishes and ideology of the Klan itself.' 59

Moving on, the aesthetic attitudes of a different strand of contemporary anarchism are typified by an unsigned article on 'Anarchism And Surrealism' in Organise! # 44, which sketches the shifting of surrealist political affiliations from Leninism to anarchism, without ever attempting to unravel surrealism's relationship to modernist art. Instead, the reader is confronted by the following:

'Together with Trotsky and the Mexican painter Diego Rivera, he (André Breton) drafted For An Independent Revolutionary Art which announced that "The revolution is obliged to erect a socialist regime with central planning, for intellectual creation it must, even from the start, establish an anarchist regime of intellectual liberty... No constraint, not the least trace of command." This contradictory and bizarre document seems to have been written by Breton and amazingly Trotsky, with Rivera substituting for Trotsky's signature when he got cold feet. It is not clear when Trotsky helped write this document what he thought he was doing, as it went against everything he had ever done or said.' 60

It is telling that the Anarchist Communist Federation (ACF), who correctly execrate Trotsky for his suppression of the Kronstadt Soviet, should publish an article which demonstrates such pitiful ignorance of the Bolshevik leader. The author of this piece is probably lapsing into typically thoughtless libertarian rhetoric, since it is unlikely s/he really believes that 'a socialist regime with central planning' really went against 'everything' Trotsky 'had ever done or said.' What's more likely is that the Organise! feature writer is expressing genuine surprise that as one of the more cultured Bolsheviks, Trotsky is able to advocate freedom- even 'anarchy' - in the intellectual realm. However, this merely reveals the author's ignorance, since before his collaboration with Breton, Trotsky had already written in Literature And Revolution:

'But in its essence, the dictatorship of the proletariat is not an organization for the production of the culture of a new society, but a revolutionary and military system One must not forget this... The main task of the proletarian intelligentsia in the immediate future is not the abstract formation of a new culture regardless of the absence of a basis for it, but definite culture-bearing, that is, a systematic, planful and, of course, critical imparting to the backward masses of the essential elements of the culture that already exists.' 61

Clearly, someone as ignorant of the ideology of a rival sect as the Organise! writer is of Trotskyism is also incapable of rooting out the integralist dogma that festers within the anarchist milieu. Likewise, s/he is unlikely to see that ultimately Trotsky is much closer to Bakunin than the positions of Matthew Arnold. Similarly, ideologues of the ACF variety show no interest in why it is not possible to reject the doctrines of nationalism, anarchism or culture in the name of 'transcendent Reason'. Unfortunately, it is still necessary to spell out the fact that the romanticism which shapes the various contemporary versions of these ideologies is an outgrowth of the 'Enlightenment'. Zeev Sternhell wantonly overstates his case when he concludes The Birth Of Fascist Ideology by claiming:

'Cultural rebellion was not itself fascism, but its undermining of the principles of modernity as they were formed in the eighteenth century and put into practice at the time of the French Revolution laid the path to fascism. And indeed, more than any other historical phenomenon, the emergence of fascism forces us to notice the part played by... the destructive potential of a rejection of the rationalist utopia of the Enlightenment... to this day no better basis has been found for a human order worthy of the name than the universalism and humanism of the Enlightenment.' 62

Sternhell's position is every bit as Eurocentric as that of Arnold and Rocker. The result of such pseudo-universalism is anything but 'universally' valid, since it rests on an a priori privileging of the products of 'European' life over other modes of thinking and doing - such as the vibrant plurality of cultures still to be found in Africa, India, China, Amerindia and aboriginal Australia. Plainly, full blown and outright romantic rejections of reason are every bit as silly as deifying the rational. What's actually required is the selective employment of analytical and/or correlative thinking as is appropriate to a specific situation. Likewise, it would be absurd to assume that everything said by all of those who still cling to nineteenth century creeds such as anarchism is necessarily invalid. Nevertheless, one of the many problems with anarchism is that it offers ready-made dogmas for those who want to pose as rebels. Anarchism has thus become a form of identity politics, where mindless activism and an uncritical identification with other self-selected members of the libertarian 'elect' takes precedence over a proper appraisal of the patch-work of beliefs which come with a circled A branding.

To admit that 'libertarian' idols like Proudhon and Bakunin have feet of clay completely defeats the purpose of identifying with this band of 'extremist heroes'. People who have been so de-individuated that they adopt anarchism as a ready-made identity, prefer the stench of the reactionary ideas that fester in their millieu to the pleasures of allowing theory and practice to mediate and cross-fertilise each other. Self-styled anarchists should be encouraged to understand that Bakunin and Proudhon are now historical figures, and that their texts are the refuse of a by-gone age. Both Bakunin's Pan-Slavism and Proudhon's Gallic-Celticism, are merely two illustrations of the rampant nationalism which deformed the historical - and still deforms the contemporary - anarchist 'movement'. 63 Obviously, there are several distinct forms of anarchist integralism, and some of these are simple variants and inversions of fascist modernism. 64 While the anarchist writings of Bakunin - in particular - are a source not only of Bolshevism, but also National Socialism, those who imagine that as a consequence fascism and Leninism are identical to each other, merely reproduce the fallacies of cold war propaganda. 65 The complexity of the relationship between Bolshevism and fascism is considerably more elaborate than most anarchists are prepared to admit. 66

Luther Blissett, London 21 June 1997.

No copyright within the human community
NB commercial enterprises do not constitute a part of the human community.

The emblem on the front cover shows a representation of proletarian purity being threatened with corruption from environmentalists and anarchists.

From the back cover:

ANARCHISM EXPOSED!

"We are going to see an increase in militancy... The unabomber, the ALF, Justice Department and ARM, the Oklahoma bombers and Japanese AUM cult all show the direction it is going in. Outside of Middle-Eastern terrorism, events like the Oklahoma bomb would have been unthinkable 15 years ago. Such developments are inspirational and open up wide ranges of new possibilites."

Stephen Booth Into The 1990's With Green Anarchist
(Green Anarchist Books, Camberley 1996, pages 153-4)

Green Anarchist's support for neo-Nazi bomb attacks such as the Oklahoma massacre in which 168 people were indicriminately murdered, might be seen by some as aberrant. This pamphlet demonstrates such an assessment is mistaken. Green Anarchist are part of a right-wing cabal which permeates the Primitivist Network and the 'academic' journal Anarchist Studies, amongst others. The dogmas propogated by contemporary 'libertarian' militants are traced back to nineteenth-century anarchists like Pierre-Joseph Proudhon, a vcious anti-semite who dreamt of the final solution nearly a hundred years before the Nazi holocaust. In this text, Luther Blissett tears the mask off anarchism to reveal the shocking truth that lies beneath its fraudulent 'left-wing' image. The Nazis did not invent the deranged anti-semetic conspiracy theories that led to the horrors of the gas chambers. The despicable lie that Marx and Rothschild were working together to stage an internation coup was first ventilated by the founding fathers of modern anarchism...

• 1See, for example, Fascism, Aesthetics and Culture edited by Richard J. Golsan (University Press of New England, Hanover & London 1992) and Fascist Modernism: Aestheticis, Politics, and the Avant-Garde by Andrew Hewitt (Standford University Press, California 1993).
• 2Anarchist Studies Volume 4 # 1, White Horse Press, Cambridge, March 1996. For Editorial purposes, Anarchist Studies is run out of the School Of Humanities/Social Sciences, University of Glamorgan, Pontypridd, Mid Glamorgan, Wales CF37 1DL, UK. The White Horse Press offers its main address as 10 High Street, Knapwell, Cambridge, England CB3 8NR, UK; while the subscription address given is White Horse Press, 1 Strond, Isle of Harris, Western Isles, Scotland, UK.
• 3Anarchist Studies Vol 4 #1, p. 61. For an account of contemporary anarchist reactions to Kropotkin's 1914 pro-war stance see John Quail's turgid The Slow Burning Fuse: The Lost History of the British Anarchists (Paladin, St Albans & London, 1978, p. 287-290). Quail also provides an account of Kropotkin's autocratic personality on page 52. In their hagiographic The Anarchist Prince: A Biographical Study of Peter Kropotkin, (Schocken Books, New York, 1971, p. 380), George Woodcock and Ivan Avakumovic concede that Trotsky was within his 'rights' to state that: 'The superannuated anarchist Kropotkin, who had had a weakness ever since youth for the Narodniks, made use of the war to disavow everything he had been teaching for almost half a century. This denouncer of the State supported the Entente, and if he denounced the double power in Russia, it was not in the name of anarchy, but in the name of a single power of the bourgeoisie.'

  Kropotkin's pro-war position is by no means unique among anarchists. For an extreme right-wing variant on it see 'Thoughts On The Gulf War' by Richard Hunt in Green Anarchist # 28 (Autumn 1991, p. 8): 'To resist aggression was my first gut reaction on hearing of the invasion. After the war started it became support of my countrymen who are fighting. Whether the war was just or not was irrelevant; it was now "my country right or wrong". Such a reaction is called jingoism and "the last refuge of scoundrels". If Martians attacked America, who would you support? All countries would unite to fight the invader, and then resume fighting each other again. An Arab proverb sums up such behaviour "Brother fights brother, brother with brother fights cousin, brother with brother with cousin fights..." If my brother raped a girl, I'd say "You total bastard!" and then "No, officer, he was with me all evening". It's a matter of loyalty, largely blind to right or wrong. So my loyalty, when the British are fighting other nations, is to the British. Not to support them would be dishonourable. That doesn't mean I support the soldiers in Britain. Then they're the enemy again. "Brother fights brother, brother with brother..." .'

• 4Ibid. Anarchist Studies Vol 4 # 1, p. 48. For an overview of Japanese anarchism that avoids some of the more wearisome excesses of Crump's adulatory perspective see 'Anarchism In Japan' by Chushichi Tsuzuki in Anarchism Today edited by David E. Apter & James Joll (Macmillan, London & Basingstoke 1971, p. 105-126): 'One of the stalwarts of the Tödai-Zenkyötö (Council of United Struggle, Tokyo University) cheerfully declared that they were "aristocratic anarchists". Their struggle, he said, was "not one fought by the maltreated, not even on their behalf, but was the revolt of young aristocrats who felt that they had to deny their own aristocratic attributes in order to makes themselves truly noble"... As the pioneer anarchists sometimes remarked, the spirit of total negation can be traced to the influence among other things of Buddhism and Taoism, and it provided a moral seedbed for the introduction of anarchism as a body of European thought... Shüsui Kötoku... approached socialism and anarchism in terms not of working class politics but of the self-sacrificing devotion of the high-minded liberals of lower Samurai origins... Sakae Osugi... who was destined to succeed Kötoku, came from a family of distinguished soldiers... Sanshirö... Ishikawa's anarchist convictions... had been strengthened by reading Towards Democracy and other writings of Edward Carpenter... Most of Ishikawa's fellow anarchists, however, do not appear to have shared his belief in nudity as the symbol of natural freedom nor his peculiar view that the emperor should be maintained even in an anarchist Utopia as the symbol of communal affection... When SCAP (Supreme Commander for the Allied Powers) issued an injunction against a general strike prepared by a Joint Action Committee of communists, socialists and their trade union allies on behalf of underpaid governmental workers, an industrial offensive which threatened the overthrow of the conservative government, the anarchist organ (Heimin) indulged in Schadenfreude by criticizing what they called "the conservative nature of the strike of the bureaucrats (namely governmental workers)". SCAP sought to contain communist influence among government employees by depriving them of the right to strike, to the relief of the government and to the delight of the anarchists, who insisted that the civil servants were "the agents of authoritarianism"... In the meantime, the pre-war debate on the difference between "pure anarchism" and anarcho-syndicalism was revived, and the resulting division within the handful of participants in the debate led to the dissolution of the Japanese Anarchist Federation in October 1950.'
• 5Arif Dirlik, Anarchism In The Chinese Revolution, University of California Press, Berkeley 1991, p. 260-1.
• 6Max Stirner's The Ego And Its Own edited by David Leopold and translated by Steven Byington (Cambridge University Press, 1995).
• 7Anarchist Studies Volume 5 #1, White Horse Press, Cambridge, March 1997, p. 69.
• 8Zeev Sternhell (with Mario Sznajder and Maia Asheri) The Birth Of Fascist Ideology, translated by David Maisel (Princeton University Press, New Jersey 1994, p. 124).
• 9Selected Writings Of Pierre-Joseph Proudhon edited by Stewart Edwards and translated by Elizabeth Fraser (Macmillan, London 1970, p. 227).
• 10English translation from a citation in International Review #87. Brussels Winter 1996, p. 7. The article from which this is taken 'Marxism Against Freemasonry' is curiously one-sided in its treatment of anarchism; it comes across as the work of a 'rarefied and baroque' scholastic sect who refuse to investigate anything outside their chosen cannon. The International Communist Current seem to have no understanding of the fact that meaningful critiques of anarchism must necessarily broaden their focus beyond Bakunin who while he may have been the founding father of 'revolutionary' anarchism, has also been dead for more than a century. With regard to this, see in particular footnote 26 below.
• 11Bob Black Anarchy After Leftism (CAL Press, Columbia 1997, p. 44).

  Black's bibliographical references have been omitted from the citations which follow. Page 2 of this book carries 'A Note About C.A.L. Press':

  'The publication of Anarchy After Leftism by the Columbia Alternative Library signals the opening salvo of a new book publishing collective dedicated to the utter destruction of the dominant society. The collective members, Jason McQuinn, Paul Z. Simons and John Zerzan, while having in the past worked on a variety of projects, found in the course of discussion (and to their mutual consternation), enough points of philosophical agreement to commence a venture the first fruits of which you hold in you hands. This publishing project is dedicated to bringing to the discerning public not only the newest and most devastating critiques of the awful mess we call society, but also to keep in print those "classics" which have lapsed into publishing oblivion...'

  A review of Anarchy After Leftism in Green Anarchist # 47/48 (Summer 1997, p. 26) concludes:

  'Anarchy Beyond Leftism (sic) poses an unanswerable case to all the Steam Age relics in this country and should help facilitate this transition. In ending, I should note this is the first book published by Columbia Alternative Library (CAL) Press, resurrected by Anarchy's Jason McQuinn, John Zerzan and Paul Z. Simons and a good start it is too. We expect more radically critical titles to be published by them in the near-future, a breath of fresh air in a US anarcho-publishing scene previously so stultified that due to sheer personal prejudice, Bob Black couldn't find anyone to publish Anarchy Beyond Leftism (sic) despite its high quality and clear importance as a timely intervention.'

• 12Bob Black Anarchy After Leftism ibid. p. 44-5. As well as being the author of 'Politics, Prejudice and Procedure: The Impeachment Trial of Andrew Jackson' which first appeared in the neo-Nazi and holocaust denying Journal Of Historical Review (Vol. 7 #2, Summer 1986, p. 175-192), Bob Black frequently has his articles reprinted in Green Anarchist. Loonpanics Unlimited, who have published Black's The Abolition Of Work And Other Essays (n.d.) as well as other texts by him, specialise in producing extreme right-wing pro-capitalist and survivalist material.

  The style of invective quoted above runs through the whole of Anarchy After Leftism: 'The hard Right Republicans, like Newt Gingrich, along with the Neo-Conservative intellectuals (most of the latter, like the Dean, being high-income, elderly Jewish ex-Marxists from New York City who ended up as journalists and/or academics) blame the decline of Western Civilization on the '60s.' (p. 21). Similar sentiments can be found in Black's other writing. For example, 'My Date With Jim Hogshire (Version 2.1)' in Big Bad Bob Black: A Popular Reality Special Report (Popular Reality, Jackson n.d., p. 6), a somewhat idiosyncratic account of events surrounding Bob Black's activity as a police informant: 'I turned the tables on the Muslim maniac. You know how the towel-heads are always taking Westerners hostage: I took one of them hostage. Having a gun trained on you concentrates the mind wonderfully. When Jim pointed his rifle at me, I grabbed Heidi as a human shield. Whereupon (you surely suppose) he put his gun down. Not so! He trained his rifle on his own wife! "The animal did not seem to care!" as he wrote to Junto. I didn't care? I wasn't aiming a gun at her. Jim was wired up and fired up to shoot her if that's what it took to shoot me. Which, come to think of it, is consistent with how Muslims regard their women as disposable. And with how junkies regard their junk as their top priority: "Opium is that Muslim's religion!" (John Marmysz).' With the same twisted logic that he uses to justify his activity as a police informant, Black rants about Heidegger and Jünger in Anarchy After Leftism (p. 43) as: 'the twentieth-century German intellectuals he (Bookchin) j'accuses as carriers of nineteenth-century conservative romantic ideology.' Invoking Dreyfus (j'accuse) in defence of a card-carrying member of the Nazi Party such Heidegger not to mention Jünger -the author of Storm Of Steel and Battle As Inner Experience - is a transparent attempt at presenting the victimisers as victims. As such, Black's rhetoric functions in a manner analogous to other anti-semitic propaganda ranging from the calumnies of Bakunin to the fraudulent writings of Nesta Webster, and outright forgeries such as The Protocols Of The Elders Of Zion.

  For a very different critique of Bookchin see Beyond Bookchin: Preface for a future social ecology by David Watson (Autonomedia, Black & Red, Fifth Estate, Brooklyn & Detroit 1996). Despite the contentious nature of Watson's primitivist perspective, his book is closely and on the whole carefully argued. Watson diligently avoids the gutter populism of Anarchy After Leftism. If anything, Watson an opponent of 'Enlightenment reason' is excessively scrupulous in dealing with Bookchin's claims about rationality. For example, pages 88-9: '...just who is this "we" who "subject brutality to much harsher judgment" the Bosnian Serb soldier raping women to carry out the "ethnic cleansing" orders of his leaders, or the president of the World Bank, or the television-mesmerized cheerleader for the obliteration of Baghdad? ...Bookchin's response to such objections is entirely tautological. Such irrationalities are simply not history which, he contends, 'is the rational content and continuity of events . . . grounded in humanity's potentialities for freedom, self consciousness and cooperation." "History is precisely what is rational in human development," we are told, and phenomena like the death camps and the nuclear arms race, "insofar as they defy rational interpretation . . . remain precisely events, not history . . . they are not dialectically rooted in humanity's potentialities . . . In no sense can episodic capacities be equated with an unfolding potentiality."... This casuistry, worthy of Lewis Carroll's Humpty Dumpty, manages to dispatch history's mountain of corpses to the netherworld with a wave of a wand.' Watson's argument concedes too much ground to deal effectively with its subject. Bookchin regardless of whatever he may believe or claim patently is not a rationalist. For example, in Which Way For The Ecology Movement? (AK Press, Edinburgh & San Francisco 1994, p. 66), Bookchin writes: 'Henri Bergson's conception of the biosphere as an "entropy-reduction" factor, in a cosmos that is supposedly moving toward greater entropy or disorder, would seem to provide life with a cosmic rationale for existence. That life forms may have this function need not suggest that the universe has been exogenously "designed" by a supernatural demiurge. But it does suggest that "matter" or substance has inherent self-organizing properties, no less valid than the mass and motion attributed to it by Newtonian physics...'

• 13Anarchist Studies Volume 5 #1, p. 38.
• 14English translation from Selected Writings Of Pierre-Joseph Proudhon edited by Stewart Edwards, p. 196-7. Bakunin's Pan-Slavism is well documented, so here it is enough to use a summary of Kropotkin's position by his amiable biographers to demonstrate that the thought of all the major anarchist 'theorists' was deformed by nationalism. Woodcock and Avakumovic mildly reprove their idol on this score (op. cit. under footnote 3, p. 290): 'Only towards Russia herself did he adopt the attitude he should have maintained everywhere, dissociating the misdeeds of the rulers from the essential peaceableness of the people, and finding in a system of authority, rather that in national characteristics, the reason for certain faults. If he had applied this standard everywhere, his general attitude would later have been much less confused.'
• 15Quoted in an article entitled 'Fascism 1913' by Pierre Andreu penned for the journal Combat (English translation from Neither Right Nor Left: Fascist Ideology in France by Zeev Sternhell, translated by David Maisel, University of California Press, Berkeley 1986, p. 7). While the Cercle Proudhon forms the focus of 'Fascism 1913', the contemporary anarchist writer Hakim Bey is amused by earlier manifestations of fascist/pre-fascist ideology; his somewhat vague reference to tentative links between the anarchist and monarchist movements in fin-de-siècle France are probably an invocation of both anti-Drefusard activity and the anti-semitic current running from Fourier and Toussenel to Blanqui, Proudhon and beyond. Bey doesn't mention the convergence of syndicalism and monarchism in the Cercle Proudhon, founded in 1912. Given Bey's substantial ideological debt to Georges Sorel, if he was explicit on this point it might warn some of his naive leftist followers - whom he obviously considers too ignorant to be au fait with the ideological orientation of the third position politics he now dismisses as being relevant only to the 1917-1989 period - about where he is leading them. Instead, he writes in his book Millennium (Autonomedia & Garden Of Delight, Brooklyn & Dublin 1996, p. 96-101) that: 'there were some amusing & futile attempts in fin-de-siècle France to forge links between anarchism & monarchism against the common enemy, the fading illusion of "democracy" & the emerging reality of Capitalism... In this sense we may have been out-thought by syndicalism & by "council-communism", which at least developed more mature economic critiques of power. Like the left in general however anarchism collapsed in 1989 (a growing North-american movement for example suddenly imploded) in all likelihood because at that moment our enemy the State also secretly collapsed. In order to move into the gap left by the defeat of Communism we needed a critique of Capitalism as the single power in a unified world. Our careful & sophisticated critique of a world divided into two forms of State/economic power was rendered suddenly irrelevant. In an attempt to rectify this lack, I believe we need a new theory of "nationalism" as well as a new theory of Capitalism (and indeed a new theory of religion as well). So far the only interesting model for this is the EZLN in Mexico (it's gratifying to see Zapatista slogans scrawled all over Dublin!) & it would be worth analysing their theory-&-praxis for inspiration. The EZLN is the first revolutionary force to define itself in opposition to "global neo-liberalism"; it has done so without aid or influence from the "Internationale" because it appeared in the very same moment that "Moscow" disappeared. It has received the support of the remnants of Liberation Theology as well as the secret councils of Mayan shamans & traditional elders. In the Native-american sense of the word it is a "nationalist" movement, & yet it derives its political inspiration from Zapata, Villa, & Flores Magon (i.e., two agrarian anarcho-syndicalists & one anarcho-communist). It is concerned with "empirical freedoms" rather than purist ideology. [As Qaddafi says, "In need, freedom remains latent".] No wonder the NY Times called Chiapas the first "post-modern" revolution; in fact, it is the first revolution of the 21st century.

  'James Connolly, one of the founders of the IWW, developed in Ireland a theory that socialism & nationalism were parts of one & the same cause & for this theory he suffered martyrdom in 1916. From one point of view Connolly's theory might lead toward "National Socialism" on the Right but from another point of view it leads to "third world nationalism" on the Left. Now that both these movements are dead it is possible to see more clearly how Connolly's theory also fits with anarchist & syndicalist ideas of his own period, such as the left volkism of Gustav Landauer or the "General Strike" of Sorel. These ideas in turn can be traced back to Proudhon's writings on mutualism & "anarcho-federalism". (The quarrel between Marx & Proudhon was far more unfortunate for history than Marx's much noisier & more famous quarrel with Bakunin.) Inasmuch as we might propose a "neo-proudhonian" interpretation of the Zapatista uprising, therefore, Connolly's ideas may take on a new relevance for us (and thus perhaps it's not surprising if the EZLN sparks a response from the Irish left!). Nationalism today is headed for a collision with Capitalism, for the simple reason that the nation per se has been redefined by Capital as a zone of depletion. In other words, the nation can either capitulate to Capitalism or else resist it no third way, no "neutrality" remains possible. The question facing the nation as zone of resistance is whether to launch its revolt from the Right (as "hegemonic particularity") or from the left (as "non-hegemonic particularity"). Not all nations are zones of resistance, & not all zones of resistance are nations. But wherever the two coincide to some extent the choice becomes not only an ethical but also a political process.

  'During the American Civil War the anarchist Lysander Spooner refused to support either side - the South because it was guilty of chattel-slavery, the North because it was guilty of wage-slavery - & moreover because it denied the right to secede, an obvious sine qua non of any genuinely free federation. In this sense of the term, nationalism must always be opposed because it is hegemonic & secession must always be supported inasmuch as it is anti-hegemonic. That is, it can only be supported to the extent that it does not seek power at the expense of others' misery. No State can ever achieve this ideal but some "national struggles" can be considered objectively revolutionary provided they meet basic minimal requirements i.e. that they be both non-hegemonic & anti-Capitalist. In the "New World" such movements might perhaps include the Hawaiian secession movement, Puerto Rican independence, maximum autonomy for Native-american "nations", the EZLN, & at least in theory the bio-regionalist movement in the US and it would probably exclude (with some regrets) such movements as Quebec nationalism, & the militia movement in the US. In Eastern Europe we might see potential in such states as Slovenia, Bosnia, Macedonia, the Ukraine but not in Serbia nor in Russia. In the "Mid-East" one cannot help supporting Chechnya & the Kurds. In West Europe the EU must be opposed, & the smaller nations most likely to be crushed by the weight of Eurotrash & Eurodollars should be encouraged to stay out of the Union or to oppose it from within. This includes the Atlantic littoral from Morocco (where Berber resistance & Saharan independence have our sympathy) to Ireland, Denmark, perhaps Scandinavia, the Baltics, & Finland. Celtic secessionism should be encouraged in Scotland, Wales, Brittany, & Man; this would add a strong socialist & green tint to any possible coalition of small Atlantic States. In Northern Ireland the best possible solution to the "Troubles" might be an independent Ulster based on socialist anti-sectarian solidarity a dream perhaps but far more interesting than "Peace" at any price - & a free revolutionary Ulster would no doubt release an unbelievable burst of energy into the anti-Capitalist movement - despite its size Ulster would emerge as a leader of any such movement - it would possess tremendous moral prestige.

  'Since we're indulging in dreams let's imagine that an anti-Communist/anti-Capitalist movement emerges in E. Europe, & allies itself with new movements within Islam, no longer "fundamentalist" & hegemonistic but definitely anti-Capitalist & opposed to "One World" culture. In turn an alliance is made with the anti-Capitalist anti-"Europe" states of the Atlantic littoral & simultaneously within all these countries revolutionary forces are at work for social & economic justice, environmental activism, anti-hegemonic solidarity, & "revolutionary difference". NGOs & religious groups lend their logistical support to the struggle. Meanwhile we can imagine Capitalism in crisis for any of a myriad reasons, from bank-collapse to environmental catastrophe. Suddenly the radical populist critique of "neo-liberalism" begins to cohere for millions of workers, farmers, tribal peoples, x-class drop-outs & artists, heretics, & even "petit-bourgeois" shopkeepers & professionals...'

  Millennium collects together perhaps the most revealing of Bey's texts since Critique: A Journal of Conspiracies & Metaphysics #19/20 (Fall/Winter 1986, p. 317-320) published a letter signed in his legal name of Peter (Lamborn) Wilson: 'Marian Kester's well-written article on Historical Revisionism is a great help in understanding this phenomenon. She's absolutely right, I think, to conclude that both sides are missing the point. One thing I regret, though, is the bare reference to the French Jewish anarchists who supported HRism... our present Consensus History is presented in terms of good governments vs. bad ones. But the anarchist considers that there is no such thing as good government, and so would be inclined a priori (as the Guenonists like to say) to suspect the winner's version as much as the losers. And, if we begin to look into WWII history we have no need to delve very deeply to come up with evidence that the Allies committed plenty of "war crimes" of an atrocity or equal (or quantitatively superior) to the Axis. Dresden, Hiroshima, the Churchill/Roosevelt/Stalin agreements are displaced minorities after the war (sic)... no need to go on... On the subject of Guenon and his followers... The Guenonians in general have supplied us with an excellent and positive view of Tradition and an excellent negative critique of the modern world. What they have failed to do is to provide a critique of Tradition and a positive valuation of contemporary reality. The very essence of such an extraordinary idea as "Tradition" depends on the very sort of relativistic and tolerant reading of world culture that the Guenonians and neo-Guenonians hate and condemn... In matters of Sufism, I consider it impolite to discuss secrets, or to indulge in gossip. I limit myself to public arguments about publicly expressed ideas...'

• 16Anarchist Lancaster Bomber #17, January 1997, p. 12-16. For detailed critiques of Green Anarchist see The Green Apocalypse by Luther Blissett and Stewart Home (Unpopular Books, London 1995), Disputations On Art, Anarchy And Assholism by Stewart Home and "Friends" (Sabotage Editions, London 1997) and Militias: Rooted in White Supremacy by People Against Racist Terror and Luther Blissett (Unpopular Books, London 1997). Since Green Anarchist reject class struggle as 'out-moded' (in, for example, Into The 1990s With Green Anarchist by Stephen Booth, Green Anarchist Books, Camberley 1996, p. 154), their ideological orientation is quite clear. Despite Richard E. Rubenstein's sympathy towards Bolshevism, his assessment of the political consequences of terrorism in Alchemists Of Revolution: Terrorism in the Modern World (I. B. Tauris, London 1987, p. 202-3) is not without merit: 'Compare the Nazis' sanctification of their terrorist forerunners with the Bolsheviks insistence that leftist terrorism, however understandable, had always been a mistake... the historical evidence suggests, terrorism is rarely effective as a mode of class struggle. On the contrary, its use by the partisans of a mixed movement generally signifies either that a serious mistake of timing has occurred or that nationalist impulses have replaced social-revolutionary expectations.'
• 17Reprinted in Green Anarchist #45/6, Spring '97, p. 27, this reads in part:

  'A more substantial objection is that we're dependant on the system for our giros - this is precisely where the anti-JSA campaign is most flawed. Because they're dependant on it, the anti-JSA campaign is fundamentally about defending the State's 'benefits system', actually perpetrating their dependancy on it... As with equally pathetic 'Defend The NHS' and 'Save Our Schools' demands, those calling themselves revolutionaries find themselves defending the State's repressive apparatus... We have to ask why they're trying when there are so many more important campaigns with so much more revolutionary potential going on... The answer's immediately apparent when you look at who is doing the organising ouvierist groups whose political focus was workplace and street in the 1980s and early 1990s... now organised labour's been smashed, they've been reduced to raking around to find a few dozen jobs to defend. Frenetic anti-fascist activity was their political life-support machine in the early-1990s (if you can't fight for your own politics, at least you can fight against someone else) but now the far-Right's grassroots have defected to the Tories over the asylum issue and as anti-fascism lacks a coherent critique of the State, the anti-fascist milieau (sic) has degenerated to the point of tail-ending a sectarian, politically illiterate clique into electoralism just because they're 'hard'. History has passed them by...'

  Applauding the Primitivist Network's positions on JSA, the 'Jolly Butcher' goes even further in the Green Anarchist Network's Anarchist Lancaster Bomber #16 (Autumn 1996, p. 2). Here, the neo-Nazi Oklahoma fertiliser truck bombing in which 168 people, including 19 children, died is invoked as an 'inspirational' attack on the state:

  'The DHSS (sic) should be abolished. Whether or not the government closes it down, revolutionaries everywhere should destroy the DHS (sic). The DHS is the state and it confers dependence through signing on and the fortnightly giro. In the 1940s the Nazi state got rid of people by gassing them in concentration camps. Now the whole of Europe is their concentration camp. In the 1990's the Tony (sic) state gets rid of people using unemployment. Instead of killing us directly in 15 minutes, they do it on the drip-feed method. Water bills, gas bills, electric, council tax shite, TV licences and all that. Revolutionaries today should have no qualms about smashing DHS office complexes, or using chemical and biological warfare agents against their ventilation systems. Unemployment is our holocaust and the time is right... Income support and the Job Seekers Allowance are their Zyklon B. With an armed revolutionary movement, we don't need their grudging welfare shite we only need more fertilizer and bigger trucks... There is no truth in the DHS so the obscene lie that it represents must be liquidated... With the physical abolition of the DHS people would be forced to fend for themselves. Welfare dependency would be brought to an end... There is no hope in workerist moderation, but the physical destruction of the welfare system this is a revolutionary objective worth aiming at. All of that subservience and dependency shite needs to be abolished. Start with the jugular. Abolish the DHSS. ONE BENEFIT OFFICE ONE BLUE TRUCK!'

  It should be emphasised that rather than tail-ending the Primitivist Network, the above is merely a more forceful expression of opinions those involved with Green Anarchist have held for some time. See, for example, the anonymous article 'It's Not A Question Of Left Or Right But... Centralist Or Decentralist' in Green Anarchist #20 (Autumn 1988/Winter 1989, p. 15):

  'The battle will be fought between the left with the right of the grassroots against the left with the right of the Establishment. We must not alienate the right with some of the nuttier ideas of the left... So don't jump on every socialist or loony left bandwagon. It is sometimes not appropriate. Anarchists cannot get up and shout to oppose cuts in the government Health Service. Anarchists cannot approve of a government anything. Given the brainwashing of education, we should welcome cuts in government education spending and work out our anarchist ways of "education". Women are exploited but the present feminist critique might not be correct. It might not be a problem of hierarchy but obedience to hierarchy. The media and the government have made it the issue of left and right. That splits the opposition. The issue should be government, left and right, or no government.'

  The Primitivist Network operates out of PO Box 252, Rickmandsworth, Bedfordshire WD3 3AY. John Moore is identified as the public face of PN in, for example, Stephen Booth's Into The 1990s With Green Anarchist (Green Anarchist Books, Camberley 1996, p. 127) where the relationship between Green Anarchist and the Primitivist Network is described as 'a fruitful alliance'. Moore apparently teaches in the Department of Literary/US Studies at the University of Luton (this information is contained in the editorial credits to Anarchist Studies vol. 5 #1 op. cit.; a previous check on credentials appended to an article in Anarchist Studies vol 4 #1, p. 75, op. cit. revealed that despite the journal's assertion that 'Leigh Starcross' had affiliations with the University Of Sussex, the named institution denied that anyone going by the name had ever been either a student or staff member). Issue 16 of Anarchist Lancaster Bomber (Autumn 1996, p. 10-11) also carries an article entitled 'A Primitivist Primer' by John Moore. Judged on the throughput of Moore and the Anarchist Lancaster Bomber, it makes sense to revalorise an old ultra-leftist formulation by stating that 'primitivism' is absolutely the worst product of 'civilisation'. For a short but lucid critique of John Moore's extremely silly assertions about the origins of 'anarcho-primitivism' see 'From Socialisme ou Barbarie to Communism or Civilisation' by Luther Blissett in Transgressions: A Journal of Urban Explorations #2/3 (Geography Department, University of Newcastle, August 1996, p. 81-5).

• 18Information on editorial board membership at Anarchist Studies is taken from the credits at the beginning of the journal vol. 5 #1, op. cit.. There is some doubt about the ability of Anarchist Studies to provide accurate information about those associated with it, see the fourth paragraph of footnote 17. It is likely that the role of a number of individuals on the editorial board - and this is assuming these names have been used with permission - is purely 'honorary'. For an analysis of the prominent role Chomsky played in defending the right of the historical revisionist Robert Faurisson to deny that the Nazis set up gas chambers as part of their final solution, see pages 99-104 of Gill Seidel's The Holocaust Denial: Antisemitism, Racism & the New Right (Beyond The Pale Collective, Leeds 1986).
• 19Anarchist Studies Volume 5 #1, p. 91.
• 20Amok Press and Loonpanics Unlimited, New York and Port Townsend 1989. For more on Bob Black see above, in particular footnote 12.
• 21The article 'Politicians Are All Wankers' by anonymous in Class War #72 (August/September 1996, p. 2) announcing the formation of the Anti-Election Alliance was particularly hilarious:

  'London Class War is pleased to announce that we are helping to set up, along with the Anarchist Communist Federation and Green Anarchist, the Anti-Election Alliance (AEA). Long term readers of Class War may remember the coverage we gave to the last AEA, which ended in a 1500 strong march being shepherded through central London by 2500 police (figures Police Review)...'

  Long term readers of Class War will also remember that there was a time when CW used to rant against CND wankers who allowed the cops to shepherd demonstrators around London like sheep. Times change and the now defunct Class War destroyed itself over unsubstantiated allegations about a Leeds member run in the Green Anarchist - newspaper 'Attention! This Is A Genuine Security Alert' by Larry O'Hara, Green Anarchist #38, Summer 1995, p. 12-14 - rather than confront the political differences that separated the warring fractions. After this, the politically illiterate rump (London CW) not only linked up with the eco-fascist GA, it also boasted about the cops shepherding its supporters around London like a bunch of sheep! Towards the end, even the mass media ceased treating Class War as a serious threat to the dominant social order. See, for example, 'Want to Smash The State? Call A Plumber' by Rob Yates in The Observer of 16/3/97 (Review section, p. 1 & 4). Coverage of this type may simply reflect a more realistic attitude within the British media towards anarchism. An earlier shift in press attitudes was noticeable in coverage of the funeral of the anarchist and pensioner Albert Meltzer. See, in particular, 'Anarchy Reigns As A Comrade Is Remembered' by Sandra Barwick in the Daily Telegraph of 29/11/96:

  'The anarchist movement is disunited even in death as events following the funeral of Albert Isidore Meltzer, anarchist and former Daily Telegraph copytaker, demonstrate... his brother anarchists have been squabbling about his role in history, with accusations that he exaggerated his exploits and libelled his comrades... "I don't know what he ever did but make a noise." said Charles Crane of the Freedom Press... Friends of Mr Meltzer have defended his role. Stuart Christie, Meltzer's co-author and executor of his will, said at his funeral that the anarchist was "the arch-stone, the link in the chain". Those at Freedom were merely on the periphery... Events after Mr Meltzer's death illustrate why collective anarchist action is unlikely.'

  Likewise, under the headline 'The Vote Changes Nothing' in Green Anarchist # 47/48 (Summer 1997), GA report on the Anti-Election Alliance as follows:

  'The crapness of the anarcho-establishment meant the Anti-Election Alliance consisted of GA, London Class War and ACF only. "Politicians are all two-faced bastards" stickers got everywhere but the AEA meetings rarely attracted over 50.'

  The use of the plural term meetings may be an exaggeration, I'm only aware of one AEA 'rally'.

• 22Even more bizarrely, an outside wall of the Freedom building is decorated with portraits of anarchist 'heroes', including Bakunin, Proudhon and Kropotkin. These works were commissioned through Free Form, working in association with Freedom and the Whitechapel Gallery, with the project being financed by the EC funded Bethnal Green City Challenge, with co-operation from Tower Hamlets council and local businesses. One can only speculate as to how many of those involved in this project were aware that Bakunin and Proudhon were vicious anti-semites, since it is very odd that publicly funded art featuring their portraits should be placed in a part of east London with so many jewish connections.
• 23New Left Review 219, September/October 1996, p. 22-41.
• 24Terry Eagleton The Ideology Of The Aesthetic, Basil Blackwell, Oxford 1990, p. 20.
• 25See, for example, Berthold Hinz's Art In The Third Reich (Basil Blackwell, Oxford 1980) and Igor Golomstock's Totalitarian Art in the Soviet Union, the Third Reich, Fascist Italy and the People's Republic of China (Collins Harvill, London 1990).
• 26The libertarian George Woodcock is dissembling when he says in his Anarchism (Pelican, Harmondsworth 1963, p. 310): 'Bakunin himself, like Proudhon, was a Freemason: a study has yet to be made of the links between Continental Freemasonry and the early anarchist movement.' While anarchist involvement in masonry appears less widespread than it was fifty or a hundred years ago, it is still very much an ongoing phenomenon. Given the secrecy surrounding the craft, the exact state of play is difficult to quantify. Assuming that freemasonry is in decline due to a considerable decrease in the number of young members it is able to recruit, it is not unreasonable to infer both a percentage and a real drop in the number of anarchists affiliated to lodges. For a recent example of a libertarian defence of this type of secret society see 'Planche/anarchisme en.. Franc-maçonnerie' in the Belgian anarchist paper Alternative Libertaire #176 (September 1995, p. 18-20), where the argument that anarchism and masonry are compatible comes replete with references to 'Frère' Kropotkin.

  Woodcock makes the odd nod and wink to the intellectual impact of freemasonry on Kropotkin, but fails to address the issue directly. For example, from The Anarchist Prince: A Biographical Study of Peter Kropotkin, (Schocken Books, New York 1971, p. 113), a book Woodcock co-wrote with Ivan Avakumovic: 'In 1872... when Kropotkin reached Switzerland... the split in the International was not complete... The rank and file of the two sections were still on fairly cordial terms, and when Kropotkin left Zurich his Bakuninist friends do not seem in any way to have prejudiced him, for it was to the Marxist section in Geneva that he first went. The movement carried on its activity in the Masonic Temple Unique. There Kropotkin was welcomed by Utin...' Two pages on, Woodcock and Avakumovic quote Kropotkin as saying: 'every revolutionist has had a moment in his life when some circumstance, maybe unimportant in itself, has brought him to pronounce his oath of giving himself to the cause of the revolution. I knew that moment: I lived through it after one of the meetings at the Temple Unique, when I felt more acutely than ever before how cowardly are the educated men who refuse to put their education, their knowledge, their energy at the service of those who are so much in need of that education and that energy.' (p. 115). Although the source of this quote goes unaccredited in The Anarchist Prince, the segment of Kropotkin's Memoirs Of A Revolutionist (Grove Press, New York 1968, p. 276-280) from which it is lifted is well worth reading for the portrait it gives of the International.

  [For a preliminary account of the struggle Marx waged against the conspiratorial politics of his nationalist opponents within the International see The Revolution Is Not A Masonic Affair: Boris Nicolaevsky's "Secret Societies In The First International" (Unpopular Books, London 1997). For a number of reasons, it is best to approach Nicolaevsky's text with caution. Reviewing the pamphlet in Freedom Vol 58 #9 (10/5/97), DR comments: 'We are told that G. J. Holyoake and Charles Bradlaugh were members of the Philadelphe Lodge and that the Reasoner and the Freethinker were Lodge publications. Holyoake and Bradlaugh were militant atheists, and the Reasoner and Freethinker their journals. It is difficult to imagine them in an organisation which claimed the Magi, who brought gifts to the infant Christ, as past members. They were, however, associated with an English secularist group founded in 1793, now called the South Place Ethical Society but then called the Philadelphians. Nicolaevsky may have confused the Philadelphians with the Philadelphes.' Returning to Marx, his primary concern seems to have been neutralising factions within the International that were both organised on masonic lines and disrupting its activities. The business of sorting this out was clearly a more pressing matter than attempting to expel all those who for whatever reason belonged to both the International and a masonic lodge. While it is difficult to admire Marx as an individual - the way in which he conducted his personal life makes the claims of those who adhere to such positions implausible - he did make an important contribution to the communist movement and although his work is not as authoritative as some of his admirers maintain, it is foolish to denigrate it in its entirety.]

  Freemasonry seems to be a major if deliberately understated occult link between a 'scientifically' prophesied anarchist society of the immediate future and the pre-Renaissance past idealised by Kropotkin in his Mutual Aid: A Factor of Evolution (Pelican Books, Harmondsworth 1939, first published in book form 1902). Having discussed mutual aid among animals, 'savages', 'barbarians' and 'medieval' city inhabitants, Kropotkin devotes his final chapters to 'Mutual Aid Among Ourselves': 'In the guild - and in medieval times every man belonged to some guild or fraternity - two "brothers" were bound to watch in turns a brother who had fallen ill...' (p.183); '...societies... like the Cyclists' Alliance, have suddenly taken a formidable development. Although the members of this alliance have nothing in common but the love of cycling, there is already among them a sort of freemasonry for mutual help, especially in remote nooks and corners which are not flooded by cyclists... at the yearly Cyclists' Camp many a standing friendship has been established...' (p. 220); 'For nearly three centuries men were prevented from joining hands even for literary, artistic, and educational purposes. Societies could only be formed under the protection of the State, or the Church, or as secret brotherhoods, like free-masonry. But now that the resistance has been broken, they swarm in all directions, they extend over all multifarious branches of human activity, they become international...' (p. 222).

  If Kropotkin's freemasonry was mildly eccentric, even by the standards of the craft, there is nothing sinister about it. Woodcock relates that when Kropotkin settled in England (Anarchism, p. 196): 'To the educated British public he was an honoured symbol of Russian resistance to autocracy. His articles in The Times and in scientific periodicals were read with respect...' Thus membership of a regular masonic lodge would have been a mundane aspect of Kropotkin's immersion in the British establishment assuming he maintained his active participation in freemasonry after his gradual evolution away from the conspiratorial techniques of the continental Bakuninist circles. Unlike Bakunin, who consistently viewed his masonic and quasi-masonic activities as a means of establishing an invisible 'anonymous dictatorship', the doggedly optimistic Kropotkin - at least in his later years - merely saw the craft as a fine example of fraternal resistance to the state. While freemasonry is a perfect example of what Kroptokin meant by his anarchist principle of mutual aid, in his turn of the century world he attributed no more significance to the craft than other voluntary associations such as the Cyclists' Alliance or the Red Cross. This, then, is the foundation on which Kropotkin built his 'scientific' anarchism; it amounts to a simple and indiscriminate attraction to all forms of association conducted outside the church and the state. Kropotkin's positions on freemasonry and other voluntary organisations are, of course, incoherent. The activities promoted by these societies can as readily be placed in the service of the state as provide a counter-hegemony to the power of ruling elites. While voluntary associations tend to interact with states in complex fashions, on balance and for the time being contra Kropotkin, it remains unrealistic to view organisations such as the Boy Scouts as furnishing the motor of social transformation.

  Despite knowing about the high regard in which some contemporary anarchists (for example, Hakim Bey/Peter Lamborn Wilson) hold secret societies, I was surprised to receive an undated and unsolicited letter in early May 1997 from a self-styled mason called 'Jonothon Boulter'. This individual wrote claiming to be Command Cell Chairman (UK) of the Green Flame Revolutionary Synarchist League and requested a meeting at which he could tell me more 'under the Rose and Black Star'. Enclosed with this epistle were some extremely silly and very sparsely punctuated documents, including Revolutionary Synarchism: Syncretism of the Green Flame: 'The philosophy and the politics of the Green Flame are from a wide variety of backgrounds. We look back to the 1890's period known as decadent because of the network of writers, philosophers and poets. These people created an organisation called the Redondan Cultural Foundation whose aim was to create an autonomous country where politics economics and the spiritual would intertwine in a gothic mysteriousness. The Green Flame is the inheritor of this. Then we look back to revolutionary Templarism which was alleged to be behind the French Revolution and the Enlightenment. We also believe that the Templars were involved in the technological and cultural evolution of the middle age and that this was due to their secret alliance with Islam. According to the Templarists the aim of the Templars was to create a syncretistic religion and culture of Judaism Christianity and Islam. As we work with both business and the proletariat we have an intelligence network whose aim is also to infiltrate other intelligence services for recruits. The intelligence network is called Xenophon. As we are not a mass political movement we work on a revolutionary cell structure which is loose but in a network. It therefore demands recruits to have an all round intelligence and to work on their own. The organisation structure is secret on all levels but is also democratic as it is small-scale and non-bureaucratic. Our syncretism is constant and on deep levels which is our politics. Vive le Templiers!' For information on the fraudulent nineteenth century synarchist 'movement' of Joseph-Alexandre Saint-Yves see James Webb's The Flight From Reason: The Age of the Irrational (Macdonald, London 1971, p.175-8). Boulter's crank recruiting techniques are modelled on those of Bakunin, who was notorious for inventing secret societies that existed only on paper and in his head as a means of luring naive individuals into his anarchist activities. Although it is unlikely the organisation Boulter claims to represent has as many as two or three members, the texts he is indiscriminately circulating demonstrate the ongoing nature of the attraction some anarchists feel towards a mythological version of freemasonry.

• 27Cited by Stanton K. Tefft in The Dialectics of Secret Society Power In States (Humanities Press, New Jersey 1992).
• 28Bakunin's immersion in Italian Freemasonry during the 1860s led to his authorship of the notorious Catechism Of A Freemason, but this didn't prevent him from announcing in his Open Letters To Swiss Comrades Of The International (cited here from The Basic Bakunin: Writings 1869-1871 edited and translated by Robert M. Cutler, Prometheus Books, Buffalo 1992):

  'It would be a great mistake to judge the Freemasonry of the eighteenth century, or the beginning of the nineteenth, by what it is today. The erstwhile increasing influence of Freemasonry, a pre-eminently bourgeois institution, reflected the growth and influence of the bourgeoisie: later its decadence reflected the moral and intellectual decadence of that class. Today, having sadly become a jabbering old intriguer, it is useless and worthless, sometimes malevolent and always ridiculous, whereas before 1830 and especially before 1793 it was active, powerful, and genuinely beneficent, uniting through its organizations the choicest minds and the most ardent hearts, the most fiery wills and the boldest personalities, with but a very few exceptions... We know that nearly all the main actors of the first Revolution were Freemasons and that when that Revolution erupted it found, thanks to Freemasonry, friends and powerful allies in every other country. This certainly contributed to its triumph...'

• 29Rudolf Rocker, Nationalism And Culture translated by Ray E. Chase, Michael E. Goughlin, St Paul 1978. This work was first published in 1937, with a second edition issued in 1947. The dustjacket of the reprint of the second edition issued by Michael E. Goughlin in 1978 features endorsements from such unlikely figures as Bertrand Russell, Will Durant and Albert Einstein.
• 30Matthew Arnold, Culture And Anarchy And Other Writings edited by Stefan Collini (Cambridge University Press, 1993).
• 31Mikhail Bakunin, Statism And Anarchy, translated and edited by Marshall S. Shatz (Cambridge University Press, 1990).
• 32Rocker, p. 502. Passages such as this in Rocker and the works of other classical anarchists are pointedly ignored by the self-styled anarcho-primitivist John Moore, who while either feigning or suffering from a profound ignorance of Bakunin and simultaneously echoing the quasi-Gramscian blather of the French New Right about 'a war of position' absurdly bawls in 'his' essay 'Culture And Anarchy' (included in Anarchy And Ecstasy: Visions of Halcyon Days, Aporia Press, London 1988): 'Within mainstream discourse, and particularly in texts like the one by Matthew Arnold whose title I have deliberately appropriated here, the terms "culture" and "anarchy" are regarded as antithetical. Any putative tendencies toward anarchy become a pretext to entreat authority to intervene and re-establish order and culture. But for proponents of anarchy this polarization clearly remains unacceptable. For the latter, the primary aim becomes the development of a culture of anarchy. Unfortunately, however, this project has been poorly served by anarchist thinkers who for the most part have remained mired in politics.' The sheer absurdity of Moore's claims about an antagonism between anarchy and mainstream discourse can be seen in the fact that not only did the British establishment offer Herbert Read a knighthood in 1953 - while both his art criticism and anarchist writings were published and widely distributed by mainstream commercial companies- but that Read, one of the most influential anarchist writers of the mid-twentieth century, accepted the title. Among innumerable other examples that contradict Moore's ludicrous assertions, the scab illustrations produced by anarchist graphic artist Cliff Harper for Rupert Murdoch's newspapers during the Wapping dispute are equally pertinent. For documentation of the close relationship between anarchy and culture from the French Revolution onwards see the relevant sections in Donald Drew Egbert's Social Radicalism And The Arts: Western Europe (Duckworth, London 1970).
• 33Arnold, p. 65.
• 34Bakunin, p. 180.
• 35Isaiah Berlin, Russian Thinkers, Pelican Books, Harmondsworth 1979, p. 110-1.
• 36The Basic Bakunin: Writings 1869-1871 edited and translated by Robert M. Cutler, Prometheus Books, Buffalo 1992, p. 15.
• 37Bakunin's ability to dissemble even moved the left-communist Otto Rühle to paint the anarchist as clearly the wronged party in his dispute with Marx. See Karl Marx: HIs Life and Work by Otto Rühle (translated by Eden and Cedar Paul, George Allen & Unwin, London 1929, p. 274-292). Rühle does this despite citing a typical diatribe from Bakunin against his communist opponents (p. 281): 'Marx's circle is a sort of mutual admiration society. Marx is the chief distributor of honours, but is also invariably perfidious and malicious... As soon as he has ordered a persecution, there is no limit to the baseness and infamy of the method. Himself a Jew, he has round him in London and in France, and above all in Germany, a number of petty, more or less able, intriguing, mobile, speculative Jews (the sort of Jews you can find all over the place), commercial employees, bank clerks, men of letters, politicians, the correspondents of newspapers of the most various shades of opinion, in a word, literary go-betweens, just as they are financial go-betweens, one foot in the bank, the other in the socialist movement, while their rump is in German periodical literature...'
• 38Bakunin uses this phrase to describe the Russian peasants on page 202 of Statism And Anarchy.
• 39Bakunin, p. 209.
• 40Bakunin, p. 130-1.
• 41Arnold, p. 181.
• 42Max Nomad, Apostles Of Revolution, Secker & Warburg, London 1939, p. 178-9.
• 43It needs to be stressed that under Russian absolutism, clandestine political organisation was a practical necessity. Material conditions in Russia dictated the organisational methods employed by opportunists like Bakunin and Lenin. The success of Lenin and the concomitant failure of Bakunin is rooted in the fact that the former concentrated his efforts where Jacobin tactics were a pragmatic response to the prevailing conditions. Bakunin's absurd failure as an avatar of insurrection was a direct result of his attempt to employ conspiratorial tactics willy nilly across the whole of Europe, completely disregarding local conditions. For a history of Russian Jacobinism see Abbot Gleason's flawed Young Russia: The Genesis of Russian Radicalism in the 1860s (Viking, New York 1980).
• 44Arnold, p. 78-9.
• 45Rocker, p. 178.
• 46Rocker, p. 238.
• 47Rocker, p. 203. At points such as this, Rocker's views sound like an echo of the opinions of the reactionary 'Whig' historian Lord Acton, who attacked nationalism and democracy for rotting away the organic liberties of earlier social forms such as feudalism. It was, of course, Acton who wrote in a letter to Mandell Creighton - at that time still a future Bishop of London - that 'Power tends to corrupt and absolute power corrupts absolutely'.
• 48Bakunin, p. 12-3.
• 49Arnold, p. 62.
• 50Rocker, p. 186.
• 51Bakunin, p. 217.
• 52Rocker, p. 90-1.
• 53Rocker, p. 547. It should be emphasised that Rocker learnt Yiddish and ran a Yiddish language anarchist newspaper, since he emphatically included Yiddish speakers within his lofty vision of European culture. Nevertheless, the anarcho-syndicalist is unacceptably Eurocentric and unconscious echoes of Aryan ideology can be found in Rocker's use of completely specious arguments to justify his preference for Greece over Rome. A chapter on 'National Unity And The Decline Of Culture' begins with the assertion that: 'Greece and Rome are merely symbols. Their whole history is just a single instance of the great truth that the less the political sense is developed in a people, the richer are the forms of its cultural life...Greece brought forth a wonderful culture and enriched mankind for thousands of years, not in spite of, but because of its political and national disunion...' (p. 408-9). Rocker then concludes this chapter with the absurd observation that: 'One could perhaps cite England as counter-evidence and show that here culture took a great upsurge in spite of the national state, especially in the age of Queen Elizabeth. But one must not forget that only under the Stuarts was genuine absolutism able to claim an overwhelming success there, and that the English state never succeeded in centralizing public life to the degree which was reached in France, for example. The English government had always a strongly developed liberal opposition against it, which was deeply rooted in the people and which gave to the whole of English history its peculiar character. The fact is that in no other country did so much of the ancient municipal constitution persist as in England, and that the English city government is today, as far as local independence is concerned, the freest in Europe...' (p. 434). For a somewhat more realistic assessment of the development of Elizabethan culture see Richard Helgerson's Forms Of Nationhood: The Elizabethan Writing of England (University Of Chicago Press, Chicago and London 1992).
• 54See, for example, 'The Case Against Art' included in Elements Of Refusal by John Zerzan (Left Bank books, Seattle 1988). In this, as in so many other matters, Zerzan's position is at odds with that of George Bradford aka David Watson. Nevertheless, Bradford and Zerzan have been homogenised by the same admirers and detractors as founding fathers of 'anarcho-primitivism'/'lifestyle anarchism' see Beyond Bookchin op. cit. under paragraph three of footnote 12 and Stephen Booth's Into The 1990s With Green Anarchist op. cit., p. 132-141.
• 55See both Elements Of Refusal op. cit. and Future Primitive And Other Essays by John Zerzan (Autonomedia and C.A.L. Press, Brooklyn and Columbia 1994). A British edition of Future Primitive was issued by Green Anarchist Books (Camberley 1996), who simultaneously published a hardback edition of T.A.Z.: The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism by Hakim Bey. A number of Zerzan's essays have also been reprinted in Green Anarchist.
• 56John Zerzan, 'Rank-And-File Radicalism Within The Ku Klux Klan Of The 1920s' in Anarchy: A Journal of Desire Armed # 37, Summer 1993, Vol. 13, No. 3. pages 48-53.
• 57John Zerzan, 'Rank-And-File Radicalism Within The Ku Klux Klan Of The 1920s' op. cit. p. 49.
• 58A similar analysis can be applied to contemporary fascist organisations such as the British National Party.
• 59Zerzan, 'Rank-And-File Radicalism Within The KKK'. p. 48.
• 60Organise! For Class Struggle Anarchism autumn/winter 1996, p. 9-11. This is the journal of the UK based Anarchist Communist Federation (ACF). For an even sillier contemporary anarchist take on art, see Rex King's The Arts, & Other Social Diseases (revised edition Pentagon, London 1992, p. 6-18):

  '...surely no-one can still pretend that a successful career in the arts is a more socially authentic way of making a living than employment in, say, pharmaceuticals or management consultancy.... This parasitical relationship of artists and society is tested in microcosm in a hundred thousand student households around the country, in splendid isolation from the gullible families supplying the handouts, uneasy perhaps that son/daughter might actually be wasting everyone's time and money... The hard fact is that vocational engagement with the arts precludes wider and healthier social interaction... A patronising stigma has become attached to the very word 'amateur'. Professional art is frequently superior in quality to its amateur equivalent. But if superior, then more vital? Does professional art have a more important social role to play? This is not to endorse, say, the crappy efforts at painting that people try to flog at their local library... The artist lives in a solopsistic universe... So the professional artist can indeed become, in a manner of speaking, a 'wanker'.... If art is masturbation, then it is in part a fantasising about the real possibilities of life and communication, and in the meantime it remains a source of pleasure, for many a matter of daily recourse... But artists be warned: you are not liked, and for good reason... Professional artists are wasters. As a reader of this pamphlet observed, artists are the only masturbators to act as carriers of social disease.'

• 61Translation from Leon Trotsky On Literature And Art edited with an introduction by Paul N. Siegel, Pathfinder Press, New York 1970, p. 45-9.
• 62Sternhell, The Birth Of Fascist Ideology, op. cit. p. 258.
• 63Anarcho-communists such as the ACF do themselves no favours by collaborating with far-Right reactionaries like Green Anarchist or looking to Bakunin for inspiration. It is about time the ACF demonstrated some commitment to its political platform by breaking with the circle of eco-fascists gathered around Steve Booth, John Moore and Paul Rogers.
• 64For an analysis of a related left/right 'synthesis', see Richard Barbrook and Andy Cameron's The California Ideology (Hypermedia Research Centre, University of Westminster, London n.d. http://www.hrc.wmin.ac.uk/). Barbrook and Cameron's critique is incisive despite its flawed perspective:

  '...The drift toward the right by the Californian ideologues is helped by their unquestioning acceptance of the liberal ideal of the self-sufficient individual. In American folklore, the nation was built out of a wilderness by free-booting individuals the trappers, cowboys, preachers, and settlers of the frontier. The American revolution itself was fought to protect the freedoms and property of individuals against oppressive laws and unjust taxes imposed by a foreign monarch. For both the New Left and the New Right, the early years of the American republic provide a potent model for their rival versions of individual freedom. Yet there is a profound contradiction at the centre of this primordial American dream: individuals in this period only prospered through the suffering of others. Nowhere is this clearer than in the life of Thomas Jefferson the chief icon of the Californian Ideology. Thomas Jefferson was the man who wrote the inspiring call for democracy and liberty in the American Declaration of Indpendence and at the same time owned nearly 200 human beings as slaves...'

• 65Ultra-leftists have long insisted on a structural relationship between fascism and bolshevism. Otto Rühle's The Struggle Against Fascism Begins With The Struggle Against Bolshevism first appeared in Living Marxism, vol. 4, n. 8, in 1939. For a more recent English translation see the Bratach Dubh Editions pamphlet, London 1981 (p. 18): '...For Lenin, imperialism was the greatest enemy of the world proletariat, and against it all forces had to be mobilized. But Stalin, again in true Leninistic fashion, is quite busy with cooking up an alliance with Hitler's imperialism.'
• 66For an example of self-serving political reductionism on this topic, see 'Commentary On The Anarcho-Futurist Manifesto' by John Moore in Green Anarchist #40/41 (Spring 1996, p. 18-20): '...despite similarities in language use, the ideologoes (sic) inherent in Italian futurism and Russian anarcho-futurism are entirely antagonistic...' In proceeding to contrast the attitudes of the 'anarcho-futurists' and Marinetti, Moore resorts to the favoured method of those whose main use for books is as a means of searching out historical precedents to shore up their ideological beliefs, i.e. selective quotation. Moore takes a manifesto of a few hundred words - the only example of Russian 'anarcho-futurism' I can locate in English - and contrasts it with even fewer words from Marinetti. Depending on what one chooses to cite from Marinetti, one could prove almost anything with this technique. Take, for example, 'Beyond Communism' in Let's Murder The Moonshine: Selected Writings F. T. Marinetti translated and edited by R. W. Flint (Sun and Moon, Los Angeles 1991, p. 156):

  'Humanity is marching toward anarchic individualism, the dream and vocation of every powerful nature. Communism, on the other hand, is an old mediocritist formula, currently being refurbished by war-weariness and fear and transmuted into intellectual fashion. Communism is the exasperation of the bureaucratic cancer that has always wasted humanity. A German cancer, a product of the characteristic German preparationism. Every pedantic preparation is antihuman and wearies fortune. History, life, and the earth belong to the improvisers. We hate military barracks as much as we hate Communist barracks. The anarchist genius derides and bursts the Communist prison.'

  This was written in 1920, after Marinetti had embarked on his fascist political odyssey, something which didn't effect the futurist's notion of himself as an anarchist. For a discussion of the complexities of the relationship between the politics of individual futurists and futurist aesthetics (an issue which is apparently of no interest to John Moore) see Fascist Modernism by Andrew Hewitt op. cit..

  Given the lumpen audience Moore is addressing, he is on fairly safe ground making idle speculations about the Russian 'anarcho-futurists'. English language readers have access to very little information about this group which may well, in any case, have existed only on paper. While it is crass to blithely equate the politics of those gathered around the Bolshevik supporting Russian futurist Mayakovsky with the ideological commitments of the Mussolini supporting Italian futurist Marinetti, Moore's speculation places the 'anarcho-futurists' closer to Marinetti than Mayakovsky:

  'The anarcho-futurists reaffirm the Romantic notion of the creative genius but generalise this to all who participate in the insurrection. But creativity, in a life-affirming world view, must be complemented by destruction. Bakunin had announced that "the passion to destroy is a creative passion" and Nietzsche had indicated that "he who has to be a creator always had to destroy", and the ideas of both thinkers are perceptible in the manifesto. The words of Nietzsche's Zarathustra are echoed in the anarcho-futurist's assertion that "Everything is permitted! Everything is unrestricted!", and Nietzsche's life-affirmative philosophy is perceptible in the manifesto's affirmation of "Convulsions - flesh - life - death - everything! Everything!" But such life-affirmation entails the affirmation of opposites, and this emerges in the manifesto even amidst the orgiastic insurrection.'

  Moore's next conjecture is a link between 'anarcho-futurism' and ego-futurism. He then goes on to say:

  'Ignatyev tried to move ego-futurism beyond its Stirnerite ideology by using a Nietzschean perspective on the geneology of power. Moreover, he challenged the ego-futurist urbanist orientation by proposing the city as a site of enslavement and by extension civilisation as the locus of control. From this perspective, it is a relatively short step to the anarcho-futurist position of not merely attacking civilisation and the city in words, but in action too.'

  Moore offers no evidence that the 'anarcho-futurists' did anything other than write one short manifesto and his analysis of ego-futurism flies in the face of the information about the group available in English. See, for example, the selection of ego-futurist material in Russian Futurism Through Its Manifestoes, 1912-1928 edited and translated by Anna Lawton and Herbert Eagle (Cornell University Press, Ithaca and London 1988, p. 105-129). Since Moore doesn't mention this book in either his article or the skimpy bibliography appended to it, he is probably unaware of its existence. In her introduction, Anna Lawton describes ego-futurism as having been 'laced' with ill digested Nietzschean ideas from its inception. Possibly out of ignorance, Moore also fails to mention the French futurists who self-identified as anarchists and from February to November 1913 were involved with the short-lived Action d'art journal. The patently right-wing views of the French anarcho-futurists (they extolled 'aristocratic individualism') would probably appeal to Moore's eco-fascist chums at Green Anarchist.