Internationale Situationiste

Internationale Situationiste, aka International Situationist: the journal of the Situationist International - Issues 1-12

Internationale Situationiste #1

First issue of the journal of the Situationist International

The Situationists and Automation

Asger Jorn (June 1958)

It's rather astonishing that practically no one, until now, dared pursue the logic of automation to its ultimate implications. As a result, we have no real perspectives on it. It seems more like the engineers, scientists, and sociologists are trying to fraudulently sneak automation into society.

Automation, however, is now at the center of the problem of socialist control of production and of the preeminence of leisure over work time. The question of automation is the most heavily charged with positive and negative possibilities.

The goal of socialism is abundance -- the greatest amount of goods to the greatest number of people, which, statistically, implies the reduction of unforseen events to the level of improbable. An increase in the number of goods reduces the value of each. This devalorisation of all human goods to the level of "perfect neutrality," so to speak, will be the unavoidable consequence of a purely scientific socialist development. It is unfortunate that most intellectuals never get past this idea of mechanical reproduction, and are preparing man for this bleak, symmetric future. Likewise artists, specialized in the study of the unique, are turning in greater numbers, with hostility, against socialism. On the flip side, the socialist politicians are suspicious of any manifestation of artistic power or originality.

Attached to their conformist positions, one after another displays a certain bead mood with regard to automation, which risks jeopardizing their cultural and economic conceptions. There is, in every "avant-garde" tendency, a self-defeating attitude towards automation or, at best, an under-estimation of the positive aspects of the future, the proximity of which is revealed by the early stages of automation. At the same time, the reactionary forces flaunt an idiotic optimism.

This device allows for the automatic generation of a Gaussian curve (position of the balls at the bottom). The artistic problems of the dérive occur at the same level as the relatively unpredictable path of each ball.

An anecdote is pertinent here. Last year, in the journal Quatrième Internationale, the militant marxist Livio Maitan reported that an Italian priest had already proposed the idea of a second weekly Mass, necessitated by the increase in free time. Maitan responded: "The error consists in believing that man in the new society will be the same as in the present society, though in reality he will have needs so different from ours that it's almost too difficult to imagine." But Maitan's error is to leave to a vague future the new needs which are "almost too difficult to imagine." The dialectical role of the spirit is to incline the possible towards desirable forms. Maitan forgets that "the elements of a new society are formed within the old society," always, as the Communist Manifesto states. The elements of a new life should already be in formation among us -- in the realm of culture --, and it's up to us to help ourselves in order to raise the level of the debate.

Socialism, which tends towards the most complete liberation of the energies and potential in each individual, will be obligated to see in automation an anti-progressive tendency, rendered progressive only by its relation to new provocations capable of exteriorizing the latent energies of man. If, as the scientists and technicians claim, automation is a new means of liberating man, it ought to imply the transcendence of precedent human activity. This requires man's active imagination to transcend the very realization of automation. Where can we find such perspectives, which render man master and not slave of automation?

Louis Salleron explains in his study on "Automation" that it, "as nearly always happens with matters of progress, adds more than it replaces or suppresses." What does automation, in itself, add to the possibility of action? We have learned that it completely suppresses it within its domain.

The crisis of industrialization is a crisis of consumption and production. The crisis of production is more important than the crisis of consumption, the latter being conditioned by the former. Transposed on the individual level, this is equivalent to the thesis that it is better to give than to receive, to be capable of adding rather than suppressing. Automation is thus possessed of two opposing perspectives: it deprives the individual of any possibility of adding something personal to automated production, which is a fixation of progress, while at the same time sparing human energies now massively liberated from reproductive and uncreative activities. The value of automation thus depends on projects which transcend it, and which release new human energies at a superior level.

Experimental activity in culture [is] today in this incomparable field. And the self-defeating attitude here, the resignation before the possibilities of the epoch, is symptomatic of the old avant-garde who remain content, as Edgar Morin wrote, "to chew on the bones of the past." A surrealist named Benayoun says in No. 2 of Surréalisme Même, the latest expression of the movement: "The problem of leisure is already tormenting sociologists... We no longer put faith in scientists, but in clowns, lounge singers, ballerinas, plastic people. One day of work for six of rest: the balance between the serious and the frivolous, between slacking and laboring, is at great risk of being upset. The 'worker,' in his unemployment, will be lobotomized by a convulsive, invasive television short on ideas and scarce on talent." This surrealist doesn't see that a week of six days of rest will not lead to an "upset of the balance" between the frivolous and the serious, but a change in nature of the serious as well as of the frivolous. He hopes only for mistaken identities, a ridiculous return to the given world, which he perceives, like an aging surrealist, as a sort of intangible vaudeville. Why will this future be the solidification of present-day vulgarities? And why will it be "short on ideas?" Does this mean it will be short on 1924 surrealist ideas updated for 1936? Probably. On does it mean that imitation surrealists are short on ideas? We know it well.

New leisures seem like a chasm that current society knows no better way to bridge than to proliferate jury-rigged pseudogames. But they are, at the same time, the base on which the greatest cultural construction ever imagined could be erected. This goal is obviously outside the circle of interest of the partisans of automation. If we want to have a discussion with engineers, we must enter their field of interest. Maldonado, who currently directs the Hochschule f?r Gestaltung at Ulm, explains that the development of automation has been compromised because there is little enthusiasm amongst the youth to follow the polytechnic path, except for specialists in automation itself, gutted of a general cultural perspective. But Maldonado, who, of all people, should display such a general perspective, is completely unaware of it: "automation will only be able to develop rapidly once it establishes as its goal a perspective contrary to its own establishment, and once we can realize such a perspective in the course of its development."

Maldonado proposes the opposite: first establish automation, then its uses. We could argue with this method if the goal were not precisely automation, because automation is not an action in a domain, which would provoke an anti-action. It is the neutralization of a domain, which would come to neutralize the outside as well if the opposing actions were not undertaken at the same time.

Pierre Drouin, speaking in the January 5, 1957 Le Monde on the growth of hobbies as the realization of virtualities which workers can no longer find use for in their professional activity, concludes that in every man "there is a creator sleeping." This old cliché burns with truth today, if we link it back to the real material possibilities of our time. The sleeping creator must awaken, and his state of waking could well be called situationist.

The notion of standardization is an attempt to reduce and simplify the greatest number of human needs to the greatest degree of equality. It is up to us as to whether standardization opens more interesting realms of experience than it closes. Depending on the result, we could end up with a total degradation of human life, or the possibility of perpetually discovering new desires. But these desires will not come about on their own, in the oppressive frame of our world. Communal action must be taken to detect, manifest, and realize them.

Translated 1995 by a.h.s. boy

Action in Belgium Against the International Assembly of Art Critics

On April 12, two days before the gathering in Brussels of an international assembly of art critics, the situationists widely distributed an address to that assembly signed -- in the name of the Algerian, Belgian, French, German, Italian and Scandinavian sections of the SI -- by Khatib, Korun, Debord, Platschek, Pinot-Gallizio and Jorn:

To you, this gathering is just one more boring event. The Situationist International, however, considers that while this assemblage of so many art critics as an attraction of the Brussels Fair is laughable, it is also significant. Inasmuch as modern cultural thought has proved itself completely stagnant for over twenty-five years, and inasmuch as a whole era that has understood nothing and changed nothing is now becoming aware of its failure, its spokesmen are striving to transform their activities into institutions. They thus solicit official recognition from the completely outmoded but still materially dominant society, for which most of them have been loyal watchdogs. The main shortcoming of modern art criticism is that it has never looked at the culture as a whole nor at the conditions of an experimental movement that is perpetually superseding it. At this point in time the increased domination of nature permits and necessitates the use of superior powers in the construction of life. These are today's problems; and those intellectuals who hold back, through fear of a general subversion of a certain form of existence and of the ideas which that form has produced, can no longer do anything but struggle irrationally against each other as defenders of one or another detail of the old world -- of a world whose day is done and whose meaning they have not even known. And so we see art critics assembling to exchange the crumbs of their ignorance and their doubts. We know of a few people here who are presently making some effort to understand and support new ventures; but by coming here they have accepted being mixed up with an immense majority of mediocrities, and we warn them that they cannot hope to retain the slightest interest on our part unless they break with this milieu. Vanish, art critics, partial, incoherent and divided imbeciles! In vain do you stage the spectacle of a fake encounter. You have nothing in common but a role to cling to; you are only in this market to parade one of the aspects of Western commerce: your confused and empty babble about a decomposed culture. History has depreciated you. Even your audacities belong to a past now forever closed. Disperse, fragments of art critics, critics of fragments of art. The Situationist International is now organizing the integral artistic activity of the future. You have nothing more to say. The Situationist International will leave no place for you. We will starve you out.

Our Belgian section carried out the necessary direct attack. Beginning April 13, on the eve of the opening of the proceedings, when the art critics from two hemispheres, led by the American Sweeney, were being welcomed to Brussels, the text of the situationist proclamation was brought to their attention in several ways. Copies were mailed to a large number of critics or given to them personally. Others were telephoned and read all or part of the text. A group forced its way into the Press Club where the critics were being received and threw the leaflets among the audience. Others were tossed onto the sidewalks from upstairs windows or from a car. (After the Press Club incident, art critics were seen coming out in the street to pick up the leaflets so as to remove them from the curiosity of passersby.) In short, all steps were taken to leave the critics no chance of being unaware of the text. These art critics did not shrink from calling the police, and used their World Exposition influence in order to block the reprinting in the press of a text harmful to the prestige of their convention and their specialization. Our comrade Korun is now being threatened with prosecution for his role in the intervention.

SITUATIONIST INTERNATIONAL (1958)

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

Definitions

constructed situation

A moment of life, concretely and deliberately constructed by the collective organization of unitary environment and the free play of events.

situationist

Relating to the theory or practical activity of constructing situations. One who engages in the construction of situations. A member of the Situationist International.

situationism

A word totally devoid of meaning, improperly derived from the preceding term. There is no situationism, which would mean a theory of interpretation of existing facts. The notion of situationism was obviously conceived by anti-situationists.

psychogeography

The study of the precise effects of geographical setting, consciously managed or not, acting directly on the mood and behaviour of the individual.

psychogeographical

Relating to psychogeography. That which manifests the direct effect of geographical setting on mood.

psychogeographer

One who studies and reports on psychogeographical realities.

dérive

An experimental mode of behavior linked to the conditions of urban society: a technique for hastily passing through varied environments. Also used, more particularly, to designate the duration of a prolonged exercise of such an experiment.

unitary urbanism

The theory of the combined use of art and technology leading to the integrated construction of an environment dynamically linked to behavioural experiments.

détournement

Used as an abbreviation for the formula: détournement of prefabricated aesthetic elements. The integration of past or present artistic production into a superior environmental construction. In this sense, there cannot be situationist painting, or music, but a situationist use of these media. In a more primitive sense, détournement from within old cultural spheres is a form of propaganda, which lays witness to the depletion and waning importance of these spheres.

culture

The reflection and prefiguration at any given historical moment, of the possible organization of daily life; the complex of mores, aesthetic, and feelings by which a collective reacts to a life which is objectively given to it by its economy. (We define this term only from the perspective of the creation of values, and not of their teaching.)

decomposition

The process by which traditional cultural forms have destroyed themselves, under the effects of the appearance of superior means of dominating nature, permitting and requiring superior cultural constructions. We distinguish between an active phase of decomposition, effective demolition of older superstructures -- which ends around 1930 -- and a phase of repetition, which has dominated since then. The delay in passing from decomposition to new constructions is tied to the delay in the revolutionary liquidation of capitalism.

(June 1958)

Translated 1995 by a.h.s. boy

The Sound and the Fury

There is a lot of talk these days about angry, raging youth. The reason people are so fond of talking about them is that, from the aimless riots of Swedish adolescents to the proclamations of England's would-be literary movement, the "Angry Young Men," there is the same utter innocuousness, the same reassuring flimsiness. Products of a period in which the dominant ideas and lifestyles are decomposing, a period that has seen tremendous breakthroughs in the domination of nature without any corresponding increase in the real possibilities of everyday life, reacting, often crudely, against the world they find themselves stuck in, these youth outbursts are somewhat reminiscent of the surrealist state of mind. But they lack surrealism's points of leverage in culture, and its revolutionary hope. Hence the tone underlying the spontaneous negativity of American, Scandinavian and Japanese youth is one of resignation. Saint-Germain-des-Prés had already, during the first years after World War II, served as a laboratory for this kind of behavior (misleadingly termed "existentialist" by the press); which is why the present intellectual representatives of that generation in France (Françoise Sagan, Robbe-Grillet, Vadim, the atrocious Buffet) are all such extreme caricatural images of resignation.

Although this intellectual generation exhibits more aggressiveness outside France, its consciousness still ranges from simple imbecility to premature self-satisfaction with a very inadequate revolt. The rotten egg smell exuded by the idea of God envelops the mystical cretins of America's "Beat Generation" and is not even entirely absent from the declarations of the Angry Young Men (e.g. Colin Wilson). These latter have just discovered, thirty years behind the times, a certain moral subversiveness that England had managed to completely hide from them all this time; and they think they're being daringly scandalous by declaring themselves antimonarchists. "Plays continue to be produced," writes Kenneth Tynan, "that are based on the ridiculous idea that people still fear and respect the Crown, the Empire, the Church, the University and Polite Society." This statement is indicative of how tepidly literary the Angry Young Men's perspective is. They have simply come to change their opinions about a few social conventions without even noticing the fundamental change of terrain of all cultural activity so evident in every avant-garde tendency of this century. The Angry Young Men are in fact particularly reactionary in attributing a privileged, redemptive value to the practice of literature, thereby defending a mystification that was denounced in Europe around 1920 and whose survival today is of greater counterrevolutionary significance than that of the British Crown.

In all this pseudorevolutionary sound and fury there is a common lack of understanding of the meaning and scope of surrealism (itself naturally distorted by its bourgeois artistic success). A continuation of surrealism would in fact be the most consistent attitude to take if nothing new arose to replace it. But because the young people who now rally to surrealism are aware of surrealism's profound demands while being incapable of overcoming the contradiction between those demands and the stagnation accompanying its apparent success, they take refuge in the reactionary aspects present within surrealism from its inception (magic, belief in a golden age elsewhere than in history to come). Some of them even take pride in still standing under surrealism's arc de triomphe, so long after the period of real struggle. There they will remain, says Gérard Legrand proudly (Surréalisme même #2), faithful to their tradition, "a small band of youthful souls resolved to keep alive the true flame of surrealism."

A movement more liberating than the surrealism of 1924 -- a movement Breton promised to rally to if it were to appear -- cannot easily be formed because its liberativeness now depends on its seizing the more advanced material means of the modern world. But the surrealists of 1958 have not only become incapable of rallying to such a movement, they are even determined to combat it. But this does not eliminate the necessity for a revolutionary movement in culture to appropriate, with greater effectiveness, the freedom of spirit and the concrete freedom of mores demanded by surrealism.

For us, surrealism has been only a beginning of a revolutionary experiment in culture, an experiment that almost immediately ground to a practical and theoretical halt. We have to go further. Why is becoming a surrealist no longer a meaningful option? Not because of the ruling class's constant encouragement of "avant-garde" movements to dissociate themselves from the scandalous aspects of surrealism. (This encouragement is not made in the name of promoting originality at all costs -- how could it be, when the ruling order has nothing really new to propose to us, nothing going beyond surrealism? On the contrary, the bourgeoisie stands ready to applaud any regressions we might lapse into.) If we are not surrealists, it is because surrealism has become a total bore.

Decrepit surrealism, raging and ill-informed youth, well-off adolescent rebels without perspectives (though certainly not without a cause) -- boredom is what they all have in common. The situationists will execute the judgment that contemporary leisure is pronouncing against itself.

SITUATIONIST INTERNATIONAL (1958)

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

No Useless Leniency (excerpts)

"Intellectual" or "artistic" collaboration in a group devoted to the type of experimentation we are engaged in involves our everyday life. It is always accompanied with a certain friendship.

Consequently, when we think of those who have participated in this joint activity and then been excluded from it, we are obliged to admit that they were once our friends. Sometimes the memory is pleasant. In other cases it's ridiculous and embarrassing.

On the whole, later developments have confirmed the correctness of our reproaches and the irredeemability of the people who have not been able to remain with us. A few of them have even ended up joining the Church or the colonial troops. Most of the others have retired to one or another little niche in the intelligentsia. [...]

The recent formation of the Situationist International has given a new relevance to the questions of accord and breaks. A period of discussions and negotiations on a footing of equality between several groups, beginning with the Alba Congress, has been concluded with the formation at Cosio d'Arroscia a disciplined organization. The result of these new objective conditions has been to force certain opportunist elements into open opposition, leading to their immediate elimination (the purging of the Italian section). Certain wait-and-see attitudes have also ceased to be tolerable, and those of our allies who have not seen fit to join us immediately have thereby unmasked themselves as adversaries. It is on the basis of the program since developed by the majority of the SI that all the new elements have joined us, and we would risk cutting ourselves off from these elements, and especially from those we will meet in the future, if we consented to pursue the slightest dialogue with those who, since Alba, have demonstrated that their creative days are over.

We have become stronger and therefore more seductive. We don't want innocuous relationships and we don't want relationships that could serve our enemies. [...]

It should be clearly understood that all the situationists will maintain the enmities inherited from the former groupings that have constituted the SI, and that there is no possible return for those whom we have ever been forced to despise. But we don't have an idealist, abstract, absolutist conception of breaks. It is necessary to recognize when an encounter in a concrete collective task becomes impossible, but also to see if such an encounter, in changed circumstances, does not once again become possible and desirable between persons who have been able to retain a certain respect for each other. [...]

As I said at the beginning, a collective project like we have undertaken and are pursuing cannot avoid being accompanied by friendship. But it is also true that it cannot be identified with friendship and that it should not be subject to the same weaknesses. Nor to the same modes of continuity or looseness.

MICHÈLE BERNSTEIN (1958)

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

Preliminary Problems in Constructing a Situation

"The construction of situations begins beyond the ruins of the modern spectacle. It is easy to see how much the very principle of the spectacle -- nonintervention -- is linked to the alienation of the old world. Conversely, the most pertinent revolutionary experiments in culture have sought to break the spectators' psychological identification with the hero so as to draw them into activity. . . . The situation is thus designed to be lived by its constructors. The role played by a passive or merely bit-part playing 'public' must constantly diminish, while that played by those who cannot be called actors, but rather, in a new sense of the term, 'livers,' must steadily increase."

--Report on the Construction of Situations

Our conception of a "constructed situation" is not limited to an integrated use of artistic means to create an ambiance, however great the force or spatiotemporal extent of that ambiance might be. A situation is also an integrated ensemble of behavior in time. It is composed of actions contained in a transitory decor. These actions are the product of the decor and of themselves, and they in their turn produce other decors and other actions. How can these forces be oriented? We are not going to limit ourselves to merely empirical experimentation with environments in quest of mechanistically provoked surprises. The really experimental direction of situationist activity consists in setting up, on the basis of more or less clearly recognized desires, a temporary field of activity favorable to these desires. This alone can lead to the further clarification of these simple basic desires, and to the confused emergence of new desires whose material roots will be precisely the new reality engendered by situationist constructions.

We must thus envisage a sort of situationist-oriented psychoanalysis in which, in contrast to the goals pursued by the various currents stemming from Freudianism, each of the participants in this adventure would discover desires for specific ambiances in order to fulfill them. Each person must seek what he loves, what attracts him. (And here again, in contrast to certain endeavors of modern writing -- Leiris, for example -- what is important to us is neither our individual psychological structures nor the explanation of their formation, but their possible application in the construction of situations.) Through this method one can tabulate elements out of which situations can be constructed, along with projects to dynamize these elements.

This kind of research is meaningful only for individuals working practically toward a construction of situations. Such people are presituationists (either spontaneously or in a conscious and organized manner) inasmuch as they have sensed the objective need for this sort of construction through having recognized the present cultural emptiness and having participated in recent expressions of experimental awareness. They are close to each other because they share the same specialization and have taken part in the same historical avant-garde of that specialization. It is thus likely that they will share a number of situationist themes and desires, which will increasingly diversify once they are brought into a phase of real activity.

A constructed situation must be collectively prepared and developed. It would seem, however, that, at least during the initial period of rough experiments, a situation requires one individual to play a sort of "director" role. If we imagine a particular situation project in which, for example, a research team has arranged an emotionally moving gathering of a few people for an evening, we would no doubt have to distinguish: a director or producer responsible for coordinating the basic elements necessary for the construction of the decor and for working out certain interventions in the events (alternatively, several people could work out their own interventions while being more or less unaware of each other's plans); the direct agents living the situation, who have taken part in creating the collective project and worked on the practical composition of the ambiance; and finally, a few passive spectators who have not participated in the constructive work, who should be forced into action.

This relation between the director and the "livers" of the situation must naturally never become a permanent specialization. It's only a matter of a temporary subordination of a team of situationists to the person responsible for a particular project. These perspectives, or the provisional terminology describing them, should not be taken to mean that we are talking about some continuation of theater. Pirandello and Brecht have already revealed the destruction of the theatrical spectacle and pointed out a few of the requirements for going beyond it. It could be said that the construction of situations will replace theater in the same sense that the real construction of life has increasingly tended to replace religion. The principal domain we are going to replace and fulfill is obviously poetry, which burned itself out by taking its position at the vanguard of our time and has now completely disappeared.

Real individual fulfillment, which is also involved in the artistic experience that the situationists are discovering, entails the collective takeover of the world. Until this happens there will be no real individuals, but only specters haunting the things anarchically presented to them by others. In chance situations we meet separated beings moving at random. Their divergent emotions neutralize each other and maintain their solid environment of boredom. We are going to undermine these conditions by raising at a few points the incendiary beacon heralding a greater game.

In our time functionalism (an inevitable expression of technological advance) is attempting to entirely eliminate play. The partisans of "industrial design" complain that their projects are spoiled by people's playful tendencies. At the same time, industrial commerce crudely exploits these tendencies by diverting them to a demand for constant superficial renovation of utilitarian products. We obviously have no interest in encouraging the continuous artistic renovation of refrigerator designs. But a moralizing functionalism is incapable of getting to the heart of the problem. The only progressive way out is to liberate the tendency toward play elsewhere, and on a larger scale. Short of this, all the naïve indignation of the theorists of industrial design will not change the basic fact that the private automobile, for example, is primarily an idiotic toy and only secondarily a means of transportation. As opposed to all the regressive forms of play -- which are regressions to its infantile stage and are invariably linked to reactionary politics -- it is necessary to promote the experimental forms of a game of revolution.

SITUATIONIST INTERNATIONAL (1958)

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

Internationale Situationiste #2

Issue two of the journal of the Situationist International

Theory of the Dérive

One of the basic situationist practices is the dérive [literally: "drifting"], a technique of rapid passage through varied ambiances. Dérives involve playful-constructive behavior and awareness of psychogeographical effects, and are thus quite different from the classic notions of journey or stroll.

In a dérive one or more persons during a certain period drop their relations, their work and leisure activities, and all their other usual motives for movement and action, and let themselves be drawn by the attractions of the terrain and the encounters they find there. Chance is a less important factor in this activity than one might think: from a dérive point of view cities have psychogeographical contours, with constant currents, fixed points and vortexes that strongly discourage entry into or exit from certain zones.

But the dérive includes both this letting-go and its necessary contradiction: the domination of psychogeographical variations by the knowledge and calculation of their possibilities. In this latter regard, ecological science -- despite the narrow social space to which it limits itself -- provides psychogeography with abundant data.

The ecological analysis of the absolute or relative character of fissures in the urban network, of the role of microclimates, of distinct neighborhoods with no relation to administrative boundaries, and above all of the dominating action of centers of attraction, must be utilized and completed by psychogeographical methods. The objective passional terrain of the dérive must be defined in accordance both with its own logic and with its relations with social morphology.

In his study Paris et l'agglomération parisienne (Bibliothèque de Sociologie Contemporaine, P.U.F., 1952) Chombart de Lauwe notes that "an urban neighborhood is determined not only by geographical and economic factors, but also by the image that its inhabitants and those of other neighborhoods have of it." In the same work, in order to illustrate "the narrowness of the real Paris in which each individual lives . . . within a geographical area whose radius is extremely small," he diagrams all the movements made in the space of one year by a student living in the 16th Arrondissement. Her itinerary forms a small triangle with no significant deviations, the three apexes of which are the School of Political Sciences, her residence and that of her piano teacher.

Such data -- examples of a modern poetry capable of provoking sharp emotional reactions (in this particular case, outrage at the fact that anyone's life can be so pathetically limited) -- or even Burgess's theory of Chicago's social activities as being distributed in distinct concentric zones, will undoubtedly prove useful in developing dérives.

If chance plays an important role in dérives this is because the methodology of psychogeographical observation is still in its infancy. But the action of chance is naturally conservative and in a new setting tends to reduce everything to habit or to an alternation between a limited number of variants. Progress means breaking through fields where chance holds sway by creating new conditions more favorable to our purposes. We can say, then, that the randomness of a dérive is fundamentally different from that of the stroll, but also that the first psychogeographical attractions discovered by dérivers may tend to fixate them around new habitual axes, to which they will constantly be drawn back.

An insufficient awareness of the limitations of chance, and of its inevitably reactionary effects, condemned to a dismal failure the famous aimless wandering attempted in 1923 by four surrealists, beginning from a town chosen by lot: Wandering in open country is naturally depressing, and the interventions of chance are poorer there than anywhere else. But this mindlessness is pushed much further by a certain Pierre Vendryes (in Médium, May 1954), who thinks he can relate this anecdote to various probability experiments, on the ground that they all supposedly involve the same sort of antideterminist liberation. He gives as an example the random distribution of tadpoles in a circular aquarium, adding, significantly, "It is necessary, of course, that such a population be subject to no external guiding influence." From that perspective, the tadpoles could be considered more spontaneously liberated than the surrealists, since they have the advantage of being "as stripped as possible of intelligence, sociability and sexuality," and are thus "truly independent from one another."

At the opposite pole from such imbecilities, the primarily urban character of the dérive, in its element in the great industrially transformed cities -- those centers of possibilities and meanings -- could be expressed in Marx's phrase: "Men can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive."

One can dérive alone, but all indications are that the most fruitful numerical arrangement consists of several small groups of two or three people who have reached the same level of awareness, since cross-checking these different groups' impressions makes it possible to arrive at more objective conclusions. It is preferable for the composition of these groups to change from one dérive to another. With more than four or five participants, the specifically dérive character rapidly diminishes, and in any case it is impossible for there to be more than ten or twelve people without the dérive fragmenting into several simultaneous dérives. The practice of such subdivision is in fact of great interest, but the difficulties it entails have so far prevented it from being organized on a sufficient scale.

The average duration of a dérive is one day, considered as the time between two periods of sleep. The starting and ending times have no necessary relation to the solar day, but it should be noted that the last hours of the night are generally unsuitable for dérives.

But this duration is merely a statistical average. For one thing, a dérive rarely occurs in its pure form: it is difficult for the participants to avoid setting aside an hour or two at the beginning or end of the day for taking care of banal tasks; and toward the end of the day fatigue tends to encourage such an abandonment. But more importantly, a dérive often takes place within a deliberately limited period of a few hours, or even fortuitously during fairly brief moments; or it may last for several days without interruption. In spite of the cessations imposed by the need for sleep, certain dérives of a sufficient intensity have been sustained for three or four days, or even longer. It is true that in the case of a series of dérives over a rather long period of time it is almost impossible to determine precisely when the state of mind peculiar to one dérive gives way to that of another. One sequence of dérives was pursued without notable interruption for around two months. Such an experience gives rise to new objective conditions of behavior that bring about the disappearance of a good number of the old ones.(1)

The influence of weather on dérives, although real, is a significant factor only in the case of prolonged rains, which make them virtually impossible. But storms or other types of precipitation are rather favorable for dérives.

The spatial field of a dérive may be precisely delimited or vague, depending on whether the goal is to study a terrain or to emotionally disorient oneself. It should not be forgotten that these two aspects of dérives overlap in so many ways that it is impossible to isolate one of them in a pure state. But the use of taxis, for example, can provide a clear enough dividing line: If in the course of a dérive one takes a taxi, either to get to a specific destination or simply to move, say, twenty minutes to the west, one is concerned primarily with a personal trip outside one's usual surroundings. If, on the other hand, one sticks to the direct exploration of a particular terrain, one is concentrating primarily on research for a psychogeographical urbanism.

In every case the spatial field depends first of all on the point of departure -- the residence of the solo dériver or the meeting place selected by a group. The maximum area of this spatial field does not extend beyond the entirety of a large city and its suburbs. At its minimum it can be limited to a small self-contained ambiance: a single neighborhood or even a single block of houses if it's interesting enough (the extreme case being a static-dérive of an entire day within the Saint-Lazare train station).

The exploration of a fixed spatial field entails establishing bases and calculating directions of penetration. It is here that the study of maps comes in -- ordinary ones as well as ecological and psychogeographical ones -- along with their correction and improvement. It should go without saying that we are not at all interested in any mere exoticism that may arise from the fact that one is exploring a neighborhood for the first time. Besides its unimportance, this aspect of the problem is completely subjective and soon fades away.

In the "possible rendezvous," on the other hand, the element of exploration is minimal in comparison with that of behavioral disorientation. The subject is invited to come alone to a certain place at a specified time. He is freed from the bothersome obligations of the ordinary rendezvous since there is no one to wait for. But since this "possible rendezvous" has brought him without warning to a place he may or may not know, he observes the surroundings. It may be that the same spot has been specified for a "possible rendezvous" for someone else whose identity he has no way of knowing. Since he may never even have seen the other person before, he will be encouraged to start up conversations with various passersby. He may meet no one, or he may even by chance meet the person who has arranged the "possible rendezvous." In any case, particularly if the time and place have been well chosen, his use of time will take an unexpected turn. He may even telephone someone else who doesn't know where the first "possible rendezvous" has taken him, in order to ask for another one to be specified. One can see the virtually unlimited resources of this pastime.

Our loose lifestyle and even certain amusements considered dubious that have always been enjoyed among our entourage -- slipping by night into houses undergoing demolition, hitchhiking nonstop and without destination through Paris during a transportation strike in the name of adding to the confusion, wandering in subterranean catacombs forbidden to the public, etc. -- are expressions of a more general sensibility which is no different from that of the dérive. Written descriptions can be no more than passwords to this great game.

The lessons drawn from dérives enable us to draw up the first surveys of the psychogeographical articulations of a modern city. Beyond the discovery of unities of ambiance, of their main components and their spatial localization, one comes to perceive their principal axes of passage, their exits and their defenses. One arrives at the central hypothesis of the existence of psychogeographical pivotal points. One measures the distances that actually separate two regions of a city, distances that may have little relation with the physical distance between them. With the aid of old maps, aerial photographs and experimental dérives, one can draw up hitherto lacking maps of influences, maps whose inevitable imprecision at this early stage is no worse than that of the first navigational charts. The only difference is that it is no longer a matter of precisely delineating stable continents, but of changing architecture and urbanism.

Today the different unities of atmosphere and of dwellings are not precisely marked off, but are surrounded by more or less extended and indistinct bordering regions. The most general change that dérive experience leads to proposing is the constant diminution of these border regions, up to the point of their complete suppression.

Within architecture itself, the taste for dériving tends to promote all sorts of new forms of labyrinths made possible by modern techniques of construction. Thus in March 1955 the press reported the construction in New York of a building in which one can see the first signs of an opportunity to dérive inside an apartment:

"The apartments of the helicoidal building will be shaped like slices of cake. One will be able to enlarge or reduce them by shifting movable partitions. The half-floor gradations avoid limiting the number of rooms, since the tenant can request the use of the adjacent section on either upper or lower levels. With this setup three four-room apartments can be transformed into one twelve-room apartment in less than six hours."

(To be continued.)

GUY DEBORD (1958)

TRANSLATOR'S NOTE

1. "The dérive (with its flow of acts, its gestures, its strolls, its encounters) was to the totality exactly what psychoanalysis (in the best sense) is to language. Let yourself go with the flow of words, says the psychoanalyst. He listens, until the moment when he rejects or modifies (one could say detourns) a word, an expression or a definition. The dérive is certainly a technique, almost a therapeutic one. But just as analysis unaccompanied with anything else is almost always contraindicated, so continual dériving is dangerous to the extent that the individual, having gone too far (not without bases, but...) without defenses, is threatened with explosion, dissolution, dissociation, disintegration. And thence the relapse into what is termed 'ordinary life,' that is to say, in reality, into 'petrified life.' In this regard I now repudiate the Formulary's propaganda for a continuous dérive. It could be continual like the poker game in Las Vegas, but only for a certain period, limited to a weekend for some people, to a week as a good average; a month is really pushing it. In 1953-1954 we dérived for three or four months straight. That's the extreme limit. It's a miracle it didn't kill us." (Ivan Chtcheglov, "Letter from Afar," Internationale Situationniste #9, p. 38.)

A slightly different version of this article was first published in the Belgian surrealist journal Les Lèvres Nues #9 (November 1956) along with accounts of two dérives.

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

Internationale Situationiste #3

Issue three of the journal of the Situationist International

Détournement as Negation and Prelude

Détournement, the reuse of preexisting artistic elements in a new ensemble, has been a constantly present tendency of the contemporary avant-garde, both before and since the formation of the SI. The two fundamental laws of détournement are the loss of importance of each detourned autonomous element -- which may go so far as to completely lose its original sense -- and at the same time the organization of another meaningful ensemble that confers on each element its new scope and effect.

Détournement has a peculiar power which obviously stems from the double meaning, from the enrichment of most of the terms by the coexistence within them of their old and new senses. Détournement is practical because it is so easy to use and because of its inexhaustible potential for reuse. Concerning the negligible effort required for détournement, we have already noted that "the cheapness of its products is the heavy artillery that breaks through all the Chinese walls of understanding" (A User's Guide to Détournement, May 1956). But these points would not by themselves justify recourse to this method, which the same text describes as "clashing head-on against all social and legal conventions." Détournement has a historical significance. What is it?

"Détournement is a game made possible by the capacity of devaluation," writes Jorn in his study Detourned Painting (May 1959), and he goes on to say that all the elements of the cultural past must be "reinvested" or disappear. Détournement is thus first of all a negation of the value of the previous organization of expression. It arises and grows increasingly stronger in the historical period of the decomposition of artistic expression. But at the same time, the attempts to reuse the "detournable bloc" as material for other ensembles express the search for a vaster construction, a new genre of creation at a higher level.

The SI is a very special kind of movement, different in nature from preceding artistic avant-gardes. Within culture, the SI can be likened to a research laboratory, for example, or to a party in which we are situationists but nothing that we do can yet be situationist. This is not a disavowal for anyone. We are partisans of a certain future of culture and of life. Situationist activity is a particular craft that we are not yet practicing.

Thus the signature of the situationist movement, the sign of its presence and contestation in contemporary cultural reality (since we cannot represent any common style whatsoever), is first of all the use of détournement. Examples of our use of detourned expression include Jorn's altered paintings; Debord and Jorn's book Mémoires, "composed entirely of prefabricated elements," in which the writing on each page runs in all directions and the reciprocal relations of the phrases are invariably uncompleted; Constant's projects for detourned sculptures; and Debord's detourned documentary film, On the Passage of a Few Persons Through a Rather Brief Period of Time. At the stage of what the "User's Guide to Détournement" calls "ultradétournement, that is, the tendencies for détournement to operate in everyday social life" (e.g. passwords or the wearing of disguises, belonging to the sphere of play), we might mention, at different levels, Gallizio's industrial painting; Wyckaert's "orchestral" project for assembly-line painting with a division of labor based on color; and numerous détournements of buildings that were at the origin of unitary urbanism. But we should also mention in this context the SI's very forms of "organization" and propaganda.

At this point in the world's development, all forms of expression are losing their grip on reality and being reduced to self-parody. As the readers of this journal can frequently verify, present-day writing invariably has an element of parody. As the "User's Guide" notes: "It is necessary to conceive of a parodic-serious stage where the accumulation of detourned elements, far from aiming to arouse indignation or laughter by alluding to some original work, will express our indifference toward a meaningless and forgotten original, and concern itself with rendering a certain sublimity."

This combination of parody and seriousness reflects the contradictions of an era in which we find ourselves confronted with both the urgent necessity and the near impossibility of initiating and carrying out a totally innovative collective action -- an era in which the most serious ventures are masked in the ambiguous interplay between art and its necessary negation, and in which the essential voyages of discovery have been undertaken by such astonishingly incapable people.

SITUATIONIST INTERNATIONAL (1959)

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

Situationist Theses on Traffic

1

A mistake made by all the city planners is to consider the private automobile (and its by-products, such as the motorcycle) as essentially a means of transportation. In reality, it is the most notable material symbol of the notion of happiness that developed capitalism tends to spread throughout the society. The automobile is at the center of this general propaganda, both as supreme good of an alienated life and as essential product of the capitalist market: It is generally being said this year that American economic prosperity is soon going to depend on the success of the slogan "Two cars per family."

2

Commuting time, as Le Corbusier rightly noted, is a surplus labor which correspondingly reduces the amount of "free" time.

3

We must replace travel as an adjunct to work with travel as a pleasure.

4

To want to redesign architecture to accord with the needs of the present massive and parasitical existence of private automobiles reflects the most unrealistic misapprehension of where the real problems lie. Instead, architecture must be transformed to accord with the whole development of the society, criticizing all the transitory values linked to obsolete forms of social relationships (in the first rank of which is the family).

5

Even if, during a transitional period, we temporarily accept a rigid division between work zones and residence zones, we must at least envisage a third sphere: that of life itself (the sphere of freedom and leisure -- the essence of life). Unitary urbanism acknowledges no boundaries; it aims to form an integrated human milieu in which separations such as work/leisure or public/private will finally be dissolved. But before this is possible, the minimum action of unitary urbanism is to extend the terrain of play to all desirable constructions. This terrain will be at the level of complexity of an old city.

6

It is not a matter of opposing the automobile as an evil in itself. It is its extreme concentration in the cities that has led to the negation of its function. Urbanism should certainly not ignore the automobile, but even less should it accept it as its central theme. It should reckon on gradually phasing it out. In any case, we can envision the banning of auto traffic from the central areas of certain new complexes, as well as from a few old cities.

7

Those who believe that the automobile is eternal are not thinking, even from a strictly technological standpoint, of other future forms of transportation. For example, certain models of one-man helicopters currently being tested by the US Army will probably have spread to the general public within twenty years.

8

The breaking up of the dialectic of the human milieu in favor of automobiles (the projected freeways in Paris will entail the demolition of thousands of houses and apartments although the housing crisis is continually worsening) masks its irrationality under pseudopractical justifications. But it is practically necessary only in the context of a specific social set-up. Those who believe that the particulars of the problem are permanent want in fact to believe in the permanence of the present society.

9

Revolutionary urbanists will not limit their concern to the circulation of things, or to the circulation of human beings trapped in a world of things. They will try to break these topological chains, paving the way with their experiments for a human journey through authentic life.

GUY DEBORD (1959)

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

Internationale Situationiste #4

Issue four of the journal of the Situationist International

Gangland and Philosophy

"The Beijing-Bao is the oldest daily newspaper in the world. It has appeared for over fifteen centuries, its first number having been printed in Beijing in the 4th century. The editors have often incurred the anger of the Chinese rulers for attacking the infallibility of religion and the state. The paper has nevertheless continued to appear every day, even though the editors have often paid for it with their lives. During those fifteen centuries, 1500 editors of the Beijing-Bao have been hung."

--Ujvidéki Magyar Szo (1957)

The situationist tendency is not aimed at preventing the construction of situations. This first restriction in our attitude has numerous consequences. We are striving to provoke the development of these consequences.

" 'Protection" is the key word in the Garment Center racket. The process is as follows: One day you receive a visit from a gentleman who kindly offers to 'protect' you. If you are really naïve, you ask, 'Protection against what?' " (Groueff & Lapierre, The Gangsters of New York.)

If, for example, the head honcho of existentialism assures us that it is hard for him to adopt any sort of vulgar materialism because culture is an integral part of our lives, we can agree substantially with the latter point but without being sure that we should be so proud of this fact. That's one consequence.

How can we comprehend the formation of our culture and of our philosophical and scientific information? Modern psychology has eliminated many of the doctrines that used to obscure this question. It looks for the motives: why do we accept or refuse an "idea" or an imperative? "One of the most important results of the process of socialization is the development of a system of normative equilibrium, which superimposes itself on the system of biological equilibrium. The latter system regulates the body's responses to various needs and necessities (nourishment, defense against cold or against physical attack, etc.), whereas the first one determines which actions can be considered 'practicable' or even 'thinkable' " (P.R. Hofstätter). For example, someone becomes aware of situationist activity. He "understands" it and "rationally" follows its arguments. Then, in spite of his momentary intellectual agreement, he relapses: the next day he no longer understands us. We propose a slight modification of the psychological description quoted above, in order to understand the play of forces that have prevented him from considering various things as "practicable" or even "thinkable" when we know they are possible. Let us examine this striking experimental reaction: "The trial of Dio and his accomplices begins. Then something extraordinarily scandalous takes place. The first witness, Gondolfo Miranti, refuses to talk. He denies all the statements he has made to the FBI. The judge loses all patience. Furious, he resorts to the ultimate argument: 'I order you to answer. If you do not, you will be sentenced to five years' imprisonment!' Without hesitation, Miranti accepts the five long years of prison. In the defendant's box Johnny Dio, well dressed and smooth shaven, smiles ironically." (Groueff & Lapierre, op cit.) It is difficult not to recognize an analogous pattern of behavior in someone who doesn't dare speak of problems as he knows they are. We have to ask: Is he a victim of intimidation? He is indeed. What is the mechanism common to these two kinds of fear?

Miranti had lived in gangland since his youth; this explains many things. "Gangland," in Chicago gangster slang, means the domain of crime, of rackets. I propose to study the basic functioning of "the Organization," in spite of the risks of getting involved: "As for the man who would try to set them free and lead them up to the light, do you not think that they would seize him and kill him if they could?" (Plato).(1) Philosophy must not forget that it has always spoken its part in the most burlesque and melodramatic setting.

We should develop a little glossary of detourned words. I propose that "neighborhood" should often be read gangland. Similarly, social organization = protection. Society = racket. Culture = conditioning. Leisure activity = protected crime. Education = premeditation.

The systematic falsification of basic information (by the idealist conception of space, for example, of which the most glaring expression is conventional cartography) is one of the basic reinforcements of the big lie that the racketeering interests impose on the whole gangland of social space.

According to Hofstätter, "We are as yet incapable of examining the process of socialization in a truly 'scientific' manner." We, on the contrary, believe that we are capable of constructing a model for examining the production and reception of information. If we were allowed to monitor, by means of an exhaustive survey, the entire social life of some specific urban sector during a short period of time, we could obtain a precise cross-sectional representation of the daily bombardment of news and information that is dropped on present-day urban populations. The SI is naturally aware of all the modifications that its very monitoring would immediately produce in the occupied sector, profoundly perturbing the usual informational monopoly of gangland.

"Integral art, which has been talked about so much, can be realized only at the level of urbanism" (Debord) [Report on the Construction of Situations]. That is indeed where the limit is. At this level we can already remove certain decisive elements of conditioning. But if, beyond such salutary eliminations, we expect the largeness of scale in itself to generate favorable results, we will have committed the most serious error.

Neocapitalism has also discovered some advantages in large scale. Day and night it talks of nothing but city planning and national development. But its real concern is obviously the conditioning of commodity production, which it senses escaping it unless it resorts to this new scale. Academic urbanism has accordingly defined "slums" from the standpoint of postwar neocapitalism. Its techniques of urban renewal are based on sterile, antisituationist criteria.

We must make this critique of Mumford: If neighborhoods are not considered as pathological elements (ganglands), we will not be able to develop new techniques (therapies).

The constructors of situations must learn how to read the constructive and reconstitutable elements of situations. In so doing, they begin to understand the language spoken by situations. They learn how to speak and how to express themselves in this language; and eventually, by means of constructed and quasi-natural situations, how to say what has never yet been said.

ATTILA KOTÁNYI (1960)

TRANSLATOR'S NOTE

1. Reference to the famous "parable of the cave" in Book VII of Plato's Republic, in which people are chained in a cave facing a wall in such a way that they can see the real world only through the shadows it casts on the wall, and who thus take those shadows for reality.

Revised translation by Ken Knabb of the complete text (the version in the Situationist International Anthology is abridged).

Manifesto

The existing framework cannot subdue the new human force that is increasing day by day alongside the irresistible development of technology and the dissatisfaction of its possible uses in our senseless social life.

Alienation and oppression in this society cannot be distributed amongst a range of variants, but only rejected en bloc with this very society. All real progress has clearly been suspended until the revolutionary solution of the present multiform crisis.

What are the organisational perspectives of life in a society which authentically "reorganises production on the basis of the free and equal association of the producers"? Work would more and more be reduced as an exterior necessity through the automation of production and the socialisation of vital goods, which would finally give complete liberty to the individual. Thus liberated from all economic responsibility, liberated from all the debts and responsibilities from the past and other people, humankind will exude a new surplus value, incalculable in money because it would be impossible to reduce it to the measure of waged work. The guarantee of the liberty of each and of all is in the value of the game, of life freely constructed. The exercise of this ludic recreation is the framework of the only guaranteed equality with non-exploitation of man by man. The liberation of the game, its creative autonomy, supersedes the ancient division between imposed work and passive leisure.

The church has already burnt the so-called witches to repress the primitive ludic tendencies conserved in popular festivities. Under the existing dominant society, which produces the miserable pseudo-games of non-participation, a true artistic activity is necessarily classed as criminality. It is semi-clandestine. It appears in the form of scandal.

So what really is the situation? It's the realisation of a better game, which more exactly is provoked by the human presence. The revolutionary gamesters of all countries can be united in the S.I. to commence the emergence from the prehistory of daily life.

Henceforth, we propose an autonomous organisation of the producers of the new culture, independent of the political and union organisations which currently exist, as we dispute their capacity to organise anything other than the management of that which already exists.

From the moment when this organisation leaves the initial experimental stage for its first public campaign, the most urgent objective we have ascribed to it is the seizure of U.N.E.S.C.O. United at a world level, the bureaucratisation of art and all culture is a new phenomenon which expresses the deep inter- relationship of the social systems co-existing in the world on the basis of eclectic conservation and the reproduction of the past. The riposte of the revolutionary artists to these new conditions must be a new type of action. As the very existence of this managerial concentration of culture, located in a single building, favours a seizure by way of putsch; and as the institution is completely destitute of any sensible usage outside our subversive perspective, we find our seizure of this apparatus justified before our contemporaries. And we will have it. We are resolved to take over U.N.E.S.C.O., even if only for a short time, as we are sure we would quickly carry out work which would prove most significant in the clarification of a long series of demands.

What would be the principle characteristics of the new culture and how would it compare with ancient art? Against the spectacle, the realised situationist culture introduces total participation.

Against preserved art, it is the organisation of the directly lived moment.

Against particularised art, it will be a global practice with a bearing, each moment, on all the usable elements. Naturally this would tend to collective production which would be without doubt anonymous (at least to the extent where the works are no longer stocked as commodities, this culture will not be dominated by the need to leave traces.) The minimum proposals of these experiences will be a revolution in behaviour and a dynamic unitary urbanism capable of extension to the entire planet, and of being further extensible to all habitable planets.

Against unilateral art, situationist culture will be an art of dialogue, an art of interaction. Today artists - with all culture visible - have become entirely separated from society, just as they are separated from each other by competition. But faced with this impasse of capitalism, art has remained essentially unilateral in response. This enclosed era of primitivism must be superseded by complete communication.

At a higher stage, everyone will become an artist, i.e., inseparably a producer-consumer of total culture creation, which will help the rapid dissolution of the linear criteria of novelty. Everyone will be a situationist so to speak, with a multidimensional inflation of tendencies, experiences, or radically different "schools" - not successively, but simultaneously.

We will inaugurate what will historically be the last of the crafts. The role of amateur-professional situationist - of anti- specialist - is again a specialisation up to the point of economic and mental abundance, when everyone becomes an "artist," in the sense that the artists have not attained the construction of their own life. However, the last craft of history is so close to the society without a permanent division of labour, that when it appeared amongst the S.I., its status as a craft was generally denied.

To those who don't understand us properly, we say with an irreducible scorn: "The situationists of which you believe yourselves perhaps to be the judges, will one day judge you. We await the turning point which is the inevitable liquidation of the world of privation, in all its forms. Such are out goals, and these will be the future goals of humanity."

Internationale Situationiste #5

Issue five of the journal of the Situationist International

The Adventure (excerpts)

The conditions of the SI's activity explain both its discipline and the forms of hostility it encounters. The SI is not interested in finding a niche within the present artistic establishment, but in undermining it. The situationists are in the catacombs of visible culture.

Anyone who is at all familiar with the social milieu of those with special status in cultural affairs is well aware of how everyone there despises and is bored by almost everyone else. This fact is not even hidden, they are all quite aware of it; it is even the first thing they talk about whenever they get together. What is the cause of their resignation? Clearly the fact that they are incapable of being bearers of a collective project. Each one recognizes in the others his own insignificance and his own conditioning -- the resignation he has had to accept in order to participate in this separate milieu and its established aims.

Within such a community people have neither the need nor the objective possibility for any sort of collective discipline. Everyone always politely agrees about the same things and nothing ever changes. Personal or ideological disagreements remain secondary in comparison with what they have in common. But for the SI and the struggle it sets for itself, exclusion is a possible and necessary weapon.

It is the only weapon of any group based on complete freedom of individuals. None of us likes to control or judge; if we do so it is for a practical purpose, not as a moral punishment. The "terrorism" of the SI's exclusions can in no way be compared to the same practices in political movements by power-wielding bureaucracies. It is, on the contrary, the extreme ambiguity of the situation of artists, who are constantly tempted to integrate themselves into the modest sphere of social power reserved for them, that makes some discipline necessary in order to clearly define an incorruptible platform. Otherwise there would be a rapid and irremediable osmosis between this platform and the dominant cultural milieu because of the number of people going back and forth. It seems to us that the question of a present-day cultural avant-garde can only be posed at an integral level, a level not only of collective works but of collectively interacting problems.

This is why certain people have been excluded from the SI. Some of them have rejoined the world they previously fought; others merely console themselves in a pathetic community with each other, although they have nothing in common but the fact that we broke with them -- often for opposite reasons. Others retain a certain dignity in isolation, and we have been in a good position to recognize their talents. Do we think that in leaving the SI they have ceased being avant-garde? Yes, we do. There is, for the moment, no other organization constituted for a task of this scope.

The sentimental objections to these breaks seem to us to reflect the greatest mystification. The entire socioeconomic structure tends to make the past dominate the present, to freeze living persons, to reify them as commodities. A sentimental world in which the same sorts of tastes and relations are constantly repeated is the direct product of the economic and social world in which gestures must be repeated every day in the slavery of capitalist production. The taste for false novelty reflects its unhappy nostalgia.

The violent reactions against the SI, especially those coming from people who were previously excluded from its collective activity, are first of all a measure of the personal passion that this enterprise has been able to bring into play. Reversed into a boundless hostility, this passion has spread it about that we are loafers, Stalinists, imposters and a hundred other clever characterizations. One had it that the SI was a cunningly organized economic association for dealing in modern art. Others have suggested that it was rather for the purpose of dealing in drugs. Still others have declared that we have never sold any drugs since we have too great a propensity for taking them ourselves. Others go into detail about our sexual vices. Others have gotten so carried away as to denounce us as social climbers.

These attacks have long been whispered around us by the same people who publicly pretend to be unaware of our existence. [...]

To the question, Why have we promoted such an impassioned regrouping in this cultural sphere whose present reality we reject? the answer is: Because culture is the center of meaning of a society without meaning. This empty culture is at the heart of an empty existence, and the reinvention of a project of transforming the world as a whole must also and first of all be posed on this terrain. To give up demanding power in culture would be to leave that power to those who now possess it.

We are quite aware that the culture to be overthrown will really fall only with the totality of the socioeconomic structure that supports it. But without waiting any longer, the Situationist International intends to confront it in its entirety, on every front, to the point of imposing an autonomous situationist control and instrumentation against those held by existing cultural authorities; that is, to the point of a state of dual power in culture.

SITUATIONIST INTERNATIONAL (1960)

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

The Fourth SI Conference in London (excerpts)

The 4th Conference of the Situationist International was held in London, at a secret address in the East End, 24-28 September 1960, seventeen months after the Munich Conference (April 1959). The situationists assembled in London were: Debord, Jacqueline de Jong, Jorn, Kotányi, Katja Lindell, Jörgen Nash, Prem, Sturm, Maurice Wyckaert and H.P. Zimmer. [...]

The discussion of these perspectives leads to posing the question: "To what extent is the SI a political movement?" Various responses state that the SI is political, but not in the ordinary sense. The discussion becomes somewhat confused. Debord proposes, in order to clearly bring out the opinion of the Conference, that each person respond in writing to a questionnaire asking if he considers that there are "forces in the society that the SI can count on? What forces? In what conditions?" This questionnaire is agreed upon and filled out. The first responses express the view that the purpose of the SI is to establish a program of overall liberation and to act in accord with other forces on a social scale. (Kotányi: "To rely on what we call free." Jorn: "We are against specialization and rationalization, but not against them as means. . . . Movements of social groups are determined by the character of their desires. We can accept other social movements only to the extent that they are moving in our direction. We are the new revolution . . . we should act with other organizations that seek the same path.") The session is then adjourned.

At the beginning of the second session, on September 26, Heimrad Prem reads a declaration of the German section in response to the questionnaire. This very long declaration attacks the tendency in the responses read the day before to count on the existence of a revolutionary proletariat, for the signers strongly doubt the revolutionary capacities of the workers against the bureaucratic institutions that have dominated their movement. The German section considers that the SI should prepare to realize its program on its own by mobilizing the avant-garde artists, who are placed by the present society in intolerable conditions and can count only on themselves to take over the weapons of conditioning. Debord responds with a sharp critique of these positions. [...]

Kotányi reminds the German delegates that even if since 1945 they have seen apparently passive and satisfied workers in Germany and legal strikes organized with music to divert union members, in other advanced capitalist countries "wildcat" strikes have multiplied. He adds that in his opinion they vastly underestimate the German workers themselves. [...] Debord proposes that the majority openly declare that it rejects the German theses. It is agreed that the two tendencies separately decide on their positions. The German minority withdraws to an adjoining room to deliberate. When they return Zimmer announces, in the name of his group, that they retract the preceding declaration, not because they think it unimportant, but in order not to impede present situationist activity. He concludes: "We declare that we are in complete agreement with all the acts already done by the SI, with or without us, and with those that will be done in the foreseeable future. We are also in agreement with all the ideas published by the SI. We consider the question debated today as secondary in relation to the SI's overall development, and propose to reserve further discussion of it for the future." Everyone agrees to this. Kotányi and Debord, however, ask that it be noted in the minutes that they do not consider that the question discussed today is secondary. The German situationists agree to delete their reference to it as such. The session is adjourned, very late at night. [...]

SITUATIONIST INTERNATIONAL (1960)

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

Internationale Situationiste #6

Issue six of the journal of the Situationist International

Perspectives for Conscious Changes in Everyday Life

To study everyday life would be a completely absurd undertaking, unable even to grasp anything of its object, if this study was not expressly for the purpose of transforming everyday life.

The lecture (a speaker's exposition of certain intellectual considerations to an audience), being an extremely commonplace form of human relations in a rather large sector of society, is itself part of the everyday life that must be criticized.

Sociologists, for example, are only too inclined to exclude from everyday life things that happen to them every day, and to transfer them to separate and supposedly superior spheres. In this way habit in all its forms -- beginning with the habit of handling a few professional concepts (concepts produced by the division of labour) -- masks reality behind privileged conventions.

It is thus desirable to demonstrate, by a slight alteration of the usual procedures, that everyday life is right here. These words are being communicated by way of a tape recorder, not, of course, in order to illustrate the integration of technology into this everyday life on the margin of the technological world, but in order to take the simplest opportunity to break with the appearance of pseudocollaboration, of artificial dialogue, between the "in person" lecturer and his spectators. This slight discomforting break with accustomed routine may serve to bring directly into the field of questioning of everyday life (a questioning otherwise completely abstract) the conference itself, as well as any number of other forms of using time or objects, forms that are considered "normal" and not even noticed, and which ultimately condition us. With such a detail, as with everyday life as a whole, alteration is always the necessary and sufficient condition for experimentally bringing into clear view the object of our study, which would otherwise remain uncertain -- an object which is itself less to be studied than to be changed.

I have just said that the reality of an observable entity designated by the term "everyday life" stands a good chance of remaining hypothetical for many people. Indeed, the most striking feature of the present "Group for Research on Everyday Life" is obviously not the fact that it has not yet discovered anything, but the fact that the very existence of everyday life has been disputed from its very inception, and increasingly so with each new session of this conference. Most of the talks we have heard so far have been by people who are not at all convinced that everyday life exists, since they haven't encountered it anywhere. A group for research on everyday life with this attitude is comparable in every way to an expedition in search of the Yeti, which might similarly come to the conclusion that its quarry was merely a popular hoax.

To be sure, everyone agrees that certain gestures repeated every day, such as opening doors or filling glasses, are quite real; but these gestures are at such a trivial level of reality that it is rightly objected that they are not of sufficient interest to justify a new specialized branch of sociological research. A number of sociologists seem disinclined to recognize any aspects of everyday life beyond these trivialities. They thus accept the definition of it proposed by Henri Lefebvre -- "whatever remains after one has eliminated all specialized activities" -- but draw a different conclusion: that everyday life is nothing. The majority of sociologists -- and we know how much they are in their element in specialized activities, in which they generally have the blindest faith! -- recognize specialized activities everywhere and everyday life nowhere. Everyday life is always elsewhere. Among others, somewhere in the nonsociologistic classes of the population. Someone said here that it would be interesting to study the workers as guinea pigs who have probably been infected with this virus of everyday life because they, having no access to specialized activities, have no life except everyday life. This condescending manner of investigating the common people in search of an exotic primitivism of everyday life -- and above all this ingenuously avowed self-satisfaction, this naïve pride in participating in a culture whose glaring bankruptcy no one can dream of denying, and this radical inability to understand the world that produces this culture -- all this never ceases to astonish.

This attitude clearly reveals a desire to hide behind a development of thought based on the separation of artificial, fragmentary domains so as to reject the useless, vulgar and disturbing concept of "everyday life." Such a concept covers an uncatalogued and unclassified residue of reality, a residue some people don't want to face because it at the same time represents the standpoint of the totality and thus implies the necessity of a holistic political judgment. Certain intellectuals seem to flatter themselves with an illusory personal participation in the dominant sector of society through their possession of one or more cultural specializations, though those specializations have put them in the best position to see that this whole dominant culture is moth-eaten. But whatever one's opinion of the coherence of this culture or of the interest of one or another of its fragments, the particular alienation it has imposed on these intellectuals is to make them imagine, from their lofty sociological position, that they are quite outside the everyday life of the common people, or to give them an exaggerated idea of their sociopolitical rank, as if their lives were not as fundamentally impoverished as everyone else's.

Specialized activities certainly exist; they are even put to certain general uses which should be recognized in a demystified manner. Everyday life is not everything -- although its overlapping with specialized activities is such that in a sense we are never outside of everyday life. But to use a somewhat simplistic spatial image, we still have to place everyday life at the center of everything. Every project begins from it and every accomplishment returns to it to acquire its real significance. Everyday life is the measure of all things: of the (non)fulfilment of human relations; of the use of lived time; of artistic experimentation; and of revolutionary politics.

It is not enough to recall that the old stereotypical image of the detached scientific observer is fallacious in any case. It must be stressed that disinterested observation is even less possible here than anywhere else. What makes for the difficulty of even recognizing a terrain of everyday life is not only the fact that it has already become the ostensible meeting ground of an empirical sociology and a conceptual elaboration, but also the fact that it presently happens to be the stake in any revolutionary renewal of culture and politics.

To fail to criticize everyday life means accepting the prolongation of the present thoroughly rotten forms of culture and politics, forms whose extreme crisis is expressed in increasingly widespread political apathy and neoilliteracy, especially in the most modern countries. On the other hand, a radical critique in acts of prevailing everyday life could lead to a supersession of culture and politics in the traditional sense, that is, to a higher level of intervention in life.

"But," you may ask, "how does it happen that the importance of this everyday life, which according to you is the only real life, is so completely and directly underrated by people who, after all, have no direct interest in doing so -- many of whom are even far from being opposed to some kind of renewal of the revolutionary movement?"

I think this happens because everyday life is organized within the limits of a scandalous poverty, and above all because there is nothing accidental about this poverty of everyday life: it is a poverty that is constantly imposed by the coercion and violence of a society divided into classes, a poverty historically organized in line with the evolving requirements of exploitation.

The use of everyday life, in the sense of a consumption of lived time, is governed by the reign of scarcity: scarcity of free time and scarcity of possible uses of this free time.

Just as the accelerated history of our time is the history of accumulation and industrialization, so the backwardness and conservative tendencies of everyday life are products of the laws and interests that have presided over this industrialization. Everyday life has until now resisted the historical. This represents first of all a verdict against the historical insofar as it has been the heritage and project of an exploitive society.

The extreme poverty of conscious organization and creativity in everyday life reflects the fundamental necessity for unconsciousness and mystification in a society of exploitation and alienation.

Henri Lefebvre has extended the idea of uneven development so as to characterize everyday life as a lagging sector, out of joint with the historical but not completely cut off from it. I think that one could go so far as to term this level of everyday life a colonized sector. We know that underdevelopment and colonization are interrelated at the level of global economy. Everything suggests that the same thing applies at the level of socioeconomic structure, at the level of praxis.

Everyday life, policed and mystified by every means, is a sort of reservation for the good natives who keep modern society running without understanding it -- this society with its rapid growth of technological powers and the forced expansion of its market. History (the transformation of reality) cannot presently be used in everyday life because the people who live that everyday life are the product of a history over which they have no control. It is of course they themselves who make this history, but they do not make it freely or consciously.

Modern society is viewed through specialized fragments that are virtually incommunicable; and so everyday life, where all questions are liable to be posed in a unitary manner, is naturally the domain of ignorance.

Through its industrial production this society has emptied the gestures of work of all meaning. And no model of human behaviour has retained any real relevance in everyday life.

This society tends to atomize people into isolated consumers and to prohibit communication. Everyday life is thus private life, the realm of separation and spectacle.

It is thus also the sphere of the specialists' resignation and failure. It is the reason, for example, that one of the rare individuals capable of understanding the latest scientific conception of the universe will make a fool of himself by earnestly pondering Alain Robbe-Grillet's aesthetic theories or by sending petitions to the President in the hope of convincing him to change his policies. It is the sphere of personal disarmament, of an avowed incapability of living.

Thus the underdevelopment of everyday life cannot be characterized solely by its relative inability to put various technologies to good use. This inability is only one consequence (though an important one) of everyday alienation as a whole, which could be defined as the inability to invent a technique for the liberation of everyday experience.

Many techniques do, in fact, more or less markedly alter certain aspects of everyday life -- not only housework, as has already been mentioned here, but also telephones, television, music on long-playing records, mass air travel, etc. These developments arise anarchically, by chance, without anyone having foreseen their interrelations or consequences. But there is no denying that, on the whole, this introduction of technology into everyday life ultimately takes place within the framework of modern bureaucratized capitalism and tends to reduce people's independence and creativity. The new prefabricated cities clearly exemplify the totalitarian tendency of modern capitalism's organization of life: the isolated inhabitants (generally isolated within the framework of the family cell) see their lives reduced to the pure triviality of the repetitive combined with the obligatory consumption of an equally repetitive spectacle.

One can thus conclude that if people censor the question of their own everyday life, it is both because they are aware of its unbearable misery and because sooner or later they sense -- whether they admit it or not -- that all the real possibilities, all the desires that have been frustrated by the functioning of social life, are focused there, and not at all in the various specialized activities and distractions. Awareness of the profound richness and energy abandoned in everyday life is inseparable from awareness of the poverty of the dominant organization of this life. The awareness of this untapped richness leads to the contrasting definition of everyday life as poverty and as prison; which in turn leads to the repression of the whole problem.

In these conditions, repressing the political question posed by the poverty of everyday life means repressing the most profound demands bearing on the possible richness of this life -- demands that can lead to nothing less than a reinvention of revolution. Of course an evasion of politics at this level is in no way incompatible with being active in the Parti Socialiste Unifié, for example, or with reading Humanité [French Communist Party newspaper] with confidence.

Everything really depends on the level at which this problem is posed: How is our life? In what ways are we satisfied with it? In what ways are we dissatisfied with it? Without for a moment letting ourselves be intimidated by the various advertisements designed to persuade us that we can be happy because of the existence of God or Colgate toothpaste or the National Center for Scientific Research.

It seems to me that the phrase "critique of everyday life" could and should also be understood in this reverse sense: as everyday life's sovereign critique of everything that is external or irrelevant to itself.

The question of the use of technological means, in everyday life and elsewhere, is a political question. Out of all the potential technical means, those that actually get implemented are selected in accordance with the goal of maintaining the rule of a particular class. When one imagines a future such as that presented in science-fiction, in which interstellar adventures coexist with a terrestrial everyday life kept in the same old material poverty and archaic morality, this implies precisely that there is still a class of specialized rulers maintaining the proletarian masses of the factories and offices in their service; and that the interstellar adventures are nothing but the particular enterprise chosen by those rulers, the way they have found to develop their irrational economy, the pinnacle of specialized activity.

Someone posed the question, "What is private life [vie privée] deprived [privée] of?" Quite simply of life itself, which is cruelly absent. People are as deprived as possible of communication and of self-fulfillment; deprived of the opportunity to personally make their own history. Positive responses to this question about the nature of the privation can thus only take the form of projects of enrichment; the project of developing a style of life different from the present one (if the present way of life can even be said to have a "style"). Or to put it another way, if we regard everyday life as the frontier between the dominated and the undominated sectors of life, and thus as the terrain of chance and uncertainty, it would be necessary to replace the present ghetto with a constantly moving frontier; to work ceaselessly toward the organization of new chances.

The question of intensity of experience is posed today -- with drug use, for example -- in the only terms in which the society of alienation is capable of posing any question: namely, in terms of false recognition of a falsified project, in terms of fixation and attachment. It should also be noted how much the image of love elaborated and propagated in this society has in common with drugs. A passion is first of all presented as a denial of all other passions; then it is frustrated, and finally reappears only in the compensations of the reigning spectacle. La Rochefoucauld wrote: "What often prevents us from abandoning ourselves to a single vice is that we have several." This can be taken as a very positive observation if we ignore its moralistic presuppositions and put it back on its feet as the basis of a program for the realization of human capacities.

All these questions are now relevant because our time is clearly dominated by the emergence of the project borne by the working class -- the abolition of every class society and the inauguration of human history -- and is thus also dominated by the fierce resistance to this project and by the distortions and failures it has encountered up till now.

The present crisis of everyday life takes its place among the new forms of the crisis of capitalism, forms that remain unnoticed by those who cling to classical calculations of the dates of the next cyclical crises of the economy.

The disappearance in developed capitalism of all the old values and of all the frames of reference of past communication; and the impossibility of replacing them by any others before having rationally dominated, within everyday life and everywhere else, the new industrial forces that escape us more and more -- these facts give rise not only to the virtually official dissatisfaction of our time, a dissatisfaction particularly acute among young people, but also to the self-negating tendency of art. Artistic activity had always been alone in expressing the clandestine problems of everyday life, albeit in a veiled, deformed, and partially illusory manner. Modern art now provides us with undeniable evidence of the destruction of all artistic expression.

If we consider the whole extent of the crisis of contemporary society, I don't think it is possible still to regard leisure activities as a negation of the everyday. It has been recognized here that it is necessary to study "wasted time." But let us look at the recent evolution of this notion of wasted time. For classical capitalism, wasted time was time that was not devoted to production, accumulation, saving. The secular morality taught in bourgeois schools has instilled this rule of life. But it so happens that by an unexpected turn of events modern capitalism needs to increase consumption and "raise the standard of living" (bearing in mind that that expression is completely meaningless). Since at the same time production conditions, compartmentalized and clocked to the extreme, have become indefensible, the new morality already being conveyed in advertising, propaganda and all the forms of the dominant spectacle now frankly admits that wasted time is the time spent at work, the only purpose of which is earn enough to enable one to buy rest, consumption and entertainments -- a daily passivity manufactured and controlled by capitalism.

If we now consider the artificiality of the consumer needs prefabricated and ceaselessly stimulated by modern industry -- if we recognize the emptiness of leisure activities and the impossibility of rest -- we can pose the question more realistically: What would not be wasted time? Or to put it another way, the development of a society of abundance should lead to an abundance of what?

This can obviously serve as a touchstone in many regards. When, for example, in one of those papers where the flabby thinking of "leftist intellectuals" is displayed (France-Observateur) one reads a title like "The Little Car Out To Conquer Socialism" heading an article that explains that nowadays the Russians are beginning to pursue an American-style private consumption of goods, beginning naturally with cars, one cannot help thinking that one need not have mastered all of Hegel and Marx to realize that a socialism that gives way in the face of an invasion of the market by small cars is in no way the socialism for which the workers movement fought. The bureaucratic rulers of Russia must be opposed not in terms of their tactics or their dogmatism, but more fundamentally: because the meaning of people's lives has not really changed. And this is not some obscure, inevitable fate of an everyday life supposedly doomed to remain reactionary. It is a fate imposed on everyday life from the outside by the reactionary sphere of specialized rulers, regardless of the label under which they plan and regulate poverty in all its aspects.

The present depoliticization of many former leftist militants, their withdrawal from one type of alienation to plunge into another, that of private life, represents not so much a return to privacy, a flight from "historical responsibility," but rather a withdrawal from the specialized political sector that is always manipulated by others -- a sector where the only responsibility they ever took was that of leaving all responsibility to uncontrolled leaders; a sector where the communist project was sidetracked and betrayed. Just as one cannot simplistically oppose private life to public life without asking: what private life? what public life? (for private life contains the factors of its negation and supersession, just as collective revolutionary action harboured the factors of its degeneration), so it would be a mistake to assess the alienation of individuals within revolutionary politics when it is really a matter of the alienation of revolutionary politics itself. The problem of alienation should be tackled dialectically, so as to draw attention to the constantly recurring possibilities of alienation arising within the very struggle against alienation; but we should stress that this applies to the highest level of research (to the philosophy of alienation as a whole, for example) and not to the level of Stalinism, the explanation of which is unfortunately more gross.

Capitalist civilization has not yet been superseded anywhere, but it continues to produce its own enemies everywhere. The next rise of the revolutionary movement, radicalized by the lessons of past defeats and with a program enriched in proportion to the practical potentials of modern society (potentials that already constitute the material basis that was lacked by the "utopian" currents of socialism) -- this next attempt at a total contestation of capitalism will know how to invent and propose a different use of everyday life, and will immediately base itself on new everyday practices and on new types of human relationships (being no longer unaware that any conserving, within the revolutionary movement, of the relations prevailing in the existing society imperceptibly leads to a reconstitution of one or another variant of that society).

Just as the bourgeoisie, in its ascendant phase, had to ruthlessly liquidate everything that transcended earthly life (heaven, eternity), so the revolutionary proletariat -- which can never, without ceasing to be revolutionary, recognize itself in any past or any models -- will have to renounce everything that transcends everyday life. Or rather, everything that claims to transcend it: the spectacle, "historical" acts or pronouncements, the "greatness" of leaders, the mystery of specializations, the "immortality" of art and its supposed importance outside of life. In other words, it must renounce all the by-products of eternity that have survived as weapons of the world of the rulers.

The revolution in everyday life, breaking its present resistance to the historical (and to every kind of change), will create the conditions in which the present dominates the past and the creative aspects of life always predominate over the repetitive ones. We must therefore expect that the side of everyday life expressed by the concepts of ambiguity (misunderstandings, compromises, misuses) will decline considerably in importance in favour of their opposites: conscious choices and gambles.

The present artistic calling in question of language -- appearing at the same time as that metalanguage of machines which is nothing other than the bureaucratized language of the bureaucracy in power -- will then be superseded by higher forms of communication. The present notion of a decipherable social text will lead to new methods of writing this social text, in the direction my situationist comrades are presently seeking with unitary urbanism and some preliminary ventures in experimental behaviour. The central aim of an entirely reconverted and redirected industrial production will be the organization of new configurations of everyday life, the free creation of events.

The critique and perpetual re-creation of the totality of everyday life, before being carried out naturally by everyone, must be undertaken within the present conditions of oppression, in order to destroy those conditions.

An avant-garde cultural movement, even one with revolutionary sympathies, cannot accomplish this. Neither can a revolutionary party on the traditional model, even if it accords a large place to criticism of culture (understanding by that term the entirety of artistic and conceptual means through which a society explains itself to itself and shows itself goals of life). This culture and this politics are both worn out and it is not without reason that most people take no interest in them. The revolutionary transformation of everyday life -- which is not reserved for some vague future but is placed immediately before us by the development of capitalism and its unbearable demands (the only alternative being the reinforcement of the modern slavery) -- this transformation will mark the end of all unilateral artistic expression stocked in the form of commodities, at the same time as the end of all specialized politics.

This is going to be the task of a new type of revolutionary organization, from its inception.

GUY DEBORD

This talk was presented by tape recording 17 May 1961 at a conference of the Group for Research on Everyday Life convened in Paris by Henri Lefebvre.

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

Instructions for an Insurrection

If it seems somewhat ridiculous to talk of revolution, this is obviously because the organized revolutionary movement has long since disappeared from the modern countries where the possibilities of a decisive social transformation are concentrated. But all the alternatives are even more ridiculous, since they imply accepting the existing order in one way or another. If the word "revolutionary" has been neutralized to the point of being used in advertising to describe the slightest change in an ever-changing commodity production, this is because the possibilities of a central desirable change are no longer expressed anywhere. Today the revolutionary project stands accused before the tribunal of history -- accused of having failed, of having simply engendered a new form of alienation. This amounts to recognizing that the ruling society has proved capable of defending itself, on all levels of reality, much better than revolutionaries expected. Not that it has become more tolerable. The point is simply that revolution has to be reinvented.

This poses a number of problems that will have to be theoretically and practically overcome in the next few years. We can briefly mention a few points that it is urgent to understand and resolve.

Of the tendencies toward regroupment that have appeared over the last few years among various minorities of the workers movement in Europe, only the most radical current is worth preserving: that centered on the program of workers councils. Nor should we overlook the fact that a number of confusionist elements are seeking to insinuate themselves into this debate (see the recent accord among "leftist" philosophico-sociological journals of different countries).

The greatest difficulty confronting groups that seek to create a new type of revolutionary organization is that of establishing new types of human relationships within the organization itself. The forces of the society exert an omnipresent pressure against such an effort. But unless this is accomplished, by methods yet to be experimented with, we will never be able to escape from specialized politics. The demand for participation on the part of everyone often degenerates into a mere abstract ideal, when in fact it is an absolute practical necessity for a really new organization and for the organization of a really new society. Even if militants are no longer mere underlings carrying out the decisions made by masters of the organization, they still risk being reduced to the role of spectators of those among them who are the most qualified in politics conceived as a specialization; and in this way the passivity relation of the old world is reproduced.

People's creativity and participation can only be awakened by a collective project explicitly concerned with all aspects of lived experience. The only way to "arouse the masses" is to expose the appalling contrast between the potential constructions of life and the present poverty of life. Without a critique of everyday life, a revolutionary organization is a separated milieu, as conventional and ultimately as passive as those holiday camps that are the specialized terrain of modern leisure. Sociologists, such as Henri Raymond in his study of Palinuro, have shown how in such places the spectacular mechanism recreates, on the level of play, the dominant relations of the society as a whole. But then they go on naïvely to commend the "multiplicity of human contacts," for example, without seeing that the mere quantitative increase of these contacts leaves them just as insipid and inauthentic as they are everywhere else. Even in the most libertarian and antihierarchical revolutionary group, communication between people is in no way guaranteed by a shared political program. The sociologists naturally support efforts to reform everyday life, to organize compensation for it in vacation time. But the revolutionary project cannot accept the traditional notion of play, of a game limited in space, in time and in qualitative depth. The revolutionary game -- the creation of life -- is opposed to all memories of past games. To provide a three-week break from the kind of life led during forty-nine weeks of work, the holiday villages of Club Med draw on a shoddy Polynesian ideology -- a bit like the French Revolution presenting itself in the guise of republican Rome, or like the revolutionaries of today who define themselves principally in accordance with how well they fit the Bolshevik or some other style of militant role. The revolution of everyday life cannot draw its poetry from the past, but only from the future.

The experience of the empty leisure produced by modern capitalism has provided a critical correction to the Marxian notion of the extension of leisure time: It is now clear that full freedom of time requires first of all a transformation of work and the appropriation of this work in view of goals, and under conditions, that are utterly different from those of the forced labor that has prevailed until now (see the activity of the groups that publish Socialisme ou Barbarie in France, Solidarity in England(1) and Alternative in Belgium). But those who put all the stress on the necessity of changing work itself, of rationalizing it and of interesting people in it, and who pay no attention to the free content of life (i.e. the development of a materially equipped creative power beyond the traditional categories of work time and rest-and-recreation time) run the risk of providing an ideological cover for a harmonization of the present production system in the direction of greater efficiency and profitability without at all having called in question the experience of this production or the necessity of this kind of life. The free construction of the entire space-time of individual life is a demand that will have to be defended against all sorts of dreams of harmony in the minds of aspiring managers of social reorganization.

The different moments of situationist activity until now can only be understood in the perspective of a reappearance of revolution, a revolution that will be social as well as cultural and whose field of action will right from the start have to be broader than during any of its previous endeavors. The SI does not want to recruit disciples or partisans, but to bring together people capable of applying themselves to this task in the years to come, by every means and without worrying about labels. This means that we must reject not only the vestiges of specialized artistic activity, but also those of specialized politics; and particularly the post-Christian masochism characteristic of so many intellectuals in this area. We don't claim to be developing a new revolutionary program all by ourselves. We say that this program in the process of formation will one day practically oppose the ruling reality, and that we will participate in that opposition. Whatever may become of us individually, the new revolutionary movement will not be formed without taking into account what we have sought together; which could be summed up as the passage from the old theory of limited permanent revolution to a theory of generalized permanent revolution.

SITUATIONIST INTERNATIONAL (1961)

TRANSLATOR'S NOTE

1. A later issue of Internationale Situationniste has the following note on Solidarity: "The majority of the British Solidarity group that is apparently demanding this boycott of the situationists are very combative revolutionary workers. We feel confident in stating that its shop-steward members have not yet read the SI, certainly not in French. But they have an ideological shield, their specialist of nonauthority, Dr. C. Pallis, a well-educated man who has been aware of the SI for years and who has been in a position to assure them of its utter unimportance. His activity in England has instead been to translate and comment on the texts of Cardan [Cornelius Castoriadis], the thinker who presided over the collapse of Socialisme ou Barbarie in France. Pallis knows quite well that we have for a long time pointed out Cardan's undeniable regression toward revolutionary nothingness, his swallowing of every sort of academic fashion and his ending up becoming indistinguishable from an ordinary sociologist. But Pallis has brought Cardan's thought to England like the light that arrives on Earth from stars that have already long burned out -- by presenting his least decomposed texts, written years before, and never mentioning the author's subsequent regression. It is thus easy to see why he would like to prevent this type of encounter." (Internationale Situationniste #11, p. 64)

Translated by Ken Knabb (slightly modified from the version entitled "Instructions for Taking Up Arms" in the Situationist International Anthology).

Basic Program of the Bureau of Unitary Urbanism

1. NOTHINGNESS OF URBANISM AND NOTHINGNESS OF THE SPECTACLE

Urbanism(1) doesn't exist; it is only an "ideology" in Marx's sense of the word. Architecture does really exist, like Coca-Cola: though coated with ideology, it is a real production, falsely satisfying a falsified need. Urbanism is comparable to the advertising about Coca-Cola -- pure spectacular ideology. Modern capitalism, which organizes the reduction of all social life to a spectacle, is incapable of presenting any spectacle other than that of our own alienation. Its urbanistic dream is its masterpiece.

2. CITY PLANNING AS CONDITIONING AND FALSE PARTICIPATION

The development of the urban milieu is the capitalist domestication of space. It represents the choice of one particular materialization, to the exclusion of other possibilities. Like aesthetics, whose course of decomposition it is going to follow, it can be considered as a rather neglected branch of criminology. What characterizes it at the "city planning" level -- as opposed to its merely architectural level -- is its insistence on popular consent, on individual integration into its bureaucratic production of conditioning.

All this is imposed by means of a blackmail of utility, which hides the fact that this architecture and this conditioning are really useful only in reinforcing reification. Modern capitalism dissuades people from making any criticism of architecture with the simple argument that they need a roof over their heads, just as television is accepted on the grounds that they need information and entertainment. They are made to overlook the obvious fact that this information, this entertainment and this kind of dwelling place are not made for them, but without them and against them.

The whole of urban planning can be understood only as a society's field of publicity-propaganda, i.e. as the organization of participation in something in which it is impossible to participate.

3. TRAFFIC CIRCULATION, SUPREME STAGE OF URBAN PLANNING

Traffic circulation is the organization of universal isolation. As such, it constitutes the major problem of modern cities. It is the opposite of encounter, it absorbs the energies that could otherwise be devoted to encounters or to any sort of participation. Spectacles compensate for the participation that is no longer possible. Within this spectacular society one's status is determined by one's residence and mobility (personal vehicles). You don't live somewhere in the city, you live somewhere in the hierarchy. At the summit of this hierarchy the ranks can be ascertained by the degree of mobility. Power is objectively expressed in the necessity of being present each day at more and more places (business dinners, etc.) further and further removed from each other. A VIP could be defined as someone who has appeared in three different capitals in the course of a single day.

4. DISTANCIATION FROM THE URBAN SPECTACLE

The spectacle system that is in the process of integrating the population manifests itself both as organization of cities and as permanent information network. It is a solid framework designed to secure the existing conditions of life. Our first task is to enable people to stop identifying with their surroundings and with model patterns of behavior. This is inseparable from making possible free mutual recognition in a few initial zones set apart for human activity. People will still be obliged for a long time to accept the era of reified cities. But the attitude with which they accept it can be changed immediately. We must encourage their skepticism toward those spacious and brightly colored kindergartens, the new dormitory cities of both East and West. Only a mass awakening will pose the question of a conscious construction of the urban environment.

5. AN INDIVISIBLE FREEDOM

The main achievement of contemporary city planning is to have made people blind to the possibility of what we call unitary urbanism, namely a living critique of this manipulation of cities and their inhabitants, a critique fueled by all the tensions of everyday life. A living critique means setting up bases for an experimental life where people can come together to create their own lives on terrains equipped to their ends. Such bases cannot be reservations for "leisure" activities separated from the society. No spatio-temporal zone is completely separable. The whole society exerts continual pressure even on its present vacation "reservations." Situationist bases will exert pressure in the opposite direction, acting as bridgeheads for an invasion of everyday life as a whole. Unitary urbanism is the contrary of a specialized activity; to accept a separate urbanistic domain is already to accept the whole urbanistic lie and the falsehood permeating the whole of life.

Urbanism promises happiness. It shall be judged accordingly. The coordination of artistic and scientific means of denunciation must lead to a complete denunciation of existing conditioning.

6. THE LANDING

All space is already occupied by the enemy, which has even reshaped its basic laws, its geometry, to its own purposes. Authentic urbanism will appear when the absence of this occupation is created in certain zones. What we call construction starts there. It can be clarified by the positive void concept developed by modern physics. Materializing freedom means beginning by appropriating a few patches of the surface of a domesticated planet.

7. THE ILLUMINATION OF DÉTOURNEMENT

The basic practice of the theory of unitary urbanism will be the transcription of the whole theoretical lie of urbanism, detourned for the purpose of de-alienation. We have to constantly defend ourselves from the poetry of the bards of conditioning -- to jam their messages, to turn their rhythms inside out.

8. CONDITIONS OF DIALOGUE

Functional means practical. The only thing that is really practical is the resolution of our fundamental problem: our self-realization (our escape from the system of isolation). This and nothing else is useful and utilitarian. Everything else is nothing but by-products of the practical, mystifications of the practical.

9. RAW MATERIAL AND TRANSFORMATION

The situationist destruction of present conditioning is already at the same time the construction of situations. It is the liberation of the inexhaustible energies trapped within a petrified daily life. With the advent of unitary urbanism, present city planning (that geology of lies) will be replaced by a technique for defending the permanently threatened conditions of freedom, and individuals -- who do not yet exist as such -- will begin freely constructing their own history.

10. END OF THE PREHISTORY OF CONDITIONING

We are not contending that people must return to some stage previous to the era of conditioning, but rather that they must go beyond it. We have invented the architecture and the urbanism that cannot be realized without the revolution of everyday life -- without the appropriation of conditioning by everyone, its endless enrichment and fulfillment.

ATTILA KOTÁNYI, RAOUL VANEIGEM (1961)

TRANSLATOR'S NOTE

1. The French word urbanisme usually means "city planning," but it also refers to the general policy and ideology of urban development.

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

Internationale Situationiste #7

Issue seven of the journal of the Situationist International

The Bad Days Will End

As the world of the spectacle extends its reign it approaches the climax of its offensive, provoking new resistances everywhere. These resistances are very little known precisely because the reigning spectacle is designed to present an omnipresent hypnotic image of unanimous submission. But they do exist and are spreading.

Everyone talks about the youth rebellion in the advanced industrial countries, though without understanding much about it (see "Unconditional Defense" in issue #6 of this journal). Militant publications like Socialisme ou Barbarie (Paris) and Correspondence (Detroit) have published well-documented articles on workers' continual on-the-job resistance to the whole organization of work and on their depoliticization and their disillusionment with the unions, which have become a mechanism for integrating workers into the society and a supplementary weapon in the economic arsenal of bureaucratized capitalism. As the old forms of opposition reveal their ineffectiveness, or more often their complete inversion into complicity with the existing order, an irreducible dissatisfaction spreads subterraneanly, undermining the edifice of the affluent society. The "old mole" that Marx evoked in his "Toast to the Proletarians of Europe" is still digging away, the specter is reappearing in all the nooks and crannies of our televised Elsinore Castle, whose political mists are dissipated as soon as workers councils come into existence and for as long as they continue to reign.

Just as the first organization of the classical proletariat was preceded, during the end of the eighteenth century and the beginning of the nineteenth, by a period of isolated "criminal" acts aimed at destroying the machines of production that were depriving people of their work, we are presently witnessing the first appearance of a wave of vandalism against the machines of consumption that are just as certainly depriving us of our life. In both cases the significance obviously does not lie in the destruction itself, but in the rebelliousness which could potentially develop into a positive project going to the point of reconverting the machines in a way that increases people's real power over their lives. Leaving aside the havoc perpetrated by groups of adolescents, we can point out a few examples of actions by workers that are in large part incomprehensible from the classical "protests and demands" perspective.

On 9 February 1961 in Naples factory workers coming off the day shift found that the streetcars that ordinarily took them home were not running, the drivers having launched a lightning strike because several of them had just been laid off. The workers demonstrated their solidarity with the strikers by throwing various projectiles at the company offices, and then bottles of gasoline which set fire to part of the streetcar station. They then burned several buses while successfully holding off police and firemen. Several thousand of them spread through the city, smashing store windows and electric signs. During the night troops had to be called in to restore law and order, and armored cars moved on Naples. This aimless and totally spontaneous demonstration was obviously a direct revolt against commuting time, which is such a burdensome addition to wage slavery time in modern cities. Sparked by a chance minor incident, this revolt immediately began to extend to the whole consumer-society decor (recently plastered over the traditional poverty of southern Italy): the store windows and neon signs, being at once its most symbolic and most fragile points, naturally drew the first attacks, just as happens during the rampages of rebellious youth.

On August 4 in France striking miners at Merlebach attacked twenty-one cars parked in front of the management buildings. All the commentators pointed out dumbfoundedly that nearly all these automobiles belonged to the workers' fellow employees at the mine. Who can fail to see in this action -- over and beyond the innumerable reasons that always justify aggression on the part of the exploited -- a gesture of self-defense against the central object of consumer alienation?

The strikers of Liège [Belgium] who attempted to destroy the machinery of the newspaper La Meuse on 6 January 1961 attained one of the peaks of consciousness of their movement in thus attacking the means of information held by their enemies. (Since the means of transmitting information are jointly monopolized by the government and the leaders of the socialist and union bureaucracies, this is precisely the crucial point of the struggle, the barrier that continues to bar workers' "wildcat" struggles from any perspective of power and thus condemns them to disappear.) Another symptom, though less interesting because more contingent on the de Gaulle regime's clumsy propagandistic excesses, is nevertheless worth noting in the following communiqué of the unions of French journalists and radio and television technicians last February 9: "Our fellow reporters and technicians who were covering the demonstration Thursday evening were attacked by the crowd merely because they were bearing the 'Radio-Télévision Française' insignia. This fact is significant. This is why the SJRT and SUT unions consider themselves justified in stressing in all seriousness that the lives of our fellow reporters and technicians depend on the respect in which their reports are held." Of course, along with the first concrete reactions against the forces of conditioning we cannot close our eyes to the extent to which this conditioning continues to prove successful, even within very combative workers' actions. Thus, when at the beginning of the year the Decazeville miners delegated twenty of their number to go on a hunger strike, they were fighting on the spectacular terrain of the enemy by relying on the tear-jerking potential of twenty stars. They thus inevitably lost, since their only chance of success would have been to do whatever was necessary to extend their collective intervention beyond their limited sector (the only industry they were blocking having already been losing money anyway). Capitalist social organization and its oppositional by-products have so effectively propagated parliamentary and spectacular ideas that revolutionary workers often tend to forget that representation must always be kept to the essential minimum and used as little as possible. But it isn't only industrial workers who are fighting against brutalization. The Berlin actor Wolfgang Neuss perpetrated a most suggestive act of sabotage in last January by placing a notice in the paper Der Abend giving away the identity of the killer in a television detective serial that had been keeping the masses in suspense for weeks.

The assault of the first workers movement against the whole organization of the old world came to an end long ago, and nothing can bring it back to life. It failed. Certainly it achieved immense results, but not the ones it had originally intended. No doubt such deviation toward partially unexpected results is the general rule in human actions; but the one exception to this rule is precisely the moment of revolutionary action, the moment of the all-or-nothing qualitative leap. The classical workers movement must be reexamined without any illusions, particularly without any illusions regarding its various political and pseudotheoretical heirs, for all they have inherited is its failure. The apparent successes of this movement are actually its fundamental failures (reformism or the establishment of a state bureaucracy), while its failures (the Paris Commune or the 1934 Asturian revolt) are its most promising successes so far, for us and for the future. This movement must be precisely delineated in time. The classical workers movement can be considered to have begun a couple decades before the official formation of the International, with the first linkup of communist groups of several countries that Marx and his friends organized from Brussels in 1845. And it was completely finished after the failure of the Spanish revolution, that is, after the Barcelona May days of 1937.

We need to rediscover the whole truth of this period and to reexamine all the oppositions between revolutionaries and all the neglected possibilities, without any longer being impressed by the fact that some won out over others and dominated the movement; for we now know that the movement within which they were successful was an overall failure. Marx's thought is obviously the first which must be rediscovered -- a task that should not present much difficulty in view of the extensive existing documentation and the crudeness of the lies about it. But it is also necessary to reassess the anarchist positions in the First International, Blanquism, Luxemburgism, the council movement in Germany and Spain, Kronstadt, the Makhnovists, etc. Without overlooking the practical influence of the utopian socialists. All this, of course, not with the aim of scholarship or academic eclecticism, but solely in order to contribute toward the formation of a new, profoundly different revolutionary movement, a movement of which we have seen so many premonitory signs over the last few years, one of which is our own existence. We must understand these signs through the study of the classical revolutionary project and vice versa. It is necessary to rediscover the history of the very movement of history, which has been so thoroughly hidden and distorted. It is, moreover, only in this enterprise (and in a few experimental artistic groups generally linked to it) that seductive modes of behavior have appeared -- modes that enable one to take an objective interest in modern society and the possibilities it contains.

There is no other way to be faithful to, or even simply to understand, the actions of our comrades of the past than to profoundly reconceive the problem of revolution, which has been increasingly deprived of thought as it has become posed more intensely in concrete reality. But why does this reconception seem so difficult? Starting from an experience of free everyday life (that is, from a quest for freedom in everyday life) it is not so difficult. It seems to us that this question is quite concretely felt today among young people. And to feel it with enough urgency enables one to rediscover lost history, to salvage and rejudge it. It is not difficult for thought that concerns itself with questioning everything that exists. It is only necessary not to have abandoned philosophy (as have virtually all the philosophers), not to have abandoned art (as have virtually all the artists), and not to have abandoned contestation of present reality (as have virtually all the militants). When they are not abandoned, these questions all converge toward the same supersession. The specialists, whose power is geared to a society of specialization, have abandoned the critical truth of their disciplines in order to preserve the personal advantages of their function. But all real researches are converging toward a totality, just as real people are going to come together in order to try once again to escape from their prehistory.

Many people are skeptical about the possibility of a new revolutionary movement, continually repeating that the proletariat has been integrated or that the workers are now satisfied, etc. This means one of two things: either they are declaring themselves satisfied (in which case we will fight them without any equivocation); or they are identifying themselves with some category separate from the workers, such as artists (in which case we will fight this illusion by showing them that the new proletariat is tending to encompass virtually everybody).

There are related misconceptions about the Third World. Apocalyptic fears or hopes regarding the movements of revolt in the colonized or semicolonized countries overlook this central fact: the revolutionary project must be realized in the industrially advanced countries. Until it is, the movements in the underdeveloped zone seem doomed to follow the model of the Chinese revolution, which began just as the classical workers movement was being destroyed and whose entire subsequent evolution has been dominated by the mutation it suffered due to that destruction. It remains true that the existence of these anticolonialist movements, even if they are polarized around the bureaucratic Chinese model, creates a disequilibrium in the external confrontation of the two great counterbalanced blocs, destabilizing any division of the world by their rulers and owners. But the security of the stakes in the planetary poker game is threatened just as much by the internal disequilibrium that still prevails in the factories of Manchester and East Berlin.

The radical minorities that in obscurity managed to survive the crushing of the classical workers movement (whose force the ruse of history transformed into state police) have handed down the truth of that movement, but only as an abstract truth of the past. Their honorable resistance to force has succeeded in preserving a maligned tradition, but not in redeveloping it into a new force. The formation of new organizations depends on a deeper critique, translated into acts. There must be a complete break with ideology, in which revolutionary groups think they possess official titles guaranteeing their function (that is, we must resume the Marxian critique of the role of ideologies). It is thus necessary to leave the terrain of specialized revolutionary activity -- the terrain of the self-mystification of "serious politics" -- because it has long been seen that such specialization encourages even the best people to demonstrate stupidity regarding all other questions; with the result that they end up failing even in their merely political struggles, since the latter are inseparable from all other aspects of the overall problem of our society. Specialization and pseudoseriousness are among the primary defensive outposts that the organization of the old world occupies in everyone's mind. A revolutionary association of a new type will also break with the old world by permitting and demanding of its members an authentic and creative participation, instead of expecting a participation of militants measurable in attendance time, which amounts to recreating the sole control possible in the dominant society: the quantitative criterion of hours of labor. A genuine enthusiastic participation on the part of everyone is necessitated by the fact that the classical political militant, who "devotes himself" to his radical duties, is everywhere disappearing along with classical politics itself; and even more by the fact that devotion and sacrifice always engender authority (even if only purely moral authority). Boredom is counterrevolutionary. In every way.

The groups that recognize the fundamental (not merely circumstantial) failure of the old politics must also recognize that they can claim to be an ongoing avant-garde only if they themselves exemplify a new style of life, a new passion. There is nothing utopian about this lifestyle criterion: it was constantly evident during the emergence and rise of the classical workers movement. We believe that in the coming period this will not only hold true to the extent it did in the nineteenth century, but will go much further. Otherwise the militants of these groups would only constitute dull propaganda societies, proclaiming quite correct and basic ideas but with virtually no one listening. The spectacular unilateral transmission of a revolutionary teaching -- whether within an organization or in its action directed toward the outside -- has lost all chance of proving effective in the society of the spectacle, which simultaneously organizes a completely different spectacle and infects every spectacle with an element of nausea. Such specialized propaganda thus has little chance of leading to timely and fruitful intervention during situations when the masses are compelled to wage real struggles.

It is necessary to recall and revive the nineteenth-century social war of the poor. The word can be found everywhere, in songs and in all the declarations of the people who worked for the objectives of the classical workers movement. One of the most urgent tasks confronting the SI and other comrades now advancing along convergent paths is to define the new poverty. Certain American sociologists over the last few years have played a role in the exposure of this new poverty analogous to that played by the first utopian philanthropists vis-Ã -vis workers' action in the previous century: The problem is revealed, but in an idealist and artificial way; because since understanding resides in praxis alone, one can really comprehend the nature of the enemy only in the process of fighting it (this is the terrain on which are situated, for example, G. Keller's and R. Vaneigem's projects of introducing the aggressiveness of the delinquents onto the plane of ideas).

Defining the new poverty also entails defining the new wealth. To the image propagated by the dominant society -- according to which it has evolved (both on its own and in response to acceptable reformist pressure) from an economy of profit to an economy of needs -- must be counterposed an economy of desires, which could be defined as: technological society plus the imagination of what could be done with it. The economy of needs is falsified in terms of habit. Habit is the natural process by which fulfilled desire is degraded into need and is confirmed, objectified and universally recognized as need. The present economy is directly geared to the fabrication of habits, and manipulates people by forcing them to repress their desires.

Complicity with the world's false opposition goes hand in hand with complicity with its false wealth (and thus with a retreat from defining the new poverty). Sartre's disciple Gorz is a good case in point. In Les Temps Modernes #188 he confesses how embarrassed he is that, thanks to his career as a journalist (which indeed is nothing to write home about), he can afford the good things of this society; among which he respectfully mentions taxis and trips abroad -- at a time when taxis inch forward behind the mass of cars that everyone has been forced to buy; and when foreign travel presents us with the same boring spectacle of the same alienation endlessly duplicated around the world. He also waxes enthusiastic -- like Sartre did once upon a time about the "total freedom of criticism in the USSR" -- about "the youth" of the only "revolutionary generations," those of Yugoslavia, Algeria, Cuba, China and Israel. The other countries are old, says Gorz, in order to justify his own senility. He thus relieves himself of the necessity of making any more precise analyses of, or distinctions among, "the youth" of those or other countries, where not everyone is so old or so visible, and where not every revolt is so Gorz.

Fougeyrollas, the latest thinker to have "gone beyond" Marxism, is somewhat disconcerted over the fact that while all previous major stages of historical development were characterized by a change in the mode of production, the communist society heralded by Marx, if it were to come about, would seem to be no more than a continuation of the society of industrial production. Go to the back of the class, Fougeyrollas. The next form of society will not be based on industrial production. It will be a society of realized art. The "absolutely new type of production supposedly in gestation in our society," whose absence Fougeyrollas asserts in Marxisme en question, is the construction of situations, the free construction of the events of life.

SITUATIONIST INTERNATIONAL (1962)

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

Basic Banalities (Part 1)

1

Bureaucratic capitalism has found its legitimation in Marx. I am not referring here to orthodox Marxism's dubious merit of having reinforced the neocapitalist structures whose present reorganization is an implicit homage to Soviet totalitarianism; I am stressing the extent to which crude versions of Marx's most profound analyses of alienation have become generally recognized in the most commonplace realities -- realities which, stripped of their magical veil and materialized in each gesture, have become the sole substance of the daily lives of an increasing number of people. In a word, bureaucratic capitalism contains the tangible reality of alienation; it has brought it home to everybody far more successfully than Marx could ever have hoped to do, it has banalized it as the reduction of material poverty has been accompanied by a spreading mediocrity of existence. As poverty has been reduced in terms of survival, it has become more profound in terms of our way of life -- this is at least one widespread feeling that exonerates Marx from all the interpretations a degenerate Bolshevism has made of him. The "theory" of peaceful coexistence has accelerated this awareness and revealed, to those who were still confused, that exploiters can get along quite well with each other despite their spectacular divergences.

2

"Any act," writes Mircea Eliade, "can become a religious act. Human existence is realized simultaneously on two parallel planes, that of temporality, becoming, illusion, and that of eternity, substance, reality." In the nineteenth century the brutal divorce of these two planes demonstrated that power would have done better to have maintained reality in a mist of divine transcendence. But we must give reformism credit for succeeding where Bonaparte had failed, in dissolving becoming in eternity and reality in illusion. This union may not be as solid as the sacraments of religious marriage, but it lasts, which is the most the managers of coexistence and social peace can ask of it. This is also what leads us to define ourselves -- in the illusory but inescapable perspective of duration -- as the end of abstract temporality, as the end of the reified time of our acts; to define ourselves -- does it have to be spelled out? -- at the positive pole of alienation as the end of social alienation, as the end of humanity's term of social alienation.

3

The socialization of primitive human groups reveals a will to struggle more effectively against the mysterious and terrifying forces of nature. But struggling in the natural environment, at once with it and against it, submitting to its most inhuman laws in order to wrest from it an increased chance of survival -- doing this could only engender a more evolved form of aggressive defense, a more complex and less primitive attitude, manifesting on a higher level the contradictions that the uncontrolled and yet influenceable forces of nature never ceased to impose. In becoming socialized, the struggle against the blind domination of nature triumphed inasmuch as it gradually assimilated primitive, natural alienation, but in another form. The struggle against natural alienation gave rise to social alienation. Is it by chance that a technological civilization has developed to such a point that this social alienation has been revealed by its conflict with the last areas of natural resistance that technological power hadn't managed (and for good reasons) to subjugate? Today the technocrats propose to put an end to primitive alienation: with a stirring humanitarianism they exhort us to perfect the technical means that "in themselves" would enable us to conquer death, suffering, discomfort and boredom. But to eliminate death would be less of a miracle than to eliminate suicide and the desire to die. There are ways of abolishing the death penalty than can make one miss it. Up till now the particular uses that have been made of technology -- or more generally the socio-economic context in which human activity is confined -- while quantitatively reducing the number of occasions of pain and death, have allowed death itself to eat like a cancer into the heart of each person's life.

4

The prehistoric food-gathering age was succeeded by the hunting age during which clans formed and strove to increase their chances of survival. Hunting grounds and preserves were staked out from which outsiders were absolutely excluded -- the welfare of the whole clan depended on it. As a result, the freedom gained by settling down more safely and comfortably within the natural environment engendered its own negation outside the boundaries laid down by the clan and forced the group to modify its customary rules in organizing its relations with excluded and threatening groups. From the moment it appeared, socially engendered economic survival implied the existence of boundaries, restrictions, conflicting rights. It should never be forgotten that until now both history and our own nature have developed in accordance with the development of private appropriation: the seizing of control by a class, group, caste or individual of a general power over an socio-economic survival whose form remains complex, ranging from ownership of land, territory, factories or capital to the "pure" exercise of power over people (hierarchy). Beyond the struggle against regimes whose vision of paradise is a cybernetic welfare state lies the necessity of a still vaster struggle against a fundamental and initially natural state of things, in the development of which capitalism plays only an incidental, transitory role; a state of things that will only disappear with the disappearance of the last traces of hierarchical power -- along with the "swine of humanity," of course.

5

To be an owner is claim a good one prevents others from using -- while at the same time acknowledging everyone's abstract, potential right to ownership. By excluding people from a real right of ownership, the owner extends his dominion over those he has excluded (absolutely over nonowners, relatively over other owners), without whom he is nothing. The nonowners have no choice in the matter. The owner appropriates and alienates them as producers of his own power, while the necessity of ensuring their own physical existence forces them despite themselves to collaborate in producing their own exclusion and to survive without ever being able to live. Excluded, they participate in ownership through the mediation of the owner, a mystical participation characterizing from the outset all the clan and social relationships that gradually replaced the principle of obligatory cohesion in which each member was an integral part of the group ("organic interdependence"). Their guarantee of survival depends on their activity within the framework of private appropriation; they reinforce a property right from which they are excluded. Due to this ambiguity each of them sees himself as participating in ownership, as a living fragment of the right to possess, and this belief in turn reinforces his condition as excluded and possessed. (Extreme cases of this alienation: the faithful slave, the cop, the bodyguard, the centurion -- creatures who, through a sort of union with their own death, confer on death a power equal to the forces of life and identify in a destructive energy the negative and positive poles of alienation, the absolutely submissive slave and the absolute master.) It is of vital importance to the exploiter that this appearance is maintained and made more sophisticated; not because he is especially Machiavellian, but simply because he wants to stay alive. The organization of appearance depends on the survival of the owner and his privileges, which in turn depend on the physical survival of the nonowner, who can thus remain alive while being exploited and excluded from being a real person. Private appropriation and domination are thus originally imposed and felt as a positive right, but in the form of a negative universality. Valid for everyone, justified in everyone's eyes by divine or natural law, the right of private appropriation is objectified in a general illusion, in a universal transcendence, in an essential law under which everyone individually manages to tolerate the more or less narrow limits assigned to his right to live and to the conditions of life in general.

6

In this social context the function of alienation must be understood as a condition of survival. The labor of the nonowners is subject to the same contradictions as the right of private appropriation. It transforms them into possessed beings, into producers of their own expropriation and exclusion, but it represents the only chance of survival for slaves, for serfs, for workers -- so much so that the activity that allows their existence to continue by emptying it of all content ends up, through a natural and sinister reversal of perspective, by taking on a positive appearance. Not only has value been attributed to work (as a form of self-sacrifice during the old regime, and in its most mentally degrading forms in bourgeois ideology and in the so-called People's Democracies), but very early on to work for a master, to alienate oneself willingly, became the honorable and scarcely questioned price of survival. The satisfaction of basic needs remains the best safeguard of alienation; it is best dissimulated by being justified on the grounds of undeniable necessities. Alienation multiplies needs because it can satisfy none of them; nowadays lack of satisfaction is measured in the number of cars, refrigerators, TVs: the alienating objects have lost the ruse and mystery of transcendence, they are there in their concrete poverty. To be rich today is to possess the greatest quantity of poor objects.

Up till now surviving has prevented us from living. This is why much is to be expected of the increasingly obvious impossibility of survival, an impossibility that will become all the more obvious as the glut of conveniences and elements of survival reduces life to a single choice: suicide or revolution.

7

The sacred presides even over the struggle against alienation. As soon as the relations of exploitation and the violence that underlies them are no longer concealed by the mystical veil, there is a breakthrough, a moment of clarity -- the struggle against alienation is suddenly revealed as a ruthless hand-to-hand fight with naked power, power exposed in its brute force and its weakness, a vulnerable giant whose slightest wound confers on the attacker the infamous notoriety of an Erostratus. Since power survives, the event remains ambiguous. Praxis of destruction, sublime moment when the complexity of the world becomes tangible, transparent, within everyone's grasp; inexpiable revolts -- those of the slaves, the Jacques, the iconoclasts, the Enragés, the Fédérés, Kronstadt, the Asturias, and -- promises of things to come -- the hooligans of Stockholm and the wildcat strikes. Only the destruction of all hierarchical power will allow us to forget these. We intend to make sure that it does.(1)

The deterioration of mythical structures and their slowness in regenerating themselves, which make possible the awakening of consciousness and the critical penetration of insurrection, are also responsible for the fact that once the "excesses" of revolution are past, the struggle against alienation is grasped on a theoretical plane, subjected to an "analysis" that is a carryover from the demystification preparatory to revolt. It is at this point that the truest and most authentic aspects of a revolt are reexamined and repudiated by the "we didn't really mean to do that" of the theoreticians charged with explaining the meaning of an insurrection to those who made it -- to those who aim to demystify by acts, not just by words.

All acts contesting power call for analysis and tactical development. Much can be expected of:

a) the new proletariat, which is discovering its destitution amid consumer abundance (see the development of the workers' struggles presently beginning in England, and the attitudes of rebellious youth in all the modern countries);

b) countries that have had enough of their partial, sham revolutions and are consigning their past and present theorists to the museums (see the role of the intelligentsia in the Eastern bloc);

c) the Third World, whose mistrust of technological myths has been kept alive by the colonial cops and mercenaries, the last, over-zealous militants of a transcendence against which they are the best possible vaccination;

d) the force of the SI ("our ideas are in everyone's mind"), capable of forestalling remote-controlled revolts, "crystal nights"(2) and sheepish resistance.

8

Private appropriation is linked to the dialectic of particular and general. In the mystical realm where the contradictions of the slave and feudal systems are resolved, the nonowner, excluded as a particular individual from the right of ownership, strives to ensure his survival through his labor: the more he identifies with the interests of the master, the more successful he is. He knows the other nonowners only through their common plight: the compulsory surrender of their labor power (Christianity recommended voluntary surrender: once the slave "willingly" offered his labor power, he ceased to be a slave), the search for the optimum conditions of survival, and mystical identification. Struggle, though born of a universal will to survive, takes place on the level of appearance where it brings into play identification with the desires of the master and thus introduces a certain individual rivalry that reflects the rivalry between the masters. Competition develops on this plane as long as the exploitive relations remain dissimulated behind a mystical veil and as long as the conditions producing this veil persist; or to put it another way, as long as the degree of slavery determines the slave's consciousness of the degree of lived reality. (We are still at the stage of calling "objective consciousness" what is in reality the consciousness of being an object.) The owner, for his part, depends on the general acknowledgment of a right from which he alone is not excluded, but which is seen on the plane of appearance as a right accessible to each of the excluded taken individually. His privileged position depends on such a belief, and this belief is also the basis for the strength that is essential if he is to hold his own among the other owners; it is his strength. If he seems to renounce exclusive appropriation of everything and everybody, if he poses less as a master than as a servant of the public good and defender of collective security, then his power is crowned with glory and to his other privileges he adds that of denying, on the level of appearance (which is the only level of reference in the world of one-way communication), the very notion of personal appropriation. Denying that anyone has this right, he repudiates the other owners. In the feudal perspective the owner is not integrated into appearance in the same way as the nonowners, slaves, soldiers, functionaries and servants of all kinds. The lives of the latter are so squalid that the majority can live only as a caricature of the Master (the feudal lord, the prince, the major-domo, the taskmaster, the high priest, God, Satan). But the master himself is also forced to play one of these caricatural roles. He can do so without much effort since his pretension to total life is already so caricatural, isolated as he is among those who can only survive. He is already one of our own kind (with the added grandeur of a past epoch, which adds a poignant savor to his sadness); he, like each of us, was anxiously seeking the adventure where he could find himself on the road to his total perdition. Could the master, at the very moment he alienates the others, see that he has reduced them to dispossessed and excluded beings, and thus realize that he is only an exploiter, a purely negative being? Such an awareness is unlikely, and would be dangerous. By extending his dominion over the greatest possible number of subjects, isn't he enabling them to survive, giving them their only chance of salvation? ("What would become of the workers if the capitalists weren't kind enough to employ them?" the high-minded souls of the nineteenth century liked to ask.) In fact, the owner officially excludes himself from all claim to private appropriation. To the sacrifice of the nonowner, who through his labor exchanges his real life for an apparent one (thus avoiding immediate death by allowing the master to determine his variety of living death), the owner replies by appearing to sacrifice his nature as owner and exploiter; he excludes himself mythically, he puts himself at the service of everyone and of myth (at the service of God and his people, for example). With an additional gesture, with an act whose gratuitousness bathes him in an otherworldly radiance, he gives renunciation its pure form of mythical reality: renouncing the common life, he is the poor man amidst illusory wealth, he who sacrifices himself for everyone while all the other people only sacrifice themselves for their own sake, for the sake of their survival. He turns his predicament into prestige. The more powerful he is, the greater his sacrifice. He becomes the living reference point of the whole illusory life, the highest attainable point in the scale of mythical values. "Voluntarily" withdrawn from common mortals, he is drawn toward the world of the gods, and his more or less recognized participation in divinity, on the level of appearance (the only generally acknowledged frame of reference), consecrates his rank in the hierarchy of the other owners. In the organization of transcendence the feudal lord -- and through association with him the other owners of power or means of production, in varying degrees -- is led to play the principal role, the role that he really does play in the economic organization of the group's survival. As a result, the existence of the group is bound on every level to the existence of the owners as such, to those who, owning everything because they own everybody, force everyone to renounce their lives on the pretext of the owners' unique, absolute and divine renunciation. (From the god Prometheus, punished by the gods, to the god Christ, punished by men, the sacrifice of the Owner becomes vulgarized, it loses its sacred aura, becomes humanized.) Myth thus unites owner and nonowner, enveloping them in a common form in which the necessity of survival, whether mere physical survival or survival as a privileged being, forces them to live on the level of appearance and of the inversion of real life, the inversion of the life of everyday praxis. We are still there, waiting to live a life less than or beyond a mystique against which our every gesture protests while submitting to it.

9

Myth -- the unitary absolute in which the contradictions of the world find an illusory resolution, the harmonious and constantly harmonized vision that reflects and reinforces the reigning order -- is the sphere of the sacred, the extrahuman zone where an abundance of revelations are manifested but where the revelation of the process of private appropriation is carefully suppressed. Nietzsche saw this when he wrote "All becoming is a criminal revolt from eternal being, and its price is death." When the bourgeoisie claimed to replace the pure Being of feudalism with Becoming, all it really did was to desacralize Being and resacralize Becoming to its own profit. It elevated its own Becoming to the status of Being, no longer that of absolute ownership but rather that of relative appropriation: a petty democratic and mechanical Becoming, with its notions of progress, merit and causal succession. The owner's life hides him from himself; bound to myth by a life-and-death pact, he cannot see himself in the positive and exclusive enjoyment of any good except through the lived experience of his own exclusion. (And isn't it through this mythical exclusion that the nonowners will come to grasp the reality of their own exclusion?) He bears the responsibility for a group, he takes on the burden of a god. Submitting himself to its benediction and its retribution, he swathes himself in austerity and wastes away. Model of gods and heroes, the master, the owner, is the true reality of Prometheus, of Christ, of all those whose spectacular sacrifice has made it possible for "the vast majority of people" to continue to sacrifice themselves to the extreme minority, to the masters. (Analysis of the owner's sacrifice should be examined more carefully: isn't the case of Christ really the sacrifice of the owner's son? If the owner can never sacrifice himself except on the level of appearance, then Christ stands for the real immolation of the owner's son when circumstances leave no other alternative. As a son he is only an owner at an early stage of development, an embryo, little more than a dream of future ownership. In this mythic dimension belongs Maurice Barrès's famous remark in 1914, when war had arrived and made his dreams come true at last: "Our youth, as is proper, has gone to shed torrents of our blood.") This rather distasteful little game, before it became transformed into a symbolic rite, knew a heroic period when kings and tribal chiefs were ritually put to death according to their "will." Historians assure us that these august martyrs were soon replaced by prisoners, slaves or criminals. The penalty was delegated, but the rulers kept the halo.

10

The concept of a common fate is based on the sacrifice of the owner and the nonowner. Put another way, the notion of a "human condition" is based on an ideal and tormented image whose purpose is to try to resolve the irresolvable opposition between the mythical sacrifice of the minority and the really sacrificed life of everyone else. The function of myth is to unify and eternalize, in a succession of static moments, the dialectic of "will-to-live" and its opposite. This universally dominant factitious unity attains its most tangible and concrete representation in communication, particularly in language. Ambiguity is most manifest at this level, it leads to a lack of real communication, it puts the analyst at the mercy of ridiculous phantoms, at the mercy of words -- eternal and changing instants -- whose content varies according to who pronounces them, as does the notion of sacrifice. When language is put to the test, it can no longer dissimulate the misrepresentation and thus it provokes the crisis of participation. In the language of an era one can follow the traces of total revolution, unfulfilled but always imminent. They are the exalting and terrifying signs of the upheavals they foreshadow, but who takes them seriously? The discredit striking language is as deeply rooted and instinctive as the suspicion with which myths are viewed by people who at the same time remain firmly attached to them. How can key words be defined by other words? How can phrases be used to point out the signs that refute the phraseological organization of appearance? The best texts still await their justification. When a poem by Mallarmé becomes the sole explanation for an act of revolt, then poetry and revolution will have overcome their ambiguity. To await and prepare for this moment is to manipulate information not as the last shock wave whose significance escapes everyone, but as the first repercussion of an act still to come.

11

Born of man's will to survive the uncontrollable forces of nature, myth is a public welfare policy that has outlived its necessity. It has consolidated its tyrannical force by reducing life to the sole dimension of survival, by negating it as movement and totality.

When contested, myth homogenizes the diverse attacks on it; sooner or later it engulfs and assimilates them. Nothing can withstand it, no image or concept that attempts to destroy the dominant spiritual structures. It reigns over the expression of facts and of lived experience, on which it imposes its own interpretive structure (dramatization). Private consciousness is the consciousness of lived experience that finds its expression on the level of organized appearance.

Myth is sustained by rewarded sacrifice. Since every individual life is based on its own renunciation, lived experience must be defined as sacrifice and recompense. As a reward for his asceticism, the initiate (the promoted worker, the specialist, the manager -- new martyrs canonized democratically) is granted a niche in the organization of appearances; he is made to feel at home in alienation. But collective shelters disappeared with unitary societies, all that's left is their later concrete embodiments for the use of the general public: temples, churches, palaces... memorials of a universal protection. Shelters are private nowadays, and even if their protection is far from certain there can be no mistaking their price.

12

"Private" life is defined primarily in a formal context. It is, to be sure, engendered by the social relations created by private appropriation, but its essential form is determined by the expression of those relations. Universal, incontestable but constantly contested, this form makes appropriation a right belonging to everyone and from which everyone is excluded, a right one can obtain only by renouncing it. As long as it fails to break free of the context imprisoning it (a break that is called revolution), the most authentic experience can be grasped, expressed and communicated only by way of an inversion through which its fundamental contradiction is dissimulated. In other words, if a positive project fails to sustain a praxis of radically overthrowing the conditions of life -- which are nothing other than the conditions of private appropriation -- it does not have the slightest chance of escaping being taken over by the negativity that reigns over the expression of social relationships: it is coopted like an inverted mirror image. In the totalizing perspective in which it conditions the whole of everyone's life, and in which its real and its mythic power can no longer be distinguished (both being both real and mythical), the process of private appropriation has made it impossible to express life any way except negatively. Life in its entirety is immersed in a negativity that corrodes it and formally defines it. To talk of life today is like talking of rope in the house of a hanged man. Since the key of will-to-live has been lost we have been wandering in the corridors of an endless mausoleum. The dialogue of chance and the throw of the dice(3) no longer suffices to justify our lassitude; those who still accept living in well-furnished weariness picture themselves as leading an indolent existence while failing to notice in each of their daily gestures a living denial of their despair, a denial that should rather make them despair only of the poverty of their imagination. Forgetting life, one can identify with a range of images, from the brutish conqueror and brutish slave at one pole to the saint and the pure hero at the other. The air in this shithouse has been unbreathable for a long time. The world and man as representation stink like carrion and there's no longer any god around to turn the charnel houses into beds of lilies. After all the ages men have died while accepting without notable change the explanations of gods, of nature and of biological laws, it wouldn't seem unreasonable to ask if we don't die because so much death enters -- and for very specific reasons -- into every moment of our lives.

13

Private appropriation can be defined notably as the appropriation of things by means of the appropriation of people. It is the spring and the troubled water where all reflections mingle and blur. Its field of action and influence, spanning the whole of history, seems to have been characterized until now by a fundamental double behavioral determination: an ontology based on sacrifice and negation of self (its subjective and objective aspects respectively) and a fundamental duality, a division between particular and general, individual and collective, private and public, theoretical and practical, spiritual and material, intellectual and manual, etc. The contradiction between universal appropriation and universal expropriation implies that the master has been seen for what he is and isolated. This mythical image of terror, destitution and renunciation presents itself to slaves, to servants, to all those who can't stand living as they do; it is the illusory reflection of their participation in property, a natural illusion since they really do participate in it through the daily sacrifice of their energy (what the ancients called pain or torture and we call labor or work) since they themselves produce this property in a way that excludes them. The master can only cling to the notion of work-as-sacrifice, like Christ to his cross and his nails; it is up to him to authenticate sacrifice, to apparently renounce his right to exclusive enjoyment and to cease to expropriate with purely human violence (that is, violence without mediation). The sublimity of the gesture obscures the initial violence, the nobility of the sacrifice absolves the commando, the brutality of the conqueror is bathed in the light of a transcendence whose reign is internalized, the gods are the intransigent guardians of rights, the short-tempered shepherds of a peaceful, law-abiding flock of owners and owner wannabes. The gamble on transcendence and the sacrifice it implies are the masters' greatest conquest, their most accomplished submission to the necessity of conquest. Anyone who intrigues for power while refusing the purification of renunciation (the brigand or the tyrant) will sooner or later be tracked down and killed like a mad dog, or worse: as someone who only pursues his own ends and whose blunt disdain for "work" lacks any tact toward others' feelings: serial killers like Troppmann, Landru, Petiot were doomed to defeat because they murdered people without justifying it in the name of defending the Free World, the Christian West, the State or Human Dignity. By refusing to play the rules of the game, pirates, gangsters and outlaws disturb those with good consciences (whose consciences are a reflection of myth); but the masters, by killing the encroacher or enrolling him as a cop, reestablish the omnipotence of the "eternal truth": namely, that those who don't sell themselves lose their right to survive and those who do sell themselves lose their right to live. The sacrifice of the master is the essence of humanism, which is what makes humanism -- and let this be understood once and for all -- the miserable negation of everything human. Humanism is the master taken seriously at his own game, acclaimed by those who see in his apparent sacrifice (that caricatural reflection of their real sacrifice) a reason to hope for salvation. Justice, Dignity, Nobility, Freedom... these words that yap and howl, are they anything but household pets who have continued to reliably return home to their masters since the time when heroic lackeys won the right to walk them on the streets? To use them is to forget that they are the ballast that enables power to rise out of reach. And if we imagine a regime deciding that the mythical sacrifice of the masters should not be promoted in such universal forms, and setting about tracking down these word-concepts and wiping them out, we could well expect the Left to be incapable of combating it with anything more than a plaintive battle of words whose every phrase, invoking the "sacrifice" of a previous master, calls for an equally mythical sacrifice of a new one (a leftist master, a regime mowing down workers in the name of the proletariat). Bound to the notion of sacrifice, humanism is born of the mutual fear of masters and slaves: it is nothing but the solidarity of a shit-scared humanity. But those who reject all hierarchical power can use any word as a weapon to punctuate their action. Lautréamont and the illegalist anarchists were already aware of this; so were the dadaists.

The appropriator thus becomes an owner from the moment he puts the ownership of people and things in the hands of God or of some universal transcendence, whose omnipotence is reflected back on him as a grace sanctifying his slightest gesture. To oppose an owner thus consecrated is to oppose God, nature, the fatherland, the people. In short, to exclude oneself from the whole physical and spiritual world. "We must neither govern nor be governed," writes Marcel Havrenne so neatly. For those who add an appropriate violence to his humor, there is no longer any salvation or damnation, no place in the universal order, neither with Satan, the great coopter of the faithful, nor in any form of myth, since they are the living proof of the uselessness of all that. They were born for a life yet to be invented; insofar as they lived, it was on this hope that they finally came to grief.

Two corollaries of singularization in transcendence:

a) If ontology implies transcendence, it is clear that any ontology automatically justifies the being of the master and the hierarchical power wherein the master is reflected in degraded, more or less faithful images.

b) Over the distinction between manual and intellectual work, between practice and theory, is superimposed the distinction between work-as-real-sacrifice and the organization of work in the form of apparent sacrifice.

It would be tempting to explain fascism -- among other reasons for it -- as an act of faith, the auto-da-fé of a bourgeoisie haunted by the murder of God and the destruction of the great sacred spectacle, dedicating itself to the devil, to an inverted mysticism, a black mysticism with its rituals and its holocausts. Mysticism and high finance.

It should not be forgotten that hierarchical power is inconceivable without transcendence, without ideologies, without myths. Demystification itself can always be turned into a myth: it suffices to "omit," most philosophically, demystification by acts. Any demystification so neutralized, with the sting taken out of it, becomes painless, euthanasic, in a word, humanitarian. Except that the movement of demystification will ultimately demystify the demystifiers.

RAOUL VANEIGEM (April 1962)

(Concluded in the next issue)

* What will become of the totality inherent in unitary society when it comes up against the bourgeois demolition of that society?

* Will an artificial reconstitution of unity succeed in hoodwinking the worker alienated in consumption?

* But what can be the future of totality in a fragmented society?

* What unexpected supersession of this society and of its whole organization of appearance will finally bring us to a happy ending?

IF YOU DON'T ALREADY KNOW, FIND OUT IN PART TWO

TRANSLATOR'S NOTES

1. Erostratus burned down a famous Greek temple in 356 BC so that his name would be remembered for all time. Jacques: French peasants who revolted in the Jacquerie of 1358; by extension, a jacquerie is any particularly violent peasant rebellion. Enragés: extremist current during the French Revolution (1793). Fédérés: insurgents of the Paris Commune (1871), particularly those massacred in its last stand.

2. The "Crystal Night" was a Nazi-orchestrated mass reaction against Jews in Germany in 1938, so called because of the enormous number of store windows broken.

3. Reference to Mallarmé's poem "A Throw of the Dice Will Never Abolish Chance." Vaneigem's sense is somewhat obscure (as is the poem), but seems to refer to the inadequacy of indifferent alternation between arbitrary decision and leaving things purely to chance. "Stéphane Mallarmé, in the great poem that expresses and sums up the idea he pursued throughout his life, declares: A Throw of the Dice Will Never Abolish Chance. By the game of dice he symbolized pure thought, which is in essence Number. What he meant by chance is everything that escapes conscious thought and that arises out of its very lapses. He somberly proclaimed the failure of the human spirit, its inability to succeed in mastering itself." (André Rolland de Renéville, Expérience Poétique.)

End of Part 1. Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

The Fifth SI Conference in Göteborg (excerpts)

The 5th Conference of the Situationist International was held in Göteborg, Sweden, 28-30 August 1961, eleven months after the London Conference. The situationists of nine countries were represented by Ansgar-Elde, Debord, J. de Jong, Kotányi, D. Kunzelmann, S. Larsson, J.V. Martin, Nash, Prem, G. Stadler, Hardy Strid, H. Sturm, R. Vaneigem, Zimmer. [...]

Next the Conference hears an orientation report by Vaneigem, who says notably: "[...] The point is not to elaborate the spectacle of refusal, but to refuse the spectacle. In order for their elaboration to be artistic in the new and authentic sense defined by the SI, the elements of the destruction of the spectacle must precisely cease to be works of art. There is no such thing as situationism, or a situationist work of art, or a spectacular situationist. Once and for all. [...] Our position is that of combatants between two worlds -- one that we don't acknowledge, the other that does not yet exist. [...]"

[...] Kunzelmann expresses a strong skepticism as to the powers the SI can bring together in order to act on the level envisaged by Vaneigem. Kotányi responds to Nash and Kunzelmann: "Since the beginning of the movement there has been a problem as to what to call artistic works by members of the SI. It was understood that none of them was a situationist production, but what to call them? I propose a very simple rule: to call them 'antisituationist.' We are against the dominant conditions of artistic inauthenticity. I don't mean that anyone should stop painting, writing, etc. I don't mean that that has no value. I don't mean that we could continue to exist without doing that. But at the same time we know that such works will be coopted by the society and used against us. Our impact lies in the elaboration of certain truths which have an explosive power whenever people are ready to struggle for them. At the present stage the movement is only in its infancy regarding the elaboration of these essential points. [...]

The responses to Kotányi's proposal are all favorable. It is noted that would-be avant-garde artists are beginning to appear in various countries who have no connection with the SI but who refer to themselves as adherents of "situationism" or describe their works as being more or less situationist. This tendency is obviously going to increase and it would be hopeless for the SI to try and prevent it. While various confused artists nostalgic for a positive art call themselves situationist, antisituationist art will be the mark of the best artists, those of the SI, since genuinely situationist conditions have as yet not at all been created. Admitting this is the mark of a situationist.

With one exception, the Conference unanimously decides to adopt this rule of antisituationist art, binding on all members of the SI. Only Nash objects, his spite and indignation having become sharper and sharper throughout the whole debate, to the point of uncontrolled rage. [...]

Prem resumes in more detail the objections of his friends to Kotányi's perspectives. He agrees with calling our art antisituationist; and also with organizing a situationist base. But he does not think the SI's tactics are good. There is talk of people's dissatisfaction and revolt, but in his view, as his tendency already expressed it at London, "Most people are still primarily interested in comfort and conveniences." He believes that the SI systematically neglects its real chances in culture. It rejects favorable occasions to intervene in existing cultural politics, whereas, in his view, the SI has no power but its power in culture -- a power which could be very great and which is visibly within our reach. The SI majority sabotages the chances for effective action on the terrain where it is possible. It castigates artists who would be able to succeed in doing something; it throws them out the moment they get the means to do things. [...]

Other German situationists strongly oppose Prem, some of them accusing him of having expressed positions in their name that they do not share (but it seems, rather, that Prem simply had the frankness to clearly express the line that dominates in the German section). Finally the Germans come around to agreeing that none of them conceives of theory as separate from its practical results. With this the third session is adjourned in the middle of the night, not without violent agitation and uproar. (From one side there are shouts of "Your theory is going to fly right back in your faces!" and from the other, "Cultural pimps!"). [...]

The German situationists who publish the journal Spur [...] stress the urgency, already made evident by the Conference, for them to unify their positions and projects with the rest of the SI. [...] On their request, the Conference adds Attila Kotányi and J. de Jong to the editorial committee of Spur in order to verify this process of unification. (But in January this decision is flouted by their putting out, without Kotányi and de Jong's knowledge, an issue #7 marking a distinct regression from the preceding ones -- which leads to the exclusion of those responsible.) [...]

It is voted to hold the 6th Conference at Anvers, after the rejection of the Scandinavian proposal to hold it secretly in Warsaw. The Conference does decide, however, to send a delegation of three situationists to Poland to develop our contacts there. [...]

SITUATIONIST INTERNATIONAL (1962)

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

Geopolitics of Hibernation

The "balance of terror" between two rival groups of states -- the most visible basic aspect of global politics at the present moment -- is also a balance of resignation: the resignation of each antagonist to the permanence of the other; and within their frontiers, the resignation of people to a fate that escapes them so completely that the very existence of the planet is far from certain, hinging on the prudence and skill of inscrutable strategists. This in turn reinforces a more general resignation to the existing order, to the coexisting powers of the specialists who organize this fate. These powers find an additional advantage in this balance since it permits the rapid liquidation of any original liberatory experience arising on the margin of their systems, particularly within the current movement of the underdeveloped countries. It was through the same method of neutralizing one menace with another -- regardless of who the particular victorious protector may be -- that the revolutionary impetus of the Congo was crushed by sending in the United Nations Expeditionary Corps (two days after their arrival in early July 1960 the Ghanaian troops, the first on the scene, were used to break a transportation strike in Leopoldville) and that of Cuba by the formation of a one-party system (in March 1962 General Lister, whose role in the repression of the Spanish revolution is well known, was named Assistant Chief of Staff to the Cuban Army).

In reality the two camps are not actually preparing for war, but for the indefinite preservation of this balance, which mirrors the internal stabilization of their power. It goes without saying that this will entail an enormous mobilization of resources, since it is imperative to continually escalate the spectacle of possible war. Thus Barry Commoner, head of the scientific committee assigned by the United States government to estimate the destruction that would result from a thermonuclear war, announces that after one hour of such a war 80 million Americans would be killed and that the survivors would have no hope of living normally afterwards. The Chiefs of Staff, who in their projections now count only in megabodies (one megabody = one million corpses), have admitted the impossibility of calculating beyond the first half day since experimental evidence is lacking to make any meaningful estimates at such a level of destruction. According to Nicolas Vichney (Le Monde, 5 January 1962), one extremist faction of American defense doctrine has gone so far as to argue that "the best deterrent would consist of the possession of an enormous thermonuclear bomb buried underground. If the enemy attacked, the bomb would be detonated and the Earth would be blown apart."

The theorists of this "Doomsday System" have certainly found the ultimate weapon for enforcing submission; they have for the first time translated the refusal of history into precise technical powers. But the rigid logic of these doctrinaires only responds to one aspect of the contradictory needs of the society of alienation, whose indissoluble project is to prevent people from living while it organizes their survival (see the opposition of the concepts of life and survival described by Vaneigem in Basic Banalities). Thus the Doomsday System, through its contempt for survival -- which is still the indispensable condition for the present and future exploitation of human labor -- can only play the role of last resort for the ruling bureaucracies: the insane proof of their seriousness. But in order to be fully effective in reinforcing people's submission, the spectacle of a war to come must henceforth extend its sway over the organization of our present peacetime existence, while simultaneously accommodating itself to the basic requirements of that organization.

In this regard the extraordinary development of fallout shelters during 1961 is certainly a decisive turning point in the Cold War, a qualitative leap that will one day be seen as of immense importance in the formation of a cybernetized totalitarian society on a global scale. It began in the United States, where Kennedy in his State of the Union Address last January was already able to assure the Congress: "The nation's first serious civil defense shelter program is under way, identifying, marking and stocking fifty million spaces; and I urge your approval of federal incentives for the construction of public fallout shelters in schools and hospitals and similar centers." This state-controlled organization of survival has rapidly spread, more or less secretly, to other major countries of the two camps. West Germany, for example, was first of all concerned with the survival of Chancellor Adenauer and his team (the disclosure of the plans to this end led to the seizure of the Munich magazine Quick). Sweden and Switzerland are at the point of installing collective shelters under their mountains, where workers buried with their factories will be able to continue to produce without interruption until the grand finale of the Doomsday System. But the launching pad of the civil defense policy is the United States, where a number of flourishing companies, such as the Peace o' Mind Shelter Company (Texas), the American Survival Products Corporation (Maryland), Fox Hole Shelter, Inc. (California) and the Bee Safe Manufacturing Company (Ohio), are advertising and installing countless individual shelters built as private property to ensure the survival of each family. This fad is giving rise to a new interpretation of religious morality, certain clergymen expressing the opinion that one's duty will clearly consist of refusing entry to friends or strangers, even by means of arms, in order to guarantee the salvation of one's own family. Morality had to be adapted to this process of intensifying the terrorism of conformity that underlies all the publicity of modern capitalism. It was already hard, faced with one's family and neighbors, not to have the given model of automobile which a given salary level enables one to buy on credit (a salary level always recognizable in the American-type urban housing developments because the location of the dwelling is precisely determined by the level of salary). It will be even more difficult not to guarantee one's family's survival status once that commodity is on the market.

It is generally estimated that in the United States since 1955 the relative saturation of the demand for "durable goods" has led to an insufficiency of the consumer stimulus necessary for economic expansion. Hence the enormous vogue for trendy gadgets of all sorts, which represent an easily manipulable development in the semidurable goods sector. It is easy to see the shelters' important role in this necessary boost of expansion. With the installation of shelters and their foreseeable offshoots and by-products, all the appurtenances of life on the surface will need to be duplicated for the new duplicate life underground. These investments in subterranean strata as yet unexploited by the affluent society are boosting the sale both of semidurable goods already in use on the surface (as with the boom in canned foods, of which each shelter needs a huge supply) and of particular new gadgets, such as plastic bags for the bodies of people who will die in the shelter and, naturally, continue to lay there with the survivors.

It is easy to see that these (already widespread) individual shelters could not possibly work, if only because of such gross technical oversights as the absence of an independent oxygen supply; and that even the most perfected collective shelters would offer only the slightest possibility for survival if a thermonuclear war was actually accidentally unleashed. But here, as in every racket, "protection" is only a pretext. The real purpose of the shelters is to test -- and thereby reinforce -- people's submissiveness, and to manipulate this submissiveness to the advantage of the ruling society. The shelters, as a creation of a new consumable commodity in the society of abundance, prove more than any previous commodity that people can be made to work to satisfy highly artificial needs, needs that most certainly "remain needs without ever having been desires" (Preliminaries Toward Defining a Unitary Revolutionary Program) and that do not have the slightest chance of becoming desires. The power of this society, its formidable automatic genius, can be measured by this extreme example. If this system were to go to the point of bluntly proclaiming that it imposes such an empty and hopeless existence that the best solution for everyone would be to go hang themselves, it would still succeed in managing a healthy and profitable business by producing standardized ropes. But regardless of all its capitalist wealth, the concept of survival means suicide on the installment plan, a renunciation of life every day. The network of shelters -- which are not intended to be used for a war, but right now -- presents a bizarre caricatural picture of existence under a perfected bureaucratic capitalism. A neo-Christianity has revived its ideal of renunciation with a new humility compatible with a new boost of industry. The world of shelters acknowledges itself as an air-conditioned vale of tears. The coalition of all the managers and their various types of priests will be able to agree on one unitary program: mass hypnosis plus superconsumption.

Survival as the opposite of life, if rarely voted for so clearly as by the buyers of shelters in 1961, can be found at all levels of the struggle against alienation. It is found in the old conception of art, which stressed survival through one's works, an admission of a renunciation of life -- art as excuse and consolation (principally since the bourgeois era of aesthetics, that secular substitute for the religious otherworld). And it is found just as much at the level of the most basic needs, those of food and shelter, with the "blackmail of utility" denounced in the "Basic Program of Unitary Urbanism" (Internationale Situationniste #6), the blackmail that eliminates any human critique of the environment "by the simple argument that one needs a roof over one's head."

The new habitat that is now taking shape with the large housing developments is not really distinct from the architecture of the shelters; it merely represents a less advanced level of that architecture. (The two are closely related and the direct passage from one to the other is already envisaged: the first example in France is a development presently being built in Nice, the basement of which is designed to serve as an atomic shelter for its inhabitants.) The concentration-camp organization of the surface of the earth is the normal state of the present society in formation; its condensed subterranean version merely represents that society's pathological excess. This subterranean sickness reveals the real nature of the "health" at the surface. The urbanism of despair is rapidly becoming dominant on the surface, not only in the population centers of the United States, but also in those of much more backward countries of Europe and even, for example, in the Algeria of the neocolonialist period proclaimed since the "Constantine Plan." At the end of 1961 the first version of the national plan for French territorial development (whose formulation was later toned down) complained in its chapter on Paris of "an inactive population's stubborn insistence on living in the capital" despite the fact that the authors of the report, licensed specialists of happiness and practicality, pointed out that "they could live more agreeably outside Paris." They therefore urged the elimination of this distressing irrationality by the enactment of legal measures to "systematically discourage this inactive population from living in Paris."

Since the main worthwhile activity in this society obviously consists in systematically discouraging the plans made by its managers (until such point as the latter are concretely eliminated), and since those managers are much more constantly aware of this danger than are the drugged masses of executants, the planners are erecting their defenses in all the modern projects of territorial organization. The planning of shelters for the population, whether in the normal form of dwellings or in the "affluent" form of family tombs for preventive habitation, in reality serves to shelter the planners' own power. The rulers who control the architectural incarceration and isolation of their subjects also know how to entrench themselves for strategic purposes. The Haussmanns of the twentieth century no longer stop at facilitating the deployment of their repressive forces by partitioning the old urban clusters into manageable city blocks divided by wide avenues. At the same time that they disperse the population over a vast area in the new prefabricated cities which represent this partitioning in its purest state (where the inferiority of the masses, disarmed and deprived of means of communication, is sharply increased compared with the continually more technically equipped police), they erect inaccessible capital cities where the ruling bureaucracy, for greater security, can constitute the whole of the population.

Different stages of development of these government-cities can be noted. The "Military Zone" of Tirana is a section cut off from the city and defended by the army, wherein are concentrated the homes of the rulers of Albania, the Central Committee building, and the schools, hospitals, stores and diversions for this autarkic elite. The administrative city of Rocher Noir, which was built in a single year to serve as the capital of Algeria when it became evident that the French authorities were no longer capable of maintaining themselves normally in a large city, has exactly the same function as the "Military Zone" of Tirana, though it was erected in open country. Finally, there is the supreme example, Brasilia, the bureaucratic capital that is also the classic expression of functionalist architecture. Parachuted into the center of a vast desert, its inauguration came just at the moment when President Quadros was dismissed by his military and there were premonitions of civil war in Brazil.

Things having gone this far, many specialists are beginning to denounce a number of disturbing absurdities. This is due to their having failed to comprehend the central rationality (the rationality of a coherent delirium) that governs these partial, apparently accidental absurdities, to which their own activities inevitably contribute. Their denunciations of the absurd are thus themselves inevitably absurd, both in their forms and in their means. What is one to think of the naïveté of the nine hundred professors of all the universities and research institutes of the New York-Boston region who in the New York Herald Tribune (30 December 1961) solemnly addressed themselves to President Kennedy and Governor Rockefeller -- a few days before Kennedy proudly issued an initial order for fifty million shelter spaces -- in order to convince them of the perniciousness of "civil defense" development? Or of the horde of sociologists, judges, architects, policemen, psychologists, teachers, hygienists, psychiatrists and journalists who never cease gathering in congresses, conferences and committee meetings of all sorts, all urgently seeking some way to humanize the housing developments? Humanizing housing developments is as ridiculous a notion as humanizing atomic war, and for the same reasons. The shelters reduce not war but the threat of war to "human proportions" -- "human" in modern capitalist terms: marketable human consumption. This sort of investigation of possible humanization strives quite explicitly for a joint working out of the most effective lies for the repression of people's resistance. While boredom and total lack of social life characterize the suburban housing developments in a way as immediate and tangible as a Siberian cold wave, some women's magazines now go to those new suburbs to photograph their fashion models and interview satisfied people. Since the stupefying power of such environments is discernable in the intellectual underdevelopment of the children, their maladjustment is blamed on their previous slum upbringing. The latest reformist theory places its hopes in a sort of culture center -- though without using that particular term so as not to frighten anyone away. In the plans of the Seine Architects Union (Le Monde, 22 December 1961) the prefabricated "bistro-club" that will everywhere humanize their work is presented as a cubic "plastic cell" (28 x 18 x 4 meters) comprising "a stable element: the bistro, which will sell tobacco and magazines, but not alcohol; the remainder will be reserved for various craft activities. . . . It should become a seductive showcase. Hence the aesthetic conception and the quality of the materials will be carefully designed to give their full effect night and day. The play of lights should in fact communicate the life of the bistro-club."

Thus is presented to us, in profoundly revealing terms, a discovery that "could facilitate social integration on a level that would forge the spirit of a small city." The absence of alcohol will be little noticed: in France youth gangs no longer need alcohol to inspire them to go on rampages. The French delinquents seem to have broken with the French tradition of mass alcoholism, which is still so important in the "hooliganism" of the Eastern bloc, while not having yet come around, like American youth, to the use of marijuana or stronger drugs. Though stuck in such an empty transitional period, between the stimulants of two distinct historical stages, they are nevertheless expressing a sharp violence in response to this world we are describing and to the horrible prospect of occupying their dismal niche in it. In any case, if we leave aside the factor of revolt, the unionized architects' project has a certain coherence: their glass bistros are intended as a means of supplementary control on the way to that total surveillance of production and consumption that actually constitutes the famous integration they aim at. The candidly avowed recourse to the aesthetics of the show-window is perfectly illuminated by the theory of the spectacle: in these nonalcoholic bars the consumers themselves become as spectacular as the objects of consumption, for lack of any other attraction. Totally reified man has his place in the show-window as a desirable image of reification.

The internal defect of the system is that it cannot totally reify people; it also needs to make them act and participate, without which the production and consumption of reification would come to a stop. The reigning system is thus in conflict with history -- including its own history, which is at once the history of its reinforcement and the history of the opposition to it.

Today (after a century of struggles and after the traditional or newly formed rulers' liquidation, between the two world wars, of the entire classical workers movement which represented the force of general contestation), in spite of certain appearances, the dominant world more than ever presents itself as permanent on the basis of an enrichment and an infinite extension of an irreplaceable model. We can comprehend this world only by contesting it. And this contestation is neither true nor realistic except insofar as it is a contestation of the totality.

This explains the astonishing lack of ideas evident in all the acts of culture, of politics, of the organization of life, and in everything else -- the lameness of the modernist builders of functionalist cities is only a particularly glaring example. The intelligent specialists are intelligent only in playing the game of specialists; hence the timid conformity and fundamental lack of imagination that make them grant that this or that product is useful, or good, or necessary. The root of the prevailing lack of imagination cannot be grasped unless one is able to imagine what is lacking -- that is, what is missing, hidden, forbidden, and yet possible, in modern life.

This is not a theory without links to the way people see their own lives; it is, on the contrary, a reality in the minds of people as yet without links with theory. Those who really "cohabit with the negative" (in the Hegelian sense) and explicitly recognize this lack as their platform and their power will bring to light the only positive project that can overthrow the wall of sleep; and the measures of survival; and the doomsday bombs; and the megatons of architecture.

SITUATIONIST INTERNATIONAL (1962)

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

Internationale Situationiste #8

Issue eight of the journal of the Situationist International

Situationist International Anti-Public Relations Notice

So you agree with the SI!

You want to join the SI!

We only ask of you a little preliminary work, to verify objectively (in your own interest as well as ours) how close you are to our concerns and your ability to participate fully in our undertaking. (The SI does not want mere disciples.)

1. Choose for yourself a point in the theses published by the SI that you consider important and develop some arguments and possible expansions of it. (Minimum one page typescript; no maximum.)

2. Choose for yourself, out of the same texts published by the SI, a point that can be criticized and destroy that position. (Same conditions.)

NOTE: This is not a meaningless game. The SI often proceeds like this in order to reexamine its own bases and develop new ideas. Perhaps you will chance on a point already criticized. But you might also initiate an appropriate critique of a position insufficiently questioned by us until now. Thus your critique, if it is well done, will be valid in any case; and it may even be useful in bringing up something new!

SITUATIONIST INTERNATIONAL (1963)

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

The Avant-Garde of Presence (excerpts)

[...] The dialectic of history is such that the Situationist International's theoretical victory is already forcing its adversaries to disguise themselves as situationists. Two main tendencies can now be distinguished in the impending struggle against us: those who proclaim themselves situationists without having any idea what they're talking about (the varieties of Nashism) and those who, conversely, decide to adopt a few situationist ideas minus the situationists and without mentioning the SI. The increasing likelihood of the confirmation of some of the simplest and least recent of our theses leads many people to appropriate aspects of one or another of them without acknowledgment. We are not, of course, concerned here with obtaining recognition and personal credit for priority. The only interest in pointing out this tendency is in order to denounce one crucial aspect of it: When these people draw on our theses in order to finally talk about some new problem (after having suppressed it as long as they could), they inevitably banalize it, eradicating its violence and its connection with the general subversion, defusing it and subjecting it to academic dissection or worse. This is the reason they have to suppress any mention of the SI. [...]

As participation becomes increasingly impossible, the second-rate specialists of modern art demand the participation of everyone. [...] We are insolently urged to "take part" in a spectacle, an art, which concerns us so little. [...]

Free play confined within the terrain of artistic dissolution is only the cooption of free play. In spring 1962 the press began reporting on the "happenings" produced by the some of the avant-garde artists of New York. The happening is a sort of spectacle pushed to the extreme state of dissolution, a vaguely dadaist-style improvisation of gestures performed by a gathering of people within a closed-off space. Drugs, alcohol and eroticism are often involved. The gestures of the "actors" strive toward a melange of poetry, painting, dance and jazz. This form of social encounter can be considered as an instance of the old artistic spectacle pushed to the extreme, a hash produced by throwing together all the old artistic leftovers; or as a too aesthetically encumbered attempt to renovate the ordinary surprise party or the classic orgy. In its naïve striving to "make something happen," its absence of separate spectators and its desire to liven up (however feebly) the impoverished range of present human relations, the happening can even be considered as an attempt to construct a situation in isolation, on a foundation of poverty (material poverty, poverty of encounters, poverty inherited from the artistic spectacle, and poverty of the "philosophy" that has to considerably "ideologize" the reality of these events). In contrast, the situations defined by the SI can be constructed only on a foundation of material and spiritual richness. This amounts to saying that the first ventures in constructing situations must be the work/play of the revolutionary avant-garde; people who are resigned in one way or another to political passivity, to metaphysical despair, or even to being subjected to an art of total noncreativity, are incapable of participating in them. [...]

People urge us to present trivial projects that would be useful and convincing. But why should we be interested in convincing them? In any case, if we were to oblige them, they would immediately turn these projects against us, either by holding them up as proofs of our utopianism or by rushing to disseminate watered-down versions of them. In fact, those who are interested in and satisfied by such partial projects can solicit them from almost anyone else, but not from us: We contend that a fundamental cultural renewal will not be brought about by an accumulation of changes of details, but only as a whole. We are obviously in a good position to discover, a few years ahead of other people, all the potential gimmicks of the present extreme cultural decomposition. Since they are useful only in our enemies' spectacle, we merely make a few notes on them and file them away. Many of them are eventually discovered independently by someone or other and ostentatiously launched on the market. History has not yet "caught up" with the majority of them, however. Perhaps it never will with some of them. This is not simply a game, it is one more experimental verification of our perspectives. [...]

We are against the conventional forms of culture, even in its most modern state; but not, obviously, in preferring ignorance, neoprimitivism or petty-bourgeois common sense. There is an anticultural attitude that favors an impossible return to the old myths. Against such a current we are of course for culture. We take our stand on the other side of culture. Not before it, but after it. We contend that it is necessary to realize culture by superseding it as a separate sphere; not only as a domain reserved for specialists, but above all as a domain of a specialized production that does not directly affect the construction of life -- not even the life of its own specialists.

We are not completely lacking in humor; but our humor is of a rather new kind. If someone wants to know how to approach our theses, leaving aside the fine points and subtleties, the simplest and most appropriate attitude is to take us completely seriously and literally.

How are we going to bankrupt the dominant culture? Two ways. Gradually at first, and then suddenly. [...]

SITUATIONIST INTERNATIONAL(1963)

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

Basic Banalities (Part 2)

Summary of Part 1

The vast majority of people have always had to devote all their energy to SURVIVAL, thereby denying themselves any chance to LIVE. They continue to do so today as the WELFARE STATE imposes the elements of this survival in the form of technological conveniences (appliances, preserved food, prefabricated cities, Mozart broadcast for the masses).

The organization controlling the material equipment of our everyday life is such that what could potentially enable us to construct it richly plunges us instead into a poverty of abundance. Alienation becomes all the more intolerable as each convenience promises freedom and turns out to be only one more burden. We are enslaved by the means of liberation.

To be understood, this problem must be seen in the clear light of hierarchical power. But perhaps it isn't enough to say that hierarchical power has preserved humanity for thousands of years like alcohol preserves a fetus -- by arresting either growth or decay. It should also be specified that hierarchical power represents the highest stage of private appropriation, and historically is its alpha and omega. Private appropriation can be defined as appropriation of things by means of appropriation of people, the struggle against natural alienation engendering social alienation.

Private appropriation entails an ORGANIZATION OF APPEARANCES by which its radical contradictions can be dissimulated: the servants must see themselves as degraded reflections of the master, thus reinforcing, through the looking glass of an illusory freedom, everything that increases their submission and passivity; while the master must identify himself with the mythical and perfect servant of a god or of a transcendence which is nothing other than the sacred and abstract representation of the TOTALlTY of people and things over which he wields power -- a power all the more real and unquestioned as he is universally credited with the virtue of his renunciation. The mythical sacrifice of the boss corresponds to the real sacrifice of the underling; each negates himself in the other, the strange becomes familiar and the familiar strange, each fulfills himself by being the inversion of the other. From this common alienation a harmony is born, a negative harmony whose fundamental unity lies in the notion of sacrifice. This objective (and perverted) harmony is sustained by myth -- this term being used to designate the organization of appearances in unitary societies, that is, in societies where slave, tribal or feudal power is officially consecrated by a divine authority and where the sacred allows power to seize the totality.

The harmony originally based on the "GIFT of oneself" contains a form of relationship that was to develop, become autonomous and destroy it. This relationship is based on partial EXCHANGE (commodity, money, product, labor power...), the exchange of a part of oneself, which underlies the bourgeois notion of freedom. It arises as commerce and technology become preponderant within agrarian-type economies.

When the bourgeoisie seized power the unity of power was destroyed. Sacred private appropriation became secularized in capitalist mechanisms. Freed from the grip of power, the totality once again became concrete and immediate. The era of fragmentation has been nothing but a succession of attempts to recapture an inaccessible unity, to reconstitute some ersatz sacred behind which to shelter power.

A revolutionary moment is when "everything reality presents" finds its immediate REPRESENTATION. All the rest of the time hierarchical power, increasingly deprived of its magical and mystical regalia, strives to make everyone forget that the totality (which has never been anything other than reality!) is exposing its fraudulence.

14

By directly attacking the mythical organization of appearances, the bourgeois revolutions unintentionally attacked the weak point not only of unitary power but of any hierarchical power whatsoever. Does this unavoidable mistake explain the guilt complex that is one of the dominant traits of bourgeois mentality? In any case, the mistake was undoubtedly inevitable.

It was a mistake because once the cloud of lies covering private appropriation was pierced, myth was shattered, leaving a vacuum that could be filled only by a delirious freedom and a splendid poetry. Orgiastic poetry, to be sure, has not yet destroyed power. Its failure is easily explained and its ambiguous signs reveal the blows struck at the same time as they heal the wounds. And yet -- let us leave the historians and aesthetes to their collections -- one has only to pick at the scab of memory and the cries, words and gestures of the past make the whole body of power bleed again. The whole organization of the survival of memories will not prevent them from dissolving into oblivion as they come to life; just as our survival will dissolve in the construction of our everyday life.

And it was an inevitable process: as Marx showed, the appearance of exchange-value and its symbolic representation by money opened a profound latent crisis in the heart of the unitary world. The commodity introduced into human relationships a universality (a 1000-franc bill represents anything I can obtain for that sum) and an egalitarianism (equal things are exchanged). This "egalitarian universality" partially escapes both the exploiter and the exploited, but they recognize each other through it. They find themselves face to face, confronting each other no longer within the mystery of divine birth and ancestry, as was the case with the nobility, but within an intelligible transcendence, the Logos, a body of laws that can be understood by everyone, even if such understanding remains cloaked in mystery. A mystery with its initiates: first of all priests struggling to maintain the Logos in the limbo of divine mysticism, but soon yielding to philosophers and then to technicians both their positions and the dignity of their sacred mission. From Plato's Republic to the Cybernetic State.

Thus, under the pressure of exchange-value and technology (what we might call "mediation at your fingertips"), myth was gradually secularized. Two facts should be noted, however:

a) As the Logos frees itself from mystical unity, it affirms itself both within and against that unity. Rational and logical structures of behavior are superimposed on the old magical and analogical ones, simultaneously negating and preserving them (mathematics, poetics, economics, aesthetics, psychology, etc.).

b) Each time the Logos, the "organization of intelligible appearances," becomes more autonomous, it tends to break away from the sacred and become fragmented. In this way it presents a double danger for unitary power. We have already seen that the sacred expresses power's seizure of the totality, and that anyone wanting to accede to the totality must do so through the mediation of power -- the repression of mystics, alchemists and gnostics is sufficient proof of this. This also explains why present-day power "protects" specialists (though without completely trusting them): it vaguely senses that they are the missionaries of a resacralized Logos. Various historical movements represent attempts within mystical unitary power to found a rival unitary power based on the Logos: Christian syncretism (which makes God psychologically explainable), the Renaissance, the Reformation and the Enlightenment.

The masters who strove to maintain the unity of the Logos were well aware that only unity can stabilize power. Examined more closely, their efforts can be seen not to have been as vain as the fragmentation of the Logos in the nineteenth and twentieth centuries would seem to prove. In the general movement of atomization the Logos has been broken down into specialized techniques (physics, biology, sociology, papyrology, etc.), but at the same time the need to reestablish the totality has become more imperative. It should not be forgotten that all it would take would be an all-powerful technocratic power in order for there to be a totalitarian domination of the totality, for myth's domination of the totality to be succeeded by the Logos's unitary cybernetic power. In such an event the vision of the Encyclopédistes (strictly rationalized progress stretching indefinitely into the future) would have known only a two-century postponement before being realized. This is the direction in which the Stalino-cyberneticians are preparing the future. In this context, peaceful coexistence should be seen as a preliminary step toward a totalitarian unity. It is time everyone realized that they are already resisting it.

15

We know the battlefield. The problem now is to prepare for battle before the pataphysician,(1) armed with his totality without technique, and the cybernetician, armed with his technique without totality, consummate their political coitus.

From the standpoint of hierarchical power, myth could be desacralized only if the Logos, or at least its desacralizing elements, were resacralized. To attack the sacred was at the same time supposed to liberate the totality and thus destroy power. (We've heard that one before!) But the power of the bourgeoisie -- fragmented, impoverished, constantly contested -- maintains a relative stability by relying on the following ambiguity: Technology, which objectively desacralizes, subjectively appears as an instrument of liberation. Not a real liberation, which could be attained only by desacralization -- that is, by the end of the spectacle -- but a caricature, an imitation, an induced hallucination. What the unitary worldview transferred into the beyond (above), fragmentary power pro-jects (literally, "throws forward") into a state of future well-being, of brighter tomorrows proclaimed from atop the dunghill of today -- tomorrows that are nothing more than the present multiplied by the number of gadgets to be produced. From the slogan "Live in God" we have gone on to the humanistic motto "Survive until you are old," euphemistically expressed as: "Stay young at heart and you'll live a long time."

Once desacralized and fragmented, myth loses its grandeur and its spirituality. It becomes an impoverished form, retaining its former characteristics but revealing them in a concrete, harsh, tangible fashion. God doesn't run the show anymore, and until the day the Logos takes over with its arms of technology and science, the phantoms of alienation will continue to materialize and sow disorder everywhere. Watch for those phantoms: they are the first signs of a future order. We must start to play right now if we want to avoid a future condemned to mere survival, or even a future in which survival itself will become impossible (the hypothesis of humanity destroying itself -- and with it obviously the whole experiment of constructing everyday life). The vital objectives of a struggle for the construction of everyday life are the key, sensitive points of all hierarchical power. To build one is to destroy the other. Caught in the vortex of desacralization and resacralization, we aim above all to abolish (1) the organization of appearances as a spectacle in which everyone denies himself; (2) the separation on which private life is based, since it is there that the objective separation between owners and dispossessed is lived and reflected on every level; and (3) sacrifice. These three elements are obviously interdependent, just as are their opposites: participation, communication, and realization.(2) The same applies to their respective contexts: nontotality (a bankrupt world, a controlled totality) and totality.

16

The human relationships that were formerly dissolved in divine transcendence (the totality crowned by the sacred) settled out and solidified as soon as the sacred stopped acting as a catalyst. Their materiality was revealed. As Providence was replaced by the capricious laws of the economy, the power of men began to appear behind the power of gods. Today a multitude of roles corresponds to the mythical role everyone once played under the divine spotlight. Though their masks are now human faces, these roles still require both actors and extras to deny their real lives in accordance with the dialectic of real and mythical sacrifice. The spectacle is nothing but secularized and fragmented myth. It forms the armor of a power (which could also be called essential mediation) that becomes vulnerable to every blow once it no longer succeeds in disguising (in the cacophonous harmony where all the cries drown each other out) its nature as private appropriation, and the greater or lesser dose of misery it allots to everyone.

Roles have become impoverished within the context of a fragmentary power eaten away by desacralization, just as the spectacle represents an impoverishment in comparison with myth. They betray its mechanisms and artifices so clumsily that power, to defend itself against popular denunciation of the spectacle, has no other alternative than to initiate such denunciation itself by even more clumsily replacing actors or ministers, or by organizing pogroms of prefabricated scapegoats (agents of Moscow, Wall Street, the Judeocracy or the Two Hundred Families). Which also means that the whole cast has been forced to become hams, that style has been replaced by mannerisms.

Myth, as a motionless totality, encompassed all movement (pilgrimage can be considered as an example of adventure and fulfillment within immobility). On the one hand, the spectacle can seize the totality only by reducing it to a fragment or a series of fragments (psychological, sociological, biological, philological and mythological worldviews); on the other, it is situated at the point where the process of desacralization converges with the efforts at resacralization. Thus it can succeed in imposing immobility only within the real movement, the movement that changes it despite its resistance. In the era of fragmentation the organization of appearances makes movement a linear succession of motionless instants (this notch-to-notch progression is perfectly exemplified by Stalinist "Dialectical Materialism"). Under what we have called "the colonization of everyday life," the only possible changes are changes of fragmentary roles. In terms of more or less inflexible conventions, one is successively citizen, parent, sexual partner, politician, specialist, professional, producer, consumer. Yet what boss doesn't himself feel bossed? The proverb applies to everyone: You may sometimes get a fuck, but you always get fucked!

The era of fragmentation has at least eliminated all doubt on one point: everyday life is the battlefield where the war between power and the totality takes place, with power having to use all its strength to control the totality.

What do we demand in backing the power of everyday life against hierarchical power? We demand everything. We are taking our stand in a generalized conflict stretching from domestic squabbles to revolutionary war, and we have gambled on the will to live. This means that we must survive as antisurvivors. Fundamentally we are concerned only with the moments when life breaks through the glaciation of survival, whether those moments are unconscious or theorized, historical (e.g. revolution) or personal. But we must also recognize that we are prevented from freely following the course of such moments (except during the moment of revolution itself) not only by the general repression exerted by power, but also by the requirements of our own struggle and tactics. We have to find ways of compensating for this "margin of error" by broadening the scope of these moments and demonstrating their qualitative significance. What prevents what we say about the construction of everyday life from being coopted by the cultural and subcultural establishment (Arguments, academic thinkers with paid vacations) is the fact that all situationist ideas are faithful extensions of acts attempted constantly by thousands of people to try and prevent a day from being nothing but than twenty-four hours of wasted time. Are we an avant-garde? If so, to be avant-garde means to move in step with reality.

17

We don't claim to have a monopoly on intelligence, but only on its use. Our position is strategic, we are at the heart of every conflict. The qualitative is our striking force.(3) People who half understand this journal ask us for an explanatory monograph thanks to which they will be able to convince themselves that they are intelligent and cultured -- that is to say, idiots. Someone who gets exasperated and chucks it in the gutter is making a more meaningful gesture. Sooner or later it will have to be understood that the words and phrases we use are still lagging behind reality. The distortion and clumsiness in the way we express ourselves (which a man of taste called, not inaccurately, "a rather irritating kind of hermetic terrorism") comes from our central position, our position on the ill-defined and shifting frontier where language captured by power (conditioning) and free language (poetry) fight out their infinitely complex war. To those who follow behind us we prefer those who reject us impatiently because our language is not yet authentic poetry -- not yet the free construction of everyday life.

Everything related to thought is related to the spectacle. Almost everyone lives in a state of terror at the possibility that they might awake to themselves, and this fear is deliberately fostered by power. Conditioning, the special poetry of power, has extended its dominion so far (all material equipment belongs to it: press, television, stereotypes, magic, tradition, economy, technology -- what we call captured language) that it has almost succeeded in dissolving what Marx called the undominated sector, replacing it with another, dominated one (see below our composite portrait of "the survivor"). But lived experience cannot so easily be reduced to a succession of empty roles. Resistance to the external organization of life, i.e. to the organization of life as survival, contains more poetry than any volume of verse or prose, and the poet (in the literary sense of the word) is one who has at least understood or sensed this fact. But such poetry is in a most dangerous situation. Certainly poetry in the situationist sense of the word is irreducible and cannot be coopted by power (as soon as an act is coopted it becomes a stereotype, something conditioned by the language of power). But it is encircled by power. Power contains the irreducible by isolating it. But such isolation cannot last; something has to give. The two pincers are, first, the threat of disintegration (insanity, illness, destitution, suicide), and second, remote-controlled therapeutics. The first grants death, the second grants a lifeless survival (empty communication, "togetherness" of family or friends, psychoanalysis in the service of alienation, medical care, ergotherapy). Sooner or later the SI must define itself as therapeutic: we are ready to defend the poetry made by all against the false poetry contrived by power (conditioning). Doctors and psychoanalysts better get it straight too, or they may one day, along with architects and other apostles of survival, have to take the consequences for what they have done.

18

All unresolved, unsuperseded antagonisms weaken. Such antagonisms can evolve only by remaining imprisoned in previous, unsuperseded forms (anticultural art within the cultural spectacle, for example). Any radical opposition that fails or that is partially successful (which amounts to the same thing) gradually degenerates into reformist opposition. Fragmentary oppositions are like the teeth on cogwheels, they mesh with each other and make the machine go round -- the machine of the spectacle, the machine of power.

Myth maintained all antagonisms within the archetype of Manicheanism. But what can function as an archetype in a fragmented society? The memory of previous antagonisms, presented in obviously devalued and unaggressive forms, appears today as the last attempt to bring some coherence into the organization of appearances, so great is the extent to which the spectacle has become a spectacle of confusion and equivalences. We are ready to wipe out all trace of those memories by harnessing all the energy contained in previous antagonisms for a radical struggle soon to come. All the springs blocked by power will one day burst through to form a torrent that will change the face of the world.

In a caricature of antagonisms, power urges everyone to be for or against Brigitte Bardot, the nouveau roman, the 4-horse Citroën, Italian cuisine, mescal, miniskirts, the UN, the classics, nationalization, thermonuclear war and hitchhiking. Everyone is asked their opinion about every detail in order to prevent them from forming one about the totality. However clumsy this maneuver may be, it might have worked if the salesmen in charge of peddling it from door to door were not themselves waking up to their own alienation. To the passivity imposed on the dispossessed masses is added the growing passivity of the directors and actors subjected to the abstract laws of the market and the spectacle and exercising less and less real power over the world. Signs of revolt are already appearing among the actors -- stars trying to escape publicity, rulers criticizing their own power (Brigitte Bardot, Fidel Castro). The tools of power are wearing out; their desire for their own freedom is a factor that should be taken into account.

19

At the moment when slave revolts threatened to overthrow the power structure and reveal the relationship between transcendence and the mechanism of private appropriation, Christianity appeared with its grandiose reformism, whose central democratic demand was for the slaves to accede not to the reality of a human life -- which would have been impossible without denouncing the exclusionary aspect of private appropriation -- but rather to the unreality of an existence whose source of happiness is mythical (the imitation of Christ as the price of the hereafter). What has changed? Anticipation of the hereafter has become anticipation of a brighter tomorrow; the sacrifice of real, immediate life is the price paid for the illusory freedom of an apparent life. The spectacle is the sphere where forced labor is transformed into voluntary sacrifice. Nothing is more suspect than the formula "To each according to his work" in a world where work is the blackmail of survival; to say nothing of "To each according to his needs" in a world where needs are determined by power. Any constructive project that tries to define itself autonomously and thus partially, and does not take into account that it is in fact defined by the negativity in which everything is suspended, becomes reformist. It is trying to build on quicksand as though it were a cement foundation. Ignoring or misunderstanding the context set by hierarchical power can only end up reinforcing that context. The spontaneous acts we see everywhere forming against power and its spectacle must be warned of all the obstacles in their path and must find a tactic taking into account the strength of the enemy and its means of cooption. This tactic, which we are going to popularize, is détournement.

20

Sacrifice must be rewarded. In exchange for their real sacrifice the workers receive the instruments of their liberation (comforts, gadgets), but this liberation remains purely fictitious since power controls the ways in which the material equipment can be used. Power uses to its own ends both the instruments and those who use them. The Christian and bourgeois revolutions democratized mythical sacrifice, the "sacrifice of the master." Today there are countless initiates who receive crumbs of power for putting to public service the totality of their partial knowledge. They are no longer called "initiates" and not yet "priests of the Logos"; they are simply known as specialists.

On the level of the spectacle their power is undeniable: the contestant on "Double Your Money" and the postal clerk chattering all day about all the mechanical features of his car both identify with the specialist, and we know how production managers use such identification to bring unskilled workers to heel. The true mission of the technocrats would be to unify the Logos -- if only (due to one of the contradictions of fragmentary power) they weren't so absurdly compartmentalized and isolated. Each specialist is alienated by being out of phase with the others; each knows everything about one fragment and no one grasps the totality. What real control can the atomic technician, the strategist or the political specialist exercise over a nuclear weapon? What ultimate control can power hope to impose on all the gestures developing against it? The stage is so crowded with actors that chaos is the only master of the show. "Order reigns and doesn't govern" (Internationale Situationniste #6).

To the extent that the specialist takes part in the development of the instruments that condition and transform the world, he is preparing the way for the revolt of the privileged. Until now such revolt has been called fascism. It is essentially an operatic revolt -- didn't Nietzsche see Wagner as a precursor? -- in which actors who have long been pushed aside and see themselves becoming less and less free suddenly insist on playing the leading roles. Clinically speaking, fascism is the hysteria of the spectacular world pushed to the point of climax. In this climax the spectacle momentarily ensures its unity while at the same time revealing its radical inhumanity. Through fascism and Stalinism, which constitute its romantic crises, the spectacle reveals its true nature: it is a disease.

We are poisoned by the spectacle. All the elements necessary for a detoxification (that is, for our own construction of our everyday lives) are in the hands of specialists. We are thus highly interested in all these specialists, but in different ways. Some are hopeless cases: we are not, for example, going to try and show the specialists of power, the rulers, the extent of their delirium. On the other hand, we are ready to take into account the bitterness of specialists imprisoned in roles that are constricted, absurd or ignominious. We must confess, however, that our indulgence has its limits. If, in spite of all our efforts, they persist in putting their guilty conscience and their bitterness in the service of power by fabricating the conditioning that colonizes their own everyday lives; if they prefer an illusory representation in the hierarchy to true fulfillment; if they persist in ostentatiously brandishing their specializations (their painting, their novels, their equations, their sociometry, their psychoanalysis, their ballistics); finally, if, knowing perfectly well -- and soon ignorance of this fact will be no excuse -- that only power and the SI hold the key to using their specialization, they nevertheless still choose to serve power because power, battening on their inertia, has chosen them to serve it, then fuck them! There's a limit to our generosity. They should understand all this, and especially the fact that the revolt of nonruling actors is henceforth linked to the revolt against the spectacle (see below the thesis on the SI and power).

21

The general disparagement of the lumpenproletariat stemmed from the use to which it was put by the bourgeoisie, which it served both as a regulating mechanism for power and as a source of recruits for the more dubious forces of order (cops, informers, hired thugs, artists...). Nevertheless, the lumpenproletariat embodies a remarkably radical implicit critique of the society of work. Its open contempt for both lackeys and bosses contains a good critique of work as alienation, a critique that has not been taken into consideration until now, not only because the lumpenproletariat was an ambiguous sector, but also because during the nineteenth and early twentieth century the struggle against natural alienation and the production of well-being still appeared as valid justifications for work.

Once it became known that the abundance of consumer goods was nothing but the flip side of alienation in production, the lumpenproletariat took on a new dimension: it expressed a contempt for organized work which, in the age of the Welfare State, is gradually taking on the proportions of a demand that only the rulers still refuse to acknowledge. In spite of the constant attempts of power to coopt it, every experiment carried out on everyday life, that is, every attempt to construct it (an activity that has been illegal since the destruction of feudal power, where it was limited and reserved for the ruling minority), is concretized today in the critique of alienating work and the refusal to submit to forced labor. So much so that the new proletariat can be negatively defined as a "Front Against Forced Labor" bringing together all those who resist cooption by power. This is our field of action, the arena where we are gambling on the ruse of history against the ruse of power, backing the worker (whether steelworker or artist) who -- consciously or not -- rejects organized work and life against the worker who -- consciously or not -- accepts working at the dictates of power. In this perspective, it is not unreasonable to foresee a transitional period during which automation and the will of the new proletariat leave work solely to specialists, reducing managers and bureaucrats to the rank of temporary slaves. With the extension of automation, the "workers," instead of supervising machines, could devote their attention to watching over the cybernetic specialists, whose sole task would be to increase a production that, through a reversal of perspective, will have ceased to be the priority sector, so as to serve the priority of life over survival.

22

Unitary power strove to dissolve individual existence in a collective consciousness so that each social unit subjectively defined itself as a particle with a clearly determined weight suspended as though in oil. Everyone had to feel overwhelmed by the omnipresent evidence that everything was merely raw material in the hands of God, who used it for his own purposes, which were naturally beyond individual human comprehension. All phenomena were emanations of a supreme will; any seemingly unexplainable perturbation was presumed to be a means toward some larger, hidden harmony (the Four Reigns, the Wheel of Fortune, trials sent by the gods). One can speak of a collective consciousness in the sense that it was simultaneously for each individual and for everyone: consciousness of myth and consciousness of particular-existence-within-myth. The power of the illusion was such that authentically lived life drew its meaning from what was not authentically lived. This is the reason for the priestly condemnation of life, the reduction of life to pure contingency, to sordid materiality, to vain appearance and to the lowest state of a transcendence that became increasingly degraded as it escaped mythical organization.

God was the guarantor of space and time, whose coordinates defined unitary society. He was the common reference point for all mankind; space and time came together in him just as in him all beings became one with their destiny. In the era of fragmentation, man is torn between a time and a space that no transcendence can unify through the mediation of any centralized power. We are living in a space-time that is out of joint, deprived of any reference point or coordinate, as though we were never going to be able to come into contact with ourselves, although everything invites us to.

There is a place where you create yourself and a time in which you play yourself. The space of everyday life, of one's true realization, is encircled by every form of conditioning. The narrow space of our true realization defines us, yet we define ourselves in the time of the spectacle. To put it another way: our consciousness is no longer consciousness of myth and of particular-being-within-myth, but rather consciousness of the spectacle and of particular-role-within-the-spectacle. (I pointed out above the relationship between all ontology and unitary power; it should be recalled here that the crisis of ontology appears with the movement toward fragmentation.) Or to put it yet another way: in the space-time relation in which everyone and everything is situated, time has become the imaginary (the field of identifications); space defines us, although we define ourselves in the imaginary and although the imaginary defines us qua subjectivities.

Our freedom is that of an abstract temporality in which we are named in the language of power (these names being the roles assigned to us), our only margin of choice being limited to finding officially accepted synonyms for ourselves. In contrast, the space of our authentic realization (the space of our everyday life) is under the dominion of silence. There is no name to name the space of lived experience except in poetry -- in language liberating itself from the domination of power.

23

By desacralizing and fragmenting myth, the bourgeoisie was led to demand first of all independence of consciousness (demands for freedom of thought, freedom of the press, freedom of research, rejection of dogma). Consciousness thus ceased being more or less consciousness-reflecting-myth. It became consciousness of successive roles played within the spectacle. What the bourgeoisie demanded above all was the freedom of actors and extras in a spectacle no longer organized by God, his cops and his priests, but by natural and economic laws, "capricious and inexorable laws" defended by a new team of cops and specialists.

God has been torn off like a useless bandage and the wound has stayed raw. The bandage may have prevented the wound from healing, but it justified suffering, it gave it a meaning well worth a few shots of morphine. Now suffering has no justification whatsoever and morphine is far from cheap. Separation has become concrete. Anyone at all can put their finger on it, and the only answer cybernetic society has to offer us is to become spectators of the gangrene and decay, spectators of survival.

The drama of consciousness to which Hegel referred is actually the consciousness of drama. Romanticism resounds like the cry of the soul torn from the body, a suffering all the more acute as each of us finds himself alone in facing the fall of the sacred totality and of all the Houses of Usher.

24

The totality is objective reality, in the movement of which subjectivity can participate only in the form of realization. Anything separate from the realization of everyday life rejoins the spectacle -- a hibernation in which survival is frozen and served out in slices. There can be no authentic realization except in objective reality, in the totality. Anything else is a farce. The objective realization that functions within the mechanism of the spectacle is nothing but the success of power-manipulated objects (the "objective realization in subjectivity" of famous artists, stars, celebrities of Who's Who). On the level of the organization of appearances, every success -- and even every failure -- is inflated until it becomes a stereotype, and is broadcast as though it were the only possible success or failure. So far power has been the only judge, though its judgment has been subjected to various pressures. Its criteria are the only valid ones for those who accept the spectacle and are satisfied to play a role in it. But there are no more artists on that stage, there are only extras.

25

The space-time of private life was harmonized in the space-time of myth. Fourier's harmony responds to this perverted harmony. As soon as myth no longer encompasses the individual and the partial in a totality dominated by the sacred, each fragment sets itself up as a totality. The fragment set up as a totality is, in fact, the totalitarian. In the dissociated space-time that constitutes private life, time -- made absolute in the form of abstract freedom, the freedom of the spectacle -- consolidates by its very dissociation the spatial absolute of private life, its isolation, its constriction. The mechanism of the alienating spectacle wields such force that private life reaches the point of being defined as that which is deprived of spectacles: the fact that someone escapes roles and spectacular categories is felt as an additional deprivation, a distressful feeling which power uses as a pretext to reduce everyday life to insignificant gestures (sitting down, washing, opening a door).

26

The spectacle that imposes its norms on lived experience itself arises out of lived experience. Spectacular time, lived in the form of successive roles, makes the space of authentic experience the area of objective powerlessness, while at the same time the objective powerlessness that stems from the conditioning of private appropriation makes the spectacle the ultimate of potential freedom.

Elements born of lived experience are acknowledged only on the level of the spectacle, where they are expressed in the form of stereotypes, although such expression is constantly contested and refuted in and by lived experience. The composite portrait of the survivors -- those whom Nietzsche referred to as the "little people" or the "last men" -- can be conceived only in terms of the following dialectic of possibility/impossibility:

a) Possibility on the level of the spectacle (variety of abstract roles) reinforces impossibility on the level of authentic experience.

b) Impossibility (that is, limits imposed on real experience by private appropriation) determines the field of abstract possibilities.

Survival is two-dimensional. Against such a reduction, what forces can bring out what constitutes the daily problem of all human beings: the dialectic of survival and life? Either the specific forces the SI has counted on will make possible the supersession of these contraries, reuniting space and time in the construction of everyday life; or life and survival will become locked in an antagonism growing weaker and weaker until the point of ultimate confusion and ultimate poverty is reached.

27

Lived reality is spectacularly fragmented and labeled in biological, sociological or other categories which, while being related to the communicable, never communicate anything but facts emptied of their authentically lived content. It is in this sense that hierarchical power, imprisoning everyone in the objective mechanism of private appropriation (admission/exclusion, see section #3), is also a dictatorship over subjectivity. It is as a dictator over subjectivity that it strives, with limited success, to force each individual subjectivity to become objectivized, that is, to become an object it can manipulate. This extremely interesting dialectic should be analyzed in greater detail (objective realization in subjectivity -- the realization of power -- and objective realization in objectivity -- which enters into the praxis of constructing everyday life and destroying power).

Facts are deprived of content in the name of the communicable, in the name of an abstract universality, in the name of a perverted harmony in which everyone realizes himself in an inverted perspective. In this context the SI is in the line of contestation that runs through Sade, Fourier, Lewis Carroll, Lautréamont, surrealism and lettrism -- at least in its least known currents, which were the most extreme.

Within a fragment set up as a totality, each further fragment is itself totalitarian. Individualism treated sensitivity, desire, will, intelligence, good taste, the subconscious and all the categories of the ego as absolutes. Today sociology is enriching the categories of psychology, but the introduction of variety into the roles merely accentuates the monotony of the identification reflex. The freedom of the "survivor" will be to assume the abstract constituent to which he has "chosen" to reduce himself. Once any real fulfillment has been put out of the picture, all that remains is a psycho-sociological dramaturgy in which interiority functions as a safety-valve to drain off the effects one has worn for the daily exhibition. Survival becomes the ultimate stage of life organized as the mechanical reproduction of memory.

28

Until now the approach to the totality has been falsified. Power has parasitically interposed itself as an indispensable mediation between man and nature. But the relation between man and nature is based only on praxis. It is praxis which constantly breaks through the coherent veneer of lies that myth and its replacements try to maintain. It is praxis, even alienated praxis, which maintains contact with the totality. By revealing its own fragmentary character, praxis at the same time reveals the real totality (reality): it is the totality being realized by way of its opposite, the fragment.

In the perspective of praxis, every fragment is totality. In the perspective of power, which alienates praxis, every fragment is totalitarian. This should be enough to wreck the attempts that cybernetic power will make to envelop praxis in a mystique, although the seriousness of these attempts should not be underestimated.

All forms of praxis enter our project. They enter with their share of alienation, with the impurities of power; but we are capable of filtering them. We will elucidate the force and purity of acts of refusal as well as the manipulative maneuvers of power, not in a Manichean perspective, but as a means of developing, through our own strategy, this combat in which everywhere, at every moment, the adversaries are seeking to come to grips with one another but only clashing accidentally, lost in irremediable darkness and uncertainty.

29

Everyday life has always been drained to the advantage of apparent life, but appearance, in its mythical cohesion, was powerful enough to repress any mention of everyday life. The poverty and emptiness of the spectacle, revealed by all the varieties of capitalism and all the varieties of bourgeoisie, has revealed both the existence of everyday life (a shelter life, but a shelter for what and from what?) and the poverty of everyday life. As reification and bureaucratization grow stronger, the debility of the spectacle and of everyday life is the only thing that remains clear. The conflict between the human and the inhuman has been transferred to the plane of appearances. As soon as Marxism became an ideology, Marx's struggle against ideology in the name of the richness of life was transformed into an ideological anti-ideology, an antispectacle spectacle. (Just as in avant-garde culture the antispectacular spectacle is restricted to actors alone, antiartistic art being created and understood only by artists, so the relationship between this ideological anti-ideology and the function of the professional revolutionary in Leninism should be examined.) Manicheanism has thus found itself momentarily revived. Why did St. Augustine attack the Manicheans so relentlessly? It was because he recognized the danger of a myth offering only one solution, the victory of good over evil; he saw that the impossibility of such a solution threatened to provoke the collapse of all mythical structures and bring into the open the contradiction between mythical and authentic life. Christianity offered a third way, the way of sacred confusion. What Christianity accomplished through the force of myth is accomplished today through the force of things. There can no longer be any antagonism between Soviet workers and capitalist workers or between the bomb of the Stalinist bureaucrats and the bomb of the non-Stalinist bureaucrats; there is no longer anything but unity in the chaos of reified beings.

Who is responsible? Who should be shot? We are dominated by a system, by an abstract form. Degrees of humanity and inhumanity are measured by purely quantitative variations of passivity. The quality is the same everywhere: we are all proletarianized or well on the way to becoming so. What are the traditional "revolutionaries" doing? They are struggling to eliminate certain distinctions, making sure that no proletarians are any more proletarian than all the others. But what party is calling for the end of the proletariat?

The perspective of survival has become intolerable. What is weighing us down is the weight of things in a vacuum. That's what reification is: everyone and everything falling at an equal speed, everyone and everything stigmatized with an equal value. The reign of equal values has realized the Christian project, but it has realized it outside Christianity (as Pascal surmised) and more importantly, it has realized it over God's dead body, contrary to Pascal's expectations.

The spectacle and everyday life coexist in the reign of equal values. People and things are interchangeable. The world of reification is a world without a center, like the new prefabricated cities that are its decor. The present fades away before the promise of an eternal future that is nothing but a mechanical extension of the past. Time itself is deprived of a center. In this concentration-camp world, victims and torturers wear the same mask and only the torture is real. No new ideology can soothe the pain, neither the ideology of the totality (Logos) nor that of nihilism -- which will be the two crutches of the cybernetic society. The tortures condemn all hierarchical power, however organized or dissimulated it may be. The antagonism the SI is going to revive is the oldest of all, it is radical antagonism and that is why it is taking up again and assimilating all that has been left by the insurrectionary movements and great individuals in the course of history.

30

So many other banalities could be examined and reversed. The best things never come to an end. Before rereading this text (which even the most mediocre intelligence will be able to understand by the third attempt) the reader would be well advised to pay careful attention to the following points -- points as fragmentary as the preceding ones, but which must be discussed in detail and implemented. They concern a central question: the SI and revolutionary power.

Being aware of the crises of both mass parties and "elites," the SI must embody the supersession of both the Bolshevik Central Committee (supersession of the mass party) and of the Nietzschean project (supersession of the intelligentsia).

(a) Every time a power has presented itself as directing a revolutionary upsurge, it has automatically undermined the power of the revolution. The Bolshevik Central Committee defined itself simultaneously as concentration and as representation. Concentration of a power antagonistic to bourgeois power and representation of the will of the masses. This duality led it rapidly to become no more than an empty power, a power of empty representation, and consequently to merge into a common form (bureaucracy) with a bourgeois power that was being pressured (by the Bolshevik threat) into following a similar evolution. The conditions for a concentrated power and mass representation exist potentially in the SI when it notes that it possesses the qualitative and that its ideas are in everyone's mind. Nevertheless we refuse both concentrated power and the right of representation, conscious that we are now taking the only public attitude (for we cannot avoid being known to some extent in a spectacular manner) enabling those who find that they share our theoretical and practical positions to accede to revolutionary power: power without mediation, power entailing the direct action of everyone. Our guiding image could be the Durruti Column, moving from town to village, liquidating the bourgeois elements and leaving the workers to see to their own self-organization.(4)

(b) The intelligentsia is power's hall of mirrors. Opposing power, it never offers anything but passive cathartic identification to those whose every gesture gropingly expresses real opposition. The radicalism -- not of theory, obviously, but of gesture -- that could be glimpsed in the "Declaration of the 121,"(5) however, suggests some different possibilities. We are capable of precipitating this crisis, but we can do so only by entering the intelligentsia as a power against the intelligentsia. This phase -- which must precede and be contained within the phase described in paragraph (a) -- will put us in the perspective of the Nietzschean project. We will form a small, almost alchemical, experimental group within which the realization of the total man can be started. Nietzsche could conceive of such an undertaking only within the framework of the hierarchical principle. It is, in fact, within such a framework that we find ourselves. It is therefore of the utmost importance that we present ourselves without the slightest ambiguity (at the group level, the purification of the nucleus and the elimination of residues now seems to be completed). We accept the hierarchical framework in which we are placed only while impatiently working to abolish our domination over those whom we cannot avoid dominating on the basis of our criteria for mutual recognition.

(c) Tactically our communication should be a diffusion emanating from a more or less hidden center. We will establish nonmaterialized networks (direct relationships, episodic ones, contacts without ties, development of embryonic relations based on sympathy and understanding, in the manner of red agitators before the arrival of revolutionary armies). We will claim radical gestures (actions, writings, political attitudes, works) as our own by analyzing them, and we will consider that our own acts and analyses are supported by the majority of people.

Just as God constituted the reference point of past unitary society, we are preparing to create the central reference point for a new unitary society now possible. But this point cannot be fixed. As opposed to the ever-renewed confusion that cybernetic power draws from the inhuman past, it stands for the game that everyone will play, "the moving order of the future."

RAOUL VANEIGEM (January 1963)

TRANSLATOR'S NOTES

1. pataphysician: reference to "pataphysics," the absurdist-nihilist perspective expressed by Alfred Jarry.

2. Many of the themes in "Basic Banalities" were later developed more fully in Vaneigem's book The Revolution of Everyday Life (1967). Chapter 23 of the book deals with the "unitary triad" of participation, communication and realization.

3. striking force: play on de Gaulle's contention that France needed to develop a strong military striking force.

4. Durruti Column: anarchist militia unit led by Buenaventura Durruti during the Spanish civil war.

5. Declaration of the 121: a "Declaration on the Right To Resist the Algerian War" signed by 121 French artists and intellectuals (September 1960). The French government responded with arrests and firings, and even prohibited news media from mentioning the name of any signer -- which only resulted in more people signing. The "Declaration" polarized the intellectual community and contributed toward arousing French public opinion (the first demonstration against the war came a month later). See Internationale Situationniste #5, pp. 5-7, 12.

End of Part 2. Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

The Counter-Situationist Campaign in Various Countries (excerpts)

The declaration published 25 June 1962 by the Situationist International concerning the trial of Uwe Lausen in Munich enumerated three types of negation the situationist movement has met with so far: police, as in Germany(1); silence, for which France easily holds the record; and widespread falsification, in which northern Europe has provided the most fertile field of study over the last year. [...]

In Internationale Situationniste #7 (pp. 53-54) we mentioned the sort of manifesto in which Jörgen Nash attacked the SI in the name of the Scandinavian section. Reckoning on the considerable geographical dispersion of the Scandinavian situationists, Nash had not even consulted with all of them before his putsch. Surprised at not being unanimously followed and at finding himself countered on the spot by the partisans of the SI majority -- who immediately circulated a definitive repudiation of his imposture -- Nash at first feigned astonishment that things had gone to the point of a complete break with the situationists; as if the fact of launching a public surprise attack full of lies was compatible with carrying on a dialogue, on the basis of some sort of Nashist Scandinavian autonomy. The development of the conspiracy scarcely leaves any doubt as to his real objectives, since his new Swedish "Bauhaus," consisting of two or three Scandinavian ex-situationists plus a mass of unknowns flocking to the feast, immediately plunged into the most shopworn forms of artistic production. [...] In the polemic between Nashists and situationists in Scandinavia, the Nashists resorted, in addition to all the threats and violence they thought feasible, to the systematic spreading of false information (with the active collusion of certain journalists). [...] But all their efforts to gain time and all their petty maneuvers to prolong the confusion could not save the Nashists from appearing for what they are: alien to the SI; much more sociable, certainly, but much less intelligent. [...]

We don't want to attribute some particular perversity to Nash and his associates. It seems to us that Nashism is an expression of an objective tendency resulting from the SI's ambiguous and risky policy of consenting to act within culture while being against the entire present organization of this culture and even against all culture as a separate sphere. (But even the most intransigent oppositional attitude cannot escape such ambiguity and risk, since it still necessarily has to coexist with the present order.) The German situationists who were excluded at the beginning of 1962 expressed an opposition comparable to that of the Nashists -- though with more frankness and artistic capacity -- to the extent that such opposition contains elements of a legitimately arguable position. Heimrad Prem's statement at the Göteborg Conference (see Internationale Situationniste #7) complained about the situationist majority's continued refusal of a large number of offers to sponsor "creations" on the conventional avant-garde artistic plane where many people wanted to involve the SI, so as to bring things back to order and the SI back into the old fold of artistic praxis. Prem expressed the desire of the situationist artists to find a satisfactory field of activity in the here and now. [...] The Nashists have simply gone much further in their bad faith and in their complete indifference to any theory and even to conventional artistic activity, preferring the grossest commercial publicity. But Prem and his friends, though comporting themselves more honorably, had themselves certainly not completely avoided concessions to the cultural market. The SI has thus for a time included a number of artists of repetition incapable of grasping the present mission of the artistic avant-garde; which is not too surprising if one takes into account both the scarcely delineated stage of our project and the notorious exhaustion of conventional art. The moment when the contradictions between them and us lead to these antagonisms marks an advance of the SI, the point where the ambiguities are forced into the open and clearly settled. The point of no return, in our relations with the partisans of a renewal of conventional art under the aegis of a situationist school, was perhaps reached with the decision adopted at Göteborg to refer to artistic productions of the movement as "antisituationist" art. The contradictions expressed in Nashism are quite crude, but the development of the SI may lead to others at a higher level. [...]

DEFINITION adopted by the SI Conference at Anvers on the motion of J.V. Martin

Nashism (French: Nashisme; German: Nashismus; Italian: Nascismo): Term derived from the name of Nash, an artist who seems to have lived in Denmark in the twentieth century. Primarily known for his attempt to betray the revolutionary movement and theory of that time, Nash's name was detourned by that movement as a generic term applicable to all traitors in struggles against the dominant cultural and social conditions. Example: "But like all things transient and vain, Nashism soon faded away." Nashist: A partisan of Nash or of his doctrine. By extension, any conduct or expression evincing the aims or methods of Nashism. Nashistique: Popular French doublet probably derived by analogy to the English adjective Nashistic. Nashisterie: The general social milieu of Nashism. The slang term Nashistouse is vulgar.

The SI cannot be a massive organization, and it will not even accept disciples, as do the conventional avant-garde groups. At this point in history, when the task is posed, in the most unfavorable conditions, of reinventing culture and the revolutionary movement on an entirely new basis, the SI can only be a Conspiracy of Equals, a general staff that does not want troops. We need to discover and open up the "Northwest Passage" toward a new revolution that cannot tolerate masses of followers, a revolution that must surge over that central terrain which has until now been sheltered from revolutionary upheavals: the conquest of everyday life. We will only organize the detonation: the free explosion must escape us and any other control forever.

One of the classic weapons of the old world, perhaps the one most used against groups delving into the organization of life, is to single out and isolate a few of their participants as "stars." We have to defend ourselves against this process, which, like almost all the usual wretched choices of the present society, has an air of being "natural." Those among us who aspired to the role of stars or depended on stars had to be rejected. [...]

The same movement that would have us accept situationist followers would commit us to erroneous positions. It is in the nature of a disciple to demand certainties, to transform real problems into stupid dogmas from which he derives his role and his intellectual security. And later, of course, to demonstrate his modernity by revolting, in the name of those simplified certainties, against the very people who transmitted them to him. In this way, over a period of time generations of submissive elites succeed one another. We intend to leave such people outside and to resist those who want to transform the SI's theoretical problematics into a mere ideology. Such people are extremely handicapped and uninteresting compared with those who may not be aware of the SI but who confront their own lives. Those who have really grasped the direction the SI is going in can join with it because all the supersession we talk about is to be found in reality, and we have to find it together. The task of being more extremist than the SI falls to the SI itself; this is even the first law of its continuation.

There are already certain people who, through laziness, think they can rigidify our project into a perfect program, one already present, admirable and uncriticizable, in the face of which they have nothing more to do -- except perhaps to declare themselves still more radical at heart, while abstaining from any activity on the grounds that everything has already been definitively said by the SI. We say that, on the contrary, not only do the most important aspects of the questions we have posed remain to be discovered -- by the SI and by others -- but also that the greater portion of what we have already discovered is not yet published due to our lack of all sorts of means; to say nothing of the still more considerable lack of means for the experiments the SI has barely begun in other domains (particularly in matters of behavior). But to speak only of editorial problems, we now think that we ourselves should rewrite the most interesting parts of what we have published so far. It is not a matter of revising certain errors or of suppressing a few deviationist seeds that have since blossomed into gross results(2) (e.g. Constant's technocratic concept of a situationist profession -- see Internationale Situationniste #4, pp. 24-25), but of correcting and improving the most important of our theses, precisely those whose development has brought us further, on the basis of the knowledge since gained thanks to them. This will require various republications, although the SI's current difficulties in publishing are far from being resolved.

Those who think that the early situationist thought is already fixed in past history, and that the time has come for violent falsification or rapt admiration of it, have not grasped the movement we are talking about. The SI has sown the wind. It will reap a tempest.

SITUATIONIST INTERNATIONAL (1963)

TRANSLATOR'S NOTES

1. In 1961-1962 the German situationists were subjected to a series of police harassments -- searches, confiscation of SI publications, arrests for immorality, pornography, blasphemy, incitement to riot, etc. The SI conducted an international campaign on their behalf, even after the majority of them had been excluded from the SI for moderation and compromises in other regards. Uwe Lausen, who had not been excluded, was the only one to eventually be jailed (for three weeks); the others got fines and suspended sentences. See Internationale Situationniste #6, p. 6; #7, p. 51; #8, p. 64.

2. An example of the gross results: "The ex-situationist Constant, whose Dutch collaborators had already been excluded from the SI for having agreed to construct a church, now himself presents models of factories in his catalogue published in March by the Municipal Museum of Bochum. Apart from plagiarizing two or three poorly understood fragments of situationist ideas, this slippery character has nothing better to propose than to act as a public-relations man in integrating the masses into capitalist technological civilization; and he reproaches the SI for having abandoned his whole program of transforming the urban milieu, which he alone is carrying out. Under these conditions, yes!" (Internationale Situationniste #6, p. 6.) Constant (Constant Nieuwenhuis) resigned from the SI in 1960. He is the same person later mentioned in On the Poverty of Student Life as a member of the Provo hierarchy.

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

All the King's Men

The problem of language is at the heart of all the struggles between the forces striving to abolish the present alienation and those striving to maintain it. It is inseparable from the very terrain of those struggles. We live within language as within polluted air. Despite what humorists think, words do not play. Nor do they make love, as Breton thought, except in dreams. Words work -- on behalf of the dominant organization of life. Yet they are not completely automated: unfortunately for the theoreticians of information, words are not in themselves "informationist"; they contain forces that can upset the most careful calculations. Words coexist with power in a relation analogous to that which proletarians (in the modern as well as the classic sense of the term) have with power. Employed by it almost full time, exploited for every sense and nonsense that can be squeezed out of them, they still remain in some sense fundamentally alien to it.

Power presents only the falsified, official sense of words. In a manner of speaking it forces them to carry a pass, determines their place in the production process (where some of them conspicuously work overtime) and gives them their paycheck. Regarding the use of words, Lewis Carroll's Humpty Dumpty correctly observes, "The question is which is to be master -- that's all." He adds that he himself (a socially responsible employer in this respect) pays overtime to those he employs excessively. We should also understand the phenomenon of the insubordination of words, their desertion or open resistance (manifested in all modern writing from Baudelaire to the dadaists and Joyce), as a symptom of the general revolutionary crisis of this society.

Under the control of power, language always designates something other than authentic experience. It is precisely for this reason that a total contestation is possible. The organization of language has fallen into such confusion that the communication imposed by power is exposing itself as an imposture and a dupery. An embryonic cybernetic power is vainly trying to put language under the control of the machines it controls, in such a way that information would henceforth be the only possible communication. Even on this terrain resistances are being manifested; electronic music could be seen as an attempt (obviously limited and ambiguous) to reverse the domination by detourning machines to the benefit of language. But there is a much more general and radical opposition that is denouncing all unilateral "communication," in the old form of art as well as in the modern form of informationism. It calls for a communication that undermines all separate power. Real communication dissolves the state.

Power lives off stolen goods. It creates nothing, it coopts. If it determined the meaning of words, there would be no poetry but only useful "information." Opposition would be unable to express itself in language; any refusal would be nonverbal, purely lettristic. What is poetry if not the revolutionary moment of language, inseparable as such from the revolutionary moments of history and from the history of personal life?

Power's stranglehold over language is connected to its stranglehold over the totality. Only a language that has been deprived of all immediate reference to the totality can serve as the basis for information. News(1) is the poetry of power, the counterpoetry of law and order, the mediated falsification of what exists. Conversely, poetry must be understood as direct communication within reality and as real alteration of this reality. It is liberated language, language recovering its richness, language breaking its rigid significations and simultaneously embracing words and music, cries and gestures, painting and mathematics, facts and acts. Poetry thus depends on the richest possibilities for living and changing life at a given stage of socioeconomic structure. Needless to say, this relationship of poetry to its material base is not a subordination of one to the other, but an interaction.

Rediscovering poetry may merge with reinventing revolution, as has been demonstrated by certain phases of the Mexican, Cuban and Congolese revolutions. Outside the revolutionary periods when the masses become poets in action, small circles of poetic adventure could be considered the only places where the totality of revolution subsists, as an unrealized but close-at-hand potentiality, like the shadow of an absent personage. What we are calling poetic adventure is difficult, dangerous and never guaranteed (it is, in fact, the aggregate of behaviors that are almost impossible in a given era). One thing we can be sure of is that fake, officially tolerated poetry is no longer the poetic adventure of its era. Thus, whereas surrealism in the heyday of its assault against the oppressive order of culture and daily life could appropriately define its arsenal as "poetry without poems if necessary," for the SI it is now a matter of a poetry necessarily without poems. What we say about poetry has nothing to do with the retarded reactionaries of some neoversification, even one based on the least antiquated modernistic forms. Realizing poetry means nothing less than simultaneously and inseparably creating events and their language.

In-group languages -- those of informal groupings of young people; those that contemporary avant-garde currents develop for their internal use as they grope to define themselves; those that in previous eras were conveyed by way of objective poetic production, such as the trobar clus and the dolce stil nuovo -- are more or less successful efforts to attain a direct, transparent communication, mutual recognition, mutual accord. But such efforts have been confined to small groups that were isolated in one way or another. The events and celebrations they created had to remain within the most narrow limits. One of the tasks of revolution is to federate such poetic "soviets" or communication councils in order to initiate a direct communication everywhere that will no longer need to resort to the enemy's communication network (that is, to the language of power) and will thus be able to transform the world according to its desire.

The point is not to put poetry at the service of revolution, but to put revolution at the service of poetry. It is only in this way that revolution does not betray its own project. We don't intend to repeat the mistake of the surrealists, who put themselves at the service of the revolution right when it had ceased to exist. Bound to the memory of a partial and rapidly crushed revolution, surrealism rapidly turned into a reformism of the spectacle, a critique of a certain form of the reigning spectacle that was carried out from within the dominant organization of that spectacle. The surrealists seem to have overlooked the fact that every internal improvement or modernization of the spectacle is translated by power into its own encoded language, to which it alone holds the key.

Every revolution has been born in poetry, has first of all been made with the force of poetry. This phenomenon continues to escape theorists of revolution -- indeed, it cannot be understood if one still clings to the old conception of revolution or of poetry -- but it has generally been sensed by counterrevolutionaries. Poetry terrifies them. Whenever it appears they do their best to get rid of it by every kind of exorcism, from auto-da-fé to pure stylistic research. Real poetry, which has "world enough and time," seeks to reorient the entire world and the entire future to its own ends. As long as it lasts, its demands admit of no compromise. It brings back into play all the unsettled debts of history. Fourier and Pancho Villa, Lautréamont and the dinamiteros of the Asturias (whose successors are now inventing new forms of strikes), the sailors of Kronstadt and Kiel, and all those around the world who, with us or without us, are preparing to fight for the long revolution are equally the emissaries of the new poetry.

Poetry is becoming more and more clearly the empty space, the antimatter, of consumer society, since it is not consumable (in terms of the modern criteria for a consumable object: an object that is of equivalent value for each of a mass of isolated passive consumers). Poetry is nothing when it is quoted; it needs to be detourned, brought back into play. Otherwise the study of the poetry of the past is nothing but an academic exercise. The history of poetry is only a way of running away from the poetry of history, if we understand by that phrase not the spectacular history of the rulers but the history of everyday life and its possible liberation; the history of each individual life and its realization.

We must leave no question as to the role of the "conservers" of old poetry, who increase its dissemination while the state, for quite different reasons, is eliminating illiteracy. These people are only a particular type of museum curator. A mass of poetry is naturally preserved around the world, but nowhere are there the places, the moments or the people to revive it, communicate it, use it. And there never can be except by way of détournement, because the understanding of past poetry has changed through losses as well as gains of knowledge; and because any time past poetry is actually rediscovered, its being placed in the context of particular events gives it a largely new meaning. In any case, a situation in which poetry is possible must not get sidetracked into trying to restore poetic failures of the past (such failures being the inverted remains of the history of poetry, transformed into successes and poetic monuments). Such a situation naturally seeks the communication and possible triumph of its own poetry.

At the same time that poetic archeology is restoring selections of past poetry, recited by specialists on LPs for the neoilliterate public created by the modern spectacle, the informationists are striving to do away with all the "redundancies" of freedom in order to simply transmit orders. The theorists of automation are explicitly aiming at producing an automatic theoretical thought by clamping down on and eliminating the variables in life as well as in language. But bones keep turning up in their cheese! Translating machines, for example, which are beginning to ensure the planetary standardization of information along with the informationist revision of previous culture, are victims of their own preestablished programming, which inevitably misses any new meaning taken on by a word, as well as its past dialectical ambivalences. Thus the life of language -- which is bound up with every advance of theoretical understanding ("Ideas improve; the meaning of words participates in the improvement") -- is expelled from the mechanical field of official information. But this also means that free thought can organize itself with a secrecy that is beyond the reach of informationist police techniques. A similar point could be made about the quest for unambiguous signals and instantaneous binary classification, which is clearly linked with the existing power structure. Even in their most delirious formulations, the informationist theorists are no more than clumsy precursors of the future they have chosen, which is the same brave new world that the dominant forces of the present society are working toward -- the reinforcement of the cybernetic state. They are the vassals of the lords of the technocratic feudalism that is now constituting itself. There is no innocence in their buffoonery; they are the king's jesters.

The choice between informationism and poetry no longer has anything to do with the poetry of the past, just as no variant of what the classical revolutionary movement has become can anymore, anywhere, be considered as part of a real alternative to the prevailing organization of life. The same judgment leads us to announce the total disappearance of poetry in the old forms in which it was produced and consumed and to announce its return in effective and unexpected forms. Our era no longer has to write poetic directives; it has to carry them out.

SITUATIONIST INTERNATIONAL (1963)

TRANSLATOR'S NOTE

1. The French word information also means "news."

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

Ideologies, Classes, and the Domination of Nature

The human appropriation of nature is the real adventure we have embarked on. It is the central, indisputable project, the issue that encompasses all other issues. What is always fundamentally in question in modern thought and action is the possible use of the dominated sector of nature. A society's basic perspective on this question determines the choices among the alternative directions presented at each moment of the process, as well as the rhythm and duration of productive expansion in each sector. The lack of such a comprehensive, long-term perspective -- or rather the monopoly of a single untheorized perspective automatically produced by the present power structure's blind economic growth -- is at the root of the emptiness of contemporary thought over the last forty years.

The advances in production and in constantly improving technological potentials are proceeding even faster than nineteenth-century communism predicted. But we have remained at a stage of overequipped prehistory. A century of revolutionary attempts has failed: human life has not been rationalized and impassioned; the project of a classless society has yet to be achieved. We find ourselves caught up in an endless expansion of material means that continues to serve fundamentally static interests and notoriously obsolete values. The spirit of the dead weighs very heavily on the technology of the living. The economic planning that reigns everywhere is insane, not so much because of its academic obsession with organizing the enrichment of the years to come as because of the rotten blood of the past that circulates through its veins, continually pumped forth with each artificial pulsation of this "heart of a heartless world."

Material liberation is only a precondition for the liberation of human history, and can only be judged as such. A country's decision as to which kind of minimum level of development is to be given priority depends on the particular project of liberation chosen, and therefore on who makes this choice -- the autonomous masses or the specialists in power. Those who accept the ideas of one or another type of specialist organizers regarding what is indispensable may be liberated from any deprivation of the objects those organizers choose to produce, but they will never be liberated from the organizers themselves. The most modern and unexpected forms of hierarchy will always turn out to be nothing but costly remakes of the old world of passivity, impotence and slavery -- the antithesis of humanity's mastery of its history and its surroundings -- regardless of the material forces abstractly possessed by the society.

Because of the fact that in present-day society the domination of nature presents itself both as an increasingly aggravated alienation and as the single great ideological justification for this social alienation, it is criticized in a one-sided, undialectical and insufficiently historical manner by some of the radical groups who are halfway between the old degraded and mystified conception of the workers movement, which they have superseded, and the new form of total contestation which is yet to come. (See, for example, the significant theories of Cardan and others in the journal Socialisme ou Barbarie.) These groups, rightly opposing the continually more thorough reification of human labor and its modern corollary, the passive consumption of a leisure activity manipulated by the ruling class, often end up unconsciously harboring a sort of nostalgia for earlier forms of work, for the really "human" relationships that were able to flourish in the societies of the past or even during the less developed phases of industrial society. As it happens, this attitude fits in quite well with the system's efforts to obtain a higher yield from existing production by doing away with both the waste and the inhumanity that characterize modern industry (in this regard see Instructions for an Insurrection in Internationale Situationniste #6). But in any case, these conceptions abandon the very core of the revolutionary project, which is nothing less than the suppression of work in the usual present-day sense (and of the proletariat) and of all the justifications of previous forms of work. It is impossible to understand the sentence in the Communist Manifesto that says "the bourgeoisie has played an eminently revolutionary role in history" if one ignores the possibility, opened up to us by the domination of nature, of replacing work with a new type of free activity; or if one ignores the role of the bourgeoisie in the "dissolution of old ideas," that is, if one follows the unfortunate tendency of the classical workers movement to define itself positively in terms of "revolutionary ideology."

In Basic Banalities Vaneigem has elucidated the process of the dissolution of religious thought and has shown how its function as anesthetic, hypnotic and tranquilizer has been taken over, at a lower level, by ideology. Like penicillin, ideology has become less effective as its use has become more widespread. As a result, the dosage has to be continually increased and the packaging made more sensational (one need only recall the diverse excesses of Nazism or of today's consumer propaganda). Since the disappearance of feudal society the ruling classes have been increasingly ill-served by their own ideologies: these ideologies (as petrified critical thought), after having been used by them as general weapons for seizing power, end up presenting contradictions to their particular reign. What was originally an unconscious falsification (resulting from an ideology's having stopped at partial conclusions) becomes a systematic lie once certain of the interests it cloaked are in power and protected by a police force. The most modern example is also the most glaring: it was by taking advantage of the element of ideology present in the workers movement that the bureaucracy was able to establish its power in Russia. Any attempt to modernize an ideology -- whether an aberrant one like fascism or a consistent one like the ideology of spectacular consumption in developed capitalism -- tends to preserve the present, which is itself dominated by the past. An ideological reformism hostile to the established society can never be effective because it can never get hold of the means of force-feeding thanks to which this society can still make effective use of ideologies. Revolutionary theory must mercilessly criticize all ideologies -- including, of course, that particular ideology called "the death of ideologies" (whose title is already a confession since ideologies have always been dead thought), which is merely an empiricist ideology rejoicing over the downfall of envied rivals.

The domination of nature implies the question "For what purpose?" but this very questioning of man's praxis must itself dominate this domination, though it could not take place except on the basis of it. Only the crudest answer is automatically rejected: "To carry on as before, producing and consuming more and more," prolonging the reifying domination that has been inherent in capitalism from its beginnings (though not without "producing its own gravediggers"). We have to expose the contradiction between the positive aspects of the transformation of nature -- the great project of the bourgeoisie -- and its cooption and trivialization by hierarchical power, which in all its contemporary variants remains faithful to the same model of bourgeois "civilization." In its massified form, this bourgeois model has been "socialized" for the benefit of a composite petty bourgeoisie that is taking on all the capacities for mindless manipulability characteristic of the former poor classes and all the signs of wealth (themselves massified) that signify membership in the ruling class. The bureaucrats of the Eastern bloc are objectively led to follow the same pattern; and the more they produce, the less need they have for police in maintaining their particular schema for the elimination of class struggle. Modern capitalism loudly proclaims a similar goal. But they're all astride the same tiger: a world in rapid transformation in which they desire the dose of immobility necessary for the perpetuation of one or another variant of hierarchical power.

The criticisms of the present social order are all interrelated, just as are the apologetics for that order. The interrelation of the apologetics is merely less apparent in that they have to praise or lie about numerous mutually contradictory details and antagonistic variants within the system. But if you really renounce all the variants of apologetics, you get straight to the critique that does not suffer from any guilty conscience because it is not compromised with any present ruling force. If someone thinks that a hierarchical bureaucracy can be a revolutionary power, and also agrees that mass tourism as it is globally organized by the society of the spectacle is a good thing and a pleasure, then, like Sartre, he can pay a visit to China or somewhere else. His mistakes, lies and stupidity should surprise no one. Everybody finds their own level (other travelers, such as those who go to serve Tshombe in Katanga, are even more detestable and are paid in more real coin). The intellectual witnesses of the left, eagerly toddling to wherever they are invited, bear witness to nothing so much as their own abdication of thinking -- to the fact that their "thought" has for decades been abdicating its freedom as it oscillates between competing bosses. The thinkers who admire the present achievements of the East or the West and who are taken in by all the spectacular gimmicks have obviously never thought about anything at all, as anyone can tell who has read them. The society they reflect naturally encourages us to admire its admirers. In many places they are even allowed to play their little game of "social commitment," in which they ostentatiously proclaim their support (with or without regretful reservations) for the form of established society whose label and packaging inspires them.

Every day alienated people are shown or informed about new successes they have obtained, successes for which they have no use. This does not mean that these advances in material development are bad or uninteresting. They can be turned to good use in real life -- but only along with everything else. The victories of our day belong to star-specialists. Gagarin's exploit shows that man can survive farther out in space, under increasingly unfavorable conditions. But just as is the case when medicine and biochemistry enable a prolonged survival in time, this quantitative extension of survival is in no way linked to a qualitative improvement of life. You can survive farther away and longer, but never live more. Our task is not to celebrate such victories, but to make celebration victorious -- celebration whose infinite possibilities in everyday life are potentially unleashed by these technical advances.

Nature has to be rediscovered as a "worthy opponent." The game with nature has to be exciting: each point scored must concern us directly. The conscious construction of a moment of life is an example of our (shifting and transitory) control of our time and our environment. Humanity's expansion into the cosmos is -- at the opposite pole from the postartistic construction of individual life (though these two poles of the possible are intimately linked) -- an example of an enterprise in which the pettiness of specialized military competition clashes with the objective grandeur of the project. The cosmic adventure will be extended, and thus opened up to a participation totally different from that of specialist guinea pigs, farther and more quickly when the collapse of the miserly reign of specialists on this planet has opened the floodgates of everyone's creativity -- a creativity which is presently blocked and repressed, but which is potentially capable of leading to an exponential progress in dealing with all human problems, supplanting the present cumulative growth restricted to an arbitrary sector of industrial production. The old schema of the contradiction between productive forces and production relations should obviously no longer be understood as a short-term death warrant for the capitalist production system, as if the latter were inevitably doomed to stagnate and become incapable of continuing its development. This contradiction should be seen rather as a judgment (which remains to be executed with the appropriate weapons) against the miserable development generated by this self-regulating production -- a development that must be condemned for its paltriness as well as for its dangerousness -- in view of the fantastic potential development that could be based on the present economic infrastructure.

The only questions that are openly posed in the present society are loaded questions, questions that already imply certain obligatory responses. When people point out the obvious fact that the modern tradition is a tradition of innovation, they shut their eyes to the equally obvious fact that this innovation does not extend everywhere. During an era when ideology could still believe in its role, Saint-Just declared: "In a time of innovation everything that is not new is pernicious." God's numerous successors who organize the present society of the spectacle know very well what asking too many questions can lead to. The decline of philosophy and the arts also stems from this suppression of questioning. The revolutionary elements of modern thought and art have with varying degrees of precision demanded a praxis that would be the minimum terrain necessary for their development -- a praxis that is still absent. The nonrevolutionary elements add new embellishments to the official questions, or to the futile questioning of pure speculation (the specialty of Arguments).

There are many ideological rooms in the House of the Father, i.e. in the old society, whose fixed frames of reference have been lost but whose law remains intact (God doesn't exist, but nothing is permitted). Every facility is granted to the modernisms that serve to combat the truly modern. The gang of hucksters of the unbelievable magazine Planète, which so impresses the school teachers, epitomizes a bizarre demagogy that profits from the gaping absence of contestation and revolutionary imagination, at least in their intellectual manifestations, over the last nearly half a century (and from the numerous obstacles still placed in the way of their resurgence today). Playing on the truism that science and technology are advancing faster and faster without anyone knowing where they are going, Planète harangues ordinary people with the message that henceforth everything must be changed -- while at the same time taking for granted 99% of the life really lived in our era. The daze induced by the barrage of novelties can be taken advantage of to calmly reintroduce outmoded nonsense that has virtually died out in even the most backward regions. The drugs of ideology will end their history in an apotheosis of vulgarity that even Pauwels [editor of Planète], for all his efforts, cannot yet imagine.

Ideology, in its various fluid forms that have replaced the solid mythical system of the past, has an increasingly large role to play as the specialist rulers need to increasingly regulate all aspects of an expanding production and consumption. Use value -- indispensable still, but which had already tended to become merely implicit since the predominance of a market economy -- is now explicitly manipulated (or artificially created) by the planners of the modern market. It is the merit of Jacques Ellul, in his book Propaganda (1962), which describes the unity of the various forms of conditioning, to have shown that this advertising-propaganda is not merely an unhealthy excrescence that could be prohibited, but is at the same time a remedy in a generally sick society, a remedy that makes the sickness tolerable while aggravating it. People are to a great extent accomplices of propaganda, of the reigning spectacle, because they cannot reject it without contesting the society as a whole. The single important task of contemporary thought must center upon this question of reorganizing the theoretical and material forces of contestation.

The alternative is not only between real life and a survival that has nothing to lose but its modernized chains. It is also posed within survival itself, with the constantly aggravated problems that the masters of survival are not able to solve. The risks of atomic weapons, of global overpopulation, and of the increasing material impoverishment of the great majority of humanity are subjects of official alarm, even in the popular press. One very banal example: in an article on China (Le Monde, September 1962) Robert Guillain writes, without irony, on the population problem: "The Chinese leaders seem to be giving it fresh consideration and apparently want to deal with it. They are coming back to the idea of birth control, which was tried out in 1956 and then abandoned in 1958. A national campaign has been launched against early marriages and in favor of family planning in young households." The oscillations of these specialists, immediately followed by official orders, reveal the sort of interest they really have in the liberation of the people just as completely as the opportunistic religious conversions of princes in the sixteenth century (cujus regio, ejus religio)(1) revealed the real nature of their interest in the mythical arsenal of Christianity. The same journalist notes that "the USSR is not helping China because its available resources are now being devoted to the conquest of space, which is fantastically expensive." The Russian workers have no more say in determining the quantity of surplus "available resources" produced by their labor, or in deciding whether that surplus is to be devoted to the moon rather than to China, than the Chinese peasants have in deciding whether or not they will have children. The epic of modern rulers at grips with real life, which they are driven to take complete charge of, has found its best literary expression in the Ubu cycle. The only raw material that has yet to be tried out in this experimental era of ours is freedom of thought and behavior.

In the vast drugstores of ideology, of the spectacle, of social planning and the justification of that planning, the specialized intellectuals have their jobs, their particular departments to take care of. (We are referring here to those who have a significant role in the actual production of culture -- a stratum that should not be confused with the growing mass of "intellectual workers" whose conditions of work and life are becoming increasingly indistinguishable from those of ordinary blue-collar and white-collar workers as all of them evolve in accordance with the requirements of modern industry.) There's something for every taste. A certain Roberto Guiducci, for example, demonstrates his understanding about "The Difficult Quest for a New Politics" (Arguments #25-26) by writing that the present social backwardness "leaves us caught between the stupidity of living within dead institutions and the mere ability to express proposals that are as yet scarcely realizable." In order to avoid this painful dilemma, he confines his own proposal within the most modest and "realizable" limits: After having succeeded in lumping Hegel and Engels in the same sentence with Stalin and Zhdanov [Stalin's Minister of Culture], he proposes that we grant that "the romantic impatience of the young Marx and the tormented exegeses of Gramsci are equally moth-eaten and outdated." Although the blasé tone gives the impression that he has been through all that and succeeded in recovering from such illusions, it is in fact quite obvious from reading him that he was never capable of reading Hegel or Gramsci in the first place. Instead, he probably passed many years venerating Zhdanov and Togliatti. Then one fine day, like the other puppets of Arguments (whatever the particular Communist Party of their origin), he decided to call everything into question. Some of them may have had dirtier hands than others, but they all had clogged up minds. Like the others, he undoubtedly passed some weeks "reconsidering" the young Marx. But if he had really ever been capable of understanding Marx, or even simply of understanding the time in which we live, how could he have failed to see through Zhdanov from the very beginning? It's been so many years since he and others reconsidered revolutionary thought, it all naturally appears to him as very "outdated." But did he reconsider anything whatsoever ten years ago? It's very unlikely. We can say, then, that Mr. Guiducci is a man who reconsiders more quickly than does history, because he is never in step with history. His stereotypical nullity will never need to be reconsidered by anyone.

At the same time, a part of the intelligentsia is working out the new contestation, beginning to develop the real critique of our era and to envisage correspondingly appropriate actions. Within the spectacle, which is its factory, this intelligentsia struggles against the organization of production and against the very aims of that production. Engendering its own critics and saboteurs, it is joining with the new lumpen, the lumpen of consumer capitalism that is expressing the refusal of the goods that present-day work enables one to acquire. It is also beginning to reject the conditions of individual competition, and thus the servility, to which the creative intelligentsia is subjected: the movement of modern art can be considered as a continual deskilling of intellectual labor power by the creators (whereas the workers as a whole, insofar as they accept the hierarchical strategy of the ruling class, are able to compete by categories).

The revolutionary intelligentsia has now to accomplish an immense task, beginning with an uncompromising departure from the long period during which "the sleep of dialectical reason engendered monsters" -- a period which is now drawing to a close. The new world that must be understood comprises both the continual increase of material powers that have yet to be put to good use and the spontaneous acts of personal opposition engaged in by people without any conscious perspective. In contrast to the old utopianism, which put forward more or less arbitrary theories that went beyond any possible practice (though not without having some significant influence), there is now, within the various problematics of modernity, a mass of new practices that are seeking their theory.

The "intellectual party" that some dream of is impossible, because the collective intelligence of such a union of intellectuals would only be on the miserable level of people like Guiducci, or Morin, or Nadeau. The officially recognized intelligentsia is fundamentally satisfied with things as they are (if it is dissatisfied with anything, it is nevertheless quite satisfied with its own mediocre literary expression of that dissatisfaction). Even if it votes for the Left, so what? It is in fact the social sector that is most instinctively antisituationist. Like a preview audience, it tastes and tests the consumer products that will gradually be made available to all the workers of the developed countries. We intend to disillusion this stratum of intellectuals, to expose the fraudulence of all their trendy values and tastes ("modern" furniture, the writings of Queneau). Their shame will be a revolutionary sentiment.

It is necessary to distinguish, within the intelligentsia, between the tendencies toward submission and the tendencies toward refusal of the employment offered; and then, by every means, to strike a sword between these two fractions so that their total mutual opposition will illuminate the first advances of the coming social war. The careerist tendency, which basically expresses the condition of all intellectual service within class society, leads this stratum, as Harold Rosenberg notes in The Tradition of the New, to expatiate on its own alienation without engaging in any oppositional actions because this alienation has been made comfortable. But as the whole of modern society moves toward this comfort -- a comfort which is at the same time becoming increasingly poisoned by boredom and anxiety -- the practice of sabotage can be extended to the intellectual terrain. Thus, just as in the first half of the nineteenth century revolutionary theory arose out of philosophy (out of critical reflections on philosophy and out of the crisis and death of philosophy), so now it is going to rise once again out of modern art and poetry, out of its supersession, out of what modern art has sought and promised, out of the clean sweep it has made of all the values and rules of everyday behavior.

Although the living values of intellectual and artistic creation are utterly contrary to the submissive intelligentsia's entire mode of existence, the latter wants to embellish its social position by claiming a sort of kinship with this creation of "values." Being more or less aware of this contradiction, this hired intelligentsia tries to redeem itself by an ambiguous glorification of artistic "bohemianism." The valets of reification acknowledge this bohemian experience as a moment of richness within extreme poverty, as a moment of the qualitative within everyday life, a qualitativeness which is excluded everywhere else. But the official version of this fairy tale must have an edifying ending: this moment of pure qualitativeness within poverty must finally arrive at ordinary "riches." Poor artists have produced masterpieces which in their time had no market value. But they are redeemed (their venture into the qualitative is excused, and even turned into an inspiring example) because their work, which at the time was only a by-product of their real activity, later turns out to be highly valued. Living people who struggled against reification have nevertheless ended up producing their quota of commodities. Invoking a sort of aesthetic Darwinism, the bourgeoisie applauds the bohemian values that have proved fit enough to survive and enter into its quantitative paradise. The fact that it is rarely the same people who possess the products at the stage of creation and at the stage of profitable commodities is discreetly downplayed as an unimportant and purely accidental detail.

The accelerated degradation of cultural ideology has given rise to a permanent crisis in this intellectual and artistic valorization, a crisis that dadaism brought out into the open. A dual movement has clearly characterized this cultural breakdown: on one hand, the dissemination of false novelties automatically recycled with new packaging by autonomous spectacular mechanisms; and on the other hand, the public refusal to play along and the sabotage carried out by individuals who were clearly among those who would have been most capable of renewing "quality" cultural production (Arthur Cravan is a prototype of these people, glimpsed passing through the most radioactive zones of the cultural disaster without leaving behind them any commodities or memories).(2) The conjunction of these two demoralizing forces continues to aggravate the malaise of the intelligentsia.

After dadaism, and despite the fact that the dominant culture has succeeded in coopting a sort of dadaist art, it is far from certain that artistic rebellion in the next generation will continue to be cooptable into consumable works. At the same time that the most elementary spectacular conmanship can exploit an imitation postdadaist style to produce all sorts of salable cultural objects, there exist in several modern capitalist countries centers of nonartistic bohemianism united around the notion of the end of art or the absence of art, a bohemianism that explicitly no longer envisages any artistic production whatsoever. Its dissatisfaction can only radicalize with the progress of the thesis according to which "the art of the future" (the phrase itself is misleading since it implies dealing with the future in terms of present specialized categories) will no longer be valued as a commodity, since we are discovering that it is only a subordinate aspect of the total transformation of our use of space, of feelings and of time. All the real experiences of free thought and behavior that succeed in taking shape in these conditions are certainly moving in our direction, toward the theoretical organization of contestation.

We believe that the role of theorists -- a role which is indispensable, but which must not be dominant -- is to provide information and conceptual tools that can shed light on people's hidden desires and on the social crisis they are experiencing; to clarify things and show how they fit together; to make the new proletariat aware of the "new poverty" that must be named and described.

We are presently witnessing a reshuffling of the cards of class struggle -- a struggle which has certainly not disappeared, but whose lines of battle have been somewhat altered from the old schema. Similarly, the nation-state has yet to be transcended; individual nationalisms have merely been incorporated into the framework of supernations, the framework of two global blocs which are themselves composed of concentrated or dispersed multinational zones (e.g. Europe or the Chinese sphere of influence) within which there may be various modifications and regroupings of individual nations or ethnic regions (Korea, Wallonia, etc.).

In the context of the reality presently beginning to take shape, we may consider as proletarians all people who have no possibility of altering the social space-time that the society allots to them (regardless of variations in their degree of affluence or chances for promotion). The rulers are those who organize this space-time, or who at least have a significant margin of personal choice (even stemming, for example, from a significant survival of older forms of private property). A revolutionary movement is a movement that radically changes the organization of this space-time and the very manner of deciding on its ongoing reorganization (as opposed to merely changing the legal forms of property or the social origin of the rulers).

The vast majority everywhere consumes the odious, soul-destroying social space-time "produced" by a tiny minority. (It should be noted that this minority produces literally nothing except this organization, whereas the "consumption" of space-time, in the sense we are using here, encompasses the whole of ordinary production, in which the alienation of consumption and of all life obviously has its roots.) The ruling classes of the past at least knew how to spend in a humanly enriching way the meager slice of surplus-value they managed to wrest from a static social production grounded on general scarcity; the members of today's ruling minority have lost even this "mastery." They are nothing but consumers of power -- a power limited to organizing this miserable survival. And their sole purpose in so miserably organizing this survival is to consume that power. The lord of nature, the ruler, is degraded by the pettiness of his exercise of power (the scandal of the quantitative). Mastery without degradation would guarantee full employment -- not of all the workers, but of all the forces of the society, of all the creative possibilities of everyone, for themselves individually and for dialogue with each other. Where then are the real masters? At the other pole of this absurd system. At the pole of refusal. The masters come from the negative, they are the bearers of the antihierarchical principle.

The distinction drawn here between those who organize space-time (together with their direct agents) and those who are subjected to that organization is intended to clearly reveal the polarization that is obscured by the intentionally woven complexity of the hierarchies of function and salary, which gives the impression that all the gradations are virtually imperceptible and that there are scarcely any more real proletarians or real capitalists at the two extremities of a social spectrum that has become highly flexible. Once this distinction is posed, other differences in status must be considered as secondary. It should not be forgotten, however, that an intellectual or a "professional revolutionary" worker is liable at any moment to tumble irretrievably into cooption -- into one niche or another in one clan or another in the camp of the ruling zombies (which is far from being harmonious or monolithic). Until real life is present for everyone, the "salt of the earth" is always susceptible to going bad. The theorists of the new contestation can neither compromise with the ruling powers nor constitute themselves as a separate power without immediately ceasing to be such (their role as theorists will then be taken over by others). This amounts to saying that the revolutionary intelligentsia can realize its project only by suppressing itself -- that the "intellectual party" can really exist only as a party that supersedes itself, a party whose victory is at the same time its own disappearance.

SITUATIONIST INTERNATIONAL (1963)

TRANSLATOR'S NOTES

1. cujus regio ejus religio: "The ruler determines the religion of his subjects" -- main provision of the Treaty of Augsburg (1555).

2. Arthur Cravan: poet, boxer, deserter from 17 nations, precursor of dadaism. Disappeared off the coast of Mexico in 1920.

Revised translation by Ken Knabb of the complete article (the version in the Situationist International Anthology is slightly abridged).

Internationale Situationiste #9

Issue nine of the journal of the Situationist International

Now, the SI

"Each era forges its own human material, and if our era really needed theoretical works it would itself create the forces necessary for its satisfaction."

--Rosa Luxemburg, in Vorwärts (14 March 1903)

Now that the situationists already have a history and their activity has carved out a very particular but undeniably central role for itself in the cultural debates of the last few years, some people reproach the SI for having succeeded and others reproach it for having failed.

In order to understand the real significance of these terms, as well as almost all the intellectual establishment's judgments concerning the SI, it is first necessary to reverse them. The SI's element of failure is what is commonly considered to be its success -- the artistic value that is beginning to be appreciated in us; the fact that certain of our theses have come to be sociologically or urbanistically fashionable; or simply the personal success that is virtually guaranteed to any situationist the moment he is excluded from the SI. Our element of success, which is more profound, is the fact that we have resisted the mass of compromises that we have been offered; the fact that we have not clung to our original pilot program but have proved that its main avant-garde character, in spite of some other more apparent ones, lay in the fact that it had to lead further; and the fact that we have thus far been refused any recognition within the established framework of the present order.

We have undoubtedly made many mistakes. We have often corrected or abandoned them, although it was precisely among them that were found the elements which were succeeding or for which the greatest aid was offered to bring them to fruition. It is easy to note the shortcomings in our earliest publications -- the extravagant verbiage, the fantasies left over from the old artistic milieu, the holdovers from the old politics; it is, moreover, in the light of the SI's later conclusions that these earlier shortcomings are most easily criticizable. An inverse factor has naturally left less trace in our writings, but has weighed heavily on us: a nihilist abstentionism, a serious inability among many of us to think and act beyond the first stammerings of positive dialogue. This lack is almost always accompanied by the most abstract and pretentious insistence on a disembodied radicalism.

There is, however, a deviation that has threatened us more gravely than all the others: it was the risk of not differentiating ourselves clearly enough from the modern tendencies of explanations and proposals regarding the new society to which capitalism has brought us -- tendencies which, behind different masks, all lead to integration into this society. Since Constant's interpretation of unitary urbanism this tendency has been expressed within the SI, and it is incomparably more dangerous than the old artistic conception we have fought so much. It is more modern and therefore less obvious, and certainly has a more promising future. Our project has taken shape at the same time as the modern tendencies toward integration. There is thus not only a direct opposition between them but also an air of resemblance, since the two sides are really contemporaneous. We have not paid enough attention to this aspect, even recently. Thus, it is not impossible to interpret Alexander Trocchi's proposals in issue #8 of this journal(1) as having some affinity -- despite their obviously completely contrary spirit -- with those poor attempts at a "psychodramatic" salvaging of decomposed art expressed for example by the ridiculous "Workshop of Free Expression" in Paris last May. But the point we have arrived at clarifies both our project and, inversely, the project of integration. All really modern nonrevolutionary ventures must now be recognized and treated as our number-one enemy. They are going to reinforce all existing controls.

We must not for all that abandon the extreme point of the modern world merely so as to avoid resembling it in any way, or even in order not to teach it anything that could be used against us. It is quite natural that our enemies succeed in partially using us. We are neither going to leave the present field of culture to them nor mix with them. The armchair advisors who want to admire and understand us from a respectful distance readily recommend to us the purity of the first attitude while they adopt the second one. We reject this suspect formalism: like the proletariat, we cannot claim to be unexploitable in the present conditions; the best we can do is to work to make any such exploitation entail the greatest possible risk for the exploiters. The SI has taken a clear stand as an alternative to the dominant culture, and particularly to its so-called avant-garde forms. The situationists consider that they must succeed to art -- which is dead -- and to separate philosophical reflection -- whose corpse no one, despite all the present efforts, will succeed in "reviving" -- because the spectacle that is replacing this art and this thought is itself the heir of religion. And just as was the "critique of religion" (a critique that the present Left abandoned at the same time it abandoned all thought and action), the critique of the spectacle is today the precondition for any critique.

The path of total police control over all human activities and the path of unlimited free creation of all human activities are one: it is the same path of modern discoveries. We are necessarily on the same path as our enemies -- most often preceding them -- but we must be there, without any confusion, as enemies. The best will win.

The present era can test innumerable innovations, but it is incapable of putting them to good use because it is chained to the fundamental conservation of an old order. Over and over, in all our innovating formulations, we must stress the need for a revolutionary transformation of society.

The revolutionary critique of all existing conditions does not, to be sure, have a monopoly on intelligence; it only has a monopoly on its use. In the present cultural and social crisis, those who do not know how to use their intelligence have in fact no discernable intelligence of any kind. Stop talking to us about unused intelligence and you'll make us happy. Poor Heidegger! Poor Lukács! Poor Sartre! Poor Barthes! Poor Lefebvre! Poor Cardan! Tics, tics, and tics. Lacking the method for using their intelligence, they end up with nothing but caricatural fragments of the innovating ideas that can simultaneously comprehend and contest the totality of our era. They are not only incapable of developing ideas, they don't even know how to skillfully plagiarize ideas developed by others. Once the specialized thinkers step out of their own domain, they can only be the dumbfounded spectators of some neighboring and equally bankrupt specialization of which they were previously ignorant but which has become fashionable. The former specialist of ultraleftist politics [Cornelius Castoriadis, aka Cardan] is awestruck at discovering, along with structuralism and social psychology, an ethnological ideology completely new to him: the fact that the Zuni Indians did not have any history appears to him as a luminous explanation for his own inability to act in our history. (Go laugh at the first twenty-five pages of Socialisme ou Barbarie #36.) The specialists of thought can no longer be anything but thinkers of specialization. We don't claim to have a monopoly on the dialectics that everyone talks about; we only claim to have a temporary monopoly on its use.

Some people still venture to object to our theories by gravely insisting on the necessity of practice, although those who speak at this level of methodological delirium have abundantly revealed their own inability to carry out the slightest practice. When revolutionary theory reappears in our time and can count only on itself to propagate itself through a new practice, it seems to us that this is already an important beginning of practice. This theory is at the outset caught in the framework of the new educated ignorance propagated by the present society, and is much more radically cut off from the masses than it was in the nineteenth century. We naturally share its isolation, its risks, and its fate.

To approach us one should therefore not already be compromised, and should be aware that even if we may be momentarily mistaken on many minor points, we will never admit having been mistaken in our negative judgment of persons. Our qualitative criteria are much too certain for us to debate them. There is no point in approaching us if one is not theoretically and practically in agreement with our condemnations of contemporary persons or currents. Some of the thinkers who are now going to plan and justify modern society have already justified and ultimately conserved more archaic forms of it when they were, for example, Stalinists. Now, without batting an eye, they are going to reenlist, just as coolly and cheerily as before, for a second debacle. Others, who fought them during the preceding phase, are now joining them in a common celebration of innovation. All the specializations of illusion can be taught and discussed by the tenured thinkers. But the situationists take their stand in the knowledge that is outside this spectacle: we are not thinkers sponsored by the state.

We have to organize a coherent encounter between the elements of critique and negation (whether as acts or as ideas) that are now scattered around the world; and between these critical and negative elements that have become conscious and the entire life of the bearers of them; and finally, between the people or the first groups that are at this level of intellectual knowledge and practical contestation. The coordination of these researches and struggles on the most practical plane (a new international linkup) is now inseparable from a coordination on the most theoretical plane (which will be expressed by several works presently being prepared by some of the situationists). For example, the present issue of this journal, in order to better explain aspects of our theses that have sometimes been presented too abstractly, gives a large place to a coherent presentation of items drawn from the ordinary daily news. The continuation of our projects will have to be expressed in fuller forms. This continuation will considerably exceed what we would have been able to undertake by ourselves.

While contemporary impotence blathers on about the belated project of "getting into the twentieth century," we think it is high time to eliminate the dead time that has dominated this century and to put an end to the Christian Era with the same stroke. Here as elsewhere, the road of excess leads to the palace of wisdom. Ours is the best effort so far toward getting out of the twentieth century.

SITUATIONIST INTERNATIONAL (1964)

1. Trocchi's article, which proposed an international linkup of countercultural artists and dissidents, is not included in the SI Anthology. The English version, "A Revolutionary Proposal" appeared in New Saltire #8 (London, June 1963) and City Lights Journal #2 (San Francisco, 1964), the latter also containing a subsequent more detailed program for his "Project Sigma." Internationale Situationniste #10 (p. 83) contains the following note: "Upon the appearance in London in fall 1964 of the first publications of the 'Project Sigma' initiated by Alexander Trocchi, it was mutually agreed that the SI could not involve itself in such a loose cultural venture, in spite of the interest we have in dialogue with certain of the individuals who may be drawn to it, notably in the United States and England. It is therefore no longer as a member of the SI that our friend Alexander Trocchi has since developed an activity of which we fully approve of several aspects."

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

Questionnaire

1. What does the word "situationist" mean?

It denotes an activity aimed at creating situations, as opposed to passively recognizing them in academic or other separate terms. At all levels of social practice or individual history. We replace existential passivity with the construction of moments of life, and doubt with playful affirmation. Up till now philosophers and artists have only interpreted situations; the point now is to transform them. Since human beings are molded by the situations they go through, it is essential to create human situations. Since individuals are defined by their situation, they need the power to create situations worthy of their desires. This is the perspective in which poetry (communication fulfilled in concrete situations), the appropriation of nature, and complete social liberation must all merge and be realized. Our era is going to replace the fixed frontier of the extreme situations that phenomenology has limited itself to describing with the practical creation of situations; it is going to continually shift this frontier with the development of our realization. We want a phenomeno-praxis. We have no doubt that this will be the first banality of the movement toward the liberation that is now possible.What situations are to be transformed? At different levels it could be the whole planet, or an era (a civilization in Burckhardt's sense, for example), or a moment of individual life. On with the show! It is only in this way that the values of past culture and the hopes of realizing reason in history can find their true fulfillment. Everything else is in decay. The term situationist in the SI's sense is the total opposite of the current usage in Portugal, where "situationists" refer to supporters of the existing situation (i.e. supporters of Salazar's dictatorship).

2. Is the Situationist International a political movement?

The words "political movement" today connote the specialized activity of group and party bosses who derive the oppressive force of their future power from the organized passivity of their militants. The SI wants nothing to do with any form of hierarchical power whatsoever. The SI is neither a political movement nor a sociology of political mystification. The SI aims to represent the highest degree of international revolutionary consciousness. This is why it strives to illuminate and coordinate the gestures of refusal and the signs of creativity that are defining the new contours of the proletariat, the irreducible desire for freedom. Centered on the spontaneity of the masses, such activity is undeniably "political" in the sense that those rebellious masses are themselves political. Whenever new radical currents appear -- as recently in Japan (the extremist wing of the Zengakuren), in the Congo, and in the Spanish underground(1) -- the SI gives them critical support and thereby aids them practically. But in contrast to all the "transitional programs" of specialized politics, the SI insists on a permanent revolution of everyday life.

3. Is the SI an artistic movement?

A large part of the situationist critique of consumer society consists in showing to what extent contemporary artists, by abandoning the richness of supersession implicitly present (though not fully realized) in the 1910-1925 period, have condemned themselves to doing art as one does business. Since that time artistic movements have only been imaginary repercussions from an explosion that never took place, an explosion that threatened and still threatens the structures of this society. The SI's awareness of this abandonment and of its contradictory implications (emptiness and a desire to return to the initial violence) makes the SI the only movement able, by incorporating the survival of art into the art of life, to speak to the project of the authentic artist. We are artists only insofar as we are no longer artists: we come to fulfill art.

4. Is the SI an expression of nihilism?

The SI refuses the role that would be readily granted it in the spectacle of decomposition. The supersession of nihilism is reached by way of the decomposition of the spectacle; which is precisely what the SI is working on. Whatever is elaborated and constructed outside such a perspective will collapse of its own weight without needing any help from the SI. But it is also true that everywhere in consumer society wastelands of spontaneous collapse are offering a terrain of experimentation for new values that the SI cannot do without. We can build only on the ruins of the spectacle. Moreover, the fully justified anticipation of a total destruction precludes any construction that is not carried out in the perspective of the totality.

5. Are the situationist positions utopian?

Reality is superseding utopia. There is no longer any point in projecting imaginary bridges between the wealth of present technological potentials and the poverty of their use by the rulers of every variety. We want to put the material equipment at the service of everyone's creativity, as the masses themselves always strive to do in revolutionary situations. It's simply a matter of coordination or tactics. Everything we deal with is realizable, either immediately or in the short term, once our methods of research and activity begin to be put in practice.

6. Do you consider it necessary to call yourselves "situationists"?

In the existing order, where things take the place of people, any label is compromising. The one we have chosen, however, embodies its own critique, in that it is automatically opposed any "situationism," the label that others would like to saddle us with. Moreover, it will disappear when all of us have become fully situationist and are no longer proletarians struggling for the end of the proletariat. For the moment, however ridiculous a label may be, ours has the merit of drawing a sharp line between the previous incoherence and a new rigorousness. Such incisiveness is just what has been most lacking in the thought of the last few decades.

7. What is original about the situationists considered as a distinct group?

It seems to us that three notable points justify the importance that we attribute to ourselves as an organized group of theorists and experimenters. First, we are developing for the first time, from a revolutionary perspective, a new, coherent critique of this society as it is developing now. This critique is deeply anchored in the culture and art of our time, which can in fact be truly grasped only by means of such a critique (this work is obviously a long way from completion). Second, we make a practice of breaking completely and definitively with all those who oblige us to do so, and in many cases with anyone else who remains in solidarity with them. Such polarization is vital in a time when the diverse forms of resignation are so subtly intertwined and interdependent. Third, we are initiating a new style of relation with our "partisans": we absolutely refuse disciples. We are interested only in participation at the highest level, and in setting autonomous people loose in the world.

8. Why don't people talk about the SI?

The SI is talked about often enough among the specialized owners of decomposing modern thought; but they write about it very little. In the broadest sense this is because we refuse the term "situationism," which would be the only pigeonhole enabling us to be introduced into the reigning spectacle, incorporated in the form of a doctrine petrified against us, in the form of an ideology in Marx's sense. It is natural that the spectacle we reject rejects us in turn. Situationists are more readily discussed as individuals in an effort to separate them from the collective contestation, although this collective contestation is the only thing that makes them "interesting" individuals. Situationists are talked about the moment they cease to be situationists (as with the rival varieties of "Nashism" in several countries, whose only common claim to fame is that they lyingly pretend to have some sort of relationship with the SI). The spectacle's watchdogs appropriate fragments of situationist theory without acknowledgment in order to turn it against us. It is quite natural that they get ideas from us in their struggle for the survival of the spectacle. But they have to conceal their source, not merely to protect their reputation for originality from charges of plagiarism, but because this source implies the broader, coherent context of these "ideas." Moreover, many hesitant intellectuals do not dare to speak openly of the SI because to speak of it entails taking a minimum position -- saying what one rejects of it and what one accepts of it. Many of them believe, quite mistakenly, that to feign ignorance of it in the meantime will suffice to clear them of responsibility later.

9. What support do you give to the revolutionary movement?

Unfortunately there isn't one. The society certainly contains contradictions and is undergoing changes; this is what, in continually new ways, is making revolutionary activity possible and necessary. But such activity no longer exists -- or does not yet exist -- in the form of an organized movement. It is therefore not a matter of "supporting" such a movement, but of creating it: of inseparably defining it and experimenting with it. Admitting that there is no revolutionary movement is the first precondition for developing such a movement. Anything else is a ridiculous patching up of the past.

10. Are you Marxists?

Just as much as Marx was when he said, "I am not a Marxist."

11. Is there a relation between your theories and your actual way of life?

Our theories are nothing other than the theory of our real life and of the possibilities experienced or perceived in it. As fragmented as the available terrains of activity may be for the moment, we make the most of them. We treat enemies as enemies, a first step we recommend to everyone as an accelerated apprenticeship in learning how to think. It also goes without saying that we unconditionally support all forms of liberated behavior, everything that the bourgeois and bureaucratic scum call debauchery. It is obviously out of the question that we should pave the way for the revolution of everyday life with asceticism.

12. Are the situationists in the vanguard of leisure society?

Leisure society is an appearance that veils a particular type of production/consumption of social space-time. If the time of productive work in the strict sense is reduced, the reserve army of industrial life works in consumption. Everyone is successively worker and raw material in the industry of vacations, of leisure, of spectacles. Present work is the alpha and omega of present life. The organization of consumption plus the organization of leisure must exactly counterbalance the organization of work. "Free time" is a most ironic quantity in the context of the flow of a prefabricated time. Alienated work can only produce alienated leisure, for the idle (increasingly, in fact, merely semi-idle) elite as well as for the masses who are obtaining access to momentary leisure. No lead shielding can insulate either a fragment of time or the entire time of a fragment of society from the radiation of alienated labor -- if for no other reason than the fact that it is that labor which shapes the totality of products and of social life in its own image.

13. Who finances you?

We have never been able to be financed except, in a very precarious manner, by working in the present cultural economy. This employment is subject to this contradiction: we have such creative abilities that we can be virtually assured of "success" in any field; yet we have such a rigorous insistence on independence and complete consistency between our project and each of our present creations (see our definition of antisituationist artistic production) that we are almost totally unacceptable to the dominant cultural organization, even in the most secondary activities. The state of our resources follows from these conditions. In this connection, see what we wrote in issue #8 of this journal (p.26) about "the capital that is never lacking for Nashist enterprises" and, in contrast, our conditions (on the last page of this issue).(2)

14. How many of you are there?

A few more than the original guerrilla nucleus in the Sierra Madre, but with fewer weapons. A few less than the delegates in London in 1864 who founded the International Working Men's Association, but with a more coherent program. As unyielding as the Greeks at Thermopylae ("Passerby, go tell them at Lacedaemon..."), but with a brighter future.

15. What value can you attribute to a questionnaire? To this one?

Questionnaires are an obvious form of the pseudodialogue that is becoming obsessively used in all the psychotechniques of integration into the spectacle so as to elicit people's happy acceptance of passivity under the crude guise of "participation" and pseudoactivity. Taking such an incoherent, reified form of questioning as a point of departure, however, enables us to express precise positions. These positions are not really "answers," because they don't stick to the questions; they reply by posing new questions that supersede the old ones. Thus, real dialogue could begin after these responses. In the present questionnaire all the questions are false; our responses, however, are true.

SITUATIONIST INTERNATIONAL (1964)

[TRANSLATOR'S NOTES]

1. See, for example, the SI's critique of the Spanish Acción Comunista group in "Contribution au programme des conseils ouvriers en Espagne" (Internationale Situationniste #10, pp. 27-32).

2. The reference is to Jörgen Nash and others who had recently been excluded from the SI and who were trying to cash in on the situationists' notoriety by producing "situationist art" and founding a "Second Situationist International" (see The Counter-Situationist Campaign in Various Countries). As for the situationists' own conditions, they stated that they had no objection to publishers, film producers, patrons, etc., interested in financing situationist projects, whether disinterestedly or in the hope of making profits, as long as it was understood that the situationists would retain total control over the form and content of the projects. Regarding the publication of radical texts, Internationale Situationniste #10 (p. 70) has the following note: "It is clear that there are presently only four possible types of publishing: state-bureaucratic; bourgeois semicompetitive (though subject to a tendency toward economic concentration); independent (wherever radical theory can be legally self-published); and clandestine. The SI -- and any critical current anywhere -- uses and will continue to use the latter two methods; it may in many cases use the second one (to obtain a qualitatively different level of distribution) because of the contradictions left open by anarchic competition and the lack of enforced ideological orthodoxy; and it is of course totally incompatible only with the first one. The reason is very simple: the competitive bourgeois type of publishing does not claim to guarantee any consistency between itself and its different authors; the authors are not responsible for a publishing firm's operation and, conversely, the publisher has no direct responsibility for their life or ideas. Only state-bureaucratic publishing (or that of parties representing such a bureaucracy in formation) is in complete solidarity with its authors: it has to endorse its authors in everything and its authors also have to endorse it. Thus it represents a double impossibility for any revolutionary expression."

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

Response to a Questionnaire from the Center for Socio-Experimental Art

1. Why are the masses not concerned with art? Why does art remain the privilege of certain educated sectors of the bourgeois class?

The importance of the theme of the present questionnaire and the limited space allotted for answers oblige us to be somewhat schematic. The situationists' positions on these topics have been elaborated in more detail in the SI's journals (Internationale Situationniste, Der Deutsche Gedanke and Situationistisk Revolution) and in the catalog [The Situationists and the New Forms of Action in Politics and Art] published on the occasion of the "Destruction of RSG 6" demonstration in Denmark last June.

The masses, i.e. the nonruling classes, have no reason to feel concerned with any aspects of a culture or an organization of social life that have not only been developed without their participation or their control, but that have in fact been deliberately designed to prevent such participation and control. They are concerned (illusorily) only with the by-products specifically produced for their consumption: the diverse forms of spectacular publicity and propaganda in favor of various products or role models.

This does not mean, however, that art subsists merely as a "privilege" of the bourgeois class. In the past every dominant class had its own art -- for the same reasons that a classless society will have none, will be beyond artistic practice. But the historical conditions of our time, associated with a major breakthrough in man's appropriation of nature and thus bearing the concrete project of a classless society, are such that major art in this period has necessarily been revolutionary. What has been called modern art, from its origins in the nineteenth century to its full development in the first third of the twentieth, has been an anti-bourgeois art. The present crisis of art is linked to the crisis of the workers movement since the defeat of the Russian revolution and the modernization of capitalism.

Today a fake continuation of modern art (formal repetitions attractively packaged and publicized, completely divorced from the original combativeness of their models) along with a voracious consumption of bits and pieces of previous cultures completely divorced from their real meaning (Malraux, previously their most ludicrous salesman in the realm of "theory," is now exhibiting them in his "Culture Centers") are what actually constitute the dubious "privilege" of the new stratum of intellectual workers that proliferates with the development of the "tertiary sector" of the economy. This sector is closely connected to that of the social spectacle: this intellectual stratum (the requirements of whose training and employment explain both the quantitative extension of education and its qualitative degradation) is both the most direct producer of the spectacle and the most direct consumer of its specifically cultural elements.

Two tendencies seem to us to typify the contemporary cultural consumption offered to this public of alienated intellectual workers:

On one hand, endeavors such as the "Visual Art Research Group" clearly tend toward the integration of the population into the dominant socioeconomic system, along the lines currently being worked out by repressive urbanism and the theorists of cybernetic control. Through a veritable parody of the revolutionary theses on putting an end to the passivity of separated spectators through the construction of situations, this "Visual Art" group strives to make the spectator participate in his own misery -- taking its lack of dialectics to the point of "freeing" the spectator by announcing that it is "forbidden not to participate" (tract at the Third Paris Biennial).

On the other hand, "New Realism," drawing heavily on the form of dadaism (but not its spirit), is an apologetic junk art. It fits quite well in the margin of pseudofreedom offered by a society of gadgets and waste.

But the importance of such artists remains very secondary, even in comparison with advertising. Thus, paradoxically, the "Socialist Realism" of the Eastern bloc, which is not art at all, nevertheless has a more decisive social function. This is because in the East power is maintained primarily by selling ideology (i.e. mystifying justifications), while in the West it is maintained by selling consumer goods. The fact that the Eastern bureaucracy has proved incapable of developing its own art, and has been forced to adapt the forms of the pseudoartistic vision of petty-bourgeois conformists of the last century (in spite of the inherent ineffectuality of those forms), confirms the present impossibility of any art as a ruling-class "privilege."

Nevertheless, all art is "social" in the sense that it has its roots in a given society and even despite itself must have some relation to the prevailing conditions, or to their negation. Former moments of opposition survive fragmentarily and lose their artistic (or postartistic) value to the precise extent they have lost the heart of opposition. With their loss of this heart they have also lost any reference to the mass of postartistic acts (of revolt and of free reconstruction of life) that already exist in the world and that are tending to replace art. This fragmentary opposition can then only withdraw to an aesthetic position and harden rapidly into a dated and ineffectual aesthetic in a world where it is already too late for aesthetics -- as has happened with surrealism, for example. Other movements are typical of degraded bourgeois mysticism (art as substitute for religion). They reproduce -- but only in the form of solitary fantasy or idealist pretension -- the forces that dominate present social life both officially and in fact: noncommunication, bluff, frantic desire for novelty as such, for the rapid turnover of arbitrary and uninteresting gadgets -- lettrism, for example, on which subject we remarked that "Isou, product of an era of unconsumable art, has suppressed the very idea of its consumption" and that he has "proposed the first art of solipsism" (Internationale Situationniste #4).

Finally, the very proliferation of would-be artistic movements that are essentially indistinguishable from one another can be seen as an application of the modern sales technique of marketing the same product under rival trademarks.

2. How can art be really "social"?

The time for art is over. The point now is to realize art, to really create on every level of life everything that hitherto could only be an artistic memory or an illusion, dreamed and preserved unilaterally. Art can be realized only by being suppressed. However, in contrast to the present society, which suppresses art by replacing it with the automatic functioning of an even more passive and hierarchical spectacle, we maintain that art can really be suppressed only by being realized.

2. (cont.) Does the political society in which you live encourage or discourage your social function as an artist?

This society has suppressed what you call the social function of the artist.

If this question refers to the function of employees in the reigning spectacle, it is obvious that the number of jobs to be had there expands as the spectacle does. The situationists, however, do not find this employment opportunity the least bit attractive.

If, on the other hand, we take this question as referring to the inheriting of previous art through new types of activity, beginning with contestation of the whole society, the society in question naturally discourages such a practice.

3. Do you think your aesthetics would be different if you lived in a socially, politically or economically different society?

Certainly. When our perspectives are realized, aesthetics (as well as its negation) will be superseded.

If we were presently living in an underdeveloped country or in one subjected to archaic forms of domination (colonialism or a Franco-type dictatorship), we would agree that artists can to a certain extent participate as such in popular struggles. In a context of general social and cultural backwardness the social function of the artist still retains a certain significance, and a not entirely sham communication is still possible within the traditional forms.

If we were living in a country governed by a "socialist" bureaucracy, where information about cultural and other experimentation in advanced industrialized countries over the last fifty years is systematically suppressed, we would certainly support the minimum demand for dissemination of truth, including the truth about contemporary Western art. We would do this despite the inevitable ambiguity of such a demand, since the history of modern art, though already accessible and even glorified in the West, is nonetheless still profoundly falsified; and its importation into the Eastern bloc would first of all be exploited by hacks like Yevtushenko in their modernization of official art.

4. Do you participate in politics or not? Why?

Yes, but in only one kind: together with various other forces in the world, we are working toward the linkup and the theoretical and practical organization of a new revolutionary movement.

All the considerations we are developing here simultaneously demonstrate the need to go beyond the failures of previous specialized politics.

5. Does an association of artists seem necessary to you? What would be its objectives?

There are already numerous associations of artists, either without principles or based on one or another extravagant absurdity -- mutual aid unions, mutual congratulation societies, alliances for collective careerism. Works that on the slightest pretext are proclaimed "collective projects" are fashionable at the moment, and are even put in the limelight at the pitiful Paris biennials, thus diverting attention from the real problems of the supersession of art. We regard all these associations with equal contempt and accept no contact whatsoever with this milieu.

We do believe that a coherent and disciplined association for the realization of a common program is possible on the bases worked out by the Situationist International, provided that the participants are so rigorously selected that they all demonstrate a high degree of creative originality, and that in a sense they cease to be "artists" or to consider themselves as artists in the old sense of the word.

It could in fact be questioned whether the situationists are artists at all, even avant-garde ones. Not only because almost everyone in the cultural scene resists acknowledging them as such (at least once the whole of the situationist program is involved) or because their interests extend far beyond the former scope of art. Their nature as artists is even more problematic on the socioeconomic level. Many situationists support themselves by rather dubious methods, ranging from historical research to poker, from bartending to running puppet theaters. It is striking that of the 28 members of the Situationist International whom we have had to exclude so far, 23 personally had a socially recognized and increasingly profitable role as artists: they were known as artists despite their membership in the SI. But as such they were tending to reinforce the position of our enemies, who want to invent a "situationism" so as to finish with us by integrating us into the spectacle as just one more doomsday aesthetic. Yet while doing this, these artists wanted to remain in the SI. This was unacceptable for us. The figures speak for themselves.

It goes without saying that any other "objectives" of any association of artists are of no interest to us, since we regard them as no longer having any point whatsoever.

6. How is the work you are presenting here related to these statements?

The enclosed work obviously cannot represent a "situationist art." Under the present distinctly antisituationist cultural conditions we have to resort to "communication containing its own critique," which we have experimented with in every accessible medium, from film to writing, and which we have theorized under the name of détournement. Since the Center for Socio-Experimental Art has limited its survey to the plastic arts, we have selected, from among the numerous possibilities of détournement as a means of agitation, Michèle Bernstein's antipainting Victory of the Bonnot Gang. It forms part of a series including Victory of the Paris Commune, Victory of the Great Jacquerie of 1358, Victory of the Spanish Republicans, Victory of the Workers Councils of Budapest and several other victories. Such paintings attempt to negate "Pop Art" (which is materially and "ideologically" characterized by indifference and dull complacency) by incorporating only toy objects and by making them meaningful in as heavy-handed a way as possible. In a sense this series carries on the tradition of the painting of battles; and also rectifies the history of revolts (which is not over) in a way that pleases us. It seems that each new attempt to transform the world is forced to start out with the appearance of a new unrealism.

We hope that our remarks here, both humorous and serious, will help to clarify our position on the present relationship between art and society.

For the Situationist International:

J.V. MARTIN, JAN STRIJBOSCH, RAOUL VANEIGEM, RENÉ VIÉNET (6 December 1963)

Translated by Ken Knabb (slightly modified from the version in the Sitiuationist International Anthology).

Internationale Situationiste #10

Issue ten of the journal of the Situationist International

Address to Revolutionaries of Algeria and of All Countries

"Proletarian revolutions . . . pitilessly scoff at the hesitations, weaknesses and inadequacies of their first efforts, seem to throw down their adversary only to see him draw new strength from the earth and rise again formidably before them, recoil again and again before the immensity of their tasks, until a situation is finally created that goes beyond the point of no return."

--Marx, The Eighteenth Brumaire of Louis Bonaparte

Comrades,

The collapse of the revolutionary image presented by the international Communist movement is taking place forty years after the collapse of the revolutionary movement itself. This time gained for the bureaucratic lie -- that supplement to the permanent bourgeois lie -- has been time lost for the revolution. The history of the modern world pursues its revolutionary course, but unconsciously or with false consciousness. Everywhere there are social confrontations, but nowhere is the old order destroyed, not even within the very forces that contest it. Everywhere the ideologies of the old world are criticized and rejected, but nowhere is "the real movement that suppresses existing conditions" liberated from one or another "ideology" in Marx's sense of the word: ideas that serve masters. Revolutionaries are everywhere, but nowhere is there any real revolution.

The recent collapse of the Ben-Bellaist image of a quasi-revolution in Algeria is a striking example of this general failure. The superficial power of Ben Bella represented the moment of rigid balance between the movement of the Algerian workers toward the management of the entire society and the bourgeois bureaucracy in the process of formation within the framework of the state. But in this official balance the revolution had nothing with which to further its objectives -- it had already become a museum piece -- whereas those in possession of the state controlled all power, beginning with that fundamental repressive instrument, the army, to the point of finally being able to throw off their mask, i.e. Ben Bella. Two days before the putsch, at Sidi Bel Abbes, Ben Bella added the ridiculous to the odious by declaring that Algeria was "more united than ever." Now he has stopped lying to the people and the events speak for themselves. Ben Bella fell as he had reigned, in solitude and conspiracy, by a palace revolution. He was ushered out by the same forces that had ushered him in: Boumédienne's army, which had opened the road to Algiers for him in September 1962. Ben Bella's regime ratified the revolutionary conquests that the bureaucracy was not yet able to repress: the self-management movement. The forces so well hidden behind the "Muslim Brother" Boumédienne have this clear goal: to eliminate all self-management. The June 19th Declaration sums up the policy of the new regime with a mixture of Western technocratic jargon and bombast about enforcing Islamic moral values: "We must put a stop to the current stagnation, which is already manifesting itself in lowered productivity, decreasing profitability and a disturbing withdrawal of investments," while "keeping in mind our faith, our convictions and the secular traditions and moral values of our people."

The astonishing acceleration of practical demystification must now serve to accelerate revolutionary theory. The same society of alienation, of totalitarian control (here the sociologist predominates, there the police), and of spectacular consumption (here the cars and gadgets, there the words of the venerated leader) reigns everywhere, despite the diversity of its ideological and juridical disguises. The coherence of this society cannot be understood without an all-encompassing critique, illuminated by the inverse project of a liberated creativity, the project of everyone's control of all levels of their own history. This is the demand in acts of all proletarian revolutions, a demand until now defeated by the specialists of power who take over revolutions and turn them into their own private property.

To revive and bring into the present this inseparable, mutually illuminating project and critique entails appropriating all the radicalism borne by the workers movement, by modern Western poetry and art (as preface to an experimental research toward a free construction of everyday life), by the thought of the period of the supersession and realization of philosophy (Hegel, Feuerbach, Marx), and by the liberation struggles from the Mexico of 1910 to the Congo of today. To do this, it is first of all necessary to recognize, without holding on to any consoling illusions, the full extent of the defeat of the entire revolutionary project in the first third of this century and its official replacement, in every region of the world and in every domain of life, by delusive shams and petty reforms that camouflage and preserve the old order. The domination of bureaucratic state-capitalism over the workers is the opposite of socialism -- this is a fact that Trotskyism has refused to face. Socialism exists wherever the workers themselves directly manage the entire society. It therefore exists neither in Russia nor in China nor anywhere else. The Russian and Chinese revolutions were defeated from within. Today they provide the Western proletariat and the peoples of the Third World with a false model which actually serves as a mere counterbalance to the power of bourgeois capitalism and imperialism.

A resumption of radicality naturally requires a considerable deepening of all the old attempts at liberation. Seeing how those attempts failed due to isolation, or were converted into total frauds, enables one to get a better grasp of the coherence of the world that needs to be changed. In the light of this rediscovered coherence, many of the partial explorations of the recent past can be salvaged and brought to their true fulfillment (the liberating content of psychoanalysis, for example, can be neither understood nor realized apart from the struggle for the abolition of all repression).(1) Insight into this reversible coherence of the world -- its present reality in relation to its potential reality -- enables one to see the fallaciousness of half-measures and to recognize the presence of such half-measures each time the operating pattern of the dominant society -- with its categories of hierarchization and specialization and its corresponding habits and tastes -- reconstitutes itself within the forces of negation.

Moreover, the material development of the world has accelerated. It constantly accumulates more potential powers; but the specialists of the management of society, because of their role as guardians of passivity, are forced to ignore the potential use of those powers. This same development produces widespread dissatisfaction and objective mortal dangers which these specialized rulers are incapable of permanently controlling. The fundamental problem of underdevelopment must be resolved on a worldwide scale, beginning with the revolutionary overcoming of the irrational overdevelopment of productive forces in the framework of the various forms of rationalized capitalism. The revolutionary movements of the Third World can succeed only on the basis of a lucid contribution to global revolution. Development must not be a race to catch up with capitalist reification, but a satisfaction of all real needs as the basis for a genuine development of human faculties.

New revolutionary theory must move in step with reality, it must keep abreast with the revolutionary praxis which is starting up here and there but which yet remains partial, mutilated and without a coherent total project. Our language, which will perhaps seem fantastic, is the very language of real life. History continues to present ever more glaring confirmations of this. If in this history the familiar is not necessarily known, it is because real life itself only appears in a fantastic form, in the upside-down image imposed on it by the modern spectacle of the world: in the spectacle all social life, including even the representation of sham revolutions, is written in the lying language of power and filtered by its machines. The spectacle is the terrestrial heir of religion, the opium of a capitalism that has arrived at the stage of a "society of abundance" of commodities. It is the illusion actually consumed in "consumer society."

The sporadic explosions of revolutionary contestation are countered by an international organization of repression, operating with a global division of tasks. Each of the blocs, or of the spinoff splinters of blocs, ensures the lethargic sleep of everyone within its sphere of influence, contributing toward maintaining a global order that remains fundamentally the same. This permanent repression ranges from military interventions to the more or less complete falsification practiced today by every constituted power: "The truth is revolutionary" (Gramsci) and all existing governments, even those issuing out of the most liberatory movements, are based on lies inside and out. It is precisely this repression that constitutes the most resounding verification of our hypotheses.

Revolutionary endeavors of today, because they have to break all the rules of false understanding imposed by the "peaceful coexistence" of reigning lies, begin in isolation, in one particular sector of the world or in one particular sector of contestation. Possessing only the most rudimentary conception of freedom, they attack only the most immediate aspect of oppression. As a result, they meet with the minimum degree of aid and the maximum of repression and slander (they are accused of rejecting one existing order while necessarily approving of an existing variant of it). The more difficult their victory, the more easily it is confiscated by new oppressors. The next revolutions can find aid in the world only by attacking this world as a whole. The freedom movement of the American blacks, if it can assert itself incisively, will call into question all the contradictions of modern capitalism; it must not be sidetracked by the "black nationalism" and "black capitalism" of the Black Muslims. The workers of the United States, like those in England, are engaging in "wildcat strikes" against the bureaucratized unions that aim first of all at integrating them into the concentrated, semiregulated capitalist system. It is with these workers and with the students who have just won their strike at the University of California in Berkeley that a North American revolution can be made; and not with the Chinese atom bomb.

The movement drawing the Arab peoples toward unification and socialism has achieved a number of victories over classical colonialism. But it is more and more evident that it must finish with Islam, an obviously counterrevolutionary force as are all religious ideologies. It must grant freedom to the Kurdish people. And it must stop swallowing the Palestinian pretext that justifies the dominant policy in the Arab states -- a policy that insists on the destruction of Israel and thereby perpetuates itself since this destruction is impossible. The repressive forces of the state of Israel can be undermined only by a model of a revolutionary society realized by the Arabs. Just as the success of a model of a revolutionary society somewhere in the world would mean the end of the largely sham confrontation between the East and the West, so would end the Arab-Israel confrontation which is a miniature version of it.

Revolutionary endeavors of today are abandoned to repression because it is not in the interest of any existing power to support them. So far, no practical organization of revolutionary internationalism exists to support them. We passively watch their combat and only the delusory babble of the UN or of the specialists of "progressive" state powers accompanies their death throes. In Santo Domingo US troops dared to intervene in a foreign country in order to back up fascist army officers against the legal government of the Kennedyist Caamano, simply for fear that he would be overwhelmed by the people he had had to arm. What forces in the world took retaliatory measures against the American intervention? In the Congo in 1960 Belgian paratroopers, UN expeditionary forces and the Mining Association's tailor-made state [Katanga] broke the impetus of the people who thought they had won independence, and killed Lumumba and Mpolo. In 1964 Belgian paratroopers, American transport planes, and South African, European and anti-Castroist Cuban mercenaries pushed back the second insurrectional wave of the Mulelists. What practical aid was provided by "revolutionary Africa"? A thousand Algerian volunteers, victors of a much harder war, would have been enough to prevent the fall of Stanleyville. But the armed people of Algeria had long been replaced by a classical army on lease to Boumédienne, who had other plans.

The next revolutions are confronted with the task of understanding themselves. They must totally reinvent their own language and defend themselves against all the forms of cooption prepared for them. The Asturian miners' strike (virtually continuous since 1962) and all the other signs of opposition that herald the end of Francoism do not indicate an inevitable future for Spain, but a choice: either the holy alliance now being prepared by the Spanish Church, the monarchists, the "left Falangists" and the Stalinists to harmoniously adapt post-Franco Spain to modernized capitalism and to the Common Market; or the resumption and completion of the most radical aspects of the revolution that was defeated by Franco and his accomplices on all sides -- the revolution that realized truly socialist human relationships for a few weeks in Barcelona in 1936.

The new revolutionary current, wherever it appears, must begin to link up the present contestatory experiences and the people who bear them. While unifying such groups, it must at the same time unify the coherent basis of their project. The first gestures of the coming revolutionary era embody a new content, both visible and hidden, of the critique of present societies, and new forms of struggle; and also the irreducible moments of all the old revolutionary history that has remained in abeyance, moments which reappear like ghosts. Thus the dominant society, which prides itself so much on its constant modernization, is going to meet its match, for it is at last beginning to produce its own modernized negation.

Long live the comrades who in 1959 burned the Koran in the streets of Baghdad!

Long live the workers councils of Hungary, defeated in 1956 by the so-called Red Army!

Long live the dockers of Aarhus who last year effectively boycotted racist South Africa, in spite of their union leadership and the judicial repression of the Danish social-democratic government!

Long live the "Zengakuren" student movement of Japan, which actively combats the capitalist powers of imperialism and of the so-called "Communist" bureaucracies!

Long live the workers' militia that defended the northeastern districts of Santo Domingo!

Long live the self-management of the Algerian peasants and workers! The option is now between the militarized bureaucratic dictatorship and the dictatorship of the "self-managed sector" extended to all production and all aspects of social life.

SITUATIONIST INTERNATIONAL
Algiers, July 1965 (circulated clandestinely)

[TRANSLATOR'S NOTE]

1. "The discoveries of psychoanalysis have, as Freud suspected, turned out to be unacceptable for the ruling social order -- or for any society based on repressive hierarchy. But Freud's 'centrist' position, stemming from his absolute, ahistorical identification of 'civilization' with repression by exploitation of labor, and thus his carrying out of a partially critical research within an uncriticized overall system, led psychoanalysis to become officially 'recognized' in all its degraded variants without being accepted in its central truth, namely its potential critical use. This failure is of course not exclusively attributable to Freud himself, but rather to the collapse in the 1920s of the revolutionary movement, the only force that could have brought the critical findings of psychoanalysis to some fulfillment. The subsequent period of extreme in reaction in Europe drove out even the partisans of psychoanalytic 'centrism.' The psychoanalytic debris who are now in fashion (in the West, at least) have all developed out of this initial capitulation, in which an unacceptable critical truth was turned into acceptably innocuous verbiage. By surrendering its revolutionary cutting edge, psychoanalysis exposed itself both to being used by all the guardians of the present Sleep and to being disparaged for its insufficiencies by run-of-the-mill psychiatrists and moralists." (Internationale Situationniste #10, p. 63.) "Cardan [Cornelius Castoriadis], who here as elsewhere seems to think that it suffices to speak of something in order to have it, vaguely blathers on about 'imagination' in an attempt to justify the gelatinous flabbiness of his thought. He latches onto psychoanalysis (just as does the official world nowadays) as a justification of irrationality and of the profound motivations of the unconscious, although the discoveries of psychoanalysis are in fact a weapon -- as yet unused due to obvious sociopolitical reasons -- for a rational critique of the world. Psychoanalysis profoundly ferrets out the unconscious, its poverty and its miserable repressive maneuvers, which only draw their force and their magical grandeur from a quite banal practical repression in daily life." (Internationale Situationniste #10, p. 79.)

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

The Class Struggles in Algeria

One might almost think that the new Algerian regime's sole aim has been to confirm the brief analysis the SI made of it in the Address to Revolutionaries that we issued in Algiers soon after its inaugural putsch.

Liquidating self-management is the total content of Boumédienne's regime, its only real activity; and that project began the very moment the state, through the deployment of the military force that was the only crystallization it achieved under Ben Bella, its only solid structure, declared its independence vis-Ã -vis Algerian society. The state's other projects -- the technocratic reorganization of the economy, the social and juridical extension of its power base -- are beyond the capacities of the present ruling class in the real conditions of the country. The mass of undecided, who had not been enemies of Ben Bella but who were disappointed by him and who waited to judge the new regime by its actions, can now see that it is ultimately doing nothing but establishing an autonomous state dictatorship and thereby declaring war on self-management. Even to formulate specific accusations against Ben Bella or to destroy him publicly seems to be beyond its power for a long time to come. The only remnant of "socialism" professed in Algeria is precisely that core of inverted socialism, that product of the general reaction within the workers movement itself which the defeat of the Russian revolution bequeathed as a positive model to the rest of the world, including Ben Bella's Algeria: the big lie of the police state. Under such a regime the political enemy is not condemned for his real positions, but for the opposite of what he was; or else he suddenly fades into an organized silence -- he never existed, either for the tribunal or for the historian. And Boumédienne, from the beginning one of those most responsible for the fact that Algerian self-management is only a caricature of what it needs to be, officially calls it "a caricature" in order to reorganize it authoritarianly. In the name of an essence of self-management ideologically backed by the state, Boumédienne rejects self-management's actual fledgling manifestations.

The same inversion of reality determines the Boumediennist critique of the past. What Ben Bella is reproached for having done, or for having gone too far in, is precisely what he did not do and what he scarcely pretended to strive for -- the liberation of the women or real support for the liberation struggles in Africa, for example. The present regime lies about the past because of its own profound unity with that past. The Algerian ruling class has not changed, it is reinforcing itself. It reproaches Ben Bella for having done poorly what he had in fact only pretended to do; for a revolutionariness that it itself has now ceased even simulating. The Algerian ruling class, before June 19 as well as after, is a bureaucracy in formation. It is pursuing its consolidation by partially changing the way its political power is shared out. Certain strata of this bureaucracy (military and technocratic) are predominating over others (political and unionist). The basic conditions remain the weakness of the national bourgeoisie and the pressure from the poverty-stricken peasant and worker masses, a part of which took over the self-managed sector when the former (European) ruling class fled the country. The merging of the Algerian bourgeoisie with the state bureaucracy is easier with the new ruling strata that Boumédienne represents; moreover, this evolution harmonizes better with the region of the global capitalist market to which Algeria is linked. In addition, the bureaucratic strata that ruled with Ben Bella were less capable of an open struggle against the demands of the masses. Ben Bella and the unstable social balance of power, which was the temporary result of the struggle against France and the colonists, were overthrown at the same time. When they saw themselves supplanted, the previously predominant bureaucratic strata (the leaders of the FLN Federation of Greater Algiers and the General Union of Algerian Workers) hesitated, then rallied to the new regime because their solidarity with the state bureaucracy as a whole was naturally stronger than their ties to the mass of workers. The agricultural workers union, whose congress six months before had adopted the most radical positions on self-management, was the first to come over.

Among the bureaucratic forces in the lobbies of power around Ben Bella, two mutually antagonistic but related groupings had a special status: the Algerian Communist Party and the foreign leftists -- nicknamed "pieds-rouges" -- who had put themselves at the service of the Algerian state. They were not so much in power as pretenders to power. Poor relative of power, waiting to inherit it, this extreme left wing of the bureaucracy acquired its credentials as representative of the masses through its connection with Ben Bella: it drew its mandate not from the masses but from him. It dreamed of one day getting a monopoly on this power over the masses, this power that Ben Bella still shared on all sides. Since Ben Bella was personally its only access to present power and its main promise for the future, its only guarantee of being tolerated (its Sukarno),(1) the bureaucratic left demonstrated in his defense, but in an uncertain manner. Just as it respectfully flocked around the state, it placed itself on the terrain of the state to oppose the unfavorable shift of the relation of forces within the state. Here again the Boumediennist critique of these elements, lumped together as "foreigners," in the name of a specifically Algerian Socialism, is entirely false. Far from "making theory for theory's sake" (El Moudjahid, 22 September 1965), the pieds-rouges represented an exhausted mixture of complete theoretical nullity and of unconscious or consciously hidden counterrevolutionary tendencies. Far from wanting to make adventurous utopian "experiments" in Algeria, they possessed nothing but mistakes or lies that had been revealed as such a thousand times. The best revolutionary ideas of the pieds-rouges were unsuitable not because they came from too far away, but because they were repeated much too late. It was a matter of history, not geography.

More radical and more isolated, at the extreme left of the Ben Bella regime, Mohammed Harbi was the thinker of self-management, but only by grace of the prince, in the bureaus of power. Harbi rose to the highest point reached by Algerian revolutionary thought: up to the idea of self-management, but not at all up to its consistent, effective practice. He understood its notion, but not its being. He occupied the self-contradictory position of governmental theorist of self-management. More accurately, he might be considered its court poet: soaring above practice, he eulogized self-management more than he theorized it. The self-management state, that logical monstrosity, had in Harbi its celebrator and its guilty conscience. Boumédienne's tanks in the streets meant a rationalization of the state, a state that wanted henceforth to free itself from the ridiculous self-contradictions of the Ben-Bellaist balance of power and from any guilty conscience and to simply be a state. It then became clear that Harbi, the unarmed prophet of self-management, had not envisaged self-management's self-defense, its defense on its own terrain, but only its defense through the mediation of Ben Bella. But if Harbi counted on Ben Bella alone to defend self-management, who did he count on to defend Ben Bella? The thinker of self-management was protected by Ben Bella, but who was going to protect his protector? He believed that Ben Bella, the incarnation of the state, would remain universally accepted in Algeria, although Harbi himself only accepted his "good side" (his token recognition of self-management). But the real process advanced by way of his bad side: the forces that followed the opposite line of argument on Ben Bella were more capable of intervention. Ben Bella was not the resolution of the Algerian contradictions, he was only their temporary cover. History has shown that Harbi and those who thought like him were mistaken. They will now have to radicalize their ideas if they want to effectively fight the Boumediennist dictatorship and realize self-management.

The fall of Ben Bella is a landmark in the collapse of global illusions regarding the "underdeveloped" version of pseudosocialism. Castro remains its last star, but he, who could previously argue with some plausibility that elections were unnecessary because the people were armed, is now demanding that all arms be turned in, and his police are rounding them up (Reuters, 14 August 1965). His second in command, Guevara, has already disappeared without any explanation being given to the masses from whom these leaders had demanded a blind personal confidence. Meanwhile the Algerians who are experiencing the fragility of Ben-Bellaist socialism are also discovering the value of all the so-called socialist camp's concern for their cause: the Chinese, Russian and Cuban states, along with Nasser, are naturally rushing to outdo each other in fraternal greetings to Boumédienne's regime. Revolutions in the underdeveloped countries will continue to fail miserably as long as they recognize and emulate any existing model of socialist power, since they are all manifestly false ones. The disintegrated official Sino-Soviet version of this socialism and the "underdeveloped" version of it mutually admire and reinforce each other and both lead to the same outcome. The first underdevelopment we have to get beyond is the worldwide underdevelopment of revolutionary theory.

The internal struggles of the Algerian bureaucracy, both during the war of independence and in the postwar 1962-1965 period, took the form of clan struggles, personal rivalries, inexplicable disputes among the leaders, obscure shifts of alliances. This was a direct continuation of the conditions prevailing around Messali Hadj since before the Algerian revolt. Not only was all theory absent, even ideology was only summarily improvised and confused; everything remained centered around superficial, abstract political questions. Since June 19 another period has begun: that of the confrontation between the ruling class and the workers, and this is the real movement that creates the conditions and need for a theory. As early as July 9, at a meeting of delegates from 2500 self-managed enterprises held at Algiers and chaired by Minister of Industry Boumaza, the delegates expressed to the latter their insistence on self-management as an inviolable principle and made a series of critiques concerning the state's role in limiting this principle. The delegates "questioned the multiplicity of overseers (prefectures, ministries, party) and denounced the heavy taxation and the state's nonpayment of debts; some delegates also brought up the problem of layoffs, the 'draconian' demands of the foreign suppliers and the paralyzing role of the customs department" (Le Monde, 10 July 1965).

Those delegates knew what they were talking about. Since [Boumédienne's] June 19th Declaration -- in which the term "self-management" is not even mentioned once -- the regime has been preparing the "stabilization" of the economic situation through the strengthening of state control and the accelerated training of "cadres." It aimed to start collecting installment payments as soon as possible for the more than 100,000 squatted lodgings; to recover money "stolen from the state" in the self-managed enterprises; to reduce the wearing out of poorly maintained equipment; and to regularize all the illegal seizures carried out by the masses upon the departure of the French. Since then, in spite of the fact that self-management is the very form through which the paralyzing respect for property (private or state), which has been such an obstacle in the workers movement, can be overcome, the workers in the self-managed sector, awaiting their several-months-overdue wages, are continually reproached for having stolen a large part of what they have produced. The most urgent goal of the Algerian state, which already has enough soldiers and police, is to train 20,000 accountants a year.

The central struggle, veiled and open, immediately broke out between the ruling class representatives and the workers precisely over the issue of self-management. The "reassuring" declarations of Boumaza and Boumédienne didn't fool anyone. The "labor unrest" alluded to by Le Monde on October 3 is a euphemism for the resistance of the sole bastion of socialist revolution in Algeria -- the self-managed sector -- against the most recent maneuvers of the ruling bureaucratic-bourgeois coalition. The union leaders themselves could not remain silent: their official status as representatives of the workers vis-Ã -vis the state and their social status as left wing of the ruling class were at stake. The September articles in Révolution et Travail -- in which genuine workers' demands ("when workers are reduced to poverty, self-management is violated") are mixed with expressions of the union leaders' increasing alarm ("agreement with the June 19th Declaration's analyses," but denunciation of the technocrats and economists) -- exactly reflect this situation of overlapping vertical and horizontal struggles. The increasing reference to "economic anarchy" (which always really means self-management), the judicial measures against the self-managed sector (e.g. forcing the self-managed enterprises to pay back-taxes), which the newspapers talk about less, and the restitution of the Norcolor factory to its former owner -- all this shows these "labor" leaders that soon they will no longer have a place in the ruling apparatus. The new pretenders are already there: the "scramble for power of dubious elements" that outrages Révolution et Travail expresses the ruling class's swing to the right. The techno-bureaucrats and the military have no possible allies but the representatives of the traditional bourgeoisie. At the same time that the officers, in the style of South American armies, are attaining bourgeois status (everyone knows about their BMWs, duty-free and 30% discounted), a multitude of Algerian bourgeois, following in the footsteps of the Norcolor owner, are returning to the country in the expectation of recovering their property, seized "in completely illegal conditions by unscrupulous persons" (Boumaza). Added to these challenges is the rapid increase in food prices. The workers, thoroughly aware of this process, are resisting on the spot: the repeated strikes in the Renault factories, the strikes of the press and parcel distributors and of the telephone and insurance workers, the demonstrations of the unpaid workers of Mitidja -- these are the first steps of a movement of rage which, if it asserts itself effectively, is capable of sweeping aside the whole present regime.

Incapable of mastering a single one of their problems, the rulers react with constant delirious conferences, constant torture in their prisons, and denunciations of the "slackening of moral standards." El Moudjahid (7 December 1965) attacks "the erotic sentimentalism of a young generation without political commitment" and the (accurate) views of those who "are tempted to reject religion as being a restraint on their taste for pleasure and on their liberation, which they take simply to mean their possibilities for pleasure, and who consider the contributions of Arab civilization as a step backward." The tone is no different from that used by the rulers in Washington or Moscow when they regretfully announce their lack of confidence in the young generation. And after a few months the new regime is emulating Ben Bella in its most ludicrous Islamic manifestation: the prohibition of alcohol.

The present opposition to the Boumediennist dictatorship is twofold: On one side, the workers are defending themselves in the enterprises (self-managed or not); they are the real contestation implied in the facts. On another side, the leftists of the FLN apparatus are trying to re-form a revolutionary apparatus. The first effort of the Organisation de la Résistance Populaire, led by Zahouane and supported by the French Stalinists, was a hollow declaration that only appeared six weeks after the coup, a declaration that analyzed neither the present regime nor the means to oppose it. Its second appeal was addressed to the Algerian police, from whom it anticipated revolutionary support. This strategy proved to be somewhat of a miscalculation since by the end of September those police had arrested Zahouane and broken up his first clandestine network (Harbi himself had already been arrested in August). The ORP is continuing its activity, beginning to collect contributions "for Ben Bella" from Algerian workers in France and winning over the majority of the student leaders. This apparatus (underground or in exile) is counting on an economic-political crisis in Algeria in the near future to reestablish its influence with the struggling Algerian workers. In this Leninist perspective it will present itself, with or without the banner of Ben Bella, as the solution for a replacement of the Boumediennist regime.

What is nevertheless going to prevent the establishment of a Bolshevik-type apparatus, striven for by so many militants? The time passed since Lenin and his failure, and the continued and evident degradation of Leninism, which is directly expressed by these leftists' allying with and fighting each other in every sort of variant -- Khrushchevo-Brezhnevists, Maoists, sub-Togliattists, pure and semi-Stalinists, all the shades of Trotskyism, etc. All of them refuse, and are forced to refuse, to clearly face the essential problem of the nature of the "socialism" (i.e. of the class power) in Russia and China, and consequently also in Algeria. Their main weakness during the struggle for power is also the main guarantee of their counterrevolutionary role if they were to accede to power. These leftists will present themselves as a natural continuation of the personalized political confusion of the preceding period; but the real class struggle in Algeria has now brought that period to a close. Their doubts about Ben Bella overlapped with their doubts on the world (and on socialism) and will continue after Ben Bella. They don't say all they know and they don't know all they say. Their social base and their social perspective is that bureaucratic sector which came out worst in the power reshuffle and which wants to regain its old position. Seeing that they can no longer hope to dominate the regime, they turn toward the people in order to dominate the opposition. Nostalgic bureaucrats or would-be bureaucrats, they want to counterpose "the people" to Boumédienne, whereas Boumédienne has already revealed to the masses the real focus of opposition: state bureaucrat versus worker. But the most despicable aspect of their bolshevism is this glaring difference: the Bolshevik Party did not know the sort of bureaucratic power it was going to end up establishing, whereas these leftists have already been able to see, in the world and among themselves, that bureaucratic power which they wish to restore in a more or less purified form. The masses, if they have the chance to choose, will not choose this corrected version of a bureaucracy whose essential elements they have already had the opportunity of experiencing. The Algerian intellectuals who don't rally to the regime still have the choice between participating in this apparatus or seeking a direct linkup with the autonomous movement of the masses. As for the Algerian petty bourgeoisie (storekeepers, lower functionaries, etc.), it will naturally tend to support the new technocratic-military bureaucracy rather than the bureaucratic leftists.

The only road to socialism, in Algeria as everywhere else, passes through "an offensive and defensive pact with the truth," as a Hungarian intellectual put it in 1956. People in Algeria who got the SI's Address understood it. Wherever practical revolutionary conditions exist, no theory is too difficult. Villiers de l'Isle-Adam, a witness to the Paris Commune, noted, "For the first time one can hear the workers exchanging their opinions about problems that until now have been considered only by philosophers." The realization of philosophy, the critique and reconstruction of all the values and behavior imposed by alienated life -- this is the maximum program of generalized self-management. The leftist militants of the bureaucratic groups tell us that these theses are correct but that the time has not yet come when one can tell the masses everything. Those who argue in such a perspective never see this time as having come, and in fact they contribute toward making sure that it never does come. It is necessary to tell the masses what they are already doing. The specialized thinkers of revolution are the specialists of its false consciousness, who afterwards come to realize that they have done something entirely different from what they thought they were doing. This problem is aggravated here by the particular difficulties of underdeveloped countries and by the persistent theoretical weakness in the Algerian movement. Although the strictly bureaucratic fringe within the present opposition is extremely small, its very existence as a "professional leadership" is a form that weighs on and determines the content of that opposition. Political alienation is always related to the state. Self-management can expect nothing from revived Bolsheviks.

Self-management must be both the means and the end of the present struggle. It is not only what is at stake in the struggle, but also its adequate form. It is its own tool. It is itself the material it works on, and its own presupposition. It must totally recognize its own truth. The state power proposes the contradictory and absurd project of "reorganizing self-management"; it is in fact self-management that must organize itself as a power or disappear.

Self-management is the most modern and most important tendency to appear in the struggle of the Algerian movement, and it is also the one that is the least narrowly Algerian. Its meaning is universal. In contrast to the Yugoslavian caricature that Boumédienne wants to emulate, which is only a semi-decentralized instrument of state control ("We have to decentralize in order better to control the self-managed enterprises," Boumédienne openly admits in Le Monde, 10 November 1965), a subordinate level of central administration; and in contrast to the Proudhonian mutualism of 1848, which aimed at organizing on the margins of private property, real self-management -- revolutionary self-management -- can be won only through the armed abolition of the titles of existing property. Its failure in Turin in 1920 was the prelude to the armed domination of Fascism. The bases for a self-managed production in Algeria were spontaneously formed -- as in Spain in 1936, as in Paris in 1871 in the workshops abandoned by the Versaillese -- wherever the owners had to flee following their political defeat: on vacant property. These takeovers are a vacation from property and oppression, a temporary break from alienated life.

Such self-management, by the simple fact that it exists, threatens the society's entire hierarchical organization. It must destroy all external control because all the external forces of control will never make peace with it as a living reality, but at most only with its label, with its embalmed corpse. Self-management cannot coexist with any army or police or state.

Generalized self-management, "extended to all production and all aspects of social life," would mean the end of the unemployment that affects two million Algerians, but it would also mean the end of all aspects of the old society, the abolition of all its spiritual and material enslavements and the abolition of its masters. The present fledgling effort toward self-management can be controlled from above only because it consents to exclude below it that majority of the workers who don't participate in it or who are unemployed; and because even within its own enterprises it tolerates the formation of dominating strata of "directors" or management professionals who have worked their way up from the base or been appointed by the state. These managers are the state virus within that which tends to negate the state; they are a compromise. But the time for compromise is past, both for the state power and for the real power of the Algerian workers.

Radical self-management, the only kind that can endure and conquer, refuses any hierarchy within or outside itself. It must also reject in practice any hierarchical separation of women (an oppressive separation openly accepted by Proudhon's theory as well as by the backward reality of Islamic Algeria). The self-management committees, as well as all the delegates in the federations of self-managed enterprises, should be revocable at any moment by their base, this base obviously including all the workers, without any distinctions between permanent and seasonal ones.

The only program for the Algerian socialist elements consists in the defense of the self-managed sector, not only as it is but as it must become. This defense must therefore counter the purge carried out by the state with another purge within self-management: a purge carried out by its rank and file against everything that negates it from within. A revolutionary assault against the existing regime is only possible with a continued and radicalized self-management as its point of departure. By putting forward the program of quantitatively and qualitatively increased workers' self-management, one is calling on all the workers to directly take on the cause of self-management as their own cause. By demanding not only the defense of self-management but its extension to the point of dissolving all specialized activity not answerable to self-management, Algerian revolutionaries can show that this defense is the concern not only of the workers of the temporarily self-managed sector, but of all the workers, as the only way toward a definitive liberation. In this way they will demonstrate that they are struggling for the liberation of everyone and not for their own future domination as specialists of revolution; that the victory of "their party" must at the same time be its end as a separate party.

As a first step, it is necessary to envisage linking up self-management delegates with each other and with the enterprise committees that are striving for self-management in the private and state sectors; to disseminate and publish all information on the workers' struggles and the autonomous forms of organization that emerge out of them, and to extend and generalize these forms as the sole path for a profound contestation. At the same time, through the same clandestine relations and publications, it is necessary to develop the theory of self-management and its requirements, within the self-managed sector itself and before the masses of Algeria and the world. Self-management must become the sole solution to the mysteries of power in Algeria, and it must know that it is that solution.

SITUATIONIST INTERNATIONAL
Algiers, December 1965 (circulated clandestinely)

TRANSLATOR'S NOTE

1. Sukarno (president of Indonesia 1945-1967) "reigned à la Ben Bella, by basing his power on the obvious antagonism between the army and the most powerful Stalinist party of Asia" (Internationale Situationniste #10, p. 44) -- until the army carried out a coup (1965) in which hundreds of thousands of Communists were massacred, and shortly afterwards removed Sukarno from power.

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

The Ideology of Dialogue

The situationists' practice of concretely breaking with apologists for any aspect of the present social order (particularly visible with regard to the leading representatives of the culture and politics of submission, and including as its extreme case the exclusion of certain members of the SI) has been subject to the greatest misunderstanding, although it follows quite directly from our basic positions. Certain commentators have propagated the most hostile interpretations of this practice, thereby causing concern among semi-informed people. The reality in this particular case is quite simple. Those who accept one or more variants of the prevailing pseudodialogue become the advocates of a new type of free exchange in the name of an abstract right to dialogue at any price (payable in avowed concessions to falsehood), and they reproach us for interrupting this fake dialogue. It is, however, only in this way that we are able to be the bearers of the reality of dialogue. On the question of exclusion, we believe that through experimentation we have made an advance in determining the requirements for the nonhierarchical organization of joint projects, which projects can be sustained only by the self-discipline of individuals proving themselves in the coherence of the theories and acts through which each member strives to merit his joint responsibility with all the others. The one-sidedness of Stirner's notions on the relations of the egoist with the organization that he enters or leaves at whim (though it does contain a kernel of truth regarding that aspect of freedom) does not allow any independent basis for his passive and defenseless ghost of an "organization." Such an incoherent and undisciplined organization is at the mercy of any individual "egoist," who can cynically exploit it for his own ends while disdaining any social aims it might have (and in fact the Stirnerian individual can just as well enter the most reactionary association for his own personal profit). But a free association -- "a bond, not a power" -- in which several individuals meet on a common basis cannot be passively subject to someone's individual whim. Those who wish neither to judge nor to command must be able to reject any person whose conduct would implicate them. When the SI excludes someone, we are calling him to account not for his life but for ours, for the common project that he would falsify (whether out of hostile intentions or through mere lack of discernment). Each side remains individually free (the fact that this freedom is generally impoverished is another problem, without which there would be no need for undertakings like the SI) and by throwing back on his own an individual who has always remained autonomous we are only expressing the fact that this autonomy was not able to fulfill itself within our common project. In rejecting someone in accordance with the rules of the game that he thought he had accepted, or had pretended to accept, it is our own resignation that we are rejecting.

It may be helpful to elucidate these remarks with excerpts from two letters recently addressed to one of our correspondents in East Europe.

(First letter.) Our theoretical positions (on play, language, etc.) would not only risk becoming mendacious and valueless, they would already be without value if we held them in coexistence with some doctrinal dogmatism, whatever it might be. All of us believe, as you do, that "the freedom to travel all the unaccustomed paths" must be absolute (and not only on the artistic or theoretical plane, but in all aspects of practical life). For a thousand reasons, of which the experience of the Eastern bloc is the most obvious, we know that an ideology in power turns any partial truth into an absolute lie. . . . We are not a power in society, and thus our "exclusions" only express our freedom to distinguish ourselves from the confusionism around us or even among us, which confusionism is much closer to the actual social power and partakes of all its benefits. We have never wished to prevent anyone from expressing their ideas or doing what they want (and we have never sought to be in a position to exert such pressure). We merely refuse to be ourselves mixed up with ideas and acts that run contrary to our convictions and tastes. Note that this is all the more vital in that we have hardly any freedom to express our own convictions and tastes, due to their going so sharply against the mainstream. Our "intolerance" is nothing but a very limited response to the very strict intolerance and exclusion that we run into everywhere, particularly among the "intellectual establishment" (considerably more intense than the hostility the surrealists had to endure), and which we scarcely find surprising. Just as we are in no degree a controlling power in society, we refuse to become one one day by means of some political reshuffling (we are in this regard partisans of radical self-management, of workers councils abolishing all separate state power or even separate "theoretical" power); and we are refusing to transform ourselves into any power whatsoever, even on the small scale that we would be allowed, when we refuse to enlist disciples, who would give us, along with the right of control and direction over themselves, a greater recognized social standing as representatives of one more artistic or political ideology. . . . One should not confuse the practical conditions of free thought here and in the East -- or in Spain, for example. In countries where nothing can be openly expressed, it is obviously necessary to support the right of everyone to express themselves. But in places where everyone can express themselves (though under conditions of enormous inequality) any radical thought -- without of course wishing to suppress this practical freedom -- must first of all clear the way for its own "unaccustomed path," must assert its own right to exist without being "coopted" and distorted by the social order which manifestly reigns behind this visible confusion and complexity and which ultimately possesses the monopoly of appearances (cf. our critique of the "spectacle" in the consumer society of commodity abundance). Finally, the reigning "tolerance" is one-way, and this on a global scale in spite of the antagonisms and complexity of the different types of exploitive societies. What the tolerant people who are in a position to express themselves tolerate, fundamentally, is the established power everywhere. You tell us that you live in X... If you were in Paris you would see how many of these tolerant leftist intellectuals turn out to be undecided, understanding and tolerant toward the established conditions in X... or in Peking. What they call "the sense of history" is their Hegelian adherence to what they read in the daily papers.

(Second letter.) A radically different point of departure in fact first of all restores the truth of the liberatory endeavors of the past. It is necessary to break clearly with the old confusion, and therefore with its partisans, whether they be open, cunning or simply unconscious. We obviously have to bear the negative consequences of the attitude we have chosen, and we have to acknowledge this negativity. . . . We are in complete agreement with you on the interrelation of all aspects of the problem of the present avant-garde. We are in fact trying to initiate dialogue everywhere that that state of mind manifests itself in a radical direction. For that state of mind is itself divided by a struggle between its truth and its organized cooption by the ruling powers.

SITUATIONIST INTERNATIONAL (1966)

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

Domenach versus Alienation (excerpts)

"Alienation, that key word for a whole system of politics, sociology, and critical thought -- what does it cover? J.M. Domenach traces the astonishing itinerary of this concept of such diverse meanings, from Hegel to Jacques Berque. Then he takes another look at its content. It seems to him that the moment has come to renounce this 'hospital concept' where all the maladies of the century are lumped together, and to call into question the philosophy that developed it."

This prefatory note from the journal Esprit (December 1965) is not betrayed by the extraordinary impudence of Domenach's article, "Let's Get Rid of Alienation," which opens the same issue. Domenach, prince of that notable province of contemporary confusionism, Christian leftism, reproaches the concept of alienation for being confused, for being used improperly, for having considerably evolved historically, and for having given rise to too many "vague and outmoded" formulas. If everything that was vague was therefore outmoded, religious thought would not have survived the rationalist clarification brought into the world by bourgeois society. But in a materially divided society, vague ideas and the vague use of precise concepts serve definite forces. The history of the concept of alienation, as Domenach recounts it in a few pages, is itself a perfect example of vague thought serving a specific confusionism. [...]

Domenach does not even want to "get rid of" the concept of alienation like that philosopher depicted in The German Ideology who wanted to liberate humanity from the idea of gravity so that there would be no more drownings. Domenach wants people to stop talking about alienation so that they will become resigned to it. [...] The alienation banished from consciousness is to be replaced by the more "precise" concept of exploitation. While it is true that the general alienation in the East and the West is effectively based on the exploitation of the workers, the evolution of modern capitalism -- and still more, bureaucratic ideology -- have largely succeeded in masking the Marxist analyses of exploitation at the stage of free competition and in making the handling of them less precise. In contrast, these parallel evolutions have brought alienation -- which was originally a philosophical concept -- into the reality of every hour of daily life. [...]

To be sure, in a society that needs to spread a mass pseudoculture and to have its spectacular pseudointellectuals monopolize the stage, many terms are naturally rapidly vulgarized. But for the same reasons, perfectly simple and illuminating words tend to disappear: such as the word priest; so that Domenach and his friends come to think that no one will ever again remind them of this embarrassing vulgarity. They are mistaken. Just as the secular efforts of a Revel (En France) to compile a list of words to forbid, a list that mixes a few fashionable trivialities with important contested terms, are ridiculous because one cannot hope to simultaneously suppress the theoretical discoveries of our time and the interested confusion to which they give rise in order to "return" to some simplified rationalism which never had the efficacy the nostalgic liberals now attribute to it. [...]

People like Domenach, being themselves valets of the establishment's cultural spectacle, which wants to quickly coopt for its own use the most crucial terms of modern critical thought, will never want to admit that the truest and most important concepts of the era -- alienation, dialectics, communism -- are precisely marked by the organization around them of the greatest confusions and the worst misinterpretations. Vital concepts are simultaneously subject to the truest and the most false uses, along with a multitude of intermediary confusions, because the struggle between critical reality and the apologetic spectacle leads to a struggle over words, a struggle that is more bitter the more those words are central. The truth of a concept is not revealed by an authoritarian purge, but by the coherence of its use in theory and in practical life. It is not important that a priest at the pulpit renounces the use of a concept that he would in any case never case have known how to use. Let us speak vulgarly since we're dealing with priests: alienation is the point of departure for everything -- providing that one departs from it.

SITUATIONIST INTERNATIONAL (1966)

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

The Role of Godard

In cinema Godard presently represents formal pseudofreedom and the pseudocritique of manners and values -- the two inseparable manifestations of all fake, coopted modern art. Everyone does everything to present him as a misunderstood and unappreciated artist, shockingly audacious and unjustly despised; and everyone praises him, from Elle magazine to Aragon-the-Senile.(1) Despite the absence of any real critiques of Godard, we see developing a sort of analogy to the famous theory of the increase of resistances in socialist regimes: the more Godard is hailed as a brilliant leader of modern art, the more people rush to his defense against incredible plots. Repetitions of the same clumsy stupidities in his films are automatically seen as breathtaking innovations. They are beyond any attempt at explanation; his admirers consume them as confusedly and arbitrarily as Godard produced them, because they recognize in them the consistent expression of a subjectivity. This is true, but it is a subjectivity on the level of a concierge educated by the mass media. Godard's "critiques" never go beyond the innocuous humor typical of nightclub comics or Mad magazine. His flaunted culture is largely the same as that of his audience, which has read exactly the same pages in the same drugstore paperbacks. The two most famous lines from the most read poem of the most overrated Spanish poet ("Terrible five o'clock in the afternoon -- the blood, I don't want to see it" in Pierrot-le-Fou) -- this is the key to Godard's method. The most famous renegade of modern art, Aragon, in Les Lettres Françaises (9 September 1965), has rendered an homage to his younger colleague which, coming from such an expert, is perfectly fitting: "Art today is Jean-Luc Godard . . . of a superhuman beauty . . . of a constantly sublime beauty. . . . There is no precedent to Godard except Lautréamont. . . . This child of genius." Even the most naïve can scarcely be taken in after such a testimonial from such a source.

Godard is a Swiss from Lausanne who envied the chic of the Swiss of Geneva, and then the chic of the Champs-Elysées, and his successful ascent up from the provinces is most exemplary at a time when the system is striving to usher so many "culturally deprived" people into a respectful consumption of culture -- even "avant-garde" culture if nothing else will do. We are not referring here to the ultimately conformist exploitation of any art that professes to be innovative and critical. We are pointing out Godard's directly conformist use of film.

To be sure, films, like songs, have intrinsic powers of conditioning the spectator: beauties, if you will, that are at the disposition of those who presently have the possibility of expressing themselves. Up to a point such people may make a relatively clever use of those powers. But it is a sign of the general conditions of our time that their cleverness is so limited, and that the extent of their ties with the dominant ways of life quickly reveals the disappointing limits of their enterprises. Godard is to film what Lefebvre or Morin is to social critique: each possesses the appearance of a certain freedom in style or subject matter (in Godard's case, a slightly free manner in comparison with the stale formulas of cinematic narration). But they have taken this very freedom from elsewhere: from what they have been able to grasp of the advanced experiences of the era. They are the Club Med of modern thought (see in this issue "The Packaging of 'Free Time' "). They make use of a caricature of freedom, as marketable junk, in place of the authentic. This is done on all terrains, including that of formal artistic freedom of expression, which is merely one sector of the general problem of pseudocommunication. Godard's "critical" art and his admiring art critics all work to conceal the present problems of a critique of art -- the real experience, in the SI's phrase, of a "communication containing its own critique." In the final analysis the present function of Godardism is to forestall a situationist use of the cinema.

Aragon has been for some time developing his theory of the collage in all modern art up to Godard. This is nothing other than an attempt to interpret détournement in such a way as to bring about its cooption by the dominant culture. Laying the foundations for a Togliattist variant of French Stalinism, Garaudy and Aragon are setting up a "completely open" artistic modernism, just as they are moving "from anathema to dialogue" with the priests. Godard could become their artistic Teilhardism.(2) In fact the collage, made famous by cubism during the dissolution of plastic art, is only a particular case (a destructive moment) of détournement: it is displacement, the infidelity of the element. Détournement, originally formulated by Lautréamont, is a return to a superior fidelity of the element. In all cases, détournement is dominated by the dialectical devaluing-revaluing of the element within the development of a unifying meaning. But the collage of the merely devalued element has been widely used, well before being constituted as a Pop Art doctrine, in the modernist snobbism of the displaced object (making a spice bottle out of a chemistry flask, etc.).

This acceptance of devaluation is now being extended to a method of combining neutral and indefinitely interchangeable elements. Godard is a particularly boring example of such a use without negation, without affirmation, and without quality.

SITUATIONIST INTERNATIONAL (1966)

TRANSLATOR'S NOTES

1. Aragon-the-Senile: popular designation for the surrealist Louis Aragon after he became a Stalinist. During his surrealist days he had once made a contemptuous reference to "Moscow-the-Senile."

2. artistic Teilhardism: i.e. a modernist artistic-Stalinist synthesis, by analogy to the modernist scientific-Catholic synthesis of Pierre Teilhard de Chardin.

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

The Algeria of Daniel Guérin, Libertarian

In December 1965 Daniel Guérin published a pamphlet entitled L'Algérie caporalisée? which contains a rather bizarre analysis of Boumédienne's regime. According to Guérin, nothing happened in June. Faithful to an old schema, he sees only a "Bonapartism" in power both before and after the coup d'état, struggling classically on two fronts: against the "counterrevolution of the indigenous propertied classes" and against the threatening enthusiasm of the workers striving for self-management. And in foreign affairs he finds "the same desire on the part of both regimes for an adroit balancing act between capitalist and socialist countries" (p. 6). "None of the declarations of the so-called 'Council of the Revolution' contains any innovations whatsoever or any hints of an original program" (p. 10). However, when he drafted his main text, dated November 5, Guérin thought he detected some potential new developments as the putchists were being pushed, as if despite themselves, to the "right" -- developments that "seem to foreshadow an antisocialist policy" (p. 11, our emphasis). One might suppose that Guérin disregards the considerable differences between the two regimes because he is carried away by the equal contempt that Ben Bella and Boumédienne might well arouse in a revolutionary who is a declared partisan of "libertarian socialism" and self-management. Unfortunately, this is not at all the case! He has no other revolutionary solution to recommend than the restoration of Ben Bella: "To rally a popular opposition to the colonels' regime in Algeria today without reference to Ben Bella, or while making a total political critique of Ben-Bellaism, would be an undertaking doomed to failure" (p. 17). And before June 19 the Ben Bella regime's numerous attacks on the workers, the exploits of its police and army -- the same police and army that are still in place today, in fact -- were for Guérin only "mistakes, weaknesses and omissions" of an acceptable orientation. The king was badly advised or misinformed; never responsible. Since Guérin cannot be unaware of the open struggles of Ben Bella's regime against the masses (he himself provides some excellent documentation of them, notably apropos of the Congress of Agricultural Workers), he has to reconstruct history by totally separating Ben Bella from his regime. Page 12: "The sabotage of self-management, organized, of course, without Ben Bella's knowledge." Page 2: "As we can see more clearly today, Ben Bella never had his hands free: for nearly three years he was the tool, the prisoner, the hostage of Boumédienne." In other words, people thought Ben Bella was in power, but his downfall has shown that he wasn't. Such an astonishing retroactive demonstration could just as well be applied to the Czar, who was believed to be an autocrat before 1917. But Guérin overlooks this question: Who besides Ben Bella made Boumédienne, by hoisting himself into power with the aid of Boumédienne's arms? That Ben Bella later made some half-hearted and very inept attempts to get rid of his tool is another matter. It is because he was above all a bureaucrat that he was at first essentially in solidarity with, and eventually the victim of, bureaucrats more rational than he.

What, then, is the secret of this aberration of one of our famous leftist intellectuals, and one of the most ostensibly "libertarian" among them at that? With him it is no different than with all the others: it is the decisive influence of their vainglorious participation in high society; their common tendency, even more servile than a lackey's, to be swept off their feet with joy because they have spoken with the greats of this world; and the imbecility that makes them attribute such greatness to those who have condescended to talk to them. Whether they are partisans of the self-managing masses or of police-state bureaucracies, the "leftist intellectuals" of the period from which we are just emerging always have the same rapt admiration for power and government. The closer they are to a governmental position, the more the leaders of the "underdeveloped" countries fascinate these ridiculous professors of leftist museology. In Simone de Beauvoir's memoirs, so revealing of the fundamental degradation of a whole generation of intellectuals, her narration of a dinner at the Soviet Embassy exposes a pettiness so irremediable and so shameless that she isn't even aware of it.

So here is the secret: Guérin "knew" Ben Bella. He "listened" to him from time to time: "When I had the privilege, at the beginning of December 1963, of a brief audience at the Villa Joly in order to present to the President a report resulting from my month of traveling around the country observing the self-managed enterprises, I had the impression that he had been prejudiced against my conclusions by Ali Mahsas and the Minister of Industry and Commerce, Bachir Boumaza" (p. 7).

Guérin really is for self-management, but, like Mohammed Harbi, it is in the pure form of its Spirit incarnated as a privileged hero that he prefers to meet it, recognize it and aid it with his sage advice. Daniel Guérin met the Weltgeist of self-management over a cup of tea, and everything else follows.

SITUATIONIST INTERNATIONAL (1966)

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology). A postscript to this article appeared in the following issue.

Captive Words: Preface to a Situationist Dictionary

Popular assumptions, due to what they conceal, work for the dominant organization of life. One such assumption is the notion that language is not dialectical, thereby implying that all use of dialectics should be rejected. But in fact nothing is more clearly subject to dialectics than language, since it is a living reality. Thus, every critique of the old world has been made in the language of that world, yet directed against it and therefore automatically in a different language. Every revolutionary theory has had to invent its own terms, to destroy the dominant sense of other terms and establish new meanings in the "world of meanings" corresponding to the new embryonic reality needing to be liberated from the dominant trash heap. The same reasons that prevent our adversaries (the masters of the Dictionary) from definitively fixing language, today enable us to assert alternative positions that negate existing meanings. But we already know that these same reasons also prevent us from proclaiming any definitive certitudes. A definition is always open, never definitive. Ours have a historical value, they are applicable during a specific period, linked to a specific historical practice.

It is impossible to get rid of a world without getting rid of the language that conceals and protects it, without laying bare its true nature. As the "social truth" of power is permanent falsification, language is its permanent guarantee and the Dictionary its universal reference. Every revolutionary praxis has felt the need for a new semantic field and for expressing a new truth; from the Encyclopédistes to the Polish intellectuals' critique of Stalinist "wooden language" in 1956, this demand has continually been asserted. Because language is the house of power, the refuge of its police violence. Any dialogue with power is violence, whether passively suffered or actively provoked. When power wants to avoid resorting to its material arms, it relies on language to guard the oppressive order. This collaboration is in fact the most natural expression of all power.

From words to ideas is only a step -- a step always taken by power and its theorists. All theories of language, from the simple-minded mysticism of Being to the supreme (oppressive) rationality of the cybernetic machine, belong to the same world: the discourse of power considered as the sole possible frame of reference, as the universal mediation. Just as the Christian God is the necessary mediation between two souls and between the soul and the self, the discourse of power establishes itself at the heart of all communication, becoming the necessary mediation between self and self. This is how it is able to coopt oppositional movements, diverting them onto its own terrain, infiltrating them and controlling them from within. The critique of the dominant language, the détournement of it, is going to become a permanent practice of the new revolutionary theory.

Since any new interpretation is called a misinterpretation by the authorities, the situationists are going to establish the legitimacy of such misinterpretation and denounce the fraudulence of the interpretations given and authorized by power. Since the dictionary is the guardian of present meaning, we propose to destroy it systematically. The replacement of the dictionary, that master reference of all inherited and tamed language, will find its adequate expression in the revolutionary infiltration of language, in the détournement extensively used by Marx, systematized by Lautréamont, and now being put within everyone's reach by the SI.

Détournement, which Lautréamont called plagiarism, confirms the thesis, long demonstrated by modern art, that word are insubordinate, that it is impossible for power to totally coopt created meanings, to fix an existing meaning once and for all; that it is objectively impossible to create a "Newspeak." The new revolutionary theory cannot advance without redefining its fundamental concepts. "Ideas improve," says Lautréamont. "The meaning of words participates in the improvement. Plagiarism is necessary. Progress depends on it. It sticks close to an author's phrase, uses his expressions, deletes a false idea, replaces it with a true one." To salvage Marx's thought it is necessary to continually make it more precise, to correct it and reformulate it in the light of a hundred years of reinforcement of alienation and of the possibilities of negating alienation. Marx needs to be detourned by those who are continuing on this historical path, not moronically quoted by the thousand varieties of coopters. On the other hand, power's own thought is becoming in our hands a weapon against power. Ever since it came to power the bourgeoisie has dreamed of a universal language, a language which the cyberneticians of today are trying to implement electronically. Descartes dreamed of a language (a forerunner of Newspeak) in which thought would follow thought with mathematical rigor: the mathesis universalis or perpetuity of bourgeois categories. The Encyclopédistes, dreaming (under feudal power) of "definitions so rigorous that tyranny could not tolerate them," paved the way for an eternal future power that would be the ultimate goal of history.

The insubordination of words, during the experimental phase from Rimbaud to the surrealists, has shown that the theoretical critique of the world of power is inseparable from a practice that destroys it. Power's cooption of all modern art and its transformation of it into oppressive categories of its reigning spectacle is a sad confirmation of this. "Whatever doesn't kill power is killed by it." The dadaists were the first to express their distrust in words, a distrust inseparable from the desire to "change life." Following Sade, they asserted the right to say everything, to liberate words and "replace the Alchemy of the Word with a real chemistry" (Breton). The innocence of words is henceforth consciously refuted and language is revealed as "the worst of conventions," something that should be destroyed, demystified, liberated. Dada's contemporaries did not fail to stress its will to destroy everything, the danger it represented to the dominant sense. (Gide uneasily referred to it as a "demolition job.") After Dada it has become impossible to believe that a word is forever bound to an idea. Dada realized all the possibilities of language and forever closed the door on art as a specialty; it posed once and for all the problem of the realization of art. Surrealism was of value only insofar as it carried on this project; in its literary productions it was reactionary. The realization of art -- poetry in the situationist sense -- means that one cannot realize oneself in a "work," but rather realizes oneself, period. Sade's inauguration of "saying everything" already implied the abolition of literature as a separate domain (where only what is literary may be said). But this abolition, consciously asserted by the dadaists after Rimbaud and Lautréamont, was not a supersession. There is no supersession without realization, one cannot supersede art without realizing it. In fact, there has not even been any actual abolition, since even after Joyce, Duchamp and Dada a new spectacular literature continues to thrive. This is because there can be no "saying everything" without the freedom to do everything. Dada had a chance for realization with the Spartakists, with the revolutionary practice of the German proletariat. Their failure made the failure of Dada inevitable. With its cooption (including that of virtually all its original protagonists) into subsequent artistic movements, Dada has become the literary expression of the nothingness of poetic activity, the art of expressing the nothingness of everyday freedom. The ultimate expression of this art of "saying everything" deprived of any doing is the blank page. Modern poetry (experimental, permutational, spatialist, surrealist or neodadaist) is the antithesis of poetry, it is the artistic project coopted by power. It abolishes poetry without realizing it, living off its own continual self-destruction. "What's the point of saving language," Max Bense asks resignedly, "when there is no longer anything to say?" Confession of a specialist! Muteness or mindless chatter are the sole alternatives of the specialists of permutation. Modern thought and art, guaranteeing power and guaranteed by it, move in the realm of what Hegel called "the language of flattery." Both contribute to the eulogy of power and its products, perfecting reification while banalizing it. Asserting that "reality consists of language" or that "language can only be considered in and for itself," the specialists of language arrive at the concepts of "language-object" and "word-thing" and revel in the panegyrics of their own reification. The thing becomes the dominant model and once again the commodity finds its realization and its poets. The theory of the state, of the economy, of law, of philosophy, of art -- everything now has this apologetic character.

Whenever separate power replaces the autonomous action of the masses, whenever bureaucracy seizes control of all aspects of social life, it attacks language and reduces its poetry to the vulgar prose of its information. Bureaucracy appropriates language for its own use, just as it does everything else, and imposes it on the masses. Language -- the material support of its ideology -- is then supposed to communicate its messages and reflect its thought. Bureaucracy represses the fact that language is first of all a means of communication between people. Since all communication is channeled through bureaucracies, people no longer even need to talk to each other: their first duty is to play their role as receivers in the network of informationist communication to which the whole society is reduced, receivers of orders they must carry out.

This language's mode of existence is bureaucracy, its becoming is bureaucratization. The Bolshevik order born out of the failure of the soviet revolution imposed a whole series of more or less magical and impersonal expressions in the image of the bureaucracy in power. "Politburo," "Comintern," "Cavarmy," "Agitprop" -- mysterious names of specialized agencies that really are mysterious, operating in the nebulous sphere of the state (or of the Party leadership) without any relation to the masses except insofar as they reinforce their subjection. Language colonized by bureaucracy is reduced to a series of blunt, inflexible formulas in which the same nouns are always accompanied by the same adjectives and participles. The noun governs; each time it appears the other words automatically fall in around it in the correct order. This "regimentation" of words reflects a more profound militarization of the whole society, its division into two basic categories: the caste of rulers and the great mass of people who carry out their orders. But the same words are also called on to play other roles, invested with the magic power to reinforce the oppressive reality, to cloak it and present it as the only possible truth. Thus there are no more "Trotskyists" but only "Hitlero-Trotskyists"; one never hears of Marxism but only of "Marxism-Leninism," and the opposition is automatically "reactionary" in the "Soviet regime." The rigidity with which these ritual formulas are sacralized is aimed at preserving the purity of this "substance" in the face of obviously contradictory facts. In this way the language of the masters is everything, reality nothing, or at most the shell of this language. People are required in their acts, their thoughts and their feelings to behave as if the state was that reason, justice and freedom proclaimed by the ideology. The ritual (and the police) are there to ensure conformity to this behavior (see Marcuse's Soviet Marxism).

The decline of radical thought considerably increases the power of words, the words of power. "Power creates nothing, it coopts" (Internationale Situationniste #8). Words forged by revolutionary criticism are like partisans' weapons: abandoned on the battlefield, they fall into the hands of the counterrevolution and like prisoners of war are subjected to forced labor. Our most direct enemies are the proponents and established functionaries of false critique. The divorce between theory and practice provides the central basis for cooption, for the petrification of revolutionary theory into ideology, which transforms real practical demands (for whose realization the premonitory signs are already appearing in the present society) into systems of ideas, into demands of reason. The ideologues of every variety, the watchdogs of the reigning spectacle, carry out this task, emptying the content from most corrosive concepts and putting them back into circulation in the service of maintaining alienation: dadaism in reverse. They become advertising slogans (see the recent Club Med prospectus). Concepts of radical critique suffer the same fate as the proletariat: they are deprived of their history, cut off from their roots. They become grist for power's thinking machines.

Our project of liberating words is historically comparable to the Encyclopédiste enterprise. The Enlightenment's language of "tearing apart" (to continue the Hegelian image) lacked the conscious historical dimension; it was a real critique of the decrepit feudal world, but it had no idea of what would emerge from it (none of the Encyclopédistes were republicans). It was, rather, an expression of the bourgeois thinkers' own internal tearing apart. Our language aims first of all at a practice that tears the world apart, beginning with tearing apart the veils that cloak it. Whereas the Encyclopédistes sought a quantitative enumeration, the enthusiastic description of a world of objects in which the bourgeoisie and the commodity were already victorious, our dictionary will express the qualitative, the possible but still absent victory, the repressed of modern history (the proletariat) and the return of the repressed. We propose the real liberation of language because we propose to put it into a practice free of all constraints. We reject any authority, linguistic or otherwise: only real life allows a meaning and only praxis verifies it. Debates over the reality or unreality of the meaning of a word, isolated from practice, are purely academic. We place our dictionary in that libertarian region which is still beyond the reach of power, but which is its only possible global successor.

Language remains the necessary mediation for comprehending the world of alienation (Hegel would say: the necessary alienation), the instrument of the radical theory that will eventually seize the masses because it is theirs. Only then will it find its own truth. It is thus essential that we forge our own language, the language of real life, against the ideological language of power, the terrain of justification of all the categories of the old world. From now on we must prevent the falsification or cooption of our theories. We use specific concepts already used by the specialists, but we give them a new content, turning them against the specialists that they support and against future salaried thinkers who might be tempted to besmear situationist theory with their own shit (as Claudel did with Rimbaud and Klossowski with Sade). Future revolutions must invent their own language. Concepts of radical critique will be reexamined one by one in order to rediscover their truth. The word alienation, for example, one of the key concepts for the comprehension of modern society, must be disinfected after having passed through the mouths of people like Axelos [editor of Arguments]. All words have the same relation with power as does the proletariat: they are both its present servants and the instruments and agents of future liberation from it. Poor Revel! There are no forbidden words; in language, as it will be in every other domain, everything is permitted. To deny ourselves the use of a word is to deny ourselves a weapon used by our adversaries.

Our dictionary will be a sort of code book enabling one to decipher information and rend the ideological veils that cover reality. We will give possible translations that will enable people to grasp the different aspects of the society of the spectacle, and show how the slightest signs and indications contribute to maintaining it. In a sense it will be a bilingual dictionary, since each word has an "ideological" meaning for power and a real meaning that we think corresponds to real life in the present historical phase. Thus we will be able at each step to determine the various positions of words in the social war. If the problem of ideology is how to descend from the heaven of ideas to the real world, our dictionary will be a contribution to the elaboration of the new revolutionary theory where the problem is how to effect the transition from language to life. The real appropriation of the words that work cannot be realized outside the appropriation of work itself. The inauguration of free creative activity will at the same time be the inauguration of true communication, freed at last. The transparency of human relations will replace the poverty of words under the old regime of opaqueness. Words will not cease to work until people do.

MUSTAPHA KHAYATI (1966)

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

Interview with an Imbecile

Even worse than the old Observateur, the Nouvel Observateur is a veritable Niagara of stupidity (6,810,000 liters per second). A considerable portion of this flow is produced by two of its editors, Katia Kaupp and Michel Cournot, whose writings could serve as excellent historical documents for the study of the supreme phase of spectacular decomposition. Their combination of stupidity and stylistic vulgarity makes them perfect Jean Nochers of the Left (a Left which adheres to the dominant society as fundamentally as does Jean Nocher, apart from a few details concerning the "modernization" of this domination). For its launching, however, this magazine called on some guest celebrities. Its opening issue (19 November 1964) presented a five-page interview with a star thinker. We reproduce here a few of his most extraordinary statements. The parenthetical remarks are obviously ours and not those of the Nouvel Observateur flunky who pretends to dialogue with the oracle.

"The young people I meet," says the imbecile, "are perhaps less hotheaded than in the past, but what I find most striking is that politically they are often at the same point as I am. My point of arrival is their point of departure. . . . And they have a whole lifetime ahead of them to build on the base that is my point of culmination." (The young people who are not at the same point of political degradation would obviously never have been interested in meeting this imbecile. As for those who have the misfortune to be at that point, a hundred successive lifetimes "ahead of them" would never suffice to build anything on the base of his culmination, which has been revealed from every angle as an intellectual dead end.)

"In France the 'yé-yé' phenomenon was used in order to turn the youth into a class of consumers." (A perfect inversion of reality: it is because the youth of the modern capitalist countries has become a very important category of consumers that phenomena of the 'yé-yé' sort appear.)

"You can only be alluding to Marxist ideology. Today I don't know of any other: current bourgeois ideology is more notable for its absence than for its strength." (Those who have read Marx know that his method is a radical critique of ideologies; but he who has only read Stalin can praise "Marxism" for having become the best of ideologies, the ideology that has had the strongest police.)

"Socialism can be pure only as an idea or, perhaps, much later, if it becomes the regime of all societies. In the meantime its incarnation in a particular country implies that it must develop and define itself through innumerable relations with the rest of the world. In the forging of reality, the purity of the idea becomes tainted." (Here is a Marxist ideologue really ideologizing: ideas are pure in the heavens and become rotten when they are incarnated. Since this thinker is himself real and has affirmed the principle that any realization in the world must entail a fundamental corruption, he implicitly both admits his own degradation in his "relations with the rest of the world" and justifies it on the grounds of inevitability. From all this we can appreciate his "advanced" state of decomposition.)

Right after this, the imbecile quotes a Malian's statement which he greatly admires: "Our socialism is conditioned by the fact that we are a country without any outlet to the sea." (Is it not also somewhat conditioned by the absence of an industrial proletariat in Mali? But this is just a trifling detail in the geopolitics of such a profound thinker!)

To the idea that all the industrial societies have many features in common, the imbecile retorts: "To say that, one would have to prove that there is a class struggle in the socialist countries, that is, that the privileges accorded certain people are becoming stratified. Now, this is not at all the case. There are admittedly some very real inequalities; but the money obtained by a factory manager in the USSR cannot be reinvested anywhere: it is spent and cannot be replenished or augmented in his hands to become the basis of a class power." (A basis which lies elsewhere: in the possession of the state. The extra money received by the privileged in the USSR is not the basis of their power, but a clear expression of their power.)

"The Soviets are shocked when one seems to believe that among them money can confer power." (Of course, since it's the other way around!)

"To be sure, these 'high-ranking functionaries' have numerous privileges; but to the very extent that the regime is authoritarian, there is a social instability, intermixing among different strata, demotion of leaders, a constant influx of newcomers from the base to the summit. If any conflicts were to occur in the USSR they would have the aspect of a reformism and not of a revolution." (Thus the very arbitrariness serves to prove that there is no ruling class in the USSR. At this level of insult to one's intelligence, one could just as well argue that the free-enterprise capitalism of Marx's day was also socialist, since its economic laws ruined many industrialists and it sometimes happened that a worker would become a boss; hence the social instability, class intermixing, etc.)

But the idea of a pure imbecile of this dimension would only be a "pure idea." Since such an imbecile actually exists, he must also firmly identify with a repressive power. After the armed revolt of the Hungarian proletariat -- in one of those "socialist countries" where "one would have to prove" that class struggles could now exist -- this same imbecile was so set on defending the interests of the Russian bureaucracy that he took a position to the right of Khrushchev: "The most serious mistake was probably Khrushchev's Report [on Stalin], for the solemn public denunciation, the detailed exposure of all the crimes of a sacred personage who has represented the regime for so long, is a folly when such frankness is not made possible by a previous substantial rise in the standard of living of the population. . . . The result was to reveal the truth to masses who were not ready to receive it."

The thinker we have been talking about is Sartre. And anyone who still wants to seriously discuss the value (whether philosophical or political or literary -- one can't separate the aspects of this hodgepodge) of such a nullity, so puffed up by the various authorities that are so satisfied with him, thereby reveals himself as not worth being taken seriously by those who refuse to renounce the potential consciousness of our time.

SITUATIONIST INTERNATIONAL (1966)

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology).

Some Theoretical Topics That Need To Be Dealt With Without Academic Debate or Idle Speculation

What can be dealt with by radical theory must be prevented from being dealt with by speculation. As the situationist analysis of reality prepares the way for the practical realization of our project, this demand tends to become more widely applicable.

Knowledge is inseparable from the use that is made of it. The agitation that our irrefutable theories are beginning to foment in varying degrees in all the sectors of the old world is going to see to the improvement and correction of our good use of ideas and things. This is why, in a society of guaranteed abundance, we are the only ones who are not frightened by that abundance.

How to use theory is never problematical. The specialists of idle speculation -- from Socialisme ou Barbarie to Planète -- are only concerned with concealing who profits from their ideology of confusion. The situationists work in the opposite perspective. We pose only the questions to which the will to subversion of the greatest number can respond. Our aim is to give this will its maximum effectiveness.

The topics to consider listed briefly below will have the interest of shedding light on the revolutionary worth of whoever deals with them, and on the importance that must be accorded to them in current struggles.

Critique of political economy -- Critique of the social sciences -- Critique of psychoanalysis (in particular: Freud, Reich, Marcuse) -- Dialectics of decomposition and supersession in the realization of art and philosophy -- Semiology: contribution to the study of an ideological system -- Nature and the ideologies of nature -- The role of playfulness in history -- History of theories and theories of history -- Nietzsche and the end of philosophy -- Kierkegaard and the end of theology -- Marx and Sade -- The structuralists.

The romantic crisis -- The Preciosity movement -- The baroque -- Artistic languages -- Art and everyday creativity -- Critique of dadaism -- Critique of surrealism -- Society and pictorial perspective -- Self-parodying art -- Mallarmé, Joyce and Malevich -- Lautréamont -- Primitive arts -- On poetry.

The Mexican revolution (Villa and Zapata) -- The Spanish revolution -- Asturias 1934 -- The Vienna insurrection -- The Peasant War (1525) -- The Spartakist revolution -- The Congolese revolution -- The Jacqueries -- Unknown revolutions -- The English revolution -- The communalist movements -- The Enragés -- The Fronde -- Revolutionary songs (study and anthology) -- Kronstadt -- Bolshevism and Trotskyism -- The Church and the heresies -- The different currents of socialism -- Socialism and underdevelopment -- Cybernetics and power -- The state -- The origins of Islam -- Theses on anarchy -- Theses for a final solution of the Christian problem -- The world of the specialists -- On democracy -- The Internationals -- On insurrection -- Problems and theory of self-management -- Parties and labor unions -- On the organization of revolutionary movements -- Critique of civil and penal law -- Nonindustrialized societies -- Theses on utopianism -- Homage to Charles Fourier -- Workers councils -- Fascism and magical thought.

On the repetitive in everyday life -- Dreams and dreamlike ambiances -- Treatise on the passions -- The moments and the construction of situations -- Urbanism and popular construction -- Manual of subversive détournement -- Individual adventure and collective adventure -- Intersubjectivity and coherence in revolutionary groups -- Play and everyday life -- Personal fantasies -- On the freedom to love -- Preliminary studies toward the construction of a base -- Madness and entranced states of mind.

RAOUL VANEIGEM (1966)

Translated by Ken Knabb (slightly modified from the version entitled "Some Theoretical Questions To Be Treated Without Academic Debate or Speculation" in the Situationist International Anthology).

The Decline and Fall of the Spectacle-Commodity Economy

August 13­16, 1965, the blacks of Los Angeles revolted. An incident between traffic police and pedestrians developed into two days of spontaneous riots. Despite increasing reinforcements, the forces of order were unable to regain control of the streets. By the third day the blacks had armed themselves by looting accessible gun stores, enabling them to fire even on police helicopters. It took thousands of police and soldiers, including an entire infantry division supported by tanks, to confine the riot to the Watts area, and several more days of street fighting to finally bring it under control. Stores were massively plundered and many were burned. Official sources listed 32 dead (including 27 blacks), more than 800 wounded and 3000 arrests.

Reactions from all sides were most revealing: a revolutionary event, by bringing existing problems into the open, provokes its opponents into an unhabitual lucidity. Police Chief William Parker, for example, rejected all the major black organizations' offers of mediation, correctly asserting: "These rioters don't have any leaders." Since the blacks no longer had any leaders, it was the moment of truth for both sides. What did one of those unemployed leaders, NAACP general secretary Roy Wilkins, have to say? He declared that the riot "should be put down with all necessary force." And Los Angeles Cardinal McIntyre, who protested loudly, did not protest against the violence of the repression, which one might have supposed the most tactful policy at a time when the Roman Church is modernizing its image; he denounced "this premeditated revolt against the rights of one's neighbor and against respect for law and order," calling on Catholics to oppose the looting and "this violence without any apparent justification." And all those who went so far as to recognize the "apparent justifications" of the rage of the Los Angeles blacks (but never their real ones), all the ideologists and "spokesmen" of the vacuous international Left, deplored the irresponsibility, the disorder, the looting (especially the fact that arms and alcohol were the first targets) and the 2000 fires with which the blacks lit up their battle and their ball. But who has defended the Los Angeles rioters in the terms they deserve? We will. Let the economists fret over the $27 million lost, and the city planners sigh over one of their most beautiful supermarkets gone up in smoke, and McIntyre blubber over his slain deputy sheriff. Let the sociologists bemoan the absurdity and intoxication of this rebellion. The role of a revolutionary publication is not only to justify the Los Angeles insurgents, but to help elucidate their perspectives, to explain theoretically the truth for which such practical action expresses the search.

In Algiers in July 1965, following Boumédienne's coup d'état, the situationists issued an Address to the Algerians and to revolutionaries all over the world which interpreted conditions in Algeria and the rest of the world as a whole. Among other examples we mentioned the movement of the American blacks, stating that if it could "assert itself incisively" it would unmask the contradictions of the most advanced capitalist system. Five weeks later this incisiveness was in the streets. Modern theoretical criticism of modern society and criticism in acts of the same society already coexist; still separated but both advancing toward the same realities, both talking about the same thing. These two critiques are mutually explanatory, and neither can be understood without the other. Our theory of "survival" and of "the spectacle" is illuminated and verified by these actions which are so incomprehensible to American false consciousness. One day these actions will in turn be illuminated by this theory.

Until the Watts explosion, black civil rights demonstrations had been kept by their leaders within the limits of a legal system that tolerates the most appalling violence on the part of the police and the racists -- as in last March's march on Montgomery, Alabama. Even after the latter scandal, a discreet agreement between the federal government, Governor Wallace and Martin Luther King led the Selma marchers on March 10 to stand back at the first police warning, in dignity and prayer. The confrontation expected by the demonstrators was reduced to a mere spectacle of a potential confrontation. In that moment nonviolence reached the pitiful limit of its courage: first you expose yourself to the enemy's blows, then you push your moral nobility to the point of sparing him the trouble of using any more force. But the main point is that the civil rights movement only addressed legal problems by legal means. It is logical to make legal appeals regarding legal questions. What is irrational is to appeal legally against a blatant illegality as if it was a mere oversight that would be corrected if pointed out. It is obvious that the crude and glaring illegality from which blacks still suffer in many American states has its roots in a socioeconomic contradiction that is not within the scope of existing laws, and that no future judicial law will be able to get rid of this contradiction in the face of the more fundamental laws of this society. What American blacks are really daring to demand is the right to really live, and in the final analysis this requires nothing less than the total subversion of this society. This becomes increasingly evident as blacks in their everyday lives find themselves forced to use increasingly subversive methods. The issue is no longer the condition of American blacks, but the condition of America, which merely happens to find its first expression among the blacks. The Watts riot was not a racial conflict: the rioters left alone the whites that were in their path, attacking only the white policemen, while on the other hand black solidarity did not extend to black store-owners or even to black car-drivers. Martin Luther King himself had to admit that the revolt went beyond the limits of his specialty. Speaking in Paris last October, he said: "This was not a race riot. It was a class riot."

The Los Angeles rebellion was a rebellion against the commodity, against the world of the commodity in which worker-consumers are hierarchically subordinated to commodity standards. Like the young delinquents of all the advanced countries, but more radically because they are part of a class without a future, a sector of the proletariat unable to believe in any significant chance of integration or promotion, the Los Angeles blacks take modern capitalist propaganda, its publicity of abundance, literally. They want to possess now all the objects shown and abstractly accessible, because they want to use them. In this way they are challenging their exchange-value, the commodity reality which molds them and marshals them to its own ends, and which has preselected everything. Through theft and gift they rediscover a use that immediately refutes the oppressive rationality of the commodity, revealing its relations and even its production to be arbitrary and unnecessary. The looting of the Watts district was the most direct realization of the distorted principle: "To each according to their false needs" -- needs determined and produced by the economic system which the very act of looting rejects. But once the vaunted abundance is taken at face value and directly seized, instead of being eternally pursued in the rat-race of alienated labor and increasing unmet social needs, real desires begin to be expressed in festive celebration, in playful self-assertion, in the potlatch of destruction. People who destroy commodities show their human superiority over commodities. They stop submitting to the arbitrary forms that distortedly reflect their real needs. The flames of Watts consummated the system of consumption. The theft of large refrigerators by people with no electricity, or with their electricity cut off, is the best image of the lie of affluence transformed into a truth in play. Once it is no longer bought, the commodity lies open to criticism and alteration, whatever particular form it may take. Only when it is paid for with money is it respected as an admirable fetish, as a symbol of status within the world of survival.

Looting is a natural response to the unnatural and inhuman society of commodity abundance. It instantly undermines the commodity as such, and it also exposes what the commodity ultimately implies: the army, the police and the other specialized detachments of the state's monopoly of armed violence. What is a policeman? He is the active servant of the commodity, the man in complete submission to the commodity, whose job it is to ensure that a given product of human labor remains a commodity, with the magical property of having to be paid for, instead of becoming a mere refrigerator or rifle -- a passive, inanimate object, subject to anyone who comes along to make use of it. In rejecting the humiliation of being subject to police, the blacks are at the same time rejecting the humiliation of being subject to commodities. The Watts youth, having no future in market terms, grasped another quality of the present, and that quality was so incontestable and irresistible that it drew in the whole population -- women, children, and even sociologists who happened to be on the scene. Bobbi Hollon, a young black sociologist of the neighborhood, had this to say to the Herald Tribune in October: "Before, people were ashamed to say they came from Watts. They'd mumble it. Now they say it with pride. Boys who used to go around with their shirts open to the waist, and who'd have cut you to pieces in half a second, showed up here every morning at seven o'clock to organize the distribution of food. Of course, it's no use pretending that food wasn't looted. . . . All that Christian blah has been used too long against blacks. These people could loot for ten years and they wouldn't get back half the money those stores have stolen from them over all these years. . . . Me, I'm only a little black girl." Bobbi Hollon, who has sworn never to wash off the blood that splashed on her sandals during the rioting, adds: "Now the whole world is watching Watts."

How do people make history under conditions designed to dissuade them from intervening in it? Los Angeles blacks are better paid than any others in the United States, but they are also the most separated from the California superopulence that is flaunted all around them. Hollywood, the pole of the global spectacle, is right next door. They are promised that, with patience, they will join in America's prosperity, but they come to see that this prosperity is not a fixed state but an endless ladder. The higher they climb, the farther they get from the top, because they start off disadvantaged, because they are less qualified and thus more numerous among the unemployed, and finally because the hierarchy that crushes them is not based on economic buying power alone: they are also treated as inherently inferior in every area of daily life by the customs and prejudices of a society in which all human power is based on buying power. Just as the human riches of the American blacks are despised and treated as criminal, monetary riches will never make them completely acceptable in America's alienated society: individual wealth will only make a rich nigger because blacks as a whole must represent poverty in a society of hierarchized wealth. Every witness noted the cry proclaiming the global significance of the uprising: "This is a black revolution and we want the world to know it!" Freedom Now is the password of all the revolutions of history, but now for the first time the problem is not to overcome scarcity, but to master material abundance according to new principles. Mastering abundance is not just changing the way it is shared out, but totally reorienting it. This is the first step of a vast, all-embracing struggle.

The blacks are not alone in their struggle, because a new proletarian consciousness (the consciousness that they are not at all the masters of their own activities, of their own lives) is developing in America among strata which in their rejection of modern capitalism resemble the blacks. It was, in fact, the first phase of the black struggle which happened to be the signal for the more general movement of contestation that is now spreading. In December 1964 the students of Berkeley, harassed for their participation in the civil rights movement, initiated a strike [the FSM] challenging the functioning of California's "multiversity" and ultimately calling into question the entire American social system in which they are being programmed to play such a passive role. The spectacle promptly responded with exposés of widespread student drinking, drug use and sexual immorality -- the same activities for which blacks have long been reproached. This generation of students has gone on to invent a new form of struggle against the dominant spectacle, the teach-in, a form taken up October 20 in Great Britain at the University of Edinburgh during the Rhodesian crisis. This obviously primitive and imperfect form represents the stage at which people refuse to confine their discussion of problems within academic limits or fixed time periods; the stage when they strive to pursue issues to their ultimate consequences and are thus led to practical activity. The same month tens of thousands of anti­Vietnam war demonstrators appeared in the streets of Berkeley and New York, their cries echoing those of the Watts rioters: "Get out of our district and out of Vietnam!" Becoming more radical, many of the whites are finally going outside the law: "courses" are given on how to hoodwink army recruiting boards (Le Monde, 19 October 1965) and draft cards are burned in front of television cameras. In the affluent society disgust is being expressed for this affluence and for its price. The spectacle is being spat on by an advanced sector whose autonomous activity denies its values. The classical proletariat, to the very extent to which it had been provisionally integrated into the capitalist system, had itself failed to integrate the blacks (several Los Angeles unions refused blacks until 1959); now the blacks are the rallying point for all those who refuse the logic of this integration into capitalism, which is all that the promise of racial integration amounts to. Comfort will never be comfortable enough for those who seek what is not on the market, what in fact the market specifically eliminates. The level attained by the technology of the most privileged becomes an insult, and one more easily grasped and resented than is that most fundamental insult: reification. The Los Angeles rebellion is the first in history to justify itself with the argument that there was no air conditioning during a heat wave.

The American blacks have their own particular spectacle, their own black newspapers, magazines and stars, and if they are rejecting it in disgust as a fraud and as an expression of their humiliation, it is because they see it as a minority spectacle, a mere appendage of a general spectacle. Recognizing that their own spectacle of desirable consumption is a colony of the white one enables them to see more quickly through the falsehood of the whole economic-cultural spectacle. By wanting to participate really and immediately in the affluence that is the official value of every American, they are really demanding the egalitarian actualization of the American spectacle of everyday life -- they are demanding that the half-heavenly, half-earthly values of the spectacle be put to the test. But it is in the nature of the spectacle that it cannot be actualized either immediately or equally, not even for the whites. (The blacks in fact function as a perfect spectacular object-lesson: the threat of falling into such wretchedness spurs others on in the rat-race.) In taking the capitalist spectacle at its face value, the blacks are already rejecting the spectacle itself. The spectacle is a drug for slaves. It is designed not to be taken literally, but to be followed from just out of reach; when this separation is eliminated, the hoax is revealed. In the United States today the whites are enslaved to the commodity while the blacks are negating it. The blacks are asking for more than the whites -- this is the core of a problem that has no solution except the dissolution of the white social system. This is why those whites who want to escape their own slavery must first of all rally to the black revolt -- not, obviously, in racial solidarity, but in a joint global rejection of the commodity and of the state. The economic and psychological distance between blacks and whites enables blacks to see white consumers for what they are, and their justified contempt for whites develops into a contempt for passive consumers in general. The whites who reject this role have no chance unless they link their struggle more and more to that of the blacks, uncovering its most fundamental implications and supporting them all the way. If, with the radicalization of the struggle, such a convergence is not sustained, black nationalist tendencies will be reinforced, leading to the futile interethnic antagonism so characteristic of the old society. Mutual slaughter is the other possible outcome of the present situation, once resignation is no longer tolerable.

The attempts to build a separatist or pro-African black nationalism are dreams giving no answer to the real oppression. The American blacks have no fatherland. They are in their own country and they are alienated. So are the rest of the population, but the blacks are aware of it. In this sense they are not the most backward sector of American society, but the most advanced. They are the negation at work, "the bad aspect that makes history by setting the struggle in motion" (The Poverty of Philosophy). Africa has no special monopoly on that.

The American blacks are a product of modern industry, just like electronics or advertising or the cyclotron. And they embody its contradictions. They are the people that the spectacle paradise must simultaneously integrate and reject, with the result that the antagonism between the spectacle and human activity is totally revealed through them. The spectacle is universal, it pervades the globe just as the commodity does. But since the world of the commodity is based on class conflict, the commodity itself is hierarchical. The necessity for the commodity (and hence for the spectacle, whose role is to inform the commodity world) to be both universal and hierarchical leads to a universal hierarchization. But because this hierarchization must remain unavowed, it is expressed in the form of unavowable, because irrational, hierarchical value judgments in a world of irrational rationalization. It is this hierarchization that creates racisms everywhere. The British Labour government has come to the point of restricting nonwhite immigration, while the industrially advanced countries of Europe are once again becoming racist as they import their subproletariat from the Mediterranean area, developing a colonial exploitation within their own borders. And if Russia continues to be anti-Semitic it is because it continues to be a hierarchical society in which labor must be bought and sold as a commodity. The commodity is constantly extending its domain and engendering new forms of hierarchy, whether between labor leader and worker or between two car-owners with artificially distinguished models. This is the original flaw in commodity rationality, the sickness of bourgeois reason, a sickness which has been inherited by the bureaucratic class. But the repulsive absurdity of certain hierarchies, and the fact that the entire commodity world is directed blindly and automatically to their protection, leads people to see -- the moment they engage in a negating practice -- that every hierarchy is absurd.

The rational world produced by the Industrial Revolution has rationally liberated individuals from their local and national limitations and linked them on a global scale; but it irrationally separates them once again, in accordance with a hidden logic that finds its expression in insane ideas and grotesque values. Estranged from their own world, people are everywhere surrounded by strangers. The barbarians are no longer at the ends of the earth, they are among the general population, made into barbarians by their forced participation in the worldwide system of hierarchical consumption. The veneer of humanism that camouflages all this is inhuman, it is the negation of human activities and desires; it is the humanism of the commodity, the solicitous care of the parasitical commodity for its human host. For those who reduce people to objects, objects seem to acquire human qualities and truly human manifestations appear as unconscious "animal behavior." Thus the chief humanist of Los Angeles, William Parker, could say: "They started acting like a bunch of monkeys in a zoo."

When California authorities declared a "state of insurrection," the insurance companies recalled that they do not cover risks at that level -- they guarantee nothing beyond survival. The American blacks can rest assured that as long as they keep quiet they will in most cases be allowed to survive. Capitalism has become sufficiently concentrated and interlinked with the state to distribute "welfare" to the poorest. But by the very fact that they lag behind in the advance of socially organized survival, the blacks pose the problems of life; what they are really demanding is not to survive but to live. The blacks have nothing of their own to insure; their mission is to destroy all previous forms of private insurance and security. They appear as what they really are: the irreconcilable enemies, not of the great majority of Americans, but of the alienated way of life of the entire modern society. The most industrially advanced country only shows us the road that will be followed everywhere unless the system is overthrown.

Certain black nationalist extremists, to show why they can accept nothing less than a separate nation, have argued that even if American society someday concedes total civil and economic equality, it will never, on a personal level, come around to accepting interracial marriage. This is why this American society itself must disappear -- in America and everywhere else in the world. The end of all racial prejudice, like the end of so many other prejudices related to sexual inhibitions, can only lie beyond "marriage" itself, that is, beyond the bourgeois family (which has largely fallen apart among American blacks) -- the bourgeois family which prevails as much in Russia as in the United States, both as a model of hierarchical relations and as a structure for a stable inheritance of power (whether in the form of money or of social-bureaucratic status). It is now often said that American youth, after thirty years of silence, are rising again as a force of contestation, and that the black revolt is their Spanish Civil War. This time their "Lincoln Brigades" must understand the full significance of the struggle in which they are engaging and totally support its universal aspects. The Watts "excesses" are no more a political error in the black revolt than the POUM's May 1937 armed resistance in Barcelona was a betrayal of the anti-Franco war. A revolt against the spectacle -- even if limited to a single district such as Watts -- calls everything into question because it is a human protest against a dehumanized life, a protest of real individuals against their separation from a community that would fulfill their true human and social nature and transcend the spectacle.

SITUATIONIST INTERNATIONAL (December 1965)

Newly translated and reissued July 1992 (in the aftermath of the second Los Angeles riot) by Ken Knabb. Reprinted from Public Secrets (1997). This translation supersedes the version in the Situationist International Anthology (1981).

Internationale Situationiste #11

Issue 11 of the journal of the Situationist International

Setting Straight Some Popular Misconceptions About Revolutions in the Underdeveloped Countries

1

The eminently revolutionary role of the bourgeoisie consists in having introduced the economy into history in a decisive and irreversible way. As the faithful master of this economy, the bourgeoisie has since its appearance been the real (though sometimes unconscious) master of "universal history." For the first time universal history ceased to be some metaphysical fantasy or some act of the World Spirit and became a material reality as concrete as the trivial existence of each individual. Since the emergence of commodity production, nothing in the world has escaped the implacable development of this neo-Fate, the invisible economic rationality: the logic of the commodity. Totalitarian and imperialist in essence, it demands the entire planet as its terrain and the whole of humanity as its servants. Wherever the commodity is present there are only slaves.

2

To the bourgeoisie's oppressive coherence in keeping humanity in prehistory, the revolutionary movement -- a direct and unintended product of bourgeois capitalist domination -- has for more than a century counterposed the project of a liberatory coherence that is the work of each and everyone, the free, conscious intervention in the creation of history: the real abolition of all class divisions and the suppression of the economy.

3

Wherever it has penetrated -- that is, almost everywhere in the world -- the virus of the commodity never stops toppling the most ossified socioeconomic structures, enabling millions of human beings to discover through poverty and violence the historical time of the economy. Wherever it penetrates it spreads its destructive character, dissolving the vestiges of the past and pushing all antagonisms to their extreme. In a word, it hastens social revolution. All the walls of China crumble in its path, and scarcely has it established itself in India when everything around it disintegrates and agrarian revolutions explode in Bombay, in Bengal and in Madras. The precapitalist zones of the world accede to bourgeois modernity, but without its material basis. There also, as in the case of the proletariat, the forces that the bourgeoisie has contributed toward liberating, or even creating, are now going to turn against the bourgeoisie and its native servants: the revolution of the underdeveloped is becoming one of the main chapters of modern history.

4

If the problem of revolution in the underdeveloped countries poses itself in a particular way, this is due to the very development of history: In these countries the general economic backwardness -- fostered by colonial domination and the social strata that support it -- and the underdevelopment of productive forces have impeded the development of socioeconomic structures that would have made immediately practicable the revolutionary theory elaborated in the advanced capitalist societies for more than a century. As they enter the struggle none of these countries have any significant heavy industry, and the proletariat is far from being the majority class. It is the poor peasantry that plays that role.

5

The various national liberation movements emerged well after the rout of the workers movement resulting from the defeat of the Russian revolution, which right from its victory was turned into a counterrevolution in the service of a bureaucracy claiming to be communist. They have thus suffered -- either consciously or with false consciousness -- from all the defects and weaknesses of that generalized counterrevolution; and with the additional burden of their generally backward conditions, they have been unable to overcome any of the limits imposed on the defeated revolutionary movement. And it is precisely because of this defeat that the colonized and semicolonized countries have had to fight imperialism by themselves. But because they have fought only imperialism and on only a part of the total revolutionary terrain, they have only partially driven it out. The oppressive regimes that have installed themselves wherever national liberation revolutions believed themselves victorious are only one of the guises by which the return of the repressed takes place.

6

No matter what forces have participated in them, and regardless of the radicalism of their leaderships, the national liberation movements have always led the ex-colonial societies to modern forms of the state and to pretensions of modernity in the economy. In China, father-image of underdeveloped revolutionaries, the peasants' struggle against American, European and Japanese imperialism ended up, because of the defeat of the Chinese workers movement in 1925-1927, by bringing to power a bureaucracy on the Russian model. The Stalino-Leninist dogmatism with which this bureaucracy gilds its ideology -- recently reduced to Mao's red catechism -- is nothing but the lie, or at best the false consciousness, that accompanies its counterrevolutionary practice.

7

Fanonism and Castro-Guevaraism are the false consciousness through which the peasantry carries out the immense task of ridding precapitalist society of its semifeudal and colonialist leftovers and acceding to a national dignity previously trampled on by reactionary colonists and ruling classes. Ben-Bellaism, Nasserism, Titoism and Maoism are the ideologies that signal the end of these movements and their takeover by petty-bourgeois or military urban strata: the reconstitution of exploitive society with new masters and based on new socioeconomic structures. Wherever the peasantry has fought victoriously and brought to power the social strata that marshaled and directed its struggle, it has been the first to suffer their violence and to pay the enormous cost of their domination. Modern bureaucracy, like that of antiquity (in China, for example), builds its power and prosperity on the superexploitation of the peasants: ideology changes nothing in the matter. In China or Cuba, Egypt or Algeria, everywhere it plays the same role and assumes the same functions.

8

In the process of capital accumulation, the bureaucracy fulfills what was only the unrealized ideal of the bourgeoisie. What the bourgeoisie has taken centuries to accomplish "through blood and mud," the bureaucracy wants to achieve consciously and "rationally" within a few decades. But the bureaucracy cannot accumulate capital without accumulating lies: that which constituted the original sin of capitalist wealth is sinisterly referred to as "socialist primitive accumulation." Everything that the underdeveloped bureaucracies present as or imagine to be socialism is nothing but a realized neo-mercantilism. "The bourgeois state minus the bourgeoisie" (Lenin) cannot go beyond the historical tasks of the bourgeoisie, and the most advanced industrial countries show to the less developed ones the image of their own development to come. Once in power, the Bolshevik bureaucracy could find nothing better to propose to the revolutionary Russian proletariat than to "follow the lessons of German state-capitalism." All the so-called "socialist" powers are nothing but underdeveloped imitations of the bureaucracy that dominated and defeated the revolutionary movement in Europe. Whatever the bureaucracy is able to do or is forced to do will neither emancipate the laboring masses nor even substantially improve their social condition, because those aims depend not only on the productive forces but also on their appropriation by the producers. In any case, what the bureaucracy will not fail to do is create the material conditions to realize both. Has the bourgeoisie ever done less?

9

In the peasant-bureaucratic revolutions only the bureaucracy aims consciously and lucidly at power. The seizure of power is the historical moment when the bureaucracy lays hold of the state and declares its independence vis-Ã -vis the revolutionary masses before even having eliminated the vestiges of colonialism and achieving effective independence from foreign powers. Upon entering the state, the new class suppresses all autonomy of the masses by pretending to suppress its own autonomy and devote itself to the service of the masses. Exclusive owner of the entire society, it declares itself the exclusive representative of that society's superior interests. In so doing, the bureaucratic state is the fulfillment of the Hegelian State. Its separation from society sanctions at the same time the society's separation into antagonistic classes: the momentary union of the bureaucracy and the peasantry is only the fantastic illusion through which they jointly accomplish the immense historical tasks of the absent bourgeoisie. The bureaucratic power built on the ruins of precapitalist colonial society is not the abolition of class antagonisms; it merely substitutes new classes, new conditions of oppression and new forms of struggle for the old ones.

10

The only people who are really underdeveloped are those who see a positive value in the power of their masters. The rush to catch up with capitalist reification remains the best road to reinforced underdevelopment. The question of economic development is inseparable from the question of who is the real owner of the economy, the real master of labor power. Everything else is nothing but the babble of specialists.

11

So far the revolutions in the underdeveloped countries have only tried to imitate Bolshevism in various ways. From now on the point is to go beyond it through the power of the soviets.

MUSTAPHA KHAYATI (1967)

Translated by Ken Knabb (slightly modified from the version in the Situationist International Anthology entitled "Contributions Toward Rectifying Public Opinion Concerning the Revolution in the Underdeveloped Countries").

The Explosion Point of Ideology in China

The international association of totalitarian bureaucracies has completely fallen apart. In the words of the Address published by the situationists in Algiers in July 1965, the irreversible "collapse of the revolutionary image" that the "bureaucratic lie" counterposed to the whole of capitalist society, as its pseudonegation and actual support, has become obvious, and first of all on the terrain where official capitalism had the greatest interest in upholding the pretense of its adversary: the global confrontation between the bourgeoisie and the so-called "socialist camp." This camp had in any case never been socialist; now, in spite of all sorts of attempts to patch it up, it has ceased even to be a camp.

The disintegration of the Stalinist monolith is already manifested in the coexistence of some twenty independent "lines," from Rumania to Cuba, from Italy to the Vietnamese-Korean-Japanese bloc of parties. Russia, having this year become incapable of holding a joint conference of merely all the European parties, prefers to forget the era when Moscow reigned over the Comintern. Thus the Izvestia of September 1966 blames the Chinese leaders for bringing "unprecedented" discredit on "Marxist-Leninist" ideas, and virtuously deplores the confrontational style "in which insults are substituted for an exchange of opinions and revolutionary experiences. Those who choose this method confer an absolute value on their own experience and reveal a dogmatic and sectarian mentality in their interpretation of Marxist-Leninist theory. Such an attitude is inevitably accompanied by interference in the internal affairs of fraternal parties." In the Sino-Soviet polemic, in which each power is led to impute to its opponent every conceivable antiproletarian crime, being only obliged not to mention the real crime (the class power of the bureaucracy), each side can only arrive at the sobering conclusion that the other's revolutionariness was only an unexplainable mirage, a mirage which, lacking any reality, has purely and simply reverted to its old point of departure. Thus in New Delhi last February the Chinese ambassador described Brezhnev and Kosygin as "new czars of the Kremlin," while the Indian government, an anti-Chinese ally of this Muscovy, discovered that "the present masters of China have donned the imperial mantle of the Manchus." This denunciation of the new Middle Kingdom dynasty was further refined the following month in Moscow by the modernist state poet Voznesensky, who, with a foreboding of a new invasion of "the hordes of Koutchoum," counts on "eternal Russia" to build a rampart against the Mongols who threaten to bivouac among "the Egyptian treasures of the Louvre."

The accelerating decomposition of bureaucratic ideology, as evident in the countries where Stalinism has seized power as in the others where it has lost every chance of seizing it, naturally began around issues of internationalism; but this is only the beginning of a general and irreversible disintegration. For the bureaucracy, internationalism could be nothing but an illusive proclamation in the service of its real interests, one ideological justification among others, since bureaucratic society is the total opposite of proletarian community. Bureaucratic power is based on possession of a nation-state and it must ultimately obey the logic of this reality, in accordance with the particular interests imposed by the level of development of the country it possesses. Its heroic age passed away with the ideological golden age of "socialism in a single country" that Stalin was shrewd enough to maintain by destroying the revolutions in China in 1927 and Spain in 1937. The autonomous bureaucratic revolution in China -- as already shortly before in Yugoslavia -- introduced into the unity of the bureaucratic world a dissolutive germ that has broken it up in less than twenty years. The general process of decomposition of bureaucratic ideology is now attaining its supreme stage in the very country where that ideology was most necessary, the country where, because of its general economic backwardness, the remaining ideological pretensions of revolution had to be pushed to their extreme: China.

The crisis that has continually deepened in China since the spring of 1966 constitutes an unprecedented phenomenon in bureaucratic society. The bureaucratic state-capitalist ruling class of Russia and East Europe, continually and necessarily exerting terror over the exploited majority, has of course often been torn apart by rivalries and antagonisms stemming from the objective problems it runs into as well as from the subjectively delirious style that a totally mendacious power is led to assume. But up till now the bureaucracy -- which must be centralized due to its mode of appropriation of the economy, since it must draw from itself the hierarchical guarantee to all participation in its collective appropriation of the social surplus production -- has always made its purges from the top down. The summit of the bureaucracy has to remain fixed, for the whole legitimacy of the system depends on a fixed summit. It must keep its dissensions to itself (as it always has from the time of Lenin and Trotsky). Those who hold office may be replaced or liquidated, but the office itself must always retain the same indisputable majesty. The unexplained and unanswerable repression can then normally descend to each level of the apparatus as a mere implementation of what has been instantaneously decided at the top. Beria must first be killed; then judged; then his faction can be hunted down; or in fact anybody can be hunted down because the power that is doing the liquidating thereby defines who and what that faction consists of and at the same time redefines itself as the sole power.(1) This is what is not happening in China. The persistency of the declared adversaries, in spite of the fantastic raising of bids in the struggle for total power, clearly shows that the ruling class has split in two.

A social disaster of such magnitude obviously cannot be explained, in the anecdotal style of bourgeois observers, as being the result of dissensions over foreign policy (on the contrary, the Chinese bureaucracy is quite unified in the docility with which it tolerates the insult of the crushing of Vietnam on its own doorstep). Neither could personal quarrels over succession to power have caused so much to be put at stake. When certain leaders are accused of having "kept Mao Tse-tung from power" since the end of the 1950s, everything leads one to believe that this is one of those retrospective crimes frequently fabricated during bureaucratic purges -- Trotsky conducting the civil war on orders from the Mikado, Zinoviev supporting Lenin in order to work for the British Empire, etc.(2) The man who could have taken power from someone as powerful as Mao would not have slept as long as Mao was still around to come back. Mao would have died that very day, and nothing would have prevented his faithful successors from attributing his death to, say, Khrushchev. If the rulers and polemicists of the bureaucratic states certainly have a much better understanding of the Chinese crisis, their statements cannot for all that be taken any more seriously, for in talking about China they have to guard against revealing too much about themselves. Those susceptible to the grossest misconceptions are the leftist debris of the Western countries, who are always the willing dupes of moldy sub-Leninist propaganda. They solemnly evaluate the role in Chinese society of the continuation of allowances to the capitalists who rallied to the "Communist" regime, or scrutinize the fray trying to figure out which leader represents genuine radicalism or workers' autonomy. The most stupid among them thought there was something "cultural" about this affair, until January when the Maoist press pulled the dirty trick on them of admitting that it had been "a struggle for power from the very beginning." The only serious debate consists in examining why and how the ruling class could have split into two hostile camps; and any investigation of this question is naturally impossible for those who don't recognize that the bureaucracy is a ruling class, or who ignore the specificity of this class and reduce it to the classical conditions of bourgeois power.

On the why of the breach within the bureaucracy, it can be said with certainty only that it was a matter in which the ruling class's very domination was at stake since in order to settle it each side remained unyielding and neither hesitated to immediately risk their common class power by jeopardizing all the existing conditions of their administration of the society. The ruling class must thus have known that it could no longer govern as before. There is no question that the conflict involved the management of the economy, and that the collapse of the bureaucracy's successive economic policies is the cause of that conflict's extreme acuteness. The failure of the "Great Leap Forward" -- mainly because of the resistance of the peasantry -- not only put an end to the prospect of an ultravoluntarist takeoff of industrial production, but led to a disastrous disorganization whose effects were felt for several years.(3) Even agricultural production has scarcely increased since 1958 (the increase of food supplies does not even match the rate of population growth).

It is less easy to say over what specific economic options the ruling class split. Probably one side (consisting of the majority of the Party apparatus, the union leaders and the economists) wanted to continue, or increase more or less considerably, the production of consumer goods and to sustain the workers' efforts with economic incentives; this policy would imply making some concessions to the peasants and especially to the factory workers, as well as increasing a hierarchically differentiated consumption for a good part of the bureaucracy. The other side (including Mao and a large segment of the higher-ranking army officers) probably wanted to resume at any price the effort to industrialize the country through an even more extreme recourse to terror and ideological energy, an unlimited superexploitation of the workers, and perhaps an "egalitarian" sacrifice in consumption for a considerable segment of the lower bureaucracy. Both positions are equally oriented toward maintaining the absolute domination of the bureaucracy and are calculated in terms of the necessity of erecting barriers against class struggles that threaten that domination. In any case, the urgency and vital character of this choice was so evident to everyone that both camps felt they had to run the risk of immediately aggravating the conditions in which they found themselves by the disorder of their very schism. It is quite possible that the obstinacy on both sides is justified by the fact that there is no satisfactory solution to the insurmountable problems of the Chinese bureaucracy; that the two options confronting each other were thus equally unfeasible; and that some choice nevertheless had to be made.

As for figuring out how a division at the summit of the bureaucracy was able to descend from level to level -- recreating at every stage remote-controlled confrontations which in turn incited or exacerbated oppositions throughout the Party and the state, and finally among the masses -- it is probably necessary to take into account the survival of aspects of the ancient manner of administering China by provinces tending toward semiautonomy. The Peking Maoists' denunciation in January of "independent fiefs" clearly suggests this reality, and the development of the disturbances over the last few months confirms it. It is quite possible that the phenomenon of regionally autonomous bureaucratic power, which during the Russian counterrevolution was manifested only weakly and sporadically by the Leningrad organization, found firm and multiple bases in bureaucratic China, resulting in the possibility of a coexistence within the central government of clans and constituents holding entire regions of bureaucratic power as their personal property and bargaining with each other on this basis. Bureaucratic power in China was not born out of a workers movement, but out of the military regimentation of peasants during a 22-year war. The army has remained closely interlinked with the Party, all of whose leaders have also been military chiefs, and it remains the principal training school of the peasant masses from which the Party selects its future cadres. It seems, moreover, that the local administrations installed in 1949 were largely based on the regions traversed by the different army regiments moving from the north to the south, leaving in their wake at every stage men who were linked to those regions by geographical origin (or by family ties: the propaganda against Liu Shao-ch'i and others has fully exposed this nepotistic factor in the consolidation of bureaucratic cliques). Such local bases of semiautonomous power within the bureaucratic administration could thus have been formed by a combination of the organizational structures of the conquering army with the productive forces it found to control in the conquered regions.

When the Mao faction began its public offensive against the entrenched positions of its adversaries by dragooning and indoctrinating students and schoolchildren, it was in no way for the purpose of directly initiating a "cultural" or "civilizing" remolding of the mass of workers, who were already squeezed as tightly as possible into the ideological straitjacket of the regime. The silly diatribes against Beethoven or Ming art, like the invectives against a supposed occupation or reoccupation of positions of power by a Chinese bourgeoisie that has obviously been annihilated as such, were only presented for the benefit of the spectators -- though not without calculating that this crude ultraleftism might strike a certain chord among the oppressed, who have, after all, some reason to suspect that there are still several obstacles in their country to the emergence of a classless society. The main purpose of this operation was to make the regime's ideology, which is by definition Maoist, appear in the street in the service of this faction. Since the adversaries could themselves be nothing other than officially Maoist, imposing a struggle on this terrain immediately put them in an awkward position. It forced them to make "self-critiques," the insufficiency of which, however, expressed their actual resolution to hold on to the positions they controlled. The first phase of the struggle can thus be characterized as a confrontation of the official owners of the ideology against the majority of the owners of the economic and state apparatus. But the bureaucracy, in order to maintain its collective appropriation of society, needs the ideology as much as it does the administrative and repressive apparatus; the venture into such a separation was thus extremely dangerous if it was not quickly resolved.

The majority of the apparatus, including Liu Shao-ch'i himself despite his shaky position in Peking, resisted obstinately. After their first attempt to block the Maoist agitation at the university level by setting up effectively anti-Maoist "work groups" among the students, that agitation spread into the streets of all the large cities and everywhere began to attack, by means of wall posters and direct action, the officials who had been designated as "capitalist-roaders" -- attacks that were not without errors and excesses of zeal. These officials organized resistance wherever they could. It is likely that the first clashes between workers and "Red Guards"(4) were in fact initiated by Party activists in the factories under orders from local officials. Soon, however, the workers, exasperated by the excesses of the Red Guards, began to intervene on their own. When the Maoists spoke of "extending the Cultural Revolution" to the factories and then to the countryside, they gave themselves the air of having decided on a movement which had in fact come about in spite of their plans and which throughout autumn 1966 was totally out of their control. The decline of industrial production; the disorganization of transportation, irrigation and state administration (despite Chou En-lai's efforts); the threats to the autumn and spring harvests; the halting of all education (particularly serious in an underdeveloped country) for more than a year -- all th